The Kansas City Film Critics Circle Honors Birdman!

Posted on December 15, 2014 by Lisa Marie Bowman

Did you know that the Kansas City Film Critics Circle is apparently the oldest critics organization in America? It’s true!

Anyway, here are their picks for the best of 2014! Let’s just call this: Birdman Soars In Kansas City!

BEST PICTURE
Birdman

BEST DIRECTOR
Richard Linklater, Boyhood

BEST ACTOR
Michael Keaton, Birdman

BEST ACTRESS
Rosamund Pike, Gone Girl

BEST SUPPORTING ACTOR
Edward Norton, Birdman

BEST SUPPORTING ACTRESS
Patricia Arquette, Boyhood

BEST ORIGINAL SCREENPLAY
Birdman

BEST ADAPTED SCREENPLAY
Obvious Child

BEST FOREIGN LANGUAGE FILM
Ida

BEST ANIMATED FILM
The Lego Movie

BEST DOCUMENTARY
CITIZENFOUR

BEST SF/FANTASY/HORROR FILM
The Babadook

Here Are The Detroit Film Critics Nominations!

Posted on December 11, 2014 by Lisa Marie Bowman

And here are the Detroit Film Critics Nominees for 2014! I’m happy to see that they had some love for one of my favorite films of the year, Under the Skin!

(h/t to awards circuit)

BEST FILM

Boyhood
Birdman
The Grand Budapest Hotel
Under the Skin
Whiplash

BEST DIRECTOR

Wes Anderson, The Grand Budapest Hotel
Damien Chazelle, Whiplash
Jonathan Glazer, Under the Skin
Alejandro González Iñárritu, Birdman
Richard Linklater, Boyhood

BEST ACTOR

Benedict Cumberbatch, The Imitation Game
Brendan Gleeson, Calvary
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
Tom Hardy, Locke
Eddie Redmayne, The Theory of Everything

BEST ACTRESS

Essie Davis, The Babadook
Scarlett Johansson, Under the Skin
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

BEST SUPPORTING ACTOR

Josh Brolin, Inherent Vice
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
JK Simmons, Whiplash

BEST SUPPORTING ACTRESS

Patricia Arquette, Boyhood
Laura Dern, Wild
Rene Russo, Nightcrawler
Emma Stone, Birdman
Tilda Swinton, Snowpiercer

BEST ENSEMBLE

Birdman
Boyhood
Guardians of the Galaxy
The Grand Budapest Hotel
Into the Woods

BREAKTHROUGH

Damien Chazelle, Whiplash (director, screenplay)
Jennifer Kent, The Babadook (director, screenplay)
Gugu Mbatha-Raw, Belle, Beyond the Lights (actress)
Chris Pratt, Guardians of the Galaxy (actor)
Dan Stevens, The Guest (actor)

BEST SCREENPLAY

Wes Anderson, The Grand Budapest Hotel
Damien Chazelle, Whiplash
Nicolas Giacobone and Alejandro González Iñárritu, Birdman
Richard Linklater, Boyhood
John Michael McDonagh, Calvary

BEST DOCUMENTARY

CitizenFour
Finding Vivian Maier
Jodorowsky’s Dune
Keep On Keepin’ On
Life Itself

(It’s interesting to note that, despite the fact that they clearly appreciate independent visions, the Detroit Film Critics totally snubbed Only Lovers Left Alive, a film that is, in many ways, a love letter to Detroit.)

Here Are The Online Film Critics Society Nominations!

Posted on December 8, 2014 by Lisa Marie Bowman

The Online Film Critics Society announced their nominees for the best of 2014 earlier today and what can I say other than the fact that I love them! Seriously, it’s such a wonderful mix of the expected (Boyhood, Selma) and the unexpected (Ida, Mommy).

If the Oscar nominations look anything like the OFCS nominations, then it will be a very interesting night. (Unfortunately, they probably won’t…)

(h/t to awardwatch)

Best Picture
Boyhood
The Grand Budapest Hotel
Ida
The Lego Movie
Mommy
Nightcrawler
Selma
Two Days, One Night
Whiplash
Under the Skin

Best Animated Feature
Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie
The Tale of the Princess Kaguya

Best Film Not in the English Language
Ida
The Missing Picture
Mommy
The Tale of the Princess Kaguya
Two Days, One Night

Best Documentary
Citizenfour
Life Itself
The Missing Picture
National Gallery
The Overnighters

Best Director
Wes Anderson – The Grand Budapest Hotel
Jean-Pierre Dardenne & Luc Dardenne – Two Days, One Night
Ava DuVernay – Selma
Jonathan Glazer – Under the Skin
Richard Linklater – Boyhood

Best Actor
Ralph Fiennes – The Grand Budapest Hotel
Brendan Gleeson – Calvary
Jake Gyllenhaal – Nightcrawler
Michael Keaton – Birdman
Timothy Spall – Mr. Turner

Best Actress
Marion Cotillard – Two Days, One Night
Essie Davis – The Babadook
Anne Dorval – Mommy
Julianne Moore – Still Alice
Rosamund Pike – Gone Girl

Best Supporting Actor
Josh Brolin – Inherent Vice
Ethan Hawke – Boyhood
Edward Norton – Birdman
Mark Ruffalo – Foxcatcher
J.K. Simmons – Whiplash

Best Supporting Actress
Patricia Arquette – Boyhood
Jessica Chastain – A Most Violent Year
Suzanne Clément – Mommy
Agata Kulesza – Ida
Tilda Swinton – Snowpiercer

Best Original Screenplay
Boyhood
The Grand Budapest Hotel
Selma
Two Days, One Night
Whiplash

Best Adapted Screenplay
Gone Girl
Inherent Vice
Snowpiercer
Under the Skin
We Are the Best!

Best Editing
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
Whiplash

Best Cinematography
Birdman
The Grand Budapest Hotel
Ida
Mr. Turner
Under the Skin

Best Non-U.S. Release (non-competitive category)
’71 ,
10,000 km ,
Entre Nós ,
Han Gong-ju ,
Hard to Be a God ,
The Look of Silence ,
The Salt of the Earth ,
What We Do in the Shadows ,
Timbuktu ,
The Tribe

Here are The Washington D.C. Film Critics Picks For The Best of 2014!

Posted on December 6, 2014 by Lisa Marie Bowman

I like the Washington D.C. Film Critics because they don’t just give out awards. Instead, they nominate multiple films and leave everyone in suspense until they get around to giving out their awards. Just like the Oscars!

Anyway, here are their nominees for 2014!

Best Film:
Birdman or (The Unexpected Virtue of Ignorance)
Boyhood
Gone Girl
Selma
Whiplash

Best Director:
Damien Chazelle (Whiplash)
Ava DuVernay (Selma)
David Fincher (Gone Girl)
Alejandro G. Iñárritu (Birdman or (The Unexpected Virtue of Ignorance))
Richard Linklater (Boyhood)

Best Actor:
Benedict Cumberbatch (The Imitation Game)
Oscar Isaac (A Most Violent Year)
Michael Keaton (Birdman or (The Unexpected Virtue of Ignorance))
David Oyelowo (Selma)
Eddie Redmayne (The Theory of Everything)

Best Actress:
Scarlett Johansson (Under the Skin)
Felicity Jones (The Theory of Everything)
Julianne Moore (Still Alice)
Rosamund Pike (Gone Girl)
Reese Witherspoon (Wild)

Best Supporting Actor:
Ethan Hawke (Boyhood)
Edward Norton (Birdman or (The Unexpected Virtue of Ignorance))
Mark Ruffalo (Foxcatcher)
Andy Serkis (Dawn of the Planet of the Apes)
J.K. Simmons (Whiplash)

Best Supporting Actress:
Patricia Arquette (Boyhood)
Jessica Chastain (A Most Violent Year)
Laura Dern (Wild)
Emma Stone (Birdman or (The Unexpected Virtue of Ignorance))
Tilda Swinton (Snowpiercer)

Best Acting Ensemble:
Birdman or (The Unexpected Virtue of Ignorance)
Boyhood
The Grand Budapest Hotel
Into the Woods
Selma

Best Youth Performance:
Ellar Coltrane (Boyhood)
Mackenzie Foy (Interstellar)
Jaeden Lieberher (St. Vincent)
Tony Revolori (The Grand Budapest Hotel)
Noah Wiseman (The Babadook)

Best Adapted Screenplay:
Gillian Flynn (Gone Girl)
Graham Moore (The Imitation Game)
Paul Thomas Anderson (Inherent Vice)
Anthony McCarten (The Theory of Everything)
Nick Hornby (Wild)

Best Original Screenplay:
Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr., Armando Bo (Birdman or (The Unexpected Virtue of Ignorance))
Richard Linklater (Boyhood)
Wes Anderson (The Grand Budapest Hotel)
Phil Lord & Christopher Miller (The LEGO Movie)
Damien Chazelle (Whiplash)

Best Animated Feature:
Big Hero 6
The Book of Life
The Boxtrolls
How to Train Your Dragon 2
The LEGO Movie

Best Documentary:
Citizenfour
Jodorowsky’s Dune
Last Days in Vietnam
Life Itself
The Overnighters

Best Foreign Language Film:
Force Majeure
Ida
Mommy
Two Days, One Night
Wild Tales

Best Art Direction:
Production Designer: Kevin Thompson, Set Decorator: George DeTitta Jr., SDSA (Birdman or (The Unexpected Virtue of Ignorance))
Production Designer: Adam Stockhausen, Set Decorator: Anna Pinnock (The Grand Budapest Hotel)
Production Designer: Nathan Crowley, Set Decorator: Gary Fettis (Interstellar)
Production Designer: Dennis Gassner, Set Decorator: Anna Pinnock (Into the Woods)
Production Designer: Ondrej Nekvasil, Set Decorator: Beatrice Brentnerova (Snowpiercer)

Best Cinematography:
Emmanuel Lubezki, ASC, AMC (Birdman or (The Unexpected Virtue of Ignorance))
Robert Yeoman, ASC (The Grand Budapest Hotel)
Hoyte Van Hoytema, FSF, NSC (Interstellar)
Roger Deakins, ASC, BSC (Unbroken)
Daniel Landin, BSC (Under the Skin)

Best Editing:
Douglas Crise, Stephen Mirrione, ACE (Birdman or (The Unexpected Virtue of Ignorance))
Sandra Adair, ACE (Boyhood)
Kirk Baxter, ACE (Gone Girl)
Lee Smith, ACE (Interstellar)
Tom Cross (Whiplash)

Best Original Score:
Antonio Sanchez (Birdman or (The Unexpected Virtue of Ignorance))
Trent Reznor & Atticus Ross (Gone Girl)
Hans Zimmer (Interstellar)
Jóhann Jóhannsson (The Theory of Everything)
Mica Levi (Under the Skin)

The Joe Barber Award for Best Portrayal of Washington, DC:
Anita
Captain America: The Winter Soldier
Kill the Messenger
Selma
X-Men: Days of Future Past

The Boston Online Film Critics Go Their Own Way

Posted on December 6, 2014 by Lisa Marie Bowman

The Boston Online Film Critics have announced their picks for the best of 2014!

(While I doubt that this will lead to Snowpiercer becoming a major player in the Oscar race, the Boston Online Film Critics do have excellent taste in film…)

BEST PICTURE:
SNOWPIERCER

BEST DIRECTOR:
Alejandro González Iñárritu, BIRDMAN

BEST ACTOR:
Brendan Gleeson, CALVARY

BEST ACTRESS:
Marion Cotillard, TWO DAYS ONE NIGHT

BEST SUPPORTING ACTOR:
Edward Norton, BIRDMAN

BEST SUPPORTING ACTRESS:
Tilda Swinton, SNOWPIERCER

BEST SCREENPLAY:
John Michael McDonagh, CALVARY

BEST FOREIGN LANGUAGE FILM:
TWO DAYS ONE NIGHT

BEST DOCUMENTARY:
LIFE ITSELF

BEST ANIMATED FILM:
THE LEGO MOVIE

BEST CINEMATOGRAPHY:
BIRDMAN

BEST EDITING:
James Herbert & Laura Jennings, EDGE OF TOMORROW

BEST ORIGINAL SCORE:
Mica Levi, UNDER THE SKIN

THE TEN BEST FILMS OF THE YEAR:
1. SNOWPIERCER
2. UNDER THE SKIN
3. BOYHOOD
4. ONLY LOVERS LEFT ALIVE
5. THE BABADOOK
6. TWO DAYS ONE NIGHT
7. BIRDMAN
8. CALVARY
9. INHERENT VICE
10. SELMA

Here Are The New York Film Critics’ Circle Winners!

Posted on December 1, 2014 by Lisa Marie Bowman

Oscar season is upon us! December is the time of month when critics across the nation attempt to influence the Oscar race by announcing their picks for the best of 2014!

Up first, the New York Film Critics’ Circle! They announced their picks earlier today and, while no one is surprised to see Boyhood take best picture, a lot of observers (including me) were surprised for the awards for Timothy Spall and Marion Cotillard. Spall, of course, had been an early contender for his performance in Mr. Turner but, as of late, he had been overshadowed by Michael Keaton and others. As for Cotillard, she was on hardly anyone’s radar. It’ll be interesting to see if her win here is a fluke or if it’s the start of a successful nomination campaign.

Here are the winners!

BEST PICTURE
“Boyhood”

BEST DIRECTOR
Richard Linklater, “Boyhood”

BEST ACTOR
Timothy Spall, “Mr. Turner”

BEST ACTRESS
Marion Cotillard, “The Immigrant” and “Two Days, One Night”

BEST SUPPORTING ACTOR
J.K. Simmons, “Whiplash”

BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”

BEST SCREENPLAY
“The Grand Budapest Hotel”

BEST CINEMATOGRAPHY
Darius Khondji, “The Immigrant”

BEST ANIMATED FILM
“The Lego Movie”

BEST FOREIGN LANGUAGE FILM
“Ida” (Poland)

BEST NON-FICTION FEATURE
“CitizenFour”

BEST FIRST FEATURE
Jennifer Kent, “The Babadook”

SPECIAL AWARD
Adrienne Mancia

Quick Review: ‘The Babadook’ (dir. Jennifer Kent)

Posted on November 30, 2014 by leonth3duke

‘The Babadook’ is a truly effective horror film whose beautiful and twisted imagery – as well as complex and powerful explorations of grief and the bonds between a mother and her child – cut to the bone, managing to scare and move all at once. The film, which explores maternal affection, depression, grief – and a whole multitude of similar themes – is not just one of the best horror films of the past few years, but is also just simply one of the best films of the current year.

The film stars Essie Davis as Amelia, a widow living alone with her hyperactive son Sam (Noah Wiseman). Amelia loves her boy, but his presence is a constant reminder of the death of her husband – who died in a crash while driving Amelia to the hospital to give birth. The grief of the accident constantly lingers over them both. This is made all the worse for Amelia as Sam has become more of a burden as of late. Sam is beginning to more strongly deal with the absence of his father and expresses this in some unusual ways – including making up scary monsters and weapons to fight them with. Their strained relationship takes a dark turn when a mysterious pop-up book appears – the character in which is a spooky creature that awakens in Amelia fears and dark thoughts about her son that have long been hidden under the surface. She doesn’t know where the book came from or who this nightmarish Babadook is – but she can’t seem to escape it. The situation and Amelia’s mental state is exasperated by sleep deprivation, social pressures and growing depression as the anniversary of her husband’s death approaches. She is soon forced to confront a demon – both physical and psychological – that threatens to destroy her and Sam.

‘The Babadook’ very much reminded me of ‘Repulsion’ and ‘The Shining’ in its portrayal of a mental spiral into very dark places – as well as ‘The Orphanage’ in its handling of grief and loss. This is all packaged in a visually striking story – lots of blacks, greys and whites – with a creature that is sure to be an instant classic. What makes it all the better is the way in which it constantly subverts the expected in both genre tropes and what we are actually seeing on the screen. Is the Babadook real? Or is it simply a mental manifestation of the pain and grief that runs deeply through the story? Either way, the fears, doubts and terror it all elicits amount to more than just scares – it also moves with real and honest emotion. Take out the horror aspects and the film is still a moving portrait of a mother dealing with loss and the responsibility of mothering a troubled child. This is a shining example of the brilliance that the horror genre can achieve – how it can be emotionally affecting in ways no other genre can. Add to that a phenomenal performance by Essie Davis and the confident direction of Jennifer Kent and the result is a masterpiece of the genre – and easily one of the year’s best films.

*I discuss the ending in the comments. I say this to warn of spoilers below – as well as to continue my above analysis for those who have seen the film.*

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