Retro Television Review: The Love Boat 4.1 “Sergeant Bull/Friends and Lovers/Miss Mother”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, come aboard for season 4!

Episode 4.1 “Sergeant Bull/Friends and Lovers/Miss Mother”

(Dir by Roger Duchowny, originally aired on October 25th, 1980)

Well, it’s time for the fourth season of The Love Boat and let’s see who is going to be taking a cruise this week….

Hey, we know that guy!

Yes, it’s a young Tom Hanks, making one of his first television appearances on The Love Boat.  Tom had a sitcom coming out so ABC decided to promote the then-unknown actor by giving him a guest role on one of their most popular series.

Who does Tom play?  He plays a complete a total douchebag named Rick Martin, a former fraternity brother of Gopher’s who enjoys giving Gopher a hard time about his reputation for being “Strike-Out Smith.”  Rick makes Gopher feel so uncomfortable that Gopher impulsively claims that Julie is his girlfriend.  Julie plays along with Gopher.  This not only leads to sleazy Rick trying to steal Julie away from Gopher but it also causes Julie and Gopher to have real feelings for each other.

Yes, it is interesting to watch Tom Hanks play a sleaze but what is even more interesting, for longtime watchers of the show, is that Julie and Gopher make a surprisingly credible couple.  They actually do have a very likable chemistry together and it never seems improbable that they might end up together.  Of course, in the end, they decide to just stay friends because anything else would have upset the balance of the show.

Tom’s presence overshadows the rest of the show but there are two other stories to deal with.  Vic Tayback plays a former dill sergeant who reunites with his former recruits (Nipsey Russell, Harvey Lembeck, and Jack Somack) and who turns out to still be such a hardass that they bribe their cabin stewardess (Doris Roberts) to pursue a romance with him.  Of course, the two of them fall in love for real.  This was all a bit silly and Tayback’s drill sergeant was a bit annoying but it was nice to see him drop his guard around Doris Roberts and admit that he was only acting like a drill sergeant because that was all he had ever been.

Finally, Gwen Hutchins (Shelley Smith) boards the boat and tells Doc Bricker that she is two-months pregnant.

“Your husband must be very proud!” Doc replies, without missing a beat.

No, Gwen explains, she’s not married.  Once again, we are reminded that Doc is a walking HR nightmare.

Anyway, Gwen falls for a guy named Dennis (Dennis Cole) but she worries how Dennis will react to learning that she’s pregnant.  At first, Dennis does not react well, even asking her if she considered getting an abortion.  (She explains that she doesn’t support abortion, which definitely would not fly if this episode were made today.)  It all works out in the end but, seriously, I think she deserves better than Dennis.  Dennis Cole is an actor who I have seen in quite a few of these shows and he always seem kind of lost.  That was certainly the vibe that he gave off here.

This was an entertaining-enough episode, though almost all of the credit for that goes to the presence of Tom Hanks and the likable chemistry between Fred Grandy and Lauren Tewes.  It was definitely a good way to start off the fourth season.

Retro Television Reviews: The Love Boat 3.28 “No Girls for Doc/Marriage of Convenience/The Caller/The Witness”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the third season of The Love Boat comes to a conclusion with an extra-long episode!

Episode 3.28 “No Girls for Doc/Marriage of Convenience/The Caller/The Witness”

(Dir by Gordon Farr and Richard Kinon, originally aired on May 3rd, 1980)

The finale of The Love Boat‘s third season features stage legend and two-time Oscar winner, Helen Hayes.  Hayes was considered to be such a big “get” for the show that she receives the zoom lens treatment when she steps onto the ship and all of the action seems to stop for a few minutes, presumably so the audience at home can give her a standing ovation.

Personally, I think Helen Hayes was pretty cool.  Along with being a hell of an actress (one whose career extended for over six decades), she was also the wife of Charles MacArthur, an acquaintance of the Algonquin round table, an outspoken Republican, a strong supporter of many charities, and a major benefactor of the Helen Hayes Hospital, a rehabilitation clinic in New York that has made major strides in treating physical disabilities.  To say that there are people in the world who can walk because of Helen Hayes is not hyperbole.

That said, Helen Hayes’s story is the dullest one on this cruise.  It’s not Hayes’s fault.  She is her usual outspoken and likable self.  It’s just the storyline itself doesn’t offer up much in the way of drama or comedy.  Hayes plays Agatha Winslow, a widow who was married to a friend of Stubing’s.  Stubing asks Julie to set Agatha up with someone but then they see Agatha hugging a younger man and Julie says that it won’t be necessary.

AGCK!  I HOPE NOT!  The younger man is played Helen Hayes’s son, James MacArthur!

No worries.  MacArthur is playing Scott Burgess, who is Agatha’s nephew.  Scott is a member of the protestant clergy who has never married because he feels that he has to take care of Agatha.  Scott and Beatrice Dale (Mildred Natwick) hope that Agatha will fall in love with and marry Beatrice’s brother, a businessman named Hollister (Maurice Evans).  Hollister owns a carpet company and he spends most of the episode look down at and commenting on the quality of the ship’s floor.  Agatha does not marry Hollister but she does realize that it’s time for her to move on and live her own life.  It’s all very pleasant but not very extremely interesting.

Far more interesting is the story of Gail Padgett (Christopher Norris), a woman who is boarding the ship because she needs to get away from her landline phone.  As she explains to Julie, someone has been calling and harassing her for months.  At no point does Julie suggest what I would suggest, which is that Gail should call the cops.  Indeed, when Gail starts to get calls on the boat, Julie never suggests calling the police or going to the captain or anything else.  Instead, Gail tells her stalker that she’ll meet him at the Pirate’s Cove Bar.  She tells Julie that she has a plan to humiliate him.  And again, you would think Julie might say, “How about we just arrest him when he comes in the bar?”  But instead, Julie smiles.  It’s the Love Boat!  No one is murdered on The Love Boat!  (Not yet, anyway.)

Gail’s stalker is a nerdy fellow named Melvin, who is played by a young Martin Short.  Before Melvin can arrive, Gail is approached by Jack Stander (Larry Breeding).  “Hi, I’m Robert Redford,” Jack says before admitting that he’s not Robert Redford and that he spent hours coming up with that opening line.  Thinking that Jack is her stalker, Gail takes Jack to her cabin where she get him to undress and then tosses all of his clothes out the porthole.  So now, Gail has not only flirted with and then stood up her stalker but she’s also committed theft.  WAY TO GO, GAIL!

Anyway, Gail eventually realizes that Jack is not her stalker and they fall in love.  Melvin is eventually revealed to be the caller but everyone laughs it off because he’s so nerdy.  (Because we all know how harmless nerdy stalkers are….)  This was a really weird story but, despite the stupidity of their characters, Christopher Norris and Larry Breeding made for a cute, likably vapid couple.

Maybe Gail should have gone to Wayne Dobson (Larry Wilcox) for help.  Wayne is an uptight assistant D.A. who has spent the last two months in a hotel room with Pat Bigelow (Catherine Bach), a witness to a crime who is in protective custody.  Even when Pat boards the cruise, Wayne has to come with her and stay in an adjoining cabin.  Pat is annoyed but she understand that Wayne is just doing his job. 

However, Wayne has fallen in love with Pat and he is upset to receive a telegram saying that the crooks have decided to plead guilty and that Pat can be released from protective custody.  Isaac, who was perhaps a bit too excited when he earlier thought Wayne was a male gigolo who was being paid to escort Pat, suggests that Wayne just lie and not let Pat know that her life is no longer in danger.  Wayne agrees and Isaac takes Wayne off to give him a makeover that will be so impressive that Pat will fall in love with him and reject notorious Love Boat lothario Mark Bridges (John McCook).

(Of course, any relationship that Wayne and Pat could ever have would be built on lies but whatever….)

Pat does fall for Wayne, though less because of the makeover and more because Wayne finally stops being so uptight.  She’s a bit miffed when she finds out that Wayne has been lying to her but she forgives him easily because this is The Love Boat.

Finally, after a night of skinny dipping leads to him losing his clothes and money, Doc announces that he’s through with women.  (And again, it doesn’t seem to occur to anyone that maybe Doc should call the police.)  That should be a relief to the crew because Doc really is a lawsuit waiting to happen.  Instead, they takes bets on how long it will take Doc to go back on his word.  It doesn’t take long.  Any story that centered around Doc being a Casanova just felt silly.  Bernie Kopell was likable as Doc but he was also a bit too naturally mild-mannered to be believable as a legendary lothario.

And so ends the third season of The Love Boat.  Vicki is now firmly a member of the crew.  Julie has given up on finding love.  Isaac and Gopher are as silly as ever.  And Doc is going to get the cruise line sued.  The 90-minute finale was a bit overextended and had some weak story elements but, overall, the third season was a lot of fun.  

Next week …. SEASON 4!

Retro Television Review: The Love Boat 3.27 “Invisible Maniac/September Song/Peekaboo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, The Love Boat has a very special passengers!

Episode 3.27 “Invisible Maniac/September Song/Peekaboo”

(Dir by George Tyne, originally aired on April 19th, 1980)

This week, the pop cultural stars align as a young David Hasselhoff boards the Love Boat!

Hasselhoff plays Tom Bell, a 20-something attorney who is dating a 30-something attorney named Cathy (Shelley Fabares).  Cathy insists that they keep their romance a secret due to the age difference.  She doesn’t want people to think that she’s a cradle robber or an older woman with a gigolo.  (Cathy might also want to consider that she’s a senior partner at the firm while Tom is just a junior partner.)  Tom doesn’t care about the age difference.  In fact, he wants to marry Cathy!

And yes, they do eventually get married.  Tom even has his grandparents waiting for them when the boat docks in Los Angeles so that they can act as witnesses.  There’s not really any suspense as to whether or not Tom and Cathy will end up married because this is The Love Boat, the show that combined the swinging culture of the 70s with the morality of the 50s.  The Hoff is his usual dramatic but self-aware self while Shelley Fabares is endlessly likable.  They’re a cute couple and, minor age difference aside, they just look like they belong together.  It was a sweet story.

As for the other passengers:

Fay Piermont (Peggy Cass) is married to Bill (Gordon Jump).  Bill’s a nice guy but Fay fears that they’ve become a boring couple.  She wants to be an exciting couple and she’s figured out that the way to do this is to get a makeover, buy a new wardrobe, and then toss her glasses and all of her frumpy clothes overboard.  (At first, both Julie and Vicki are worried that Fay is planning on throwing herself overboard.  One would think that would be cause for ship-wide alarm but Julie and Vicki just check on Fay occasionally to make sure she’s still alive.)  At first, Bill is freaked out by Fay’s new attitude but, eventually, he comes to accept it and Fay comes to realize that she loves Bill, even if he is a bit reserved.  This is the type of story that The Love Boat did frequently.  Fay and Bill are a nice couple, even if they’re no Tom and Cathy.

Finally, Isaac is reunited with a former high school classmate, a model named Janet (BernNadette Stanis).  Janet is upset that her husband (Clifton Davis) is more into sports than romance so she tries to make him jealous by lying about what a womanizer Isaac was in high school.  Gopher overhears and tells Isaac that Janet referred to him as being “all hands” in high school.  Now, most people would understand that Janet was just trying to make her husband jealous but Isaac somehow becomes convinced that he is a womanizer but he just can’t remember his actions because he suffers from dissociative identity disorder and he even goes to Doc Bricker for help!  Why would Isaac believe that?  It makes no sense that Isaac — cool, calm Isaac — would suddenly be so stupid.  This is something that would happen to Gopher not Isaac.

That one silly storyline aside, this was a pleasant cruise on The Love Boat.  I’m glad things worked out for Tom and Cathy.  Seriously, the world is so lucky to have The Hoff.

Retro Television Review: The Love Boat 3.26 “Vicki’s First Love/The High Cost of Living/Accident Prone”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The Love Boat promises something for everyone!

Episode 3.26 “Vicki’s First Love/The High Cost of Loving/Accident Prone”

(Dir by George Tyne, originally aired on April 5th, 1980)

It’s not easy growing up on a cruise ship.  That was one of the main takeaways that I took from this week’s episode of The Love Boat.  Vicki is really excited when singer Mark Redding (Rex Smith) boards the ship.  She has a huge crush on him and she even gets to give him a tour of the boat.

Of course, despite his teen idol status, Mark is an adult and famous and being pursued by almost every woman on the ship.  Vicki feels insecure compared to the other women who are pursuing Mark.  (Of course, those women are all in their 20s while Vicki is 12.)  Eventually, Captain Stubing has one of his fatherly conversations with her and Vicki realizes that she doesn’t have to grow up quickly.  It’s a simple storyline but it’s nicely performed by both Jill Whelan and Gavin MacLeod and, speaking as someone who wanted to be an adult when she was 12, I could relate to Vicki’s feelings.  I was also glad that Mark turned out to be not a sleazy rock star, even if he was a bit superficial.  The Love Boat is a place for romance, not debauchery.

As for the other two storylines, one featured Steve Kanaly as Mr. Massey, a wealthy man who is paying a former lover palimony.  At his lawyer’s insistence, he boards the boat with a series of contracts.  Before he get involved with any woman, he is supposed to get her to sign an agreement not to sue him for palimony.  Needless to say, this does not make Massey’s romantic life easy.  Finally, he decides to forget about the contract, just for his shipboard hook-up to present him with a contract of her own.  Apparently, everyone’s scared of getting sued!

Speaking of getting sued, Tom Barry (Alan Feinstein) boards the boat with a broken leg and is shocked to discover that the bad driver responsible for the accident that injured him is on the boat as well!  Karen (Britt Ekland) is a bit accident-prone but, despite the awkwardness of their first meeting, Tom and Karen fall in love.  Tom even agrees to not sue her.  Yay!  I love a happy ending.

This was an enjoyable episode of The Love Boat.  With the exception of Tom and Karen’ story, there really wasn’t much romance.  There was just Vicki feeling insecure but coming to realize that she was just fine the way she was and then there was Mr. Massey trying to balance getting laid with remaining legally safe.  But the Vicki storyline was sensitive and intelligent while the Mr. Massey storyline featured some nice comedic desperation from Steve Kanaly.  Even Alan Feinstein and Britt Ekland had a really likable chemistry.  All in all, this was a pleasant cruise.

Retro Television Reviews: The Love Boat 3.25 “Celebration/Captain Papa/Honeymoon Pressure”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, an important question is finally answered!

Episode 3.25 “Celebration/Captain Papa/Honeymoon Pressure”

(Dir by Richard Kinon, originally aired on March 29th, 1980)

Ever since Vicki first came aboard the ship, I have been wondering how exactly a 12 year-old can live (and apparently work) on an ocean liner.  One of my main questions has concerned how she is getting an education while sailing back and forth to Mexico.

With this episode, I finally got my answer.  When social worker Susan Stoddard (Lois Nettleton) boards the ship to decide whether or not to recommend that the Captain be given custody of Vicki, one of the first question that she asks is about school.

“Chief Petty Officer Dooley has a master’s in education,” Stubing replies, before saying that this never-before-mentioned character served as Vicki’s tutor.

Well, I’m glad that’s been cleared up.  Still, it is interesting that we’ve never before seen or even heard of this Dooley character.  We don’t even see Dooley in this episode.  You would think the social worker would want to talk to the person who is in charge of Vicki’s education.  Instead, Susan sees the rest of the crew, all of whom try to be on their best behavior in order to convince her that the Love Boat is not the floating HR nightmare that we all know it is.

(Still, at least the crew tried.  I’m surprised Doctor Bricker didn’t just try to sleep with her or something….)

This would be a really depressing episode of the Captain wasn’t awarded custody.  Luckily, Susan is so impressed by the crew that she says she will definitely file a positive report.  As she put it, Vicki not only has one wonderful parent.  She has “Five wonderful parents!”  Let’s see — Stubing, Julie, Gopher, Isaac, Doc …. yep, that’s five.  I’m sure Chief Petty Officer Dooley appreciates being left out of the group.

Isaac has more to worry about than just Captain Stubing’s situation.  Isaac is convinced that an old man named Gordon (Noah Beery, Jr.) is bank robber!  Gordon, who works as a bank guard at the port, is sailing on the Love Boat with his wife of 30 years, Betty (Alice Faye).  Gordon is spending a lot of money.  Isaac worries that Gordon stole the money but actually, it turns out that Gordon is just spending his life savings because his wife is in poor health and he wants to make sure that she has a wonderful vacation.  Unfortunately, Gordon spends too much on a diamond ring.  His wife, realizing what Gordon has done, secretly exchanges the ring for a cheaper one and tells her husband that she doesn’t need a life of luxury.  She just needs him.  Awwwwwww!  What a sweet old couple.

Finally, there are two real criminals on the boat.  Ralph (Norman Alden) and Ben (Richard Bakalyan) are two mob enforces who have been sent to accompany the boss’s daughter (Eve Plumb) on her honeymoon with her un-connected husband, Mark (Sal Viscuso).  Ralph and Ben’s presence makes Mark so uncomfortable that he can’t even consummate his marriage.  Ralph and Ben try to make things romantic for the couple.  Eventually, Doc Bricker tells the gangsters that Mark has a fictional disease, which causes Ralph and Ben to back off.  The married couple finally gets to celebrate their honeymoon.  But Mark still married into a mafia family so he’ll probably be machine-gunned as soon as he steps off the boat.

With the exception of the stupid Mafia story, this was a sweet episode.  I’m glad things worked out for the old couple and for Vicki and the Captain.  The Love Boat is not really a show that you watch for the acting but Gavin MacLeod’s natural sincerity always served him well whenever the show focused on his role as Vicki’s father.  Plus, I no longer have to worry about whether or not Vicki is going to have more than a sixth grade education.  So that’s a good thing.

Retro Television Reviews: The Love Boat 3.24 “Dumb Luck/Tres Amigos/Hey, Jealous Lover”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The week, the crew is surprisingly incompetent.

Episode 3.24 “Dumb Luck/Tres Amigos/Hey, Jealous Lover”

(Dir by Roger Duchowny, originally aired on March 15th, 1980)

The members of the crew really disappointed me this week.

For instance, Gertrude (Jayne Meadows) and Milton Benson (James Gregory) are on the cruise.  Gertrude is friendly and tries to talk to everyone.  Whenever Milton sees any man talking to his wife, he flies into a jealous rage and threatens them.  The crew reacts to this not by telling Milton to calm down but instead, by hiding whenever they see Milton or Gertrude on the boat.  They’re terrified of Milton and yet, somehow, members of the crew keep ending up in the cabin with Gertrude.

Finally, at the end of the cruise, Milton shows up at the captain’s cabin and …. OH MY GOD, HE’S GOT A GUN!  Goper, Doc, Isaac, and Stubing all end up diving to the floor.  Milton explains that he acts jealous because he wants his wife to still feel as if she’s as desirable as the day they first met.  He also says that he’s giving the gun to Stubing as a gift to thank him for the enjoyable cruise.

Later, as she prepares to leave the ship, Gertrude tells Gopher and Isaac that she knows that Milton can be jealous so she specifically dresses as drably as possible so that he won’t have to worry about any other men hitting on her.  In the name of love, she tries to look ugly and he acts like a homicidal lunatic.  Well, whatever works for them!  They seemed to be happy together.  Still, it must be said that the crew could have handled the whole situation better.  Hiding in hallways and under desks is not what I expect from an experienced group of sailors.

Meanwhile, Julie’s friend, Carol Ketay (Shelley Hack), is on the cruise.  Carol is a nuclear physicist and a member of a think tank.  Julie is worried that men are intimidated by Carol being too smart.  Julie also mentions that she’s never had that problem.  Julie takes Carol aside and tell her that she needs to learn how to “talk dumb” if she wants to get a man.  After borrowing a dress from Julie, Carol goes out of her way to sound like an idiot and she immediately catches the attention of Chris (Kevin Tighe).  Chris and Carol have a great time on the ship but Carol is shocked to learn that Chris doesn’t want to date her on dry land because he thinks she’s too dumb.  Carol reveals that she’s actually a nuclear physicist and they leave the boat arm-in-arm.  Good for them!  Julie really gave terrible advice but then again, I think she just wanted her friend to get laid.  She wasn’t really that concerned with Carol getting a long-term relationship.

Finally, Vicki gets to do something this cruise.  She befriends Keith (Ronnie Scribner), the young son of Alice (Jennifer Darling) and Floyd Gaines (John Gabriel).  While exploring the ship, Vicki and Keith meet a young stowaway named Luis (Tony Ramirez).  Though Vicki is not enthused about hiding a stowaway from her father, she still takes a blood oath and promises to protect Luis.  (This would be ground for Vicki being fired if she was actually a paid member of the crew as opposed to just someone who pretends tp have a job.)  As for Keith, he steals $200 from his parents and gives it to Luis.  His parents freak out when they can’t find the money and they accuse the crew of robbing them!  (The crew can’t even handle a jealous husband.  How are they going to steal $200?)  While searching for the money, Gopher and Julie discover Luis.

So, I guess Luis is going into the juvenile justice system, right?  No, not on The Love Boat!  Keith’s parents allow Luis to have the money and Stubing and Vicki pay for Luis’s ticket so Luis is no longer a stowaway.  This storyline was okay.  All of the kids were natural actors so things never got overly cutesy.  That said, I can’t help that notice that a lot of people have stowed away on the ship over the years.  Captain Stubing might want to talk to his crew about that.

Next week …. an agent of Child Protective Services takes a cruise.  Look out, Vicki!

Retro Television Reviews: The Love Boat 3.23 “Another Time, Another Place/Doctor Who/Gopher’s Engagement”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Maureen McCormick returns to The Love Boat!

Episode 3.23 “Another Time, Another Place/Doctor Who/Gopher’s Engagement”

(Dir by Allen Baron, originally aired on March 1st, 1980)

Mrs. Elliott (Audrey Meadows) boards this week’s cruise with a very specific mission in mind.  She wants to find a husband for her daughter, Celia (Maureen McCormick).  Mrs. Elliott, whose husband owns a good deal of stock in the cruise line, at first eyes Doctor Bricker as a possible suitor for her daughter, despite the fact that the doctor is considerably older than Celia and has been divorced multiple times.  However, Celia is far more charmed by Gopher, who asks Celia to dance when Julie points out how miserable Celia looks at the ship’s Charleston night.

Celia is charmed by Gopher and, when he accidentally gives her a ring that he’s been carrying around in his pocket, she assumes that he’s asking her to marry him.  (The ring was actually lost by another passenger and Gopher was just carrying it around until he could put it in the lost-and-found.)  Celia says yes and suddenly, Gopher is engaged!  Mrs. Elliott is not happy about this, as Gopher is only an assistant purser.  As for Gopher, he tries to get out of the engagement by having Isaac tell Celia that Gopher’s a drunk.  This only makes Celia even more determined to marry Gopher (so she can “save” him) and this also gets Gopher in trouble with the Captain who, as the show sometimes remembers, is a recovering alcoholic.

Fortunately, Isaac eventually tells Celia the truth about what’s going on.  Celia is surprisingly forgiving, returning the ring and announcing that she and Gopher will always be good friends.  Celia also finds the strength to tell her mother to let her live her own life.  Mrs. Elliott is okay with this, because she has another daughter who needs a husband and Doc is still single.

This was a storyline that depended too much on everyone involved acting like an idiot.  Those are my least favorite stories.  But, just as with last week, Fred Grandy got to show off his tragic clown qualities and Maureen McCormick was so convincing in her role that it was hard not to suspect that perhaps she related to a character who was tired to everyone assuming that they knew what was best for her and her life.

Speaking of storylines that required everyone to act like an idiot, this episode also featured Bert Parks as Dr. Michael Mervey, a noted sex therapist.  Dr. Mervey boards the ship under an assumed named and tells the Captain that he just wants to relax and not have anyone asking him for any help with their problems or asking him to autograph his book.  However, Evelyn Miller (Phyllis Davis) has heard a rumor that Dr. Mervey is on the boat so she boards with the intention of tracking him down and seducing him.

The only problem is that Evelyn doesn’t know what Dr. Mervey looks like.  (I find that hard to believe, considering how famous Dr. Mervey is supposed to be.)  When she hears Isaac refer to another passenger (Arte Johnson) as being a “doctor,” Evelyn assumes the passenger must be Dr. Mervey.  But instead, he’s just Wilfred Johnson (Arte Johnson), a nerdy nuclear physicist.  At first, Dr. Johnson pretends to be Dr. Mervey but when the real Dr. Mervey inevitably spots Evelyn and starts to hit on her, the truth comes out.  Evelyn dumps Wilfred.  Feeling guilty, Dr. Mervey tries to give them a therapy session.  Neither wants to listen to Dr. Mervey but they do still realize that they actually love each other.  Wilfred and Evelyn leave the cruise arm-in-arm and Mervey pats himself on the back for a job well-done.

Again, this plot was way too dependent on everyone acting like an idiot.  That said, Bert Parks made me laugh as the self-important Dr. Mervey.

Finally, Jane Wyman stars as Sister Patricia, a nun who is heading to Acapulco to be a teacher.  When she discovers that her ex-boyfriend, Steve Brian (Dennis Morgan), is on the cruise, she is forced to reconsider her decision.  In the end, she decides to follow her calling but she tells Steve that they’ll be reunited in another time and another place.  When Stubing comforts Steve, Steve replies that, “if” there’s a Heaven, they’ll be reunited.

Uhmm…. Steve, if there is a Heaven, it’s probably not full of agnostics.  Just saying.

Anyway, this was a simple story and I could tell where it was going to go from the first minute the Steve greeted Patricia on the boat but it worked because of the old school charm of Dennis Morgan and Jane Wyman.  These two Hollywood veterans knew just how to best embrace the melodrama.

Thanks to Wyman and Morgan, this was a pleasant cruise.  Hopefully, next week will be just as pleasant.

Retro Television Review: The Love Boat 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise is actually a pretty good one.

Episode 3.22 “Not So Fast, Gopher/Haven’t We Met Before?/Seoul Mates”

(Dir by Gordon Farr, originally aired on February 9th, 1980)

This week’s episode opens with Gopher in a panic.  His mother, Roz (Ethel Merman), is going to be on the cruise.  It’s her first big trip after the death of Gopher’s father and Gopher wants her to have fun because she’s been so depressed.  However, when Roz boards the ship, Gopher is stunned to see her laughing, singing, and hanging out with a male passenger named Lyle (Gene Rayburn).  Roz seems so happy that Gopher starts to worry that she didn’t love his father.

Of course, the opposite is true.  Roz is miserable but she doesn’t want Gopher to know how sad she’s feeling.  She doesn’t want Gopher to worry about her and she also doesn’t want to make Gopher feel any worse about losing his father.

This storyline handled loss and sadness with an intelligence and a maturity that I don’t think most people would ever expect to see on the show like The Love Boat, with both Fred Grandy and Ethel Merman giving sensitive performances as two people struggling to come to terms with their grief.  Gopher comes to realize that he’s been focusing on Roz’s grief so he’ll have an excuse to not think about his own and Roz comes to realize that she’s been doing the same thing to Gopher.

Now, of course, this is still The Love Boat so, of course, Roz ends up performing during the ship’s Passenger Talent Show.  And, yes, Gopher doe show up at the last minute and, in order to let her know that he now understands her feelings, sings a duet with her.  It’s a bit of goofy ending for an otherwise poignant story but, in its way, it definitely works.  It’s a sweet scene.

The Gopher/Roz storyline is so poignant and so well-handled that it pretty much overshadows everything else that happens on the boat.

Korean comic Jimmy Kim (Johnny Yune) finds romance with a reporter named Kendall Park (Momo Yashima) but Kendall is offended by Jimmy’s act (which is full of jokes about life in Korea).  However, after Roz talks about how much she enjoyed Jimmy’s humor, Kendall  changes her mind and she and Jimmy leave the ship as a couple.  This was an interesting story to watch and consider in the midst of our current, scolding, “That’s not funny” culture of 2023.  If anything, it showed that debates about what one can or should joke about are hardly new to this century.  But it just felt strange that it took a white woman appreciating Jimmy’s humor for Kendall to no longer be offended by jokes about Korea.  If anything it would seem that Roz saying that she enjoyed hearing jokes about Korea would leave Kendall feeling even more offended by Jimmy’s act.  I’m just glad that all of this didn’t lead to Captain Stubing doing his “I see you’ve been reading about your history” speech again.

Meanwhile, four blue collars friends board the ship.  Three of them (played by the Hudson Brothers) announce that they’re going to pretend to be wealthy professionals.  However, Paul Stockwood (Nicholas Hammond) announces that he is not going to pretend to be anything than the waiter that he is.  That’s before Paul realizes that the wealthy Leila Stanhope (Haley Mills) is on the boat.  Paul has waited on Leila several times at the Manhattan restaurant in which he works.  When Leila tells Paul that he seems familiar, Paul lies and says that he’s a wealthy writer.

It all seems to be working well, until Paul decides to bring Leila breakfast.  The sight of Paul carrying a tray of food is all it takes for Leila to remember who he is.  At first, Paul calls Leila a snob and Leila calls Paul a liar.  But then they fall in love anyway, which means that Paul will probably never have to work as a waiter again.  Yay!  Unfortunately, this storyline was hampered by the lack of chemistry between Nicholas Hammond and Hayley Mills.  They were both attractive but they were also difficult to buy as a couple.

Even though two of the storylines were somewhat flawed, the story about Gopher and his mother elevated this entire episode and it made it one of the best episodes of The Love Boat that I’ve watched so far.  This was a cruise to remember!

Retro Television Review: The Love Boat 3.21 “The Remake/The Perfect Match/The Captain’s Ne’er Do Well Brother”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, special guest star O.D. Warbux brings The Love Boat to life!

Episode 3.21 “The Remake/The Perfect Match/The Captain’s Ne’er Do Well Brother”

(Dir by Richard Kinon, originally aired on February 2nd, 1980)

At the start of this week’s episode, Marshall Stubing boards the ship.  As you can guess by his last name, Marshall is Captain Stubing’s brother.  He bears a pretty strong resemblance to Merrill, except he’s a little thinner and he has more hair and a pencil-thin smile.  He wears suits and has a quick smile and is quick to flirt with every woman the he sees.  He’s played by an actor named O.D. Warbux and….

Wait a minute….

That’s not O.D. Warbux!  That’s Gavin MacLeod!  Yes, in this episode, Gavin MacLeod plays both the serious Captain Stubing and his carefree, free-loading brother.  And you know what?  MacLeod/Warbux actually does a pretty good job playing the two roles.  In the scenes in which the brothers argue, MacLeod really does seem to be sincerely annoyed with himself.  Seriously, though, you have to give MacLeod some credit.  If he had joked his way through the double role, I doubt anyone would have called him out on it.  Instead, MacLeod gives two believable and emotionally nuanced performances.

As for why Marshall is on the boat, he’s looking for a woman to continue to fund his life.  Merrill threatens to kick Marshall off the cruise but Marshall reveals that he bought a ticket and he has ever right to be there.  As Merrill watches with a disapproving frown, Marshall meets and romances Ruby Gibson (Diane Ladd), who is the millionaire widow of an Oklahoma oilman.  Marshall actually does fall in love with Ruby but he fears that he’s not good enough for her.  Ruby announces that Marshall is perfect for her and even Merrill says that Marshall is actually a good guy.  Marshall leaves the boat with Ruby and I assume they got married a few weeks later.  That’s good.  Hopefully, Ruby will help to pay for Vicki’s college education (assuming Vicki is actually allowed to leave the boat to attend school).

Marshall Stubing is not the only family member on the boat.  Julie’s aunt, Christine (Florence Henderson), is also on the boat.  When she meets Neal Rich (James Broderick), he immediately reminds her of her late husband.  Neal and Christine fall in love on the boat but will Christine ever stop trying to make Neal behave just like her late husband?  Of course, she does.  This is The Love Boat!  Back when I was reviewing The Brady Bunch Variety Hour, I said some fairly negative things about Florence Henderson as an actress but she’s actually really good in the episode and she has great chemistry with James Broderick so I guess it was really the Brady children who were holding her back on the Variety Hour.  This was a sweet story and I have to say that I actually found myself really hoping that Christine and Neal would work things out.

Finally, Holly Christopher (Connie Stevens) boards the ship because she’s spent the last few weeks stalking Howard Samuels (Kent McCord), the man who she has decided will be the father of her child.  As Holly explains it to Doc, she doesn’t want to get married.  She doesn’t want a family.  She just wants a baby.  Doc, who has like a dozen ex-wives and whose entire life seems to revolve around searching for one-night stands on the boat, tells her that marriage and traditional courtship are wonderful and that she should consider them.  Holly realizes that she agrees with Doc and she decides that she wants an old-fashioned romance after all.  This whole storyline felt like it could have come from one of those old 1950s films that would star Troy Donahue and Sandra Dee as teenagers learning the facts of life.  Kent McCord was pretty dull as Howard but Connie Stevens brought a lot of energy to the role of Holly.  Out of the three couples who left the ship at the end of the cruise, Howard and Holly is the one that’s definitely not going to last.

With this episode, The Love Boat kept it all in the family and, overall, this was a pretty good cruise.  Both Gavin MacLeod and O.D. Warbux deserve a lot of credit for giving performances that elevated the entire episode.

Retro Television Reviews: The Love Boat 3.20 “Rent a Romeo/Matchmaker, Matchmaker/Y’ Gotta Have Heart”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Pacific Princess continues to be a lawsuit waiting to happen.

Episode 3.20 “Rent a Romeo/Matchmaker, Matchmaker/Y’ Gotta Have Heart”

(Dir by Roger Duchowny, originally aired on January 26th, 1980)

It’s time for another cruise on the Love Boat and once again, Doc Bricker is trying to get laid.

As I’ve often said in the past, The Pacific Princess really was a floating HR nightmare and that’s especially clear in any episode that opens with Doc bragging about how his latest girlfriend is about to board the ship.  This time, Doc is excited because he’s going to be joined by Sherry Holtham (Misty Rowe), who apparently took an acting class with Doc.  Imagine Doc’s surprise when Sherry boards the ship with her sister, the insecure and recently dumped Carol (Vicki Lawrence)!

Doc desperately wants some alone time with Sherry but, in order for that to happen, he’s going to have to find someone to show Carol a good time.  Gopher turns Doc down.  The Captain turns Doc down.  Fortunately, however, there is a legendary swinger on the boat.  Rod Baylor (football star Joe Namath) is on the boat and he’s always looking for a good time!  Gopher lies and tells Rod that Carol is notorious for being wild.  Rod takes a shot….

….and gets turned down because he came on too strong.  Gopher suggests that Rod open up to her about his insecurities.  Rod doesn’t have any insecurities but he lies to Carol and tells her that he’s actually very shy and reserved.  Carol is sympathetic and gives Rod her therapist’s card.

I guess the important thing here is that Sherry and Doc got to spend some time together.  They even get to wear matching red kimonos!  At the end of the cruise, Doc says a cheerful goodbye to Sherry but Rod is stuck with Carol and he looks absolutely miserable about it so …. wow, that was kind of a mean-spirited story, to be honest.

Speaking of sex, Sarah Conkle (Brett Somers) refuses to have sex with her husband, Harvey (Phil Harris), because she’s worried he’ll have another heart attack and die.  In fact, she spends almost the entire cruise telling Harvey not to do anything because she doesn’t think he’s healthy enough.  Finally, Harvey takes two bottle of champagne down to the cabin and he and Sarah not only have sex (off-screen, of course) but Harvey lives!  Sarah is so impressed that she lets Harvey carry their suitcases off the boat.  I’m going to guess that Harvey probably died a few days later.

Finally, young Jimmy Hopkins (Mark James) boards the ship with his amicably divorced parents, Evelyn (Ja’net DuBois) and Andrew (Cleavon Little).  Jimmy hopes that he can bring his parents back together (awwww!) and Vicki decides to help Jimmy come up with a plan.  That plan is to basically lie to every single man on the ship about Evelyn being married to a scary football player so that they’ll all stay away from her.  Jimmy also helps out by telling one of Evelyn’s suitors that he can’t wait for him to be his new stepfather.  (That guy is never seen again.)  Eventually, Evelyn and Andrew tell Jimmy that, though their marriage didn’t work, they will always love each other and that they will always be a part of his life.  Awwwww!

This was a mixed bag of an episode.  The storyline about Jimmy and his parents was sweet (even if it did involve a lot of lying) and featured good performances from DuBois and Little.  The storyline about the old couple was, if you’ll forgive the expression, dead in the water.  As for the Namath/Lawrence/Rowe storyline, it was pretty silly.  To be honest, any story that features Doc successfully seducing someone while wearing his red kimono is pretty silly.  Vicki Lawrence’s character didn’t go to do much, other than cry and complain.  Joe Namath, while hardly an actor of great range, had a goofy likability to him.  This episode was a breezy way to pass the time, even if it’s not one of the more memorable episodes of the series.