Richard Jaeckel | Through the Shattered Lens

The 1975 southern melodrama Walking Tall Part 2 opens with a voice over telling us that we’re about to see more of the true of story Sheriff Buford Pusser, the Tennessee lawman who carried a big stick, battled the Dixie Mafia, and whose wife was killed in an ambush. Pusser, we learn, died under suspicious circumstances shortly after the release of the film Walking Tall.

Mere hours before he died, Pusser had signed a contract to play himself in Walking Tall Part 2. As a result of Pusser’s car “accident,” the film’s producers were forced to cast an actor as the lawman. Now, it would have made sense to, once again, give the role to Joe Don Baker. After all, he played the role in Walking Tall and I imagine that to most audiences at that time, he was Buford Pusser. However, for whatever reason, Baker was not given the role for a second time. Instead, the role was given to Bo Svenson and, while Svenson does not necessarily do a bad job in the role, he’s still no Joe Don Baker. The difference between Baker and Svenson is the difference between someone being a redneck and someone just pretending.

The film opens almost immediately where Walking Tall ended. Terribly wounded in the ambush that took his wife’s life, Buford is in the hospital and his face is covered in bandages. Townspeople gather outside both his room and his farm and they wonder whether he’ll run for reelection as sheriff. Someone else mentions that Buford has had massive facial reconstructive surgery.

Finally, the bandages are removed and we discover that Buford has turned into Bo Svenson. Now, Svenson and Baker do have enough facial similarities that you can force yourself to believe that surgery could lead to Baker having Svenson’s features. I mean, this isn’t like Mark Ruffalo taking over the role of Bruce Banner from Edward Norton. At the same time, it’s hard not to wonder how reconstructive surgery could have led to Buford Pusser becoming a blonde or, for that matter, apparently growing by 5 inches between Walking Tall and Walking Tall Part 2.

Anyway, Buford’s out of the hospital and, of course, he’s reelected as sheriff. One thing that quickly becomes apparent is that everyone in the world totally loves Buford Pusser. I lost track of how many characters specifically walked up to Buford to tell him that he was a great man and a great sheriff. Nobody complains about Buford’s habit of ignoring civil liberties while enforcing the law. Instead, everyone cheers for him.

(And, just in case the viewer is uncomfortable with the sight of the very white Buford taunting the mostly black moonshiners that he spends the film arresting, Buford’s black deputy constantly says stuff like, “Buford, you’re my kind of sheriff!”)

The only people who don’t like Buford are the local crime lords. They still want Buford dead so they hire a race car driver (Richard Jaeckel) to kill him. The race car driver’s girlfriend (Angel Tompkins) attempts to hit on Buford but Buford has no interest in her. Buford’s about enforcing the law and avenging his wife…

Walking Tall Part 2 is a pretty standard film. Whereas the original Walking Tall had a raw and unpredictable vibe to it, the sequel is predictable and boring. On the plus side, the film was made on location in rural Tennesee and some of the countryside is nice to look at.

As for Buford Pusser, he died before Part Two was released but the character would return in Walking Tall — The Final Chapter.

I love February.

Why? Well, first off, we all know that February is the most romantic month of the year. February is Valentine’s Day, romantic movies, flowers, lingerie, and chocolate. February is also the month when, in a lead up to the Oscars, TCM devotes a good deal of its programming to showing Oscar nominees of the past.

As I’ve mentioned in the past, one of my dreams is to watch and review every single film that has ever been nominated for best picture. Now, realistically, I’ll never be able to accomplish this goal because the 1929 Best Picture nominee The Patriot is currently a lost film. But, even if it does mean that I’ll only be able to see 510 out of the 511 nominated films, it’s still a dream that I’m pursuing and, with the help of TCM and the month of February, it’s a dream that’ll come true.

Take, for instance, Battleground. This 1949 Best Picture nominee (it lost All The King’s Men) recently aired on TCM. I’m not exactly a fan of war films but, since it was a best picture nominee, I still made sure to DVR and watch it.

Set during the final days of World War II, Battleground follows one platoon of soldiers as they fight and attempt to survive the Battle of the Bulge. The platoon is made up of the type of characters that we usually expect to find in a WWII film but, fortunately, they’re played by an ensemble of likable actors who all bring their familiar characters to life. There’s Jim Layton (Marshall Thompson), the newest member of the platoon who nobody wants to run the risk of getting close to. There’s Holley (Van Johnson), the cheerful soldier who is unexpectedly thrust into a position of leadership that he might not be right for. Roderiques (Ricardo Montalban) is from Los Angeles and is amazed by the sight of snow. “Pops” Stazak (George Murphy) is the type of older soldier who you would totally expect to be nicknamed “Pops.” Bettis (Richard Jaeckel) is scared of combat. Kippton (Douglas Fowley) spends nearly the entire film looking for his lost teeth. And finally, of course, there’s the hard-boiled but warm-hearted Sgt. Kinnie (James Whitmore).

In some ways, Battleground is a very conventional film and it’s easy to wonder how it ended up getting nominated for best film of the year. (Among the eligible films that were not nominated: The Bicycle Thief, Champion, The Fountainhead, On The Town, Sands of Iwo Jima, She Wore A Yellow Ribbon, They Live By Night, and White Heat.) However, the film’s nomination makes a bit more sense when you consider that it was released just four years after the end of World War II. It was a film that appealed both to the veterans who were able to relate to the film’s story and to the patriotic spirit of a country that had just defeated the greatest evil of the 20th Century.

Battleground did not exactly make me a fan of war movies but it’s still a well-made and effective film. As opposed to a lot of other war films, Battleground never makes war look like fun. For the most part, the emphasis is less on strategy and combat and more on the soldiers who are simply trying to survive from day-to-day. The end result is a film that serves as a moving tribute to the soldiers who fought in World War II.