Quickie Review: Fast Five (dir. by Justin Lin)


It would seem that the summer blockbuster film season starts earlier and earlier with each passing year. It used to be that the film which premiered during the Memorial Day weekend was the one which began the season, but now films which come out first weekend of May get to have that honor. Then 2011 decides to change things up and herald the summer blockbuster season not in May but the last weekend of April. The film which gets to do the honor this year looks to be Justin Lin’s fun and very action-packed fourth sequel to the undying street-racing franchise which began with 2001’s The Fast and The Furious. This fifth entry in the franchise was simply titled, Fast Five.

The series had always been about the world of illegal street-racing whether it was set in Los Angeles, Miami or Tokyo. There was always that aspect of the story which tied all four previous films together. It would have skilled, beautiful women who followed the scene and, of course, the fast cars themselves. Things began to change a bit with the fourth film, Fast and Furious, as the street racing became not the main focal point of the story but just an aspect of it. The franchise began to take on an action-thriller role. While it was good to see changes to the franchise that began to get stale that fourth film didn’t pull off the necessary changes as well as it should’ve. It would seem that Justin Lin was just testing the waters and finally got what he wanted with Fast Five.

This latest film in the franchise barely has any street-racing in the film. There’s a short sequence 2/3’s of the way in and Lin also inserts a couple of obligatory slo-mo scenes of street-racers gathering to show-off their rides and women, but Fast Five is more of a caper film than a street-racing one. It actually owes a lot more to the Ocean’s 11 films than anything else. We have returning character in Vin Diesel’s Dominic Torreto and his sister Mia (played by the radiant Jordana Brewster). Paul Walker as his erstwhile ally Brian O’Conner returns as well. It’s these three who anchor the heist team which would include returning characters from the previous four films. There’s the hothead Vince (Matt Schulze) from the first film. Roman Pearce (Tyrese Gibson) and Tej Parker (Chris “Ludacris” Bridges) come in from the second film. Sung Kang’s character Han from the third film appears so does Gisele, Tego and Rico from the fourth film. These returning character make-up what I would only call as Torreto’s Ten.

Fast Five begins just as the previous film ended as O’Conner and Mia break Dom out of the prison bus taking him to prison. From there the film moves to Rio de Janeiro, Brazil where these three fugitives take on a job to earn themselves some money only to realize that they’ve inadvertently gone to work for Reyes, Rio’s most powerful crimelord (Joaquim de Almeida), who now has his sights on Dom’s crew. Not to make Dom’s life any easier is a Federal Task Force sent in to take him back to the U.S. in the form of Hobbs (played by Dwayne Johnson) and his elite team of agents. Dom and his crew will now have to escape not just Reyes and his thugs but Hobbs and his men. It’s the plan to do just both that make up most of the film’s story.

Justin Lin does a great job in not just explaining the details of the heist beforehand, but he does so without getting the film into too much of an expository exercise. He shows just as much as tell the job Torreto’s Ten must pull off if they’re to ever win their freedom. It’s the set-up to the heist and the execution of it which tie-in all the many, well-staged action sequences the film has. While street-racing has been relegated to just obligatory short scenes this film doesn’t lack for exciting carmeggedon and mayhem. From the prison bus escape to begin the film to the daring train robbery which follows it right down to the bank vault heist which takes up the last 10-15 minutes of the film. That sequence alone makes this film worth seeing as we see a 10-ton bank vault being hauled at high-speed through the streets of downtown Rio. Buildings get totaled and cars get tossed and smashed like tinker toys. Yet, as the PG-13 rating would point out we don’t know or see if anyone actually dies.

It’s that rating which keeps this film from ever joining the exploitation and grindhouse pedigree of such car mayhem films as Vanishing Point, Two-Lane Blacktop and Dirty Mary, Crazy Larry. But despite the limitations a PG-13 rating puts on Justin Lin’s Fast Five the film ends up becoming a very fun and exhilirating action-heist film that gives some new life to a franchise that was down to fumes. It helped that we get some good performances from most of the leads (Paul Walker still can’t do anything outside of performing as a surfer from California). It was also the addition of Dwayne Johnson as Federal Super-Agent Luke Hobbs which gives the film some of it’s fun. Johnson was able to match Diesel’s Dominic Torreto for the title of most badass in the film. In fact, the fight between the two was one of the highlights of the film (even though I still think Johnson probably would kick Diesel’s ass 100 out of 100 times).

Fast Five doesn’t disappoint and more than earns the honor of starting up 2011’s summer blockbuster season. Justin Lin has delivered a film in this franchise which stands out from the rest and more than likely reboots the series from a street-racing one and into just a plain old action series. His work in this film and how he handled the action also adds some credence and justification in him being given the next film in the Terminator franchise. He may just be the one to bring back some life into that dying franchise. So, strap on the seat belt and grab onto to something because Fast Five may just be one of the few films this summer that delivered on everything it promises in terms of action and fun.

Trailer: Transformers: Dark of the Moon (Official Theatrical)


OK, this latest trailer for Michael Bay’s third entry in the Transformers film franchise looks to try and ask forgiveness from it’s fans about what had transpired with Transformers: Revenge of the Fallen (cough, cough…Twins). This latest trailer looks to mine the current alien invasion trend happening in Hollywood for the last year or two.

I’m not going to say that Transformers: Dark of the Moon will be in the running for Best Picture, Best Screenplay or even Best Acting awards come awards season, but I do get a feeling from this trailer that this third entry will be darker and infinitely more fun and watchable than the second film. I actually think that Dark of the Moon is the true first sequel to the first film and that Revenge of the Fallen never occurred.

The look of Shockwave (one red-eye) is pretty awesome as are the look of the invading Decepticons (or are they another faction). I remember talk of Unicron (the giant planet transformer) was to appear in this film but I’m not sure if Unicron will appear as a planet or that giant snake-like transformer that was giving that Chicago high-rise a major case of the hugs.

Transformers: Dark of the Moon is set for a July 1, 2011 release date.

Avatar 2: Na’vi Holocaust


Dear James Cameron,

Hi, my name is Lisa Marie Bowman and I hate just about every movie you’ve ever made.  Well, that’s not totally true.  First off, I haven’t seen every movie you’ve ever made.  And I have to admit that when I was 12, I would cry and cry whenever I saw Titanic.  So, let’s just say that I hate Avatar and I thought it was kinda fun to watch your ex-wife kick your ass at the Oscars earlier this year.

From my research, it appears that you take issue with people who disagree with you or who dare to suggest that you might not be the greatest filmmaker since DeMille.  So, let me just add that this letter is being written by me and me only.  When you send out your army of Orcs to punish the heretic at Through The Shattered Lens, they need only come for me.  I may think you’re just a cranky, old dumbfug toadsucker but that’s my opinion and mine alone.

See, here’s what Arleigh had to say about Avatar.

And here’s what I said.

See, good people can have differing opinions.  Unfortunately, just judging from some of your comments in the past, I don’t think you quite understand that.  Maybe that explains why, rather than defend your movie, you always seem to end up accusing your critics of supporting global warming and the war in Iraq.  Maybe that’s why the few Oscars that Avatar won were all accepted by balding little eunuchs who spent their whole acceptance speech praising your name as if they knew that if they didn’t, you’d end up going all psycho killer on them.

But I’m getting off topic.

This letter was inspired by the news that you’re apparently planning on setting the sequel to Avatar underwater.

Wow, that sounds really, really …. boring.

Listen, James, I’m going to help you out.  Here’s my plotline for Avatar 2, which, trust me, is a lot more interesting than anything you’re planning on doing.

The film opens on Earth.  As you explained in the first film, there “is no green” on Earth.  But there are television networks and there are documentary crews.  One of these networks has recently sent a group of young filmmakers to Pandora.  Their assignment?  To track down the Na’vi and to make a documentary about these “brutal savages” and their life on the green hell that is Pandora.

(Yes, James, this film is a prequel.  Perhaps you could have Jake’s brother getting murdered in the background of one of the opening New York City shots.)

However, a week after the documentary crew first arrived on Pandora, all contact with them has been lost.  The television networks hires a portly anthropology professor to go to Pandora and find out what has happened.  Before the professor leaves on his mission, he is informed that the documentarians frequently staged the very atrocities that their films are known for.

Our anthropology professor — let’s call him Nick, since I know you like to dumb things down — goes to Pandora.  With the help of a native guide, he manages to track down the Na’vi and win their trust.  Taken to the Na’vi village, he discovers that the remains of the documentary crew are hanging from the Soul Tree.  He realizes that they were captured and eaten by the Na’vi.  However, the Na’vi did not destroy any of the film crew’s cameras.  The footage of their final days in the jungles of Pandora has been preserved.  Nick steals the footage and manages to make it back to “civilization” even as hordes of angry Na’vi chase after him (not mention Sigourney Weaver who can do a cameo somewhere around here).

While all this is going on, the film will occasionally pause to show grainy stock footage of various jungle animals being killed in various sickening ways.

Nick returns to Earth with the film.  Sitting in a dark theater with the television executives, Nick views the footage.

Now, James, this is the tricky part.  The “found footage” will dominate the last 40 minutes of Avatar 2.  It’s important that the footage look so authentic that, for decades after, various dumbfugs will swear that they’re watching actual footage of actual people being eaten on camera.  So, you’re going to have to abandon the 3-D for this part of the film.  Instead, you’ll have to develop a multi-billion dollar process that will make the film look damaged.  I’m talking about random scratches, unsynchronized sound, solarization, the whole deal. 

As for the footage itself, this is what will make Avatar 2 special.  We’ll see how the documentary crew staged “reality.”  We’ll watch as they set a Na’Vi village on fire and how they arrogantly assumed that they’re superior to the natives.  Finally, however, the Na’Vi will strike back and, in the film’s final moment, we’ll watch as the documentarians are eaten by the Na’Vi while their own cameras silently record the massacre.

We’ll call it Avatar 2: Na’Vi Holocaust.

I think it could be a winner.

Love,

Lisa Marie

Cronenberg and Mortensen line up for another Eastern Promises


2007’s Eastern Promises was a film well-received by both critics and the public alike. People loved it because it was David Cronenberg dipping his artistic toe into the pulp crime genre of mob films. Some loved it because it had Viggo Mortensen in what could be his best role to date. For some the film ended just when it really got interesting. The scene in the end with Mortensen’s Nikolai Luzhin sitting alone finally reaching his ultimate goal and an unanswered question of where his loyalties truly lie now.

It’s has now been reported by Deadline Hollywood that producer Paul Webster has lined up both David Cronenberg and Viggo Mortensen for a sequel with Mortensen reprising his Russian mobster Nikolai Luzhin. Plans to have the film to start filming later this winter using a screenplay by Steven Knight (also wrote the first film) may hinge on whether Cronenberg and Mortensen can finish their current project together. This current project, their third together as a creative team, is the Sigmund Freud film The Taking Cure.

No matter how this project develops in the coming months one of the questions fans of the first film will be asking is whether Vincent Cassel will return as well to reprise his role from the first film. Not to mention Naomi Watts and Armin Mueller-Stahl. There’s also the question of how Cronenberg will top the original film’s now famous Turkish Bath House fight scene that’s now considered one of the best, if not THE BEST, fight sequence ever put on film. Or will he even try.

In the end, this is just great news. From all the talk The Taking Cure looks to continue the success the Cronenberg-Mortensen duo have had and this sequel to Eastern Promises may just keep that success going.

Source: Deadline Hollywood

Iron Man 2: Second Official Trailer


May 7, 2010 is still two months away but it sure is a long wait after seeing the second official trailer for this summer’s most anticipated blockbuster. I am talking about Marvel’s Iron Man 2. The trailer premiered on the post-Oscar Jimmy Kimmel Show episode and I will say that it was the highlight of the night.

There’s been some concern about Iron Man 2 after the release of the first official trailer. Some said that trailer gave them feelings that the sequel was going to be way over-the-top and almost crossing the line into ridiculous. Others thought there may have been too many bad guys involved. Then there are those who are still bitching about the look of the main villain, Mickey Rourke as Whiplash.

I’d like to say that the second trailer went a long way in dispelling some of the concerns. There were more scenes about Tony Stark and the Iron Man suit (in its many variations). There seemed to be more explained about Whiplash and his role as the main villain. Even Sam Rockwell’s Justin Hammer character comes to the forefront. The clincher was the sequence when the Hammer Iron Men showed up to battle not just Iron Man but the War Machine. This sequel may not be all about the Iron Man story-arc called “Armor Wars” but it sure seems to borrow a lot from that arc and, for that, this self-confessed comic book geek is giddy. GIDDY I SAY!

Oh yeah, one last thing: On-The-Go Mk. V Iron Man suit!

Mass Effect 2 Launch Trailer


Well, it is just days away until the release of one of the most-anticipated games of 2010. The game I am talking about is BioWare’s Mass Effect 2. It is the sequel to the very popular and critically-acclaimed action-shooter/rpg hybrid Mass Effect which came out in late 2007. The launch trailer marks the start of the massive marketing and ad campaign to promote the game. This one includes interspersed within the trailer blurbs of review scores and positive quotes from game reviewing magazines and websites dedicated to games. All throughout the trailer we have Shephard’s erstwhile ally (and possibly, enemy) The illusive Man of the shadowy, pro-human group Cerberus narrating a brief take on what players will encounter in this sequel.

I will say that the trailer is even better than the last one released by BioWare. The other one details the dangers of recruiting the new sets of characters to help the player in their quest, but this one shows how much more epic this particular fight and game really is. Mass Effect was already quite the massive and epic sci-fi space opera when it came out and this sequel seem intent on out-doing that predecessor in every respect from the look of the trailer. It helps that its all classed up by the voice of The West Wing’s President Bartlett also known as Martin Sheen. The trailer even hints at the opening events of the sequel which has been talked about many times at other places. I won’t go into detail about it but lets just say that Shephard and the original Normandy don’t have a nice first-encounter with the sequel’s main antagonists, The Collector.

So, January 26, 2010 should be retitled Mass Effect 2 Day. For some players, it will be just like a holiday as every work must be put down and stop in order for the playing of said game to commence.

Source: Mass Effect 2 Launch Trailer in HD

[REC]2 Teaser Trailer


I wasn’t that too big a fan of the first film ([REC]) and definitely not a huge fan of the American remake which got renamed, Quarantine. The “in-the-moment” video footage made popular by films such as The Blair Witch Project and Cloverfield really stretched the need to suspend one’s disbelief while watching the original Spanish-language film and it’s American remake. But then again I seem to be in the minority when it comes to not liking those two films.

With the popularity of both films having made its studios profits it didn’t come as a surprise to see a sequel greenlit by the original Spanish studio with the original filmmakers, Jaume Balaguero and Paco Plaza, returning. The sequel is to take place immediately after the events of the first film. From the trailer that has been released of the film the same camera-style as the first film remains, but (if I’m to go by how the trailer was put together) this sequel may actually capture my interest. There’s a sense of this sequel looking like a live-action survival-horror FPS game. I’m sure the sequel won’t just be trying to be like a video game, but the trailer sure makes the sequel seem more interesting and just a bit more energetic.

International Trailer

U.S. Trailer