Scene that I Love: The Opening Of The Oscar


Today’s scene that I love come from the classic Hollywood melodrama, 1966’s The Oscar!

Behold the glory that was Hollywood!

Actually, this film makes Hollywood look pretty low-rent.  Hopefully, though, this will be Frankie Fane’s year.

Scenes That I Love: Meet The Mother Of Tears from Dario Argento’s Inferno


Today’s scene that I love comes from Dario Argento’s 1980 masterpiece, Inferno.  In this music scene, a music student in Rome finds himself suddenly being watched by the legendary Mother of Tears (played by Ania Pieroni)Inferno is one of Agento’s best films and this is one the film’s best scenes.

Scenes I Love: Reggie Bannister in Phantasm


I read yesterday that Reggie Bannister, one of the most beloved horror character actors out there, isn’t doing too well.  He has gone into hospice care.  Those words — “hospice care” — will always bring a tear to my eye.  My Dad went into hospice care last year and died a month later, which I was told was longer than most people survive in hospice.  Being the naive idiot that I was, I have to admit that, up until the end, I was still expecting my Dad to make a full recovery and just magically get out of bed.  Sadly, that’s just not the way these things work.  Hospice is end-of-life care and any medical professional who doesn’t make that clear while recommending it is doing a disservice to not only their patients but also their families.

Reggie Bannister is best-known for his appearances in the work of Don Coscarelli.  He’s one of those actors who just makes you smile whenever he appears on screen.  Anyone who has watched Phantasm loves Reggie, with his ice cream truck and his guitar and his whole laid back vibe.  Today’s scene that I love is a simple but wonderfully human moment from 1978’s Phantasm, featuring Bill Thornbury and the great Reggie Bannister.

Scenes That I Love: “No, Mr. Bond….” from Goldfinger


Seeing as how today would have been Gert Frobe’s birthday, it seems only appropriate that today’s scene of the day should be one of the best moments from the original Bond franchise.  In 1964’s Goldfinger, Frobe sets the standard by which all other Bond villains would be judged.

Scenes That I Love: The Opening Credits of Easy Rider


Today would have been the 85th birthday of actor and director Peter Fonda.  Today’s scene that I love comes from Fonda’s best-known film, 1969’s Easy Rider.  In this scene, Fonda is the epitome of cool as he and Dennis Hopper prepare to ride their bikes across America.

Scenes I Love: The Performance of Life During Wartime from Stop Making Sense


Today’s scene that I love comes from the Jonathan Demme-directed concert film, 1984’s Stop Making Sense.  In this scene, brilliantly directed and edited by Demme, Talking Heads perform Life During Wartime.  I love the energy in this performance.  I’d love to be Tina Weymouth, able to play perfect bass and run in place at the same time.

 

Scenes That I Love: The I’m Easy Scene From Robert Altman’s Nashville


Since today would have been Robert Altman’s 100th birthday, it only seems right that today’s song of the day should come from his best film.  In this scene from 1975’s Nashville, Keith Carradine sings I’m Easy as Altman’s camera finds each of his lovers in the audience, all convinced that Carradine is singing expressly to them.

This song won Nashville it’s only Oscar.  It also made Keith, who wrote the song, the only Oscar winner amongst the fabled Carradine family.

 

Scenes That I Love: Angie Dickinson Hits Lee Marvin In Point Blank


Point Blank (1967, directed by John Boorman)

Today is the anniversary of the birth of one of the greatest of the screen tough guys, Mr. Lee Marvin!  Today’s scene that I love comes from the 1967 film, Point Blank.  In this short but emotionally exhausting scene, Angie Dickinson hits Lee Marvin’s career criminal, over and over again.  Marvin, for his part, barely reacts.  This scene is the epitome of Lee Marvin’s mystique.  He played men who only showed emotion when it was necessary.  Dickinson hits Marvin to try to make him feel something but Marvin’s career criminal in beyond such concerns.

From Point Blank, here is today’s scene that I love: