Retro Television Reviews: The Love Boat 3.18 and 3.19 “Kinfolk/Sis & the Slicker/Moonlight & Moonshine/Too Close for Comfort/The Affair: Part 2”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a family affair on The Love Boat!

Episodes 3.18 & 3.19 “Kinfolk/Sis & the Slicker/Moonlight & Moonshine/Too Close for Comfort/The Affair: Part 2”

(Dir by Roger Duchowny, originally aired on January 19th, 1980)

Well, heck, it’s another double-sized, two-hour episode of The Love Boat.

This is actually the third two-hour episode of the third season, following the season premiere and the episode with the Dallas Cowboy Cheerleaders.  I have to admit that I don’t really look forward to these two hour episodes because they’re usually a bit uneven.  The Love Boat was the perfect hour show, one that featured stories that were specifically designed to be neatly wrapped up in 40 minutes.  The two-hour episodes always seem to lose their narrative momentum after that first hour and that’s certainly the case here.

At the center of the episode is Danny Fields (Donny Osmond), a singer who has been booked to perform on the cruise.  Julie is convinced that Danny is going to be a big star and she’s even convinced a talent scout named Steve Sorrell (Rich Little) to board the ship so that he can see Danny perform.  However, Steve is more interested in Kitty Scofield (Loni Anderson), an innocent West Virginia girl who is eager to see the rest of the world but who is also engaged to marry the unambitious Elmer Fargas (Randall Carver).  Kitty is also Danny’s sister and, in fact, Danny’s entire family (played by Richard Paul, Marion Ross, and Slim Pickens) are on the cruise.  Danny is worried that his hillbilly family will stand in the way of his rock ‘n’ roll career and he goes out of his way to avoid them.  While the rest of the Scofields are willing to accept that Danny doesn’t want to associate with them, Grandpa Luke Scofield (Slim Pickens) lets Danny know that he’s not to happy with Danny and his rock ‘n’ roll ways.  Of course, Luke himself is being courted by Brenda Watts (Eve Arden), a writer who wants to write about the Scofield family and who gets close to them by pretending to be from West Virginia herself.

Fortunately, Danny comes to realize the error of his ways, especially after he sees how Steve has been manipulating his sister.  At his next performance, Danny introduces his family and sings Country Roads especially for them.  Meanwhile, Kitty realizes that she needs to be independent for a while so she dumps both Steve and Elmer, though it’s suggested that she’ll eventually give Elmer a second chance.  Brenda comes clean to Luke about not being a hillbilly and Luke eventually forgives her because he’s in love with her and Brenda’s in love with him.  Even old Steve turns out to be not such a bad guy, though he does tell Danny that his record label just isn’t looking for any new country acts.  Hmmm …. maybe Danny should have stuck with the rock ‘n’ roll.  Oh well!

Got all that?  I hope so because I’m not typing all that out again.

Meanwhile, Frank (Robert Guillaume) and Maura Bellocque (Denise Nicholas) are taking the cruise with their best friends, Dave (Richard Roundtree) and Cynthia Wilbur (Pam Grier).  Frank and Cynthia are having an affair and they aren’t particularly discreet about it.  I was expecting Maura to decide that maybe she and Dave should have an affair of their own but instead, she just spent the entire cruise glaring at Frank.  This was actually a surprisingly dramatic story, one that did not end with the expected positive outcome.  (Is this the first cruise of the Love Boat to end in divorce?)  This is a story that demands at least one big, explosive moment but instead, it was all surprisingly low-key.

Finally, the sprinkler system malfunctioned while the boat was in dock and the cabins of Doc, Gopher, and Isaac were flooded.  So, they move in with the Captain!  The Captain is not amused by Doc’s snoring, Gopher’s New Age chanting, or Isaac’s disco dancing.  And when Doc, Gopher, and Isaac all try to bring different women back to the cabin with them, no one is amused by that.  I’m not really sure I understand why they all had move in together.  Why couldn’t Doc just sleep in his doctor’s office and maybe Isaac and Gopher could have shared an empty passenger’s cabin during the cruise?  (Julie did mention that there were some “small” cabins available.)  Anyway, the important thing is that they all manage to survive the cruise without killing each other.

This was an uneven episode.  The Captain annoyed with everyone as funny because Gavin MacLeod was always amusing whenever he acted annoyed.  The storyline with the cheating couple was well-acted, if dramatically a bit unsatisfying.  But then you get to all the stuff about Danny and his country family.  I know that The Love Boat is not meant to be a realistic or particularly nuanced show but still, Danny’s family was portrayed as being such a bunch of hicks that I was half-expecting them to ask the Captain whether he ever worried about the boat sailing over the edge of the world.  Loni Anderson and Slim Pickens gave likable performances but Donny Osmond was incredibly bland as Danny and the scenes where he “performed” featured some truly abysmal lip-synching.  It was also a bit difficult to buy Rich Little as a swinger.  He came across like he just couldn’t wait to get back home and hang out at the Elks Lodge.

This episode probably would have been fun if it had played out over a compact 60 minutes but, at two hours, things were just stretched a bit too thin.

Retro Television Reviews: The Love Boat 3.17 “April’s Love/We Three/Happy Ending”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, a special guest returns!

Episode 3.17 “April’s Love/We Three/Happy Ending”

(Dir by George Tyne, originally aired on January 12th, 1980)

Let’s see.  This week’s episode is entitled April’s Love/We Three/Happy Ending and….

Wait?

Whose love?

April?

Oh no (or oh yes, depending on how you view things), it’s a Charo episode!

Charo was hardly the only celebrity to frequently appear on The Love Boat but she was the only one to always play the same character.  April first boarded the ship as a stowaway and then she returned as an entertainer.  She appeared at least once in almost every season.  In many ways, Charo was the perfect fit for The Love Boat.  She was loud, flamboyant, and shameless.  She was sexy but innocent.  She was the epitome of The Love Boat aesthetic.  At the same time, a little Charo went a long way and, whenever she boarded the ship, you knew the episode was pretty much going to be 75% Charo.

That’s the case here, in which the crew makes such a big deal over April that you have to wonder if they’re aware that there are other passengers on board.  April boards the ship with her manager and fiancé, Honest Tex (Forrest Tucker).  The crew doesn’t trust Honest Tex, especially when they find out that he was a used car salesman before he met April.  When Honest Tex hears Julie playing her flute and offers to get her a recording contract, the crew assumes that he wants to cheat on April!

(Side note: Since when did Julie start playing the flute?)

Fortunately, Honest Tex turns out to be sincere and he really does have a heart as big as Texas.  After April tells him what the crew has been saying about him, Honest Tex admits that he has been lying about something.  He was actually born in New Jersey.  April sings a song, the crew apologizes, and April and Honest Tex leave the boat a happy couple.

While this is going on, William and Betty Robinson (Don Adams and Juliet Mills) board the boat so they can get some work done.  They are married screenwriters but they are on the verge of divorce.  Once they finish their current script, they can split up.  The only problem is that William doesn’t want to split up with her.  Isaac suggests that William just never finish the script.  William hides the script in his nightstand and then, saying that it’s been lost, he works with Betty to write a new script in which a couple stays together.  Betty and William realize that they still love each other.  Betty discovers that William hid the script but she then confesses that she had another copy of the original script the whole time.  Awwwwwww!  This was a cute story.  Don Adams was a lot more likable here than he is on Check It Out! and Juliet Mills is a lot less annoying than her sister Hayley.

(Admittedly, I really only know Hayley from her time as Miss Bliss on those weird episodes of Saved By The Bell.  But seriously, Miss Bliss was the worst!)

Finally, Tom Thornton (Ross Martin) boards the boat and is surprised to see his ex-girlfriend, Martha (Marjorie Lord), and Martha’s adopted daughter, Laura Rogers (Laurie Walters).  Laura happens to be Tom’s daughter!  Tom isn’t sure whether or not he should reveal he is Laura’s father but meeting Vicki and hearing about how happy Vicki was when she discover Captain Stubing was her father leads to Tom telling Laura the truth.  Laura is happy to have a father and Martha is happy to reunite with Tom.  This was another sweet story, featuring sincere performances from both Ross Martin and Marjorie Lord.  (Plus, Vicki finally did something to justify breaking all of the labor laws that are undoubtedly being violated by having a 12 year-old working on a cruise ship.)

This episode featured two sweet and sincerely-acted stories but both of them are overshadowed by April and Honest Tex.  Personally, I think April is an amusing character and, as I said, Charo was the epitome of the ideal Love Boat celebrity guest.  But it’s still hard not to feel that the other passengers deserved just as much attention as Charo received in this episode.  That said, this was still an enjoyable cruise.  A good time was had by all.  I know Charo will return in future episodes but I have a feeling we’ll never hear from Honest Tex again.

Retro Television Reviews: The Love Boat 3.16 “Making the Grade/The Gift/Doc’s ‘Ex’ Change”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Doc Bricker gets his moment in the spotlight.

Episode 3.16 “Making The Grade/The Gift/Doc’s “Ex” Change

(Dir by Gordon Farr, originally aired on December 15th, 1979)

Since the very first episode of The Love Boat, viewers have continually been told that Doctor Adam Bricker is a notorious swinger, a lothario was has been married numerous times and to whom almost every woman is immediately attracted.  There’s really not much about Bernie Kopell’s likable but rather mild-mannered performance as Doc that would lead anyone to think that any of that would be true but the show insists that Dr. Bricker is a legend of the high seas.

On this week’s episode, Doc’s most recent wife, Samantha (Juliet Prowse), boards the ship.  She and Doc split up a few years ago and they have a friendly relationship.  However, when Samantha informs Doc that her crooked lawyer never actually filed their divorce papers, Doc realizes that they are technically still married!  Will they get a quickie divorce in Mexico (which is Doc’s first idea) or will the give marriage another try?  (That’s Doc’s second idea.)  In the end, they realize that they are just too different to make a marriage work.  Samantha is smart and practical, while Doc is …. well, actually, Doc is the exact same way.  Doc insists that he and Samantha don’t have much in common but actually, they have a lot in common.  I think Doc is kind of fooling himself into thinking that he’s more of an impulsive wild man than he really is.  Anyway, at the end of the cruise, they decide to get divorced but at least they still like each other.  Doc never quit gets his heart broken like the rest of the cast does.  I guess that’s why he’s a legend.

Meanwhile, Vicki finally gets someone her own age to hang out with when Danny Harris (Johnny Timko) boards with his mother, Madeline (Jessica Walter).  Unfortunately, Danny is also kind of a spoiled brat and he’s really not happy when he discovers that his teacher, John Hurley (Dick Gautier), is also on board.  And then Danny is even more upset when John starts to romance Madeline.  And really, Danny has a point.  No one wants to see their teacher (or their boss) while they are on vacation.  And seriously, no one wants to deal with the idea of their teacher (or, again, their boss) suddenly becoming their stepfather.  That said, Danny eventually makes peace with the idea of his mom dating his teacher and everyone leaves the boat happy.

The final storyline features one of those plots that drives me crazy, because it could have easily been resolved by everyone not acting like an idiot.  Buddy Redmond (Red Buttons) boards the boat with his wife, Joan (Kaye Ballard).  Buddy claims that it’s been years since he last gambled but actually, he’s lying.  He has $2,000 in his suit pocket, money that he got from his bookie.  Joan doesn’t know about it.  When Joan hears that two other passengers, Benny Carter (frequent Love Boat guest star Sonny Bono) and Sally (Ronee Blakely), have lost their luggage, she donates Buddy’s jacket so that Benny will have something to wear at dinner.  When the envelope containing the money falls out of the jacket, Benny and Sally think that all of their financial problems have been solved.  Meanwhile, Buddy desperately wants to get back both the jacket and the money but he doesn’t want his wife to find out why.  Meanwhile, Benny and Sally need the money but they don’t want to steal it if it actually did fall out the jacket so they try to convince themselves that the envelope could have been left in their cabin by a previous passenger who is no longer on the boat.  Seriously, it’s exhausting to try to keep up with these people.  Fortunately, once Buddy discovers that Benny and Sally really need the money, he lets them keep it.  Joan is so touched that she totally forgets about the fact that her husband is apparently still a degenerate gambler.

Even by Love Boat standards, this was a silly episode.  At the same time, it was a pleasant diversion.  Juliet Prowse and Bernie Kopell made a nice couple, even if you never quite bought the idea of Doc being a playboy.  Red Buttons wisely underplayed his role and therefore, Buddy remained sympathetic even while demanding the return of his jacket.  Even Sonny Bono and Ronee Blakely were likable as a nice couple who found themselves in over their heads.  This cruise was silly but pleasant.

Retro Television Reviews: The Love Boat 3.15 “The Harder They Fall/The Spider Serenade/Next Door Wife”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Gopher falls in love.  Yes, Gopher.

Episode 3.15 “The Harder They Fall/The Spider Serenade/Next Door Wife”

(Dir by Richard Kinon, originally aired on December 8th, 1979)

After three seasons of being goofy comedic relief, Gopher finally got his heart broken in this episode.  He fell in love with a passenger named Claire Dalrymple (Jill St. John), who is on the boat by herself because she has recently separated from her husband, Nelson (Robert Sampson).  And Claire eventually fell in love with Gopher, especially after he dressed up like a mariachi singer and serenaded her with a song about the time that she asked him to kill a spider that was in her cabin.  This time, it was Gopher who ended up waking up in a cabin with a passenger.

(I’m sure some would say it was a bit unrealistic that Claire, upon seeing a spider in her cabin, would run out into the hallway, screaming while wearing only a towel.  I’ve done the exact same thing at a hotel because spiders are scary!)

But does Claire really love Gopher or if she just looking for someone to feel the void left by her separation.  When her husband shows up on the boat, he turns out to be a pretty reasonable and polite guy.  He tells Gopher that, while Gopher can give Claire anything she wants at sea, Nelson can give her everything she needs on land.  Is Nelson suggesting some sort of special arrangement here?  Well, if he is, it totally goes over Gopher’s head.  At the end of the cruise, Claire decides to leave with Nelson and Gopher can only sadly watch as she leaves.

Awwwwwww!  Poor Gopher!

It’s kind of weird to see Gopher in a sad story.  That’s not the fault of Fred Grandy, who always likable and did a pretty good job with the role.  Instead, it’s just that Gopher is such a goofy character that it takes a bit of adjustment to suddenly see him being sincere.  His storyline here worked well-enough, once you got used to the idea of Gopher being serious.  If anything, Gopher was so sad by the end of it that it suddenly made sense why he’s always telling jokes and trying to avoid any sort of emotional commitment.  He’s hurting inside!

The other two storylines were goofy enough to make up for Gopher’s serious turn.  Chet Hanson (James McArthur) is on the cruise with his girlfriend, Kim (Susan Buckner).  Chet’s wife, Carol, (Joanna Pettet) also shows up on the cruise and gives Chet the papers to sign for their divorce.  Chet and Carol are fairly friendly for a divorcing couple but Chet is still upset when Carol buys a ticket for the cruise and ends up staying in the cabin across the hall from him and Kim.  Soon, Carol is stopping by constantly and telling Chet about a man that she’s been flirting with.  Eventually, Chet realizes that he doesn’t want to get a divorce and he and Carol get back together.  That really sucks for Kim, who is surprisingly tolerant of being followed around by her boyfriend’s wife.  This storyline really did leave a sour aftertaste.  Chet was a jerk and Kim deserved better.

Finally, Ed “Flash” Taylor (Milton Berle) and Jack McTigue (Alan Hale, Jr.) were both boxers in their youth.  They fought one legendary fight, in which they not only beat the Hell out of each other but also knocked out the referee.  Now, they are both cruise line executives and they both end up on their boat at the same time.  As soon as they see each other, their rivalry reignites and they prepare for a rematch on the boat.  When Captain Stubing tries to stop the fight, he is accidentally knocked out by the two boxers.  Somehow, this leads to peace between Ed and Jack and not to Captain Stubing suing his bosses for punching him.  Seriously, the Love Boat is floating HR nightmare.

This was an okay episode, largely due to Gopher’s unexpectedly sad story.  The other two stories were just goofy but, when it comes to The Love Boat, the goofiness is the point.

Retro Television Reviews: The Love Boat 3.14 “The Stimulation of Stephanie/Life Begins at 40/The Next Step”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard!  They’re expecting you!

Episode 3.14 “The Stimulation of Stephanie/Life Begins at 40/The Next Step”

(Dir by Allen Baron, originally aired on December 1st, 1979)

After being unexplainably absent last week, Vicki returns this week and is once again somehow a member of the Love Boat crew, despite only being 12.  Nobody asks where she was last week and certainly, no one asks her how she’s doing in school.  In fact, not only the crew but also the passengers seem to be totally accepting of the idea of a 12 year-old working as the assistant to the cruise director.  I guess the 70s were a different time.

If I seem to be harping on the strangeness of Vicki living on the boat, that’s because this week’s episode really isn’t that interesting.  This week’s episode is a fairly bland one.  It’s so bland that it really leaves you with no choice but wonder about the logistics of how the boat works.  And really, that’s something that should never happen when you’re watching a show like The Love Boat.  If you’re worrying about real-life questions while watching a show like this, it means that you’re watching an episode that just isn’t working.  The Love Boat, like Fantasy Island, should be an escape from reality and not an excuse to wonder about how it all works.

As usual, we’ve got three storylines to deal with.  Jo Anne Worley plays Dottie Anderson, who is 39 years old and still unmarried.  She’s booked herself in the honeymoon suite because she is determined that she is going to meet a man and get married over the course of the cruise.  Julie assures Dottie that there’s nothing wrong with being single when you’re 4o, which is easy for Julie to say because someone asks her to get married during almost every cruise.  Anyway, Dottie flirts with a lot of men and ultimately, she comes to realize that Julie was right.  She embraces being single and leaves the boat happy.  Yay!  This storyline didn’t add up too much but at least Jo Anne Worley knew how to deliver a joke.

Meanwhile, pro football player Virgil Plummer (Roosevelt Grier) is upset because he’s about to retire from the game that he loves and he doesn’t know what the future holds for him.  With the help of his wife (Melba Moore) and Isaac, Virgil realizing that he can pursue a career as a cook.  Personally, I’m not sure why he wouldn’t just retire and live off the millions he made as a football player.  Or maybe he could become a coach or one of those “fight for every inch” motivational speakers.  Grier and Moore had a likable chemistry (even if it did feel more like a close friend chemistry as opposed to a married chemistry) but again, this storyline just didn’t add up too much.

Finally, sex research Norman Bridges (Dick Martin) and his assistant, Stephanie Champman (Char Fontane) board the boat.  Bridges wants to research the roots of sexual simulation.  Stephanie is in love with Bridges, though you have to wonder why because he’s kind of a boring jerk.  Still, when Norman thinks that Doc Bricker is trying to seduce Stephanie, Norman goes down to Bricker’s cabin and punches him.  Unfortunately, Norman wasn’t wearing his glasses and didn’t initially realize that the woman in Doc’s cabin was not Stephanie but was instead a passenger named Lena (Judy Landers).  Eventually, Norman does figure out that Stephanie loves him and they leave the boat together.  Somehow, Norman got away with assaulting the ship’s doctor.  This storyline was just dumb.  No one in their right mind would fall in love with someone as clueless and self-absorbed as Norman.

This was a less-than-satisfactory cruise.  But that’s what happens when you break child labor laws.

Retro Television Reviews: The Love Boat 3.13 “Not Now, I’m Dying/Too Young to Love/Eleanor’s Return”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Captain Stubing’s in love again.  Things don’t work out.

Episode 3.13 “Not Now, I’m Dying/Too Young To Love/Eleanor’s Return”

(Dir by Alan Rafkin and Roger Duchowny, originally aired on November 24th, 1979)

The first thing that I noticed about this episode is that the name of guest star Jon Cypher was misspelled as “Jon Cyphers” on his intro card.  I’m sure that Cypher appreciated that.  Jon Cypher may never have been a household name but he appeared in several movies and a ton of television shows, usually cast as autocratic authority figures.  Misspelling his name is an odd error for a guest star-driven show like The Love Boat to make.

The other thing I noticed was that Jill Whelan was not listed in the opening credits and indeed, Vicki is not in the episode.  The simple explanation is that this episode was originally meant to air before Stubing adopted Vicki.  Still, I did find myself wondering if maybe Captain Stubing finally realized that it was kind of weird for a 12 year-old to live on a cruise ship.  Vicki living on the ship has always confused me.  I mean, she’s 12 and she’s apparently now working for the cruise line.  Shouldn’t she be in school?  Does she have a tutor on the boat?  I mean, how is any of this legal?

Captain Stubing didn’t say anything about Vicki in this episode but that’s because he was devoting most of his attention to Eleanor (Barbara Rush).  Eleanor previously appeared during the second season, during which Stubing fell for her.  Stubing is excited that Eleanor will be taking the cruise for a second time but, before he can ask her out, Eleanor is approached by Russell Evans (Jon Cyphers Cypher).  Russell asks Eleanor to dance with him and Stubing can only watch helplessly as Eleanor has a whirlwind romance with Russell.  Unfortunately, Russell turns out to be a bit of a cad but, by the time time Eleanor realizes this, the cruise is almost over!  Stubing chastely comforts her and I did appreciate that the show didn’t have her just magically get over her broken heart and have her hook up with the Captain.  At the end of the cruise, Eleanor says goodbye once again and Stubing can only hope that she’ll take a third trip on the boat.

While this is going on, Doc is excited because his friend, Lucy (Barbi Benton), has boarded the boat with her fiancé, Peter Welch (Dack Rambo).  Lucy is really enthusiastic about getting married but Peter’s not sure if he wants to settle down.  So, in an example of incredibly weird thinking, Peter lies and tells Lucy that he’s dying of a tropical disease and it wouldn’t be fair of him to marry her.  When Lucy tells Doc the news, Doc informs Lucy that Peter’s disease doesn’t exist.  In order to get back at Peter, Lucy arranges for Peter to be examined by Doc.  The plan is for Doc to violate his Hippocratic oath and risk his medical license by giving Peter a false diagnosis.  However, Doc discovers that Peter actually is sick.  He has Lou Gehrig’s Disease.  This leads to Peter and Lucy realizing that they really do love each other.

Finally, two underage kids — Terry (Timothy Patrick Murphy) and Monica (Christen Kauffmann) — board the boat under false names and check into the honeymoon cabin so that they can take their relationship to the next level.  However, Monica is the daughter of one of the cruise line’s executives and, when he discovers what is going on, he orders Stubing to keep the kids apart.  Since Stubing is more interested in pursuing Eleanor, he gives the job to Gopher.

Instead of just confronting the kids about lying to get the honeymoon suite and assigning them to different cabins, Gopher decided to rely on his mastery of disguise.  Gopher disguises himself as both an old man and a bearded Scotsman and continually makes sure that Terry and Monica never get any time alone.  Terry is annoyed but Monica is happy because she’s not sure if she actually wants to lose her virginity to a handsome and considerate guy who has enough money to afford a luxurious cabin on a cruise ship.

This episode was …. well, it was okay.  It was a typical episode of The Love Boat, in that everyone was attractive and the boat looked really nice.  With the exception of Eleanor’s story, this was a fairly superficial 45 minutes.  That said, it was a pleasant episode even if it wasn’t particularly memorable.

Retro Television Reviews: The Love Boat 3.12 “The Brotherhood of the Sea/Letter to Babycakes/Daddy’s Pride”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This cruise is all about deception!  Welcome aboard, it’s love!

Episode 3.12 “The Brotherhood of the Sea/Letter to Babycakes/Daddy’s Pride”

(Dir by George Tyne, originally aired on November 17th, 1979)

Julie’s birthday is coming up and the crew is planning to throw her a surprise party.  However, to keep Julie from catching on to what they’re planning, Doc, Gopher, and Isaac decide that they need to keep her occupied.  They tell her that they are all member of the “The Brotherhood of the Sea” and that they’re now prepared to make Julie a member as well.

Somehow, Julie falls for this very obvious lie and she spends almost the entire cruise doing all of the silly activities that Doc, Gopher, and Isaac have set up for her.  As I watched this, I found myself wondering if maybe Julie had somehow forgotten when her birthday was because, seriously, it couldn’t have been any more obvious what Doc, Gopher, and Isaac were doing.  Even worse, Julie gets so busy trying to join the Brotherhood of the Sea that she neglects her latest romantic partner, Rory Daniels (Christopher Connelly).

It’s time that we just face facts.  Until Julie gets off that boat, she’s never going to find the husband that she always says that she’s looking for.  The Boat pretty much dominates Julie’s life and there’s no way that her male co-workers are ever going to stop out of the way and allow Julie to find any sort of happiness.  It’s an interesting dynamic and I think it’s one that’s familiar to any woman who has worked with mostly male co-workers.  On the one hand, the ground you walk on is worshipped.  On the other hand, they don’t ever want to let you go.

While Julie is trying to join the Brotherhood of the Sea, Olympic gymnast Penny Barrett (Nancy McKeon) just wants to hang out with Kevin (Stephen Manley), a passenger who is her own age.  Unfortunately, Penny’s father (Alex Cord) is also her coach and he wants her to devote all of her time, even her time on the Boat, to training.  Poor Penny!  Seriously, back when my whole life was about going to dance class, I met so many people like Penny, whose parents basically lived their entire lives through them and never allowed them to have a childhood.  I was glad my parents supported me but didn’t pressure me.

Finally, wealthy Bart (Demon Wilson) boards the ship with his girlfriend, Tracy (Telma Hopkins), and his assistant, Wally (Jimmie Walker).  After Bart meets Ginger (Sydney Goldsmith), he decides that he wants to cheat on Tracy and he expects Wally to help him pull it off by keeping Tracy busy while Bart goes off with Ginger.  Needless to say this leads to Tracy and Wally falling in love.  Ha!  Take that, Bart!  This storyline would have been a bit more interesting if the two leads actors weren’t so boring in their roles.

This was a so-so cruise but at least Julie knows where she stands now.

Retro Television Reviews: The Love Boat 3.10 and 3.11: “The Love Lamp Is Lit/Critical Success/Rent a Family/Take My Boyfriend, Please/The Man in Her Life”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a double length episode of The Love Boat as the Dallas Cowboy Cheerleaders take over the cruise!

Episodes 3.10 and 3.11 “The Love Lamp Is Lit/Critical Success/Rent a Family/Take My Boyfriend, Please/The Man in Her Life”

(Dir by Roger Duchowny, originally aired on November 10th, 1979)

This episode features the first time that Jill Whelan (as Vicki) is included in the opening credits and what an episode to be included in!  It’s time for a special charity cruise of the Love Boat!  In order to raise money for an orphanage in Mexico, the Dallas Cowboys Cheerleaders will be performing on the boat!

I don’t really follow football but I do know that both the Cowboys and their cheerleaders were really popular back in the 70s and 80s.  (Living in Texas, I’ve become very good at sympathetically nodding whenever anyone starts talking about frustrated they are with the Cowboys.)  Still, the idea of the cheerleaders performing on a cruise ship for a charity drive seems a little off.  I mean, shouldn’t they be cheering at a football game?  As I always do when it come to things involving cheerleaders, I asked my sister Erin if any of this made sense to her.  Erin suggested that I not worry about it because it’s The Love Boat.  And really, she has a point.  The Dallas Cowboy Cheerleaders marching onto the boat in full uniform and practicing their routines by the pool makes about as much sense as 11 year-old Vicki suddenly living on a cruise ship.  With The Love Boat, you just have to kind of go with it.

The Cheerleaders play themselves, with three of them getting storylines of their own and I will say that they all came across as being likable and natural in their performances.  I always kind of dread any episode that features celebrities playing themselves because just because someone is famous, that doesn’t mean they’re going to be a good actor.  (I still remember all of those stiff basketball player cameos on Hang Time.)  But the cheerleaders all do a good job, even if none of them are given particularly challenging roles.

Stacy (Tami Barber), for instance, is shocked when Mark Scott (Stephen Shortridge) boards the cruise.  Mark was someone who pursued her in Dallas but she wanted nothing to do with him.  However, on the boat, Mark shows that he’s a nice guy underneath his smooth exterior.  He even choreographs a new routine for the charity performance.  Good for him!

Wendy Ames (Gaye Carter) boards the boat with her mother, Helen (Dina Merrill) and Helen’s boyfriend, Bill (William Windom).  Helen gets jealous of the amount of time that Wendy and Bill are spending together and, when she sees the two of them looking at wedding rings, she decides that they’re having an affair!  No, Helen — Bill wants to marry you!  This whole storyline was silly, to be honest.  Helen just came across as being unnaturally paranoid.

Lisa (Kim Kilway) meets and falls for Paul (Bill Daily), who is the newest vice president of the greeting card company that is sponsoring the cruise.  Paul loves Lisa to but he has a problem.  He’s traveling with his fake family!  Why does Paul have a fake family?  Apparently, Paul’s boss (John Hillerman) only hires family men.  (That sounds like a lawsuit in the making.)  Paul recruited a fake wife (Roz Kelly), mother (Patsy Kelly), and son (Jackie Earle Haley, who appears to be having a lot of fun playing bratty) to pretend to be his family.  The truth comes out, of course.  Fortunately, Lisa is remarkably forgiving and Paul avoids getting fired by promising to marry and start a family with Lisa as quickly as possible.  Again, this all sounds like the beginning of Supreme Court case.

Among the non-cheerleaders, Lou (Larry Linville) and Nora (Gunilla Hutton) are two jewel thieves who board the boat so that they can find some diamonds they hid the last time they took a cruise.  They hid the diamonds in a lamp and it turns out that the lamp is now in the possession of a member of the crew.  This leads to Nora flirting with Gopher, Isaac, and Doc and then quickly abandoning them once it becomes clear that they don’t have the lamp.  (These scenes were fun, largely because of Gunilla Hutton’s comedic timing.)  Finally, Lou and Nora get the diamonds but they have a change of heart and, along with declaring their love for each other, Lou and Nora also donate the $500,000 that they’re going to make from selling the diamonds to the orphanage!  Yay!  Assuming that Lou and Nora don’t get arrested while trying to fence the stolen merchandise, the orphanage will greatly benefit.

Meanwhile, an acerbic theatrical critic (Douglas Fairbanks, Jr.) tries to get an actress (Ginger Rogers) to agree to appear in his new play.  In the end, they realize they’re in love and Ginger Rogers sings Love Will Keep Us Together.

There was a lot going on in this episode but it was enjoyably silly in the way that the best episodes of The Love Boat usually are.  It was excessive and ridiculous, but fun.  On The Love Boat could you get Jackie Earle Haley mocking his fake father while Ginger Rogers sang a song.  This was an enjoyable episode and it did Dallas proud.

Retro Television Reviews: The Love Boat 3.9 “Trial Romance/Never Say Goodbye/A New Woman”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Love Boat gets a new member of the crew!

Episode 3.9 “Trial Romance/Never Say Goodbye/A New Woman”

(Dir by Gordon Farr, originally aired on November 3rd, 1979)

This episode is a big one for Captain Stubing so let’s quickly get the non-Stubing storylines out of the way.

First off, Barney Briscoe (Louis Nye) and Rose Kennycott (Gale Storm) are two older passengers who board the ship looking for love.  Since they’re both kind of old-fashioned and not a fan of public displays of affection, Julie thinks that they would be perfect together.  Unfortunately, while Barney does like Rose, he also thinks that Julie is hitting on him while Rose thinks that the man Julie says likes her is Doc Bricker!  Rose decides to take matters into her own hands and heads to Doc Bricker’s office.  Thinking that she’s feeling ill, Doc tells her to go in the exam room and remove her clothes.  Rose, fearing that things are moving too quickly, flees from Bricker’s cabin.  Fortunately, she and Barney do end up together but Barney is always in such a cranky mood that you can’t help but feel that Rose is going to get tired of dealing with him after a week or two.

Meanwhile, Harry Stewart (Vic Tayback) boards the ship, fresh from getting finished with jury duty.  He was a part of jury that heard a case that drew national attention.  A woman was accused of poisoning her husband and the trial ended with a hung jury.  Harry explains to Gopher and Isaac that 11 men were ready to convict but the one woman on the jury refused to vote guilty.  That woman is Ann Noyce (Jo Ann Pflug) and — surprise! — she’s also a passenger.  Harry and Ann spend the entire cruise arguing the facts of the case before eventually falling in love. It’s a typical Love Boat storyline and Tayback and Pflug don’t exactly have the greatest romantic chemistry.  It’s easy to believe them when they’re arguing but not quite as easy to buy them as sudden lovers.

But really, the only storyline that matters is the one involving Captain Stubing and his daughter Vicki (Jill Whelan, who is listed as a guest star for this episode but joins the regular cast next week).  Now 11 years old, Vicki has been writing to Stubing on a regular basis and telling him about how much she wishes she could see him again.  However, Stubing tells Bricker that he has resolved never to see Vicki again because it would be too painful for him to have to say goodbye to his daughter all over again.  However, Vicki has discovered that Stubing is her father and she decides to take matters into her own hands by running away from home and boarding the ship in Acapulco.  Stubing finally admits that he is Vicki’s father but he still feels that a ship is not the right place for a child.  He returns her home to her aunt, just to discover that her aunt is in the middle of a divorce and she feels that Vicki should be with her father.  Stubing and Vicki return to the ship, where Vicki will now live.

Awwwwww!

Actually, I’m not totally sure how this thing with Vicki living on the ship is supposed to work.  She’s 11 years old, which is a bit young to be working on a cruise ship.  Does the Love Boat have a school on one of its decks?  Is Vick really going to be happy living on a boat that is largely populated by elderly people?  There’s a lot of questions to be considered but it really doesn’t matter.  Gavin MacLeod gives such a sincere and emotional performance that it feels almost churlish to obsess on the specifics of how Vicki is going to be raised.  Captain Stubing has always been more interesting of character than one might assume.  Though he’s often a bit goofy and it’s hard not to cringe whenever he gets a storyline that requires him to flirt, Gavin MacLeod always did a wonderful job of showing Stubing’s more vulnerable side.  Whether he was talking about Vicki’s mother or his own struggles with alcoholism, there was always an undercurrent of melancholy with Captain Stubing and MacLeod always seemed to make the most of those scenes that allowed Stubing to open up about his life and regrets.

In the end, the viewer is just happy that Captain Stubing has finally been reunited with his daughter.

Next week: The Dallas Cowboy Cheerleaders board the ship!

Retro Television Reviews: The Love Boat 3.8 “Play By Play/Cindy/What’s A Brother For?”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for a Halloween cruise!

Episode 3.8 “Play by Play/Cindy/What’s A Brother For?”

(Dir by James Sheldon and George Tyne, originally aired on October 27th, 1979)

Yes, this episode does feature the Love Boat’s annual Halloween cruise but sadly, it doesn’t do much with the theme.  Last season’s Halloween cruise featured Vincent Price as an illusionist.  This season, there is a costume ball but it’s mostly just there so that the show can do a take off on Cinderella.

Cindy (Melissa Sue Anderson) is a shy girl who boards the ship with her wicked stepmother (Carolyn Jones) and her two less-than appealing step-sisters (Ronda Bates and Lila Kent).  While the stepmother tries to find an eligible bachelor for either one of her biological daughters, Cindy is expected to stay in the cabin and do the laundry.  However, Gopher hears Cindy singing Witchcraft and decides that Cindy simply has to sing for “the prince of pop,” Preston Maddox (Frank Sinatra, Jr., who looks like a cross between his father and Jerry Lewis).  However, how can Cindy escape from the cabin?  Gopher arranges for her to go to the costume ball and he even steals Julia’s Cinderella costume so Cindy can go incognito.  Cindy impresses Preston but, when Julie sees that Cindy is wearing her costume, Cindy makes a run for it.  She leaves behind one glass slipper and …. well, you know where this is going, right?  As everyone disembarks in Los Angeles, Preston has them try to on the slipper.  Cindy, however, doesn’t have to try on the slipper to prove her identity.  She just has to start singing Witchcraft.  By the end of the episode, you’ll wonder if Cindy knows any other songs.

While all that is going on, Bud Pomeroy (Christopher George) and Peggy Rossmore (Lynda Day George) are two sportscasters who work together but actually dislike each other.  Peggy thinks Bud is a chauvinist and Bud thinks that Peggy was only hired for her looks.  They decide to compete in a series of athletic events to determine who will stay at their station and who will quit.  Bud wins at arm wrestling.  Peggy wins a 5-mile race around the ship.  To determine their third event, Peggy randomly draws a piece of paper from Captain Stubing’s hat and discovers that the next competition will be weight-lifting!  When Bud throws his back out, it looks like Cindy is going to win but then Cindy asks Bud to stay and they discover that they actually love each other.  Yay!  Neither the story nor the characters were that interesting but Christopher George and Lynda Day George were married in real life and they made an attractive couple.

Finally, Tom Benton (Tom Hallick) has devoted his entire life to looking after his brother, Matt (Patrick Wayne), who uses crutches.  When Tom meets and falls in love with Kris (Joan Van Ark), Matt realizes that it is time for Tom to move on and find some happiness of his own.

For the most part, this was a typically pleasant episode of The Love Boat but, as a Halloween episode, it was a major disappointment.  They should have had some fun with season but, unfortunately, they didn’t.  This was like going on a Christmas cruise and not getting any presents.