Retro Television Review: The Love Boat 5.19 “New York, A.C./Live It Up/All’s Fair in Love and War”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you!

Episode 5.19 “New York, A.C./Live It Up/All’s Fair in Love and War”

(Dir by Richard Kinon, originally aired on February 20th, 1982)

Poor Captain Stubing!  He’s just returned from burying an old friend named George and now, he’s thinking about his own mortality.  When he starts to feel unwell, Stubing goes to Dr. Bricker who tells Stubing that his problems are not physical.  The problem is that …. STUBING’S DEPRESSED!  Stubing decides to live each day to the fullest and good for him.  This was a simple storyline but I liked it.  I always appreciate the episodes that allow Stubing to be vulnerable without turning him into a hard-luck doofus.  In this episode, Stubing was dealing with something that almost everyone has either had to or will deal with at some point in their life.  It was also nice to see Doc Bricker giving good advice for once.  Bernie Kopell is so likable in the role that I always appreciate it when he gets to play Doc as being something other than a lech.

As for the other two stories …. agck!

Three New York friends (played by former teen idols Eddie Byrnes, Fabian, and Bobby Sherman) have boarded the cruise.  They are members of the Alimony Club.  They’re all divorced and they’ve all sworn that they’ll keep each other from marrying again.  They are a club that believes all marriages are doomed to failure.  But when Sherman’s ex-wife, Annette Funicello, boards the boat, it looks like the Alimony Club might lose a member.  And listen, I know that guys have their little rituals and their little clubs and that’s okay.  But the Alimony Club just feels weird.  It should be called the Misery Club because they seem to be more interested in keeping Bobby Sherman depressed than anything else.  I always find it odd when previously divorced couples get back together on The Love Boat.  I mean, did they forget why they got divorced in the first place?

Meanwhile, Jill St. John and Ron Ely have been having an affair for four years.  Every 12 months, they get together for a romantic getaway.  Ron says he can’t marry Jill because he’s married and has children back home.  (*cough* jerk *cough*)  Jill, who really could do better, insists that Ron leave his wife.  She even has her brother board the cruise and flirt with her (*cough*  Oh my Gosh, creepy! *cough*) to make Ron jealous.  Ron gets jealous, alright.  He beats up Jill’s brother and then reveals that he was lying about having a wife.  He’s not married …. he’s scared of commitment!  And now he’s ready to get married!  Uhmmm …. like seriously, WHAT THE HECK IS THAT!?  (I gave up cursing for Lent.)  Jill — you were a BOND GIRL!  You were TIFFANY FREAKING CASE!  YOU CAN DO BETTER!

Oy vey, this episode.

Late Night Retro Television Review: Pacific Blue 1.8 “Burnout”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Oh no!  It’s the cops!

Episode 1.8 “Burnout”

(Dir by Lyndon Chubbuck, originally aired on April 20th, 1996)

This episode of Pacific Blue opens with a hilarious scene of Victor and Cory sneaking up on some drug dealers that they’ve spotted making a sale.  What makes it hilarious is that Victor and Cory somehow manage to do this while 1) wearing their blindingly white t-shirts and 2) riding their bikes.  There’s not much good to say about this show but there’s an undeniable amusement factor in the show’s insistence that bicycle cops don’t look massively dumb creeping up on people while on their bikes.

It turns out that the dealers aren’t selling the usual “smack,” as Cory puts it.  Instead, they’re selling steroids!  Sheila (Shannon Tweed) is upset that one of her waitresses had gotten hooked on steroids and…. wait, who?  Sheila briefly appeared in the pilot episode but she hasn’t been mentioned since and this is certainly the first time that we learn that Lt. Palermo’s girlfriend owns a restaurant.  This episode acts as if Sheila is a regular character that we all know and love.

I get the feeling this episode was meant to air earlier in the season.  Not only does Sheila return but Chris is back to being her arrogant, bitter self.  Chris was a fighter pilot until her eyesight failed, a story we hear again and again in this episode.  (She no longer has 20/20 eyesight but whenever she talks about it, she makes it sound as if she literally went blind.)  Another pilot, Greg (Peter Barton), comes to visit her and makes a few jokes about how riding a bicycle is lame.  This gives Chris a chance to defend her job and to also call out Greg for being a sexist who just wants to get laid before returning to the skies.  Chris may be right about Greg but he’s played by the totally adorable Peter Barton so really, why not?

Meanwhile, on the beach, a schizophrenic man annoys the owner of a bodega by playing his saxophone.  Fights break out,  Cory tells the saxophone man to play his instrument under the pier.  Presumably, it will be easier for him to get mugged or murdered under there.  I like that the solution when it came to the crazy homeless man was just to find somewhere else for him to be crazy and homeless.  Don’t take him to a shelter or a hook him up with mental health professionals or anything silly like that.

This show …. ugh.  I’m really hoping the first season is an outlier and the subsequent seasons will be an improvement.  The only thing worse than bicyclists are people who are cocky about being bicyclists.  For 8 episodes now, it’s been one person after another expressing shock at the whole bicycle thing.  We get it.  We understand.  The cops look stupid on their Schwinns.  But, that’s the show.  If Pacific Blue is still trying to justify its existence after eight episodes, that’s not a great sign.

Retro Television Review: Fantasy Island 6.7 “Roller Derby Dolls/Thanks A Million”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, things get strange on the Island!

Episode 6.7 “Roller Derby Dolls/Thanks A Million”

(Dir by Don Weis, originally aired on December 4th, 1982)

Norman Hackett (Vic Tayback) is a sports fanatic who wants to coach his own athletic team.  Oddly, he doesn’t specify what type of team he wants to coach.  I would think that would be the first thing that a true sports fanatic would make clear.  “I want to coach the….”  Well, I can’t think of the names of any teams off the top of my head.  I’m not a sports person so …. okay, he could have said he wanted to coach the Cowboys.  You happy?  Yes, I’m from North Texas and our football team sucks,  Even I’m embarrassed by them and I don’t even follow football.  I’d be tempted to coach the Rangers except I know Erin would get mad at me if the team didn’t make it to the championship.  We also have a hockey team called the Stars but Leonard is the biggest hockey fan I know and, if anyone here at TSL deserves to coach hockey, it’s Leonard.  What’s that, you say?  The Mavericks?  Ehh.  I hate basketball.  Those squeaky shoes drive me nuts.  Plus Mark Cuban’s been kind of annoying ever since he decided to run for President in 2028.

Anyway, I’m rambling because this episode really wasn’t that interesting.  Because Norman didn’t make it clear what he wanted to coach, Mr. Roarke gives him a whistle and then introduces him to the Belles, an all-female roller derby team.  It turns out that roller derby is a big deal on Fantasy Island!  There’s a roller derby rink and everything.  It also turns out that Norman’s check bounced so, if he abandons the Belles, he’ll have to pay Mr. Roarke even more money …. wait, what?  Shouldn’t Norman just be sent home or something?  And doesn’t Roarke know enough to make sure the check clears before inviting someone to the Island?  No wonder Tattoo used to be in charge of the money.

Speaking of money, Suzanne (Janet Leigh), Roger (James Noble), and Eddie (Art Metrano) come to the Island to take part in a contest.  The winner will get $1.000.000 from a mysterious benefactor.  The benefactor, by the way, is actually Eddie and it turns out that the entire contest is a private bet between him and Mr. Roarke.  Eddie thinks that people will do anything to get money.  (This is largely true.  Up until a few weeks ago, this moronic woman was trying to sue my dead father’s estate for half a million.  Fear not, she got nothing.)  Roarke believes that people are good at heart.  Eddie puts Suzanne and Roger through a series of increasingly dangerous tests to see how far they’re willing to go.  In the end, both Roger and Suzanne prove themselves to be good people, though Suzanne is the one who gets the money.  Roarke wins his bet and we’re left wondering how all this came about in the first place.  (Seriously, how does Roarke even know Eddie?)

Anyway, this was kind of a strange trip to the Island.  I’m not really happy about an episode of Fantasy Island featuring a story that isn’t really a fantasy.  Still, at least the scenery was nice.  That’s a beautiful island!

Retro Television Review: CHiPs 3.11 “The Watch Commander”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, a new boss gets on everyone’s nerves!

Episode 3.11 “The Watch Commander”

(Dir by Don Weis, originally aired on November 17th, 1979)

There’s a new watch commander and he’s not making any friends.  Lt. Harold Bates (Granville Van Dusen) previously worked in the PR Department at Sacramento and he sets out to make a bad impression from the minute that Sgt. Getraer first introduces him to the cops working out of the Los Angeles precinct.  Lt. Bates is all about following the book.  He notes every flaw, from a missed button to poor gas mileage.  Getraer tries to get him to understand that there’s more to being a cop than just following regulations and that being a member of the Highway Patrol means having to make split-second decisions.  Bates wants to know why Ponch isn’t wearing a regulation shirt.

In some ways, this is as close as CHiPs will ever get to The Caine Mutiny.  Nobody removes Bates from command but Bates still struggles to recover from making a terrible first impression and his own Queeg-like personality doesn’t help things.  His attempts to call out the members of the Highway Patrol who get the worst gas mileage backfires when Officer Grossman siphons gas out of Bates’s car, leading to Bates appearing at the bottom of the list.  Bates has no idea how to talk to or trust people.  Jon Baker tries to offer a helping hand, especially since both he and Bates served in Vietnam.  He invites Bates to go skydiving with him over the weekend.  Bates assumes it’s a set-up and turns him down.

We do get the usual car crashes and a subplot about a bunch of thieves who are stealing trucks from loading docks but the majority of this episode takes place at headquarters.  Ponch, who is said to still be on limited duty, is recovering from his accident and one gets the feeling that this episode was developed so Erik Estrada could be a part of the story without actually having to spend too much time on his bike.  (Estrada actually did injure himself during filming and those injuries were written into the show.)  In some ways, this is CHiPs at its most realistic because everyone always hates the new boss, especially one who thinks that he knows everything.

Going back to The Caine Mutiny, it was impossible not to feel sorry for Queeg, who was not a bad guy but instead just someone who wasn’t good at talking to people and who ultimately was let down by the people who should have been supporting him.  I never felt that type of sympathy for Bates, who really did just come across as being a jerk.  Thank goodness for Robert Pine, whose steadiness as Sgt. Getraer is well-used by this episode.  Pine is there to support Bates but he also protects his men.  This episode features Getraer at his most likable.  Everyone should be so lucky as to have a Getraer in their life.

Retro Television Review: Miami Vice 3.19 “Red Tape”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week …. has Tubbs turned evil?

Episode 3.19 “Red Tape”

(Dir by Gabrielle Beaumont, originally aired on March 13th, 1987)

There’s a turncoat in the Vice Department.  Someone is leaking information about search warrants to the bad guys and, as a result, cops are walking straight into booby traps.  When a routine search for a low-level thief leads to an explosion that kills one cop (Viggo Mortensen) and leaves Tubbs covered in the man’s blood, Tubbs announces that he’s fed up with all of this and he refuses to take another assignment until the leaker has been caught.  Castillo tells Tubbs he can either accept his new assignment or quit.  Tubbs says he’s done.

The problem is that all of Tubbs’s money is wrapped up with the department’s credit union and Tubbs can’t withdraw it quickly enough to get back to New York.  The usually cool and collected Tubbs throws a fit, getting himself arrested when he starts threatening people at the credit union.  Crockett gets him out of jail and Tubbs says their partnership is done.  Switek tries to open up about his feelings after Zito’s death.  Tubbs says he doesn’t care.  What’s going on with Tubbs?  He’s acting like a total jerk and he’s also loudly letting everyone know that he’s desperate to get out of Miami and that he needs money quickly….

If you guessed Tubbs was working undercover, you are correct!  It’s all an elaborate ruse to get crooked Detective McIntyre (Scott Plank) to approach Tubbs with an offer.  (McIntyre’s girlfriend is played by a young actress named Annette Bening)  Unfortunately, only Tubbs and Castillo know that Tubbs is still one of the good guys,  A hot-headed young detective named Bobby Diaz (Lou Diamond Phillips) thinks that Tubbs really is crooked.  Diaz already lost one partner to the leaker.  He’s looking for revenge and even while Tubbs and Castillo are planning to take down McIntyre, Bobby is planning to take down Tubbs.  In typical Miami Vice fashion, it all leads to shoot out that leaves the bad guys dead but which also leaves Diaz mortally wounded and cursing Tubbs with his dying breath.  Tubbs goes from pretending to hate his job to actually hating it.

Seriously, were there ever any unambiguously happy endings on Miami Vice?  It seems like nearly every episode ended with Crockett and Tubbs realizing that their latest victory — assuming they were lucky enough to even have one — would prove to pyrrhic. There would always be a new drug boss ready to replace anyone that they took out of the game.  There would aways be a new cop willing to betray his colleagues.  And there would always be a mountain of red tape, waiting to keep them from making a difference.  This episode was dark!

This season seems like it’s been more Tubbs-centric than previous seasons and, as dark as thing got, it was still a little fun to watch Phillip Michael Thomas go totally over the top as the angry Tubbs.  The scene in the credit union was one that I’m sure would be enjoyed by anyone who has ever had to deal with red tape.  One could argue that Tubbs go so far overboard that the bad guys should have been able to see through his ruse.  But, still, this episode was effectively moody and dark.  Watching it, it was hard not to feel that Thomas deserved more storylines than he got.

Next week: Crockett falls in love with Melanie Griffith!

Lisa Marie’s Week In Television: 2/23/25 — 3/1/25


I watched nothing this week!

Well, that’s not quite true.  I watched an episode of Dark on Netflix with Case.  It’s time travel with a macabre, very German twist.  We’re on the third season now and the show’s mysteries are truly intriguing.

And then I watched the final episodes of Cobra Kai, also on Netflix.  If we’re going to be honest, Cobra Kai probably went on a season or two longer than it should have.  Towards the end, the show really was stuck in a repeating loop.  That said, I still got a little teary-eyed while watching that final episode.  I feel like I’ve really watched these characters grow up and that includes the ones who should have grown up decades earlier, like Johnny Lawrence.  I hope William Zabka is cast in more movies and shows after this.  If he’s not, at least Johnny got his chance at redemption.

Otherwise, I was sick this week and I watched nothing.  But fear not, I’ll be watching the Oscars in about 19 more hours!

A Note From Lisa To You Regarding Retro Television Reviews


So, some may have noticed a lack of retro television reviews this week.  I wish I had a better excuse than me being sick to give you but seriously, I’ve just been under the weather big time this week.  I went from 9 degree temperatures at Lake Texoma to 67 degree temperatures back home in Dallas and my asthma has basically just been kicking my ass for a week and a half now.  Plus …. well, I won’t go into the gory details but let’s just say this is not my week when it comes to feeling well.

I was going to try to get caught up on my television reviews today but then I realized that would essentially mean writing and posting 9 television reviews in one day and it would also mean that I would inevitably have to rush to get them all completed.  That, along with me being tired and ill, would probably lead to some badly written reviews on my part.  Add to that, the Oscars are approaching this weekend and Oscar Sunday is a big tradition around these parts.  It’s a tradition that also requires a bit of focus from me.

Long story short: I’m bowing to reality.  I’m sick and the world’s not going to end if there’s a week’s delay in reviewing the next episode of Malibu, CA.  I’m accepting that what Erin always tells me about taking care myself is true and that I need to perhaps get a little rest so I can get back to being 100% healthy and alert.  Retro Television Reviews will return on March 3rd with Miami Vice!  Thank you for your understanding and patience!

6 Shots From 6 Films: Special Twins Peaks Edition


6 Shots From 6 Films is just what it says it is, 6 shots from 6 of our favorite films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films lets the visuals do the talking!

It is Twin Peaks Day, after all.

6 Shots From 6 Films: Special Twin Peaks Edition

Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)

Twin Peaks: The Pilot (1989, dir by David Lynch, DP: Ron Garcia)

Twin Peaks 2.7 “Lonely Souls” (1990, dir by David Lynch, DP: Frank Byers)

Twin Peaks The Return Part Three (2017, dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 15 (dir by David Lynch, DP: Peter Deming)

Twin Peaks: The Return Part 18 (2017, dir by David Lynch, DP: Peter Deming)

Retro Television Review: Homicide: Life On The Street 3.4 “Crosetti”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, we discover why Steve Crosetti has not come back to work.

Episode 3.4 “Crosetti”

(Dir by Whitney Ransick, originally aired on December 2nd, 1994)

Detective Steve Crosetti has yet to return from a week-long vacation in Atlantic City.  When Giardello asks Lewis where Crosetti is, Lewis lies and says that he has the flu.  In truth, Lewis hasn’t heard from Crosetti but he remains convinced that his partner will soon return and will once again be annoying him with all of his theories about Abraham Lincoln.

Meanwhile, Bolander and Munch are called to the harbor.  A body has been fished out of the water.  The body has been in the water for a while and, from what we see, its bloated and the skin has turned the purplish color of decay.  Bolander and Munch have no idea who the man is but they see that he’s wearing a lapel pin that identifies him as a member of the Fraternal Order of Policeman.  They check the body for ID….

Lewis is called in Giardello’s office.  Giardello tells Lewis that Steve Crosetti is dead.  His body was found in the harbor.  Bolander is investigating but all signs seem to indicate that Crosetti’s death was a suicide.  Lewis refuses to believe it.  He is convinced that Crosetti was murdered, perhaps by someone he investigated.  Lewis takes out his anger on Bolander and Munch, feeling that they’re attempting to besmirch Crosett’s reputation by even considering the possibility of suicide.

It’s more than just Lewis’s feelings at stake.  If Bolander determines that Crosetti committed suicide, it will make him the fourth Baltimore cop to have committed suicide that year.  The brass says that Crosetti won’t get an honor guard if it’s determined that he committed suicide.  Giardello subtly suggests that Bolander should rule the death of homicide.  Bolander suggests that committing suicide was Crosetti’s final statement.   Who are they to ignore a man’s final statement?

In the end, the toxicology results reveal that Crosetti was drunk when he fell in the harbor, leading to Lewis saying the death was an accident.  Munch then reveals that Crosetti was also taking several anti-depressants at the time of his death and Lewis is finally forced to admit that Crosetti was not murdered.  Crosetti does not get his honor guard, though Pembleton, after spending the whole episode acting as if he didn’t care, puts on his full dress uniform and salutes as Crosetti’s casket passes.

This was an incredibly powerful episode, all the more so because no explanation is given as to what specifically led to Crosetti taking his own life.  The genesis behind the episode was not a happy one.  One of NBC’s conditions for renewing Homicide for a third season was that Jon Polito, who was not considered photogenic enough for television, be written out.  Showrunner Tom Fontana told Polito it would only be a temporary thing and that Crosetti would return once the show had been renewed for a fourth season.  Polito didn’t believe Fontana and went to the press, complaining about how the show was being run.  As a result, Crosetti ended his life.  (Polito and Fontana later ended their feud, allowing Polito to return as a ghost at the end of Homicide: The Movie.)  The show uses Crosetti’s suicide as a way to explore the psychological impact of being a cop as well as the impossibility of truly knowing what’s going on inside anyone’s head.  Only after Crosetti’s suicide has been confirmed can Lewis look back and see certain signs that Crosetti was unhappy.

Wonderfully acted and wonderfully written, this episode is a dark one but, as so often happens with life’s darker moments, there are moments of humor.  Pembleton brags about his parallel parking skills, just to discover that he can’t actually pull out afterwards.  An attempt to buy cookies for Crosetti’s reception leads to a fierce argument between Bayliss and Pembleton, regarding both the price of cookies and whether or not the baker was actually Italian.  We meet Munch’s younger brother, a rather bitter mortician.  When Lewis cleans out Crosetti’s desk, the first thing he pulls out is a yo-yo.  These are small moments but they affirm the humanity of the show’s characters and reminds us that the show and this episode in general is as much about living as it is about dying.

Steve Crosetti, RIP.

Lisa Marie’s Week In Television: 2/16/25 — 2/22/25


Yeah, I’m running late with this.  That seems to be the theme of my life this weekend but no matter!  Here it is, my week in television.

American Murder: Gabby Petito (Netflix)

Netflix’s Gabby Petito documentary didn’t necessarily tell me anything that I didn’t already know about that tragic and awful case.  Indeed, I kind of found myself getting angry at the documentary as I watched the endless footage of Gabby because it reminded me that Gabby Petito — and every other crime victim — deserved more than to be the latest subject of America’s fascinating with the morbid and the sordid.  (Of course, it’s hypocritical of me to judge as I was the one watching the documentary.)  But, in the end, I did feel that the documentary made an important point.  There were so many red flags about Brian Laundrie but no one wanted to admit it, not the cops and not Gabby’s friends. Gabby was failed by so many people.

Up until I saw this documentary, I was not convinced that Brian’s family really knew the full extent of his crimes.  Now, I’m convinced that they not only knew but tried to help him cover them up.  It’s infuriating.

Check it Out! (Tubi)

I reviewed Check It Out! here.  I’ll soon be finished with this show and I have to admit that I’m kind of proud of being the only person to have actually sat down and reviewed every single episode.

CHiPs (Prime)

I reviewed CHiPs here!

Dark (Netflix)

Case and I have now started the third and final season of this creepy German show.  It’s all about time travel, black holes, and people having nonstop sex without any emotional connection.  The architecture is brutalist, the cinematography is dark, and everyone seems to be fairly depressed.  It’s very German and very intriguing.

Fantasy Island (DVR)

I reviewed Fantasy Island here!

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Highway to Heaven (Tubi)

I reviewed Highway to Heaven here!

Kitchen Nightmares (Tuesday Evening, Fox)

Chef Ramsay was back in New Orleans, helping out another surprisingly ugly restaurant.  Seriously, how can a restaurant succeed when it looks like a trailer?  Again, a former football player was brought in to provide emotional encouragement.  I will undoubtedly find myself in New Orleans in the future but I’ll probably never eat there.

The Love Boat (Paramount+)

I reviewed The Love Boat here!

Malibu CA (YouTube)

I reviewed Malibu CA here!

Miami Vice (Prime)

I reviewed Miami Vice here!

Monsters (YouTube)

I reviewed Monsters here!

Pacific Blue (Tubi)

I reviewed this stupid, stupid show here!

Scamanada (Hulu)

I finished up Scamanda this week, watching the final two episodes.  For all the build-up, the finale was a bit disappointing.  Amanda was arrested and convicted and then, for 30 minutes, we listened to a bunch of podcast hosts talk about how they came across the story and went viral with it.  I love true crime documentaries but true crime podcast hosts are always so annoying and self-important.

St. Elsewhere (Hulu)

I wrote about St. Elsewhere here!

Welcome Back, Kotter (Prime)

I’m nearly done with this show, thank God.  I reviewed the latest episode here!