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Late Night Retro Television Review: Monsters 3.1 “Stressed Environment”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, we begin the third season of Monsters!

Episode 3.1 “Stressed Environment”

(Dir by Jeffrey Wolf, originally aired on September 30th, 1990)

The third season of Monsters starts off with the story of an experiment gone wrong.

For twelve years, Dr. Elizabeth Porter (Carol Lynley) has been experimenting with lab rats, trying to help them evolve into a higher form of intelligence.  Her work is supervised by Dr. Robert Winston (Victor Raider-Wexler) and her assistants are the cowardly Keith (Scott Weir) and Gina (Kathleen McCall).  The episode opens with a lengthy (by Monsters standards) scene of Gina undressing and then putting on her special rat feeding uniform while Keith tries to discreetly watch.  It’s a scene that really has little to do with the rest of the episode but I guess the producers of Monsters decided that the best way to survive to a fourth season would be to appeal to teenage boys.

Anyway, Keith’s crush on Gina comes to naught because Gina is killed while trying to feed the rats.  It turns out that the rats have gotten smart.  They’ve gotten smart enough to build crude spears and crossbows and use them as weapons.  Dr. Winston wants to shut the experiment down.  Keith wants to go home.  Elizabeth, however, wants to protect her rats and see if she can convince them to give up their weapons and live in peace.  Dr. Winston points out that if humans can’t convince their own species to do that, how is Elizabeth going to convince a bunch of rats?

And Dr. Winston has a point.  Elizabeth may think that she has a special bond with the rats but the rats disagree.  Soon, Gina is not the only person to have lost their life to an army of spear-carrying rats.  The episode ends with Keith as the sole survivor and his ultimate fate is still up in the air.  The rats are angry, ruthless, and armed.

And cute!

Seriously, this episode probably might have been more effective if the rats themselves have been a bit more frightening but it wouldn’t have been as much fun.  As it is, the use of crude puppets actually made the rats look kind of adorable, especially when they were holding their little spears and setting up their little crossbows.  Of course, one reason why I found the rats to be cute is because I’m used to CGI.  I take CGI for granted.  This episode was made when special effects people still had to use puppets for their monsters and, as a result, the rats don’t really look like rats.  They’re so fake-looking that it’s hard not to like them.  They’re a throw-back to a simpler and more innocent time.

This was actually a pretty entertaining episode and a great way to start season 3!  I appreciated that this episode of Monsters featured actual monsters.  After the uneven batch of episodes that finished up the second season of this show, it’s nice to season 3 starting off on the right foot.

Retro Television Review: The Love Boat 5.8 and 5.9 “Farnsworth’s Fling/Three in a Bed/I Remember Helen/Merrill, Melanie & Melanesia/Gopher Farnsworth Smith”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, we have a two-hour special!

Episodes 5.8 and 5.9 “Farnsworth’s Fling/Three in a Bed/I Remember Helen/Merrill, Melanie & Melanesia/Gopher Farnsworth Smith”

(Dir by Richard Kinon, originally aired on November 21st, 1981)

The Love Boat crew is back in Australia, sailing from Sydney to Fiji and back again.  The Captain remembers his time in the Navy and a lost love who he met while serving in the South Pacific.  Julie remembers her love affair with Tony and how he left her at the altar after he discovered that he was dying.  Anthony Andrews, who played Tony, is listed as being a guest star on this episode but he only appears in archival footage.  Tony, we learn, has died but his brother, David (Brendon Lunney), assures Julie that her letters to him provided him with much comfort during his final days.

(David only appears for a minute or two, when Julie visits the animal preserve where Tony worked.  Still, in that minute, he and Julie have so much chemistry that I found myself hoping that David would spontaneously propose to her.)

As for the cruise, the majority of the cabins are populated by the relatives of William Otis Farnsworth (Lloyd Bridges).  Farnsworth is one of the richest men in the world and he’s taking a cruise with his entire family because he wants to see who is truly worthy of inheriting his fortune.  The ship is full of people looking to get rich, including:

  1. Jenny (Moran Fairchild) and Bud Boyer (Grant Goodeve), who are hoping that William will not discover that they’ve recently gotten divorced,
  2. Hazel (Patti MacLeod) and Frank Fransworth (Russell Newman), who hope that Hazel imitating William’s deceased wife will cause William to mention them favorably in his will,
  3. Marcia (Jessica Walter), who was married to William’s brother and who has basically hired gold digger Jessica Halberson (Linda Evans) to seduce and marry William, and
  4. Burl “Gopher” Smith, who thinks that he might be distantly related to William and who, with Isaac’s encouragement, tries to get close to William.  Gopher even calls his mother (Ethel Merman) to find out if he’s a relative.  She’s not much help.

Not interested in the money is William’s niece, Eloise (Beth Howland).  Eloise, who is William’s administrative assistant, finds herself falling in love with William’s valet, country boy Wayne Burton (Jim Nabors).  Words cannot begin to express just how annoying Jim Nabors is in this episode.  “Surprise surprise surpise!” Wayne says when he shows up on the boat.  “Golly!” Wayne says when a conscience-stricken Jessica tries to break up with William.  I found myself covering my ears whenever Nabors appeared on screen.

The main problem here is that none of these people are remotely likable.  Not even William Farnsworth is likable.  He’s meant to be likable but really, he comes across as being a judgmental jerk.  When Jessica tries to leave the ship and fly back to Sidney, William reacts by buying every single plane ticket on the island.  Jessica can’t leave but hey …. neither can anyone else!

Far more likable was Melanie (Margaret Laurence), the daughter of the Captain’s former lover, Madeleine.  Melanie is a dead-ringer for her mother and the Captain falls in love with her.  Melanie also falls in love with him.  She proposes marriage.  Awwww!  But then she realizes marrying the Captain would mean abandoning her job as a teacher so she calls the wedding off.  So now, both the Captain and Julie have had their heart broken in Australia.  At least they now have something to bond over.

For a two-hour episode, there really wasn’t much plot to this episode.  It was largely a travelogue.  There were a lot of kangaroos and koala bears and they were certainly cute.  The scenery was lovely.  Otherwise, this was a cruise full of rather unlikable people.  Australia deserved better.

Late Night Retro Television Review: Baywatch Nights 2.21 “The Vortex”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!

This week, Mitch has a day off but still has to work.

Episode 2.21 “The Vortex”

(Dir by L. Lewis Stout, originally aired on May 9th, 1997)

Mitch has the day off and he’s spending it with Ryan!  No matter what else one might say about Baywatch Nights and the direction it took as the production budget grew smaller, David Hasselhoff and Angie Harmon made for a cute couple and, as this episode began, I was kind of looking forward to watching them spend the day together.

Unfortunately, when they come across a fortune teller’s shop, Ryan insists that they go inside and discover their future.  Mitch mocks Ryan for “believing in that stuff” and says that there’s no such thing as psychic powers or being able to see the future, despite the fact that, over the course of the second season, Mitch has both gotten psychic powers and traveled through time.  Seriously, I get that Mitch was supposed to be the skeptic of the group but, by this point in the series, Mitch has seen and dealt with enough that his continual skepticism is just not believable.  Especially after last week’s episode, Mitch should be prepared to accept anything.  If this was a Lovecraft short story, Mitch would be ranting about the things he’s seen while locked away in an insane asylum.

At first, the store appears to be deserted.  Ryan sits at the fortune telling table and, when an actress (played by Priscilla Inga Taylor of Malibu CA), comes in the store, Ryan is able to tell her that she’s going to get the next role for which she auditions.  (I’d like to think that Taylor is playing her Malibu CA character, Traycee, here.)  After the actress leaves, Mitch and Ryan are suddenly joined by the owner of the shop, Wahote (Floyd “Red Crow” Westerman).  Wahote invites them to step behind a curtain and into a vortex and soon, Mitch and Ryan find themselves ten minutes into the future and watching as their future selves receive a call from Teague telling them that they need to investigate a boat that’s come back from the Amazon.  Future Mitch complains about always having to do things on his day off.  What I find strange is that neither present not future Mitch and Ryan seem to be curious as to why Teague, who apparently has connections with the CIA, is always asking the two of them to do these things.

A mysterious woman (Elaine Bilstad) shows up and says something about pollution and the rain forests.  Mitch and Ryan jump around in time and eventually, future Ryan and Mitch have to help present Ryan and Mitch get off the boat because the boat is full of mutants that have been created by pollution.  Or something.  To be honest, I had a hard time following the plot of this one.  Time travel nonsense is always a bit difficult for me to follow and the constantly moving camera was a bit of a distraction.

To give credit where credit is due, this episode had a good deal of atmosphere and, as I said earlier, Hasselhoff and Harmon were a likable team.  But the episode’s story was nearly incoherent and the fact that Mitch was still a skeptic at the end of the episode required too great of a suspension of disbelief.  During this episode, all I could think about was how obvious it was that Baywatch Nights was on its last legs.

Speaking of which …. next week, we finish up Baywatch Nights!  It’s time for it all to end.

Retro Television Review: Fantasy Island 5.20 “Forget-Me-Not/The Quizmasters”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Tattoo is still missing.

Episode 5.20 “Forget-Me-Not/The Quizmasters”

(Dir by Cliff Bole, originally aired on April 10th, 1982)

Amnesiac Ellen Layton (Jill St. John) comes to the Island in hopes of remembering who she was in her past life.  Ever since she was tossed off a horse and struck her head, Ellen has not been able to recall a single detail of her old life.  Roarke agrees to help, using another one of those magic plants that seem to grow in abundance on Fantasy Island.  However, Roarke also shows Julie a hologram that reveals that, in her previous life, Ellen was a ruthless businesswoman who fired people at the drop of a hat.

As quickly becomes obvious, amnesiac Ellen is far happier than corporate Ellen.  Afterall, amnesiac Ellen has all sorts of friends on the Island and she even has sleazy Mike Collins (Dan Gautier) pretending to be in love with her.  (In what I believe is a Fantasy Island first, we hear the thoughts of Mike and several other men when they first learn that the wealthy and beautiful Ellen can’t remember anything about her past life.)  But when Ellen’s real husband (Brett Halsey) comes to the Island looking for her, she has to decide if she wants to go back to who she used to be or if she wants to continue being the carefree amnesiac that she’s been for the last several months.  Which will she choose?

You already know the answer to that one.  Ellen’s fantasy really wasn’t that interesting.  I preferred the first part of the show’s other fantasy.  Two game show hosts (Gene Rayburn and Jan Murray), who are both in love with the same woman (Vikki Carr), come to the Island because they want to compete in the ultimate game show.  Roarke actually sets up a game show for them, with himself as host and a studio audience.  The two men are asked a question.  The first man to answer correctly is given the choice of opening one of four doors.  Three of the doors contain prizes, like love and money.  The other door is the …. DOOR OF DEATH!

One of the joys of this episode is watching Ricardo Montalban play a game show host.  He appears to be having a blast, especially when he gets to dramatically remind the two contestants about “the Door of Death!”  And, while the two men do manage to open up two of the doors successfully (leading one contestant rescuing Vikki Carr from being burned at the stake as a witch and the other contestant robbing a 1920s bank), the third door that the two men open is THE DOOR OF DEATH!

Unfortunately, the Door of Death turns out to be a bit anticlimatic.  The two men and the women they love have to survive in the wilderness while being pursued by an archer whose fantasy is to — *sigh* — hunt the most dangerous prey of all, man.  The show just did a Most Dangerous Game knock-off just two episodes ago so why do it again?  Fortunately, both of the game show hosts and the woman they’re fighting over survive.  They leave the Island together, their love triangle unresolved.

The game show had a lot of potential but this episode was disappointing.  Unfortunately, Tattoo was not in this episode and Julie served as Roarke’s assistant.  Nothing against Julie but the whole game show thing seemed like it would have been a perfect set up for some Roarke/Tattoo banter.  This show was definitely better with Tattoo than without him.

Late Night Retro Television Reviews: CHiPs 2.23 “The Greatest Adventures of CHiPs”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, the second season of CHiPs comes to a close.  Now, if you don’t remember much about what happened during the first two seasons of the show, don’t worry.  This finale has got you covered.  But first, let’s watch the opening credits and chair dance to the CHiPs theme song.

Episode 2.23 “The Greatest Adventures of CHiPs”

(Dir by Don Weis, originally aired on May 12th, 1979)

With Ponch and Baker absent from the morning briefing because they’ve gone to Bakersfield to teach a class, Sgt. Getraer announces to the assembled members of the High Patrol that they have been nominated for an award for going beyond the normal call of duty.  Everyone’s totally excited for Ponch and Baker.  Armed with a bulky 70s tape recorder, Grossie asks everyone for their favorite Ponch and Baker stories so that he can write a speech honoring them….

Yep, it’s a clip show.

It’s not just any clip show, either.  It’s a 90-minute clip show.  Of course, there’s only about fifteen minutes of new footage.  The rest of it is made up of scenes of Baker yelling at motorists and Ponch smiling.  Even when CHiPs attempts to show why both of them deserves a reward, it’s obvious that Baker does all the work and Ponch gets all the credit.

I understand the logic behind clip shows.  They’re cheap and it allows almost everyone to have the weekend off.  They’re not very entertaining to watch, though perhaps they carried more weight in the days before streaming and DVRs ensured that you could rewatch your favorite scenes whenever you wanted to.  They are, however, very easy to review.

This clip show marks the end of the show’s second season.  A clip show always seems like a weak way for a season (much less a show) to go out but again, I get it.  Everyone’s tired.  Everyone wants to head to Cabo for the summer.  Get us out of here!  CLIP SHOW!

(That said, this clip show does get some credit for including some pretty groovy disco footage!  SOLID!  Estrada gets to do his Travolta impersonation while everyone watches and claps.)

The second season of CHiPs was actually pretty entertaining, even if it is kind of silly just how much the show highlights Ponch over Baker.  Technically, of the two of leads, Larry Wilcox was the better actor but Erik Estrada always seemed like he was having more fun.  The second season had a few dud episodes but it also had its share of spectacular stunts and a lot of lovely California scenery.  Sindy Cahill being perfect at everything got old pretty quickly but at least Arthur “Grossie” Grossman was around to provide some comic relief.

Well, that’s it.  There’s not too much you can say about a clip show.  Next week, we’ll start season three!

Retro Television Review: Miami Vice 3.10 “Streetwise”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Bill Paxton and Wesley Snipes walk the streets of Miami!

Episode 3.10 “Streetwise”

(Dir by Fred Walton, originally aired on December 5th, 1986)

I was excited to see that this week’s episode of Miami Vice featured guest turns from not only Wesley Snipes but Bill Paxton as well!  Then I remembered that guest stars never survive their episode and I felt a little bit sad.  I know what was coming.  Miami Vice is not a show that features happy endings.  Anyone who gets involved in Miami’s vice trade is destined to end up dead, regardless of how innocent or guilty they may be.  It’s a dark world in Miami.

Paxton plays Vic Romano, a vice cop from a neighboring precinct who is arrested during a prostitution bust.  Romano has been having an affair with Carla Cappoletti (Alice Adair), an emotionally fragile prostitute who is abused by both her pimp, Silk (Wesley Snipes), and almost all of her clients.  She knows that Vic is a cop and Vic knows that she’s a prostitute but neither one of them cares.  As Vic puts it, they’re in love.

The Vice Squad is shocked to find that Carla is carrying cocaine that is almost totally pure.  Trying to track down who is supplying Silk with the cocaine, the squad discovers that neither Carla nor Vic want to cooperate.  While Vic tries to explain things to his wife, Tubbs goes undercover as a pimp.  He bails Carla out of jail and tells her that she works for him now.  When Silk shows up to object, Tubbs easily beats him up.  Silk may talk tough but, without a gun to back him up, he’s not much of a fighter.

When Tubbs demands that Carla go to Silk and find out where he’s been getting his cocaine from, Carla refuses.  Tubbs, still pretending to be a pimp, proceeds to yell at her and tear up a hotel room.  A sobbing Carla begs Tubbs not to hurt her “too much,” and Tubbs realizes that he’s gone too far in trying to maintain his cover.  He shows Carla his badge.  It’s always kind of easy to laugh at the way that Tubbs trots out his fake Caribbean accent whenever he’s pretends to be Rico Cooper but Thomas does a really good job in this episode and he is genuinely frightening when he starts yelling at Carla.  I found myself wondering just how far Tubbs actually would go to maintain his cover and I was actually relieved when he pulled out that badge.

It ends, as things often do with this show, in a shootout.  Silk is gunned down by Crockett and Tubbs but not before Romano is shot by Silk.  Romano dies in Carla’s arms and I felt a little teary-eyed.  Bill Paxton was a wonderful actor and he gave a likable and sincere performance as Vic Romano.  Watching the episode, I never once doubted Romano’s love for Carla.  Both Snipes and Paxton were well-cast as their doomed characters.  Neither one survived the hour but I doubt anyone who watched the show ever forgot them.

Lisa Marie’s Week In Television: 11/24/24 — 11/30/24

Posted on by Lisa Marie Bowman

Spending this Thanksgiving week with my sisters, I didn’t watch a lot of television.  I did watch and review episodes of Homicide, Degrassi High, Miami Vice, CHiPs, Fantasy Island, Baywatch Nights, The Love Boat, and Monsters.

And, earlier today, I watched episodes of CHiPs, Degrassi High, Baywatch Nights, Monsters, Malibu CA, Check It Out, and Friday the 13th: The Series and I wrote up reviews that will post over the course of the upcoming week.  It’s always nice to have a head start on all of that.

On Tuesday, Erin and I watched A Charlie Brown Thanksgiving.  Charlie Brown really was way too nice about Peppermint Patty inviting herself over to his house and then getting upset over being served popcorn.  Myself, I love the fact that Snoopy had a fully cooked turkey that he basically hid from everyone else until it was just him and Woodstock at the house.

On Wednesday, I watched the latest episode of Hell’s Kitchen.  I was not surprised to see Lulu eliminated.  I hope Brandon wins this season.

I watched bits of the Macy’s Thanksgiving Day Parade and also the four football games that were played on Thursday.  My cousins were really into the football games.  I said I thought it would be nice if everyone could win and I got booed and accused of being a commie.  As for the parade, it just made me wish that I was in New York to see it in person.  Maybe next year!

On Friday, I watched episodes of two old 90s shows — Rollergames and Happy Hour.  They were both enjoyably dumb.

And that’s it for this week!

Retro Television Reviews Will Return On December 2nd!

Posted on by Lisa Marie Bowman

Happy Thanksgiving!  Due to the holiday, Retro Television Reviews will be taking a few days off!  This feature will return on Monday, December 2nd, with Miami Vice and CHiPs!

Have a great Thanksgiving weekend everyone!

Late Night Retro Television Review: Monsters 2.24 “The Family Man”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, the second season of Monsters reaches its conclusion!

Episode 2.24 “The Family Man”

(Dir by Michael Warren Powell, originally aired on June 3rd, 1990)

Neil (Calvin Armitage) is not happy.  The young son of Angie (Annie Corley), Neil is upset that she is dating a condescending psychologist named Warren (Michael O’Gorman).  Making things even worse is that Neil seems to be the only person who dislikes Warren.  Even Neil’s older sister, Terri (Kelli Rabke), thinks that Warren is a great guy and would be a wonderful stepfather.

Adding to Neil’s problems is his terrible eyesight.  He’s recently gotten new glasses, which he cannot stand.  He would rather wear the glasses that once belonged to his late father.  When Neil puts those old glasses on and looks at Warren, he is shocked to see that Warren is actually a lizard-like alien with sharp teeth.  It doesn’t take long for Warren to figure out that Neil has seen through his human disguise but, as Warren explains it, no one is going to believe Neil.  Instead, Warren is just going to drain the life forces of Angie, Neil, and Terri, killing them as he’s killed so many other humans.

At first, it looks like Warren is correct.  Angie refuses to listen to Neil and she also refuses to put on the glasses.  As for the glasses themselves, they are eventually shattered by Warren.  What can Neil possibly do!?  Luckily, the glasses were not the only thing that Neil’s father left behind….

The second season finale of Monsters owes a great deal to They Live, with the exception being that, instead of seeing how he’s being manipulated by the media, Neil uses his glasses to discovers that his potential stepfather is actually a murderous lizard person.  I think that anyone who has ever watched in horror as their divorced or widowed mother dated a new weirdo will be able to relate to this episode.  I remember, immediately after my parents got divorced, I tended to view almost every guy that my mom talked to as being a potential lizard person.  Eventually, of course, I came to accept that not all strangers were alien beings.  In fact, I don’t think I’ve ever met an actual alien or an actual lizard person.  That’s good luck on my part, I suppose.

As for this episode, the lizard person makeup was effective and Michael O’Gorman certain gave a good performance as the manipulative Warren.  Probably the most disturbing thing about Warren was the he didn’t seem to be particularly worried about Neil discovering his true identity because he knew there was no way anyone was going to believe a word that Neil said.  That said, the episode really was a bit too much of a rip-off to be totally successful.  Still, if you’re going to rip someone off, you might as well rip off the best.

The second season of Monsters ends on an above average note.  The season itself was, overall, uneven.  There was some very good episode and, unfortunately, there were also some very bad ones.  I guess that’s to be expected with anthology shows.

Next week, we’ll begin the third and final season of Monsters!

Retro Television Review: The Love Boat 5.7 “The Lady from Laramie/Vicki Swings/Phantom Bride”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The Love Boat promises something for everyone!

Episode 5.7 “The Lady from Laramie/Vicki Swings/Phantom Bride”

(Dir by Jack Arnold, originally aired on November 14th, 1981)

As I did with this week’s episodes of Miami Vice, CHiPs, and Fantasy Island, I’m going to save time by doing this one bullet point style.

  • Before getting to the storylines, I want to point out that this week’s episode was directed by Jack Arnold.  Jack Arnold may not be a household name but he directed some of this site’s favorite science fiction and monster movies, including Tarantula, The Incredible Shrinking Man, It Came From Outer Space, and The Creature From The Black Lagoon!
  • As always, this cruise presents us with three stories.  One of the three stories definitely does benefit from Arnold’s macabre touch.  Juliet Mills and Buddy Hackett play Kate and Julian Garfield, who are married psychic researchers.  The board the boat in search of a ghost.  Captain Stubing doesn’t believe in ghosts and good for him!  (Neither do I!)  However, Gopher is totally convinced and he’s soon wandering around the boat with a bunch of garlic hanging around his neck.  Gopher, they’re looking for ghosts, not vampires!
  • At one point, Gopher is convinced that he’s managed to take a picture of a ghost but it’s actually just Kate looking through a porthole.
  • I have to admit that I groaned a bit when I saw that Juliet Mills was going to, once again, be a passenger on The Love Boat.  But then I remembered that Hayley is the Mills sister that gets on my nerves.  Juliet and Buddy Hackett had a surprising amount of chemistry.  They were likable together.
  • It is kind of funny that there are certain guest stars — like Juliet Mills — who show up over and over again but who always play different characters.  I’m always waiting for someone on the boat to be like, “Hey, weren’t you here last week?”
  • The least interesting story featured Nancy Dussault as a plain-spoken (or maybe just annoying) widow from Wyomin’ who fell in love with an Italian gigolo (Cesare Danova) who was on the boat with a rich socialite (Marti Stevens).  Cesare Danova played the mob boss in Mean Streets and the mayor in Animal House.  He did not look happy at all to be on The Love Boat.
  • Poor Vicki!  In this episode, 14 year-old Vicki pretended to be 18 in an attempt to flirt with Todd Andrews (Patrick Labyroteaux), a teenager who was traveling by himself.  The Captain grew very worried about Vicki, especially after he heard Todd suggesting that he and Vicki had fooled around late into the night.  (Todd was lying and, oddly enough, everyone seemed to be strangely forgiving of Todd’s actions.)
  • At one point, The Captain tells Vicki that he wanted her to spend time with people her own age.  Vicki replies that she was the only fourteen year-old on the ship.  And, seriously, Vicki has a point.
  • Vicki living on the ship has always seemed kind of strange to me and I always appreciate the episodes that try to honestly deal with the situation.  How can you not have mixed feelings about spending your teen years on a boat, largely surrounded by people who are quite a bit older than you?  That said, Gavin MacLeod was always at his best when he was playing Stubing as a father and Jill Whelan was refreshingly non-cutesy in the role of Vicki.  As a result, you couldn’t help but feel that, ultimately, the Captain and his daughter were right where they belonged.
  • This was an okay cruise.  The ghost storyline was fun.  MacLeod and Whelan tugged at the heartstrings.  When it comes to good stories on The Love Boat, two out of three is not bad at all!

Next week — The Love Boat goes on a Thanksgiving cruise!  (If only I had started reviewing The Love Boat a week earlier than I did, the timing would have been perfect.)  ‘Til then, set a course for adventure, your mind on a new romance….