Retro Television Review: Miami Vice 4.3 “Death and the Lady”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the Vice Squad investigates the “other Hollywood” and some notable guest stars pop up.

Episode 4.3 “Death and the Lady”

(Dir by Colin Bucksey, originally aired on October 16th, 1987)

Painter-turned-filmmaker Milton Glantz (Paul Guilfoyle) is very proud to have received an Erotic Film Award for his latest movie, Death and the Lady.  However, when Glantz receives his award, a man named Tulane Knox (Michael David Morrison) shouts that the violent murder that ends the film was real and that Glantz is a killer.

Knox is taken into custody by Gina and Trudy.  Crockett doesn’t believe a word that Knox is saying.  He’s convinced that it’s all just a publicity stunt to get people interested in the film.  Crockett doesn’t have much use for all that art film mumbo jumbo.  He lives on a boat with a crocodile named Elvis, after all.  Actually, it’s been a while since we’ve seen Elvis.  I hope he’s okay.

Still, Crockett investigates.  He and Tubbs discover that the actress from the film — Lori Swann (Kelly Lynch) — is still alive and working in the movies.  However, he also discovers that Lori and Glantz made another film, called Twins.  That film featured Lori and a woman named Amy Ryder, who looked just like her.  A conversation with Amy’s sister (Penelope Ann Miller) reveals that Amy hasn’t been seen for a while.  Plus, Amy has terminal cancer….

Especially when compared to the previous two episodes, this episode felt more like classic Miami Vice, dark, moody, and fatalistic.  It doesn’t take long for both the audience and Crockett to realize that Glantz murdered Amy for his film.  (Amy’s dead eyes appear in Glantz’s film.)  But the problem is that there’s no way for Crockett to prove it.  The District Attorney (Miguel Ferrer, making an early appearance) refuses to bring charges without hard evidence.  When Glantz taunts Crockett with the fact that he committed the perfect murder, Crockett snaps.  He beats up Glantz but he doesn’t kill him.  Crockett hasn’t crossed that line but, watching this episode, you get the feeling that it’s only a matter of time.  But it doesn’t matter how many times Crockett throws a punch, Milton Glantz gets away with murder.

This was the Miami Vice of old, depressing, distressing, and very, very stylish.

(Plus, there’s a kitty in this episode!  He is discovered in a cocaine dealer’s home and he’s given to Gina as a present.  Even Castillo smiles when looks at the kitty.  Awwww!)

Late Night Retro Television Review: Degrassi High 2.3 “Loyalties”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

In yourself, you must believe….

Episode 2.3 “Loyalties”

(Dir by John Bertram, originally aired on November 19th, 1990)

Oh look, more Caitlin drama.

Seriously, if I was a student at Degrassi High, I would warn any new enrollees about becoming friends with Caitlin.  Caitlin may be nice and she may be sincere in her desire to be friendly with the new students but, ultimately, everything with Caitlin is a drama and being her friend means being a part of the drama, whether you want to be or not.  Last season, Caitlin had to go to court after he got caught vandalizing the nuclear plant and she immediately expected all of her friends to skip school and go with her.  This episode, Caitlin spots her father having a romantic lunch with someone who is not Caitlin’s mother and, of course, Caitlin’s friends are expected to forget about the own problems so they can listen to her obsess about it.  And while Caitlin did not tell her mom, she did suggest that her dad take her mom to the restaurant where she previously spotted him.

Caitlin wasn’t the only person with drama this week.  Michelle is struggling to deal with having gotten dumped by BLT.  When she discovers that Alexa and Simon are still hanging out with BLT and his new girlfriend, Cindy, she’s not happy.  Alexa and Simon, meanwhile, are tired of Michelle being such a downer.  And while I had sympathy for Michelle, I also had sympathy for Alexa.  It’s not easy when your friends break up and you find yourself expected to pick a side.  Snake has a crush on Michelle and they go out on a date but Michelle starts crying ten minutes in.  Later, Michelle apologize to Snake and says she’s not ready to date.  Snake, being the perfect guy despite (or maybe because of) his nickname, is totally understanding and says he’ll wait until she’s ready.

Awwwwww!

Compared to last week’s episode, Loyalties was not quite as memorable.  No one discovered they were HIV+.  Still, it was a nicely done episode and I appreciated the effort to try to realistically deal with Michelle’s feelings.  I’m not looking forward to the inevitable episode in which Caitlin confronts her father but I know it’ll happen.  That’s Degrassi!

 

Retro Television Review: Homicide: Life On The Street 3.10 “Every Mother’s Son”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, life and death both continue in Baltimore.

Episode 3.10 “Every Mother’s Son”

(Dir by Kenneth Fink, originally aired on January 6th, 1995)

Let’s get the least important part of this week’s episode out of the way first.  Felton is still looking for his wife and kids.  He abandons Kay while she’s in the middle of a homicide investigation.  When Kay calls him out on it, Felton brings up the fact that she went on vacation for a weekend.  The difference is that Felton isn’t taking vacation days.  Instead, he’s just leaving in the middle of work and expecting Kay to handle all of his cases.

BEAU FELTON — WORST HOMICIDE DETECTIVE EVER!

Meanwhile, Lewis and Munch discover that their bar is a historical landmark because George Washington once stopped there to use the restroom.  The bar stuff, while not really related to the episode’s main drama, didn’t feel as unnecessary as the stuff with Felton’s family.  A lot of that is because Lewis, Munch, and Bayliss are a lot more sympathetic than Felton.  This week’s scenes with Howie Mandel as an interior decorator felt a bit off for an episode of Homicide but they still amused me.  That said, at some point, these three really are going to have to get it together and open the place.

As for the main storyline, it featured Pembleton and Bayliss investigating the shooting of a 13 year-old in a bowling alley.  It’s a familiar story, one that this show has used before.  The fact that we’ve seen it before is not a reflection on the show.  It’s reflection of the reality of life on the streets.  The murderer was another kid, one who was now facing life in prison if he ended up getting charged as an adult.  The murderer showed little remorse, telling Pembleton that he would rather be in jail than the on the streets.  What made this episode stand out was a scene between two mothers — one the mother of the victim and the other the mother of the shooter — meeting by chance in  a police station and striking up a conversation despite not knowing who the other was.  Gay Thomas Wilson and Rhonda Stubbins White both gave excellent and poignant performances of two women who, by the end of the show, would have both ended up losing their oldest son.

This was a simple but effective episode, a moody look at the ironies of death and violence in Baltimore.  George Washington once stopped by the Waterfront Bar but that doesn’t mean anything to the people who are dying and suffering in the city.  In the end, Pembleton could only look on in silene as the shooter announced that he was happy to be in jail.  “You’re probably going to die in a cell just like this,” Pembleton says.

“Better here than on the streets,” is the reply.

And nothing more is left to be said.

Late Night Retro Television Review: Check It Out! 3.15 “Make Room For Daddy Christian”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, Jack Christian gets an episode of his very own.

Episode 3.15 “Make Room For Daddy Christian”

(Dir by Alan Erlich, originally aired on December 27th, 1987)

In the role of the obnoxious assistant manager Jack Christian, Jeff Pustil was often one of the funniest people on Check It Out!  His comedic timing was always spot-on and he delivered his lines with just the right amount of attitude that they always made me smile even if the jokes themselves weren’t always brilliant.  This week, we get a rare episode that not only focuses on Christian but which also portrays him as being a somewhat decent human being.

Christian goes out with Barbara (Ann Turnbull), a friend of Marlene’s.  One thing leads to another and, the next thing you know, Christian is meeting Barbara’s ten year-old son while lying in bed in with her.  Christian, who had no idea that Barbara had a son, freaks out, makes some hurried excuses, and then leaves.  But later, he returns and apologizes and he and Barbara decide to continue seeing each other.  Neither one is ready to make a firm commitment but they both want to see where things go.  What a surprisingly mature attitude for a show that has shaken the Enda-is-miserable-with-Howard tree more times than I can count.

This was a pretty simple episode but it was a good one and I’m glad that, even if it was during the show’s final season, the show finally did a story that was centered on Christian but which didn’t feature him trying to cheat his friends or get someone fired.  This episode stayed true to Christian’s character — he does act like a jerk when he finds out that Barbara has a son — while also giving him something that he didn’t often get, a chance at redemption.  Jeff Pustil, Kathleen Laskey, and Don Adams were the only three regulars to appear in this episode and all three of them did a good job, especially Pustil.  (For his part, Adams was stuck with a pretty silly B-plot in which he tried to hire an animal performer to come to the store.)

This episode was simple but good.  Check It Out! really was a much show during its third season than during the previous two.

Retro Television Review: 3 By Cheever 1.2 “O Youth And Beauty!” (dir by Jeff Bleckner)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing 3 By Cheever, which ran on PBS in 1979.  The entire show can be purchased on Prime and found on YouTube.

Episode 1.2 “O Youth and Beauty!”

(Dir by Jeff Bleckner, originally aired on October 31st, 1979)

Back in the day, Cash Bentley (Michael Murphy) was an athletic marvel.  He was a track star who could jump the hurdles with ease and who everyone in high school looked up to.  Now, however, he’s 40 years old and he feels lost.  He’s aging and a new generation of young people have come along.  They certainly have no idea who Cash Bentley used to be.

At drunken neighborhood parties, Cash insists on recreating his youth by having his hosts set up their furniture like an obstacle course.  Giving them a starter’s pistol that he insists be fired to signify the start of the race, Cash will run through the house, jumping over chairs and couches and tables while everyone cheers.  Unfortunately, Cash’s luck runs out and he ends up breaking his leg during one of his demonstrations.

Forced to get around on crutches, Cash feels isolated from the rest of the world.  He doesn’t get a promotion because his bosses say they need someone who can start traveling immediately.  When all of his neighbors get on the train that is heading into the city at the usual morning time, a hobbled Cash arrives late and is forced to wait alone for the next one.  His wife, Louise (Kathryn Walker), gets a job working at a boutique to help pay the bills.  She says that maybe she’ll make enough that they’ll be able to take a vacation.  At the neighborhood parties, no one wants to deal with Cash and his broken leg.  His athleticism was all he had left.  It was what he was known for.  It was the source of all his confidence.  Now that he doesn’t have that, he’s lost.

Eventually, his legs comes out of the cast and he insists that Louise set up all the furniture in the house so that he can run another obstacle race.  He gives Louise the starter’s pistol and insists that she fire it when it’s time for him to start.  The scene cuts to the outside of their suburban home.  The sound of one gunshot upsets the calm.  Later, Louise and her children are seen moving out of the house.  Cash is nowhere to be seen.

The episode ends ambiguously.  Those who are familiar with the original John Cheever short story know that Louise shot Cash and that no one was sure whether she meant to do it or not.  The movie cuts away before the gun is actually fired.  For all we know, Cash did the obstacle course and then just never returned home.

O Youth and Beauty is one of John Cheever’s most acclaimed short stories.  The screen adaptation features an excellent performance from Kathryn Walker but the scenes of Cash running the furniture obstacle course are probably something that worked better on the page and in the reader’s imagination than when actually presented on film.  Michael Murphy is almost too confident and handsome as Cash.  The role calls for a former jock slowly going to seed and desperately trying to hold onto his youth whereas Murphy looks like he’s still in peak athletic form.  Murphy does a good job portraying Cash’s depression and his alienation after he breaks his leg but, physically, he still seems miscast in the role.

Edward Herrmann and Sigourney Weaver, who were the center of last week’s episode, make a brief appearance in this one, hovering in the background of the neighborhood’s endless parties.

Next week, we finish up 3 By Cheever.

Late Night Retro Television Review: Friday the 13th: The Series 3.11 “Year of the Monkey”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, Friday the 13th features an international adventure!

Episode 3.11 “Year of the Monkey”

(Dir by Rodney Charters, originally aired on January 15th, 1990)

Mushashi (John Fujioka) is a modern-day samurai who owns a cursed tea kettle.  When Jack, Micki, and Johnny come by his dojo in search of the kettle, Mushashi says that he will give it to them if they can prove that they are “honorable” by retrieving three cursed monkey statues that are currently in the possession an elderly businessman named Tanaka (Robert Ito).

Tanaka, however, has given the three wise monkey statues (“See No Evil,” “Hear No Evil,” and “Speak No Evil”) to his three children, Michiko (Tia Carrere), Koji (Leonard Chow), and Hitoshi (Von Flores).  Tanaka explains that each statue will challenge it’s owner.  Those who react in an honorable way will inherit Tanaka’s fortune.  Those who are dishonorable will get nothing.

Jack, Micki, and Johnny split up to retrieve the monkeys.  Johnny goes to New Yok to get Hear No Evil from Hitoshi.  Micki goes to Hong Kong to retrieve See No Evil from Koji.  Jack gets to stay in Canada (or Chicago or wherever this show is supposed to be taking place) so that he can retrieve Speak No Evil from Michiko.  What they don’t know is that Tanaka is several hundred years old.  Every time one of his children fails a monkey test, Tanaka gets a little bit younger.

It’s all about honor and dishonor and the code of the samurai in this week’s episode.  To be honest, it’s a bit of a mess.  First off, the title refers to the Chinese Zodiac but, other than our three regulars, all of the characters are meant to be Japanese.  Secondly, it’s never really clear how the cursed monkeys decide what is honorable and what is dishonorable.  Hitoshi uses his monkey to hear the thoughts of those around him and to take advantage of them.  That’s definitely dishonorable.  But then Koji is declared to be dishonorable even though his monkey did something on its own, without Koji telling it to.  Michiko refuses to use her monkey to her own advantage and is judged to be honorable.  She is told that it is now her duty to kill her father but instead, she commits suicide because killing her father would be dishonorable.  Then, Tanaka is eventually judged to be dishonorable because he stabs Musashi while Mushasi is not holding a weapon but that’s just because Mushashi dropped his sword at the very least minute.  It seems like Mushashi should be the dishonarable one for going out of his way to trick Tanaka.

My point is that this was a confusing episode.  The monkey were actually kind of cute but their powers made no sense.  I’m also not sure why experienced world traveler Jack decided to send Micki to Hong Kong instead of going himself.  In the end, this episode was pretty silly, despite the cool monkeys and the samurai-themed finale.

Retro Television Review: St. Elsewhere 1.20 “Craig In Love”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, Dr. Craig does the unthinkable …. maybe.

Episode 1.20 “Craig In Love”

(Dir by Victor Lobl, originally aired April 12, 1983)

Dr. Craig is indeed in love in this episode.  He’s totally smitten with the Hungarian Dr. Vera Anya and, when his wife Ellen (played by Bonnie Bartlett, real-life wife of William Daniels) goes out of town to visit her mother, Craig makes plans to show Dr. Anya around the town and maybe more….

Ugh.  Seriously, I don’t like the idea of Dr. Craig cheating on his wife and, though this episode leaves it ambiguous as to what actually happened, it totally appears that’s what Craig did over the weekend.  Dr. Craig is pompous and full-of-himself and rude to almost everyone he talks to but it’s always appeared that he totally loved his wife.  The whole idea of him thinking about cheating — much less actually doing it — just doesn’t seem right for his character.  And, quite frankly, Dr. Anya wasn’t really that intriguing of a character so if Craig did share more than just that passionate goodbye kiss with her …. well, I prefer to pretend this entire storyline didn’t happen.

Far more interesting was the malpractice suit brought against Dr. Chandler and Nurse Daniels.  As the hospital’s lawyer explains it, there really isn’t much of a case to be made for malpractice.  Instead, the dead man’s family is just hoping to get a quick settlement out of it.  Most doctors aren’t willing to pay the legal fees and don’t have the time to go to court.  Chandler, however, is personally offended by the suit and pledges to do whatever he has to do fight it.  Yay, Chandler!  Seriously, I hate people who try to bully people into settlements.  After my Dad died, there was this crazy woman who thought she could bully his estate into giving her half a million dollars.  Instead, she received nothing and that’s exactly what she deserved.  Both Denzel Washington and Ellen Bry gave good performances this week.  Ellen  Bry’s Nurse Daniels is quickly becoming one of my favorite characters.  She doesn’t let anyone push her around.

Speaking of pushing people around, Dr. Morrison finally got sick of Dr. White’s drug addiction and the two of them ended up having a fist fight in the men’s room.  Still, when White later crashed his girlfriend’s car and needed to be bailed out of jail, Morrison was the first person that he called.  Morrison, being a saint, got White out of jail.  White, being a jerk, barely even said thank you.  Morrison went to Westphall with his concerns about Dr. White.  Westphall responded that it wasn’t his place to give a fatherly lecture.  That’s cold, Westphall.  What about when he kills a patient because he’s high?  Will you care then?  No wonder St. Eligius is getting sued for malpractice!

Finally, Dr. Samuels had a cold so he spent the entire episode whining about it.  Seriously, Dr. Samuels is one of my least favorite characters of all time.

This episode was uneven for me.  I’m not happy about Dr. Craig being a cheater but I am happy that Dr. Chandler is standing up for himself.  Dr. White appears to be heading to a very dark place.

There’s only two episodes left in the first season so I’m assuming we’re going to get some sort of closure to at least some of these storylines.  We’ll see what happens next week!

 

Late Night Retro Television Review: Highway to Heaven 3.21 “Parents’ Day”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark and Jonathan become narcs!

Episode 3.21 “Parents’ Day”

(Dir by Michael Landon, originally aired on February 25th, 1987)

Robert Culp plays one of the worst characters ever in this week’s episode of Highway to Heaven.

Culp plays Ronald James, a news anchor who is known for his fiery anti-drug editorials.  His teenage son, David (Lance Wilson-White), is a student at an exclusive boarding school.  When a joint is found in David’s dorm room, Ronald comes down hard on his son.  Ronald says David should be ashamed of himself.  Ronald says that David has brought dishonor to the family.  Ronald grounds David for four weeks.

After attending an anti-drug lecture delivered by newly hired narcotics detective Mark Gordon, David decides to call the police and tell them about the cocaine that is hidden in his family’s garage.  The cocaine belongs to Ronald but, when Ronald is confronted by the police, he announces that it must belong to David.  When it becomes obvious that Ronald’s job is at risk, he tells David to take the blame.  David says he’ll do it if Ronald promises to stop using.  Ronald agrees.

David takes the blame….

….and Ronald keeps on using!

Seriously, what a scumbag!

While Ronald is disappointing everyone, Jonathan — who is also working as a narcotics detective — pressures the local boarding school drug dealer, Brad Dietrich (Bill Calvert), to stop dealing.  Brad laughs off Jonathan’s threat.  Come back with a warrant, Brad says.  Then Brad’s girlfriend overdoses on the cocaine that Brad gave her.

Finally, after David nearly drinks himself to death, Ronald goes on the news and admits that he’s a drug addict.  He then says that parents have to step up and do a better job.  That’s fine, Ronald, but you know what?  YOU’RE A DRUG ADDICT WHO FRAMED YOUR OWN SON!  You don’t get to be a moral authority!

As you can probably guess, there was not a subtle moment to be found in this episode.  On the one hand, the message was obviously heartfelt.  That’s kind of a given when it comes to Highway to Heaven.  With every episode, it’s obvious that Michael Landon was sincerely trying to make the world a better place.  On the other hand, this episode was so heavy-handed that it sometimes verged on camp.  Culp was very believable as someone who was totally coked up.  The kid playing his son, on the other hand, was considerably less convincing.  It also doesn’t help that there’s a massive hole in the middle of the plot.  If the police were really unsure about who had brought the cocaine into Ronald’s house, they could have just drug-tested both Ronald and David to see who was snorting.  As well, seen from a modern perspective, it’s hard to really buy into the show’s argument that parents and children should be constantly calling the police on each other.  Today we know that the attempt at a zero tolerance war on drugs made the situation even worse.  This episode’s suggestion that snitching on loved ones is the answer reminded me of the worst excesses of the COVID era.

As I mentioned earlier, the episode ends with Ronald making an impassioned plea to parents to get serious about teenage drug use.  Hopefully, he was arrested as soon as the cameras were turned off.

 

Retro Television Review: Malibu, CA 2.10 “The Comeback”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

Will Scott make it to the Olympics?  Let’s try to find out.

Episode 2.10 “The Comeback”

(Dir by Gary Shimokawa, originally aired on December 11th, 1999)

Here’s what the imdb has to say about this episode:

Scott is excited about working with a new therapist, Ted from California University, and he believes against all odds that he will be in shape for the Olympic swim team trials. Trying to rush along his rehabilitation, he persuades Ted to let him get back in the water. Scott says he feels great and his comeback is progressing very rapidly, but he’s been taking medication to ease the pain his shoulder is causing him.

Yikes!  It sounds like Scott is hooked on drugs and, since this is a Peter Engel-produced sitcom, I think it’s safe to assume that Scott is not going to qualify for the Olympics.  Using drugs on any Peter Engel sitcom means that you surrender whatever you current dream may be.  We all remember what happened to Tiffani on California Dreams and Jessie on Saved By The Bell.

Oh well.  The idea of Scott just suddenly turning out to be a good enough swimmer to qualify for the Olympics never made much sense to begin with.  People spend their entire lives training for the Olympics.  Scott didn’t even know he was a fast swimmer until the second or third episode of this season.  Indeed, he should probably sue whoever gave him the false hope of thinking he could qualify in the first place.

This is yet another episode that has not been uploaded to YouTube so I can’t really do a proper review.  However, next week’s episode has been uploaded so, next Thursday, I will once again be watching Malibu, CA.  Yay, I guess.

Late Night Retro Television Review: Monsters 3.16 “The Waiting Room”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, on Monsters, a dark room leads to trouble.

Episode 3.16 “The Waiting Room”

(Dir by Philip Alderton, originally aired on January 13th, 1991)

Newlyweds John (Christian Jules LeBlanc) and Catherine (Lisa Waltz) are invited to come stay at an isolated hotel by John’s father, Benjamin (John Saxon).  Benjamin explains that the hotel is where he spent his honeymoon.  He tells Catherine, “Your husband was conceived in this very room.”  Uhmm …. okay.  That’s not a creepy thing for a father-in-law to say or anything.

When John disappears, Benjamin tells Catherine the truth.  On his wedding night, Benjamin cheated on his wife with a mysterious woman (Denise Gentile) who was staying in a darkened room that appeared to be next door to Benjamin’s.  The woman turned out to be an otherworldly creature, one who lived between the real world and spirit world.  The woman trapped Benjamin in the room, only allowing him to go after he promised to give her a child.

Benjamin thought he had escaped the woman but, over the years, he discovered that she would show up whenever he walked into a dark room.  For that reason, he always has all of the lights on.  Now, John has been captured by the woman and it seems like she’ll only exchange him for Benjamin.  The problem is that Benjamin doesn’t want to go….

Now, this was a good episode of Monsters!  The story was interesting, the direction was atmospheric, the monsters were menacing, and the entire cast did a good job of bringing their characters to life.  John Saxon especially gave a good performance as the guilt-ridden Benjamin, alternating between moments of sublime creepiness, truly pathetic cowardice, and very real regret.  For once, the story felt neither rushed nor incomplete.  In 21-minutes, this episode told an effective story that stayed with the viewer, even after the macabre ending.

Anthology shows are, by their very nature, uneven but the third season of Monsters really did feature some excellent episodes.  This was definitely one of the best.