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CHRISTMAS LIST (2016) – One of our favorite Hallmark Christmas movies!

Posted on by Bradley Crain

My wife Sierra loves Hallmark Christmas movies. She has Hallmark Christmas movie sweatshirts and coffee mugs. The TV at our house is filled with recordings of her very favorites. So many days when I get home from work, she’ll be watching one of them. They just make her feel better, and I understand that. I would go so far as to say that their shared love of Hallmark movies was a major bonding agent for my wife and mom. It’s fun when they get together and discuss them. Oftentimes they can’t remember the movies’ names, but one will start describing the plot, and the other will immediately say “I love that one!!” It’s amazing. In the spirit of Christmas, and a feeling of kinship with my wife, we watched the 2016 Hallmark movie CHRISTMAS LIST. 

CHRISTMAS LIST opens with a redheaded girl and her puppy making a list of the things she wants to do for Christmas. It’s simple stuff like decorating a real Christmas tree, making a gingerbread house, caroling, and taking a picture with Santa. Her mom walks in and tells her that real Christmas trees and gingerbread houses are way too messy, and she just cleaned the house. Cut to 25 years later and there’s mom straightening up the home of Isobel Gray (Alicia Witt), who’s now a successful fashion designer in San Diego, and whose boyfriend, Brett Bishop, is the owner of the company where she’s employed. Her mom surprises her by bringing her childhood “treasure box” that she had found while cleaning out the attic. Isobel sees her old Christmas list and decides right then and there that she wants to make this the year she fulfills her idea of a perfect Christmas. 

Isobel searches the internet and finds Fall River, Oregon, which advertises itself as “the perfect Christmas town.” She books a couple of flights and a cabin in Fall River for her and Brett to spend their Christmas holiday. He’d rather go to the beach and drink margaritas, but he does reluctantly agree. The day before the trip, a problem arises in the South American portion of the business operation, so Brett tells Isobel that he will fly down there for a few days and then meet her in Fall River before Christmas. She’s disappointed but heads out anyway. The first night she’s in Fall River, Isobel heads out to buy a real Christmas tree. She grabs the perfect tree at the exact same time as Jamie Houghton (Gabriel Hogan), a local guy who’s helping his sister and nephew find a tree. Through a variety of circumstances, Jamie ends up taking Isobel and the tree back to the cabin and even helping her put up the tree. The next day she’s trying to make a gingerbread house for a local contest and ends up smoking up the cabin. The fire department shows up and Jamie is a volunteer fireman. With Brett still in South America taking care of business, Jamie takes it upon himself to show Isobel more of the town. Will Brett ever make it to Fall River? Will Isobel and Jamie continue to spend time with each other? Will Brett ever put Isobel over himself and his work? Will Jamie and Isobel fall in love? If you’ve seen a few Hallmark Christmas movies, you already know the answers. 

In full disclosure, after many years of watching Hallmark movies with my wife, I’ve developed some favorites of my own. They usually involve Alicia Witt, but not always. We chose CHRISTMAS LIST because it is one we both like. I enjoy the traditional Hallmark formula at work here. Isobel is heavily involved with her work, but she longs for something more simple. Her boyfriend cares about her, but he cares more about himself and his career. She meets a man who is kind, thoughtful, hardworking and very content with his simple life. This is all set in a beautiful Christmas town where the hot chocolate is warm, the diner serves huge portions of good looking food, the carolers are in the town square, and the snow is gorgeous. One of the reasons that Hallmark movies work on me is that I too long for simpler times. As I’ve gotten older, my life has gotten more and more complicated, and I’m often too “busy” to really focus on the things that bring me the most joy. The Christmas season is a time when I really try to focus on my family and our blessings. It helps when we leave behind our stresses and our troubles and meet up at our family cabin (pictured below) for a couple of days. My favorite Hallmark movies are always about the main character getting his or her priorities in order. It may be oversimplified, but it’s something I have to work on constantly. The fact that the main character will also fall in love with someone who shares those values is secondary for me. That’s just the real whipping cream on the hot chocolate! 

Late Night Retro Television Review: Degrassi High 1.5 “Everybody Wants Something”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube!

This week, the Zits finally film their music video!  Can super stardom be far behind?  Or will Joey just end up a middle-aged man who keeps his keyboard in the attic and who insists on making his stepson Craig listen to his one demo tape over and over again?  I guess it could go either way….

Episode 1.5 “Everybody Wants Something”

(Dir by Kit Hood, originally aired on November 27th, 1989)

This week’s episode of Degrassi High had a few dramatic moments.  Caitlin kissed Claude and then finally got around to breaking up with Joey.  Erica caught Liz taping a “Baby Killer” poster on her locker and the two of them got into a fight in the high school hallway.

However, for the most part, this episode was about one band and one music video.

After weeks of haggling, the Zits finally came up with a music video concept that Lucy was willing to film.  (Personally, I have to wonder why the band didn’t just offer to pay Lucy to let them borrow her camera, as opposed to giving her creative control over their music video.)  Instead of filming the band hanging out with “groupies,” Lucy filmed them lip-synching to their only song while either sitting in Clutch’s car or a dumpster.

As I watched this episode, it occurred to me that this was a story that really wouldn’t make sense today.  Apparently, when this episode aired, someone having their own video camera (as Lucy does) was considered to be exotic.  Today, the Zits would just film their video on Joey’s phone and post in online.  Or, somewhat distressingly, they would just use AI.  That said, there’s something actually kind of charming about the Zits pretending to sing in front of a video camera while their song plays on a tape player.  The video may look cheap and dorky but everyone involved seems to be having a blast filming it.  This episode definitely captured the fun of feeling like anything’s possible.  Joey may have gotten dumped by Caitlin in this episode but who knows?  Maybe this cheap music video will lead to future rock stardom!

(Actually, as those of us who were introduced to this show via Degrassi: The Next Generation can tell you, Joey is destined to end up selling used cars.  As for the other members of the Zits, Snake is going to become principal of Degrassi and Wheels is going to end up in prison after driving drunk and blinding the director of the band’s music video, Lucy.  Even the happier episodes of this show are very depressing when viewed with the benefit of hindsight.)

Due to the approaching holidays, this will be final Degrassi review for 2024!  My reviews of this show will return on January 5th!  Until then, remember …. in yourself, you must believe!

Retro Television Review: Homicide: Life On The Street 2.1 “Bop Gun”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the second season begins with a special guest star.

Episode 2.1 “Bop Gun”

(Dir by Stephen Gyllenhaal, originally aired on January 6th, 1994)

The 2nd season of Homicide opens with a murder.  That’s not surprising, considering the name of the show and the fact that it’s taking place in Baltimore, which had (and has) one of the highest murder rates in the country.  However, this time, the victim is an innocent tourist from Iowa, gunned down because she and her family took a wrong turn and ended up in a neighborhood that was far from the wharf.  With the press in a feeding frenzy over how unsafe Baltimore is, the bosses want the shooter to be caught and sentenced quickly.

Detective Beau Felton, the primary on the case, is overjoyed.  Sitting in the squad room and joking about how the victim’s husband didn’t even know what type of gun was used in the robbery-turned-murder, Felton brags that he is going to be making so much overtime off of this case.

Unfortunately, the victim’s husband happens to be in the squad room and he overhears Felton.  Angry, tired, and still wearing a shirt stained with his wife’s blood, Robert Ellison (played by special guest star Robin Williams) demands that Felton be taken off the case.

Giardello takes Ellison into his office and explains that Felton is the primary and he can’t be replaced.  Giardello also lists all of the other murders that Felton has recently worked.  Felton deals with violent death every day.  Giardello says that Felton is going to solve the case but he’s not going to “feel” Mrs. Ellison’s death the same way that her family does.

It’s an interesting scene and undoubtedly, a realistic one.  From the very first episode, Homicide has emphasized the gallows humor that goes along with being a homicide detective in a big city.  This episode, though, marks the first time that we get to see how an outsider would react to that attitude.  Significantly, Felton never apologizes and, even after the shooter is arrested, Ellison never forgives Felton for his comments.  Whenever the two interact, it’s obvious that they don’t like each other.  But they’re forever linked by one act of violence.

Felton ends up arresting three men.  Two of them are accused of robbing the Ellison family and being accessories to the murder.  They end up with 30 years in prison.  The accused shooter is Vaughn Perkins (Lloyd Goodman), a teenager who has never had any trouble with the police and who not only tries to write Ellison a note of apology but who also pleads guilty and accepts a life sentence.  (Ellison, in another example of this show choosing realism over sentimentality, refuses to read the note.)

Kay Howard is convinced that Vaughn is covering for the other two men, saying that Vaughn just seems too quiet and meek to be a cold-blooded murderer.  At the end of the episode, she goes down to the prison and meets with Vaughn, who now goes by the name Abu Aziz.  Though he initially tries to act hard, the former Vaughn Perkins finally admits that he was holding the gun during the robbery because he thought he could “control” the situation and keep anyone from getting hurt.  But when Mrs. Ellison refused to give up a locket, he panicked and shot her.  He lost control and, in a split second, he changed the lives of everyone involved.  Feeling defeated by the sad reality of Baltimore, Kay leaves the prison and heads back to work.

When Homicide returned for a second season, it was only given a four-episode order.  With the show on the cusp of cancellation, Homicide only had four hours in which to prove itself.  Originally, Bop Gun was scheduled to be the second season finale.  NBC, wanting to take advantage of having Robin Williams as a guest star, instead decided to move the episode to the start of the season.  That was probably a good idea.  Bop Gun is a good episode that reintroduces us to squad room and also features an excellent performance from Robin Williams.  Williams could, to be honest, be a bit hit-and-miss when it came to dramatic roles but he does wonderful work here, perfectly capturing Ellison’s anger, sadness, and desperation.  He starts the episode as a stunned innocent but, by the end of it, he’s become a much more hardened individual, one who has no interest in Vaughn’s heartfelt but too little and too late apology.  Just Vaughn now has to act hard to survive in a physical prison, Ellison has had to shut off his feelings so that he can survive in his emotional prison.

(As a sidenote, Ellison’s son is played by a very young Jake Gyllenhaal, whose real-life father directed this episode.)

If the first season occasionally felt a bit too much like an insider’s view of the Homicide Department, this episode gives us the point of view of an outsider.  Through Ellison’s eyes, we are reintroduced to the detectives.  Felton may not be a great cop or even a likable human being but he gets the job done in this episode.  And while Felton will now move on to the next case, Robert Ellison will spend the rest of his life thinking about that one day in Baltimore.

Because of the holidays, this is my final Homicide review of 2024!  These reviews will return on January 5th!

 

#SundayShorts with SURVIVING THE GAME!

Posted on by Bradley Crain

Since Sunday is a day of rest for a lot of people, I present #SundayShorts, a weekly mini review of a movie I’ve recently watched.

Jack Mason (Ice-T) is a homeless man who’s having a very bad day. His dog and best friend both die so he’s ready to give up on life. Just in the nick of time, a kind gentleman named Walter Cole (Charles S. Dutton), who works at the 7th Street mission, shows up, saves his life, and tells him about a potential job opportunity, even giving Jack his partner’s business card. The job would consist of helping out a group of hunters as a survival guide. Soon, Jack is meeting with rich businessman Thomas Burns (Rutger Hauer), who tells him all about the responsibilities of the job and hires him for the position. It looks like things are finally turning Jack’s way as he finds himself on a charter flight out into the mountains, where the hunters are waiting. The night he arrives, they have a huge feast as he gets to know the guys. It’s a strange lot, but hey, he’s got food in his belly and money in his pocket, so he can put up with some odd behavior for a few days. This very short period of happiness turns out to be fool’s gold as Jack is roused from his sleep early the next morning and told to run. They’re going to be playing a game, and the rules are simple… kill or be killed!

SURVIVING THE GAME was released to theaters on April 15th, 1994, when I was 20 years old. As one of Rutger Hauer’s biggest fans, I went to see it in the movie theater of course. As a fan of B-movies filled with action and violence, I had a good time with it. A big part of that fun came from it’s cast of interesting actors. I’d watch Hauer in any role, and I pretty much have. There’s not a lot asked of him in SURVIVING THE GAME in terms of heavy lifting, but I still enjoy watching him on screen. He looks pretty cool riding his motorcycle with his big goatee and ponytail. I just like Ice-T. There’s something I’ve always found appealing about him on screen, and the same can be said here. Charles S. Dutton is so capable of projecting good on screen. The fact that his character is working at a charity mission as a front to set up homeless men to be hunted and killed was a nice bit of casting. And finally, with other actors like Gary Busey, F. Murray Abraham and John C. McGinley playing the hunters, you just know you’re in for an over-the-top, scenery chewing good time. I also want to shout out one particularly disturbing and graphic scene that involves Charles S. Dutton and a blown up 4-wheeler. It’s the one scene from the film that I’ve remembered ever since saw it that first time at the theater.   

Five Fast Facts:

  1. SURVIVING THE GAME was released about eight months after John Woo’s HARD TARGET starring Jean-Claude Van Damme. Both films are re-tellings of THE MOST DANGEROUS GAME. Woo’s higher budgeted film did much better at the box office.
  2. It was Rutger Hauer’s idea that his character rides a motorcycle rather than a 4-wheeler, like the other hunters in the film. He felt the bike looked like an iron horse, giving him the appearance of a warrior knight!
  3. There’s not a single female character in the film.
  4. Near the end of the movie, there’s a shot of a cityscape with a caption on the screen that reads “Three Days Later in Seattle.” The cityscape is actually that of Philadelphia.
  5. Prior to directing his own films, director Ernest R. Dickerson had been the cinematographer for the Spike Lee joints SHE’S GOTTA HAVE IT, SCHOOL DAZE, DO THE RIGHT THING, MO’ BETTER BLUES, JUNGLE FEVER, and MALCOLM X.

Late Night Retro Television Review: Check It Out 3.1 “The Umpire Strikes Out”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, we begin the third and final season of Check It Out!

Episode 3.1 “The Umpire Strikes Out”

(Dir by Alan Erlich, originally aired on October 4th, 1987)

Marlene is nervous because her father, Charlie (Michael Donaghue), is coming to visit.  Charlie is professional baseball umpire and Marlene has always had a strained relationship with him.  She feels that Charlie always wanted a son and that he resented her for not being into sports.  After Edna allows Marlene to use her apartment to throw a small party for Charlie, Marlene suddenly starts dressing conservatively and her childhood stutter returns.  She also stops dying her hair.

Agck!  Poor Marlene!  I could very much relate to her in this episode, largely because I had a pretty bad stutter up until I was 12 and sometimes it still kicks in if I haven’t gotten enough rest.  Fortunately, Charlie does eventually realize that he was always too hard on Marlene and they agree to work on their relationship.  Yay!

Meanwhile, Leslie’s feeling insecure about his age so he tries to wear a wig.  It’s not a very good wig.  It’s a pretty simple and obvious joke but Aaron Schwartz did a really good job selling it.  Both Aaron Schwartz and Kathleen Laskey were capable of getting laughs out of the mildest of jokes and they both got a chance to show off their abilities in this episode.

This was the first episode of Check It Out!‘s third season and, from the start, it is obvious that some changes were made after the end of the previous season.  Simon Reynolds is no longer in the cast, which is a shame because Reynolds was a good actor but it’s also somewhat realistic as Reynolds was playing a high school kid who, presumably, moved on to better things (like college).  Whereas Howard always wore a suit during the second season, his work attire is now a dorky smock that is labeled “Howie, Store Manager.”  Howard’s office now overlooks the salesfloor and, in this episode, there were enough extras in the background to convince me that Cobb’s was an actual grocery store as opposed to just a soundstage.  I don’t know if this is going to be a permanent change or not but Howard was a bit less silly and more of a manager in this episode.  It felt like a change for the better.

Believe it or not, this was actually a pretty good episode.  Especially when compared to some season 2’s lesser episodes, the third season premiere was consistently funny and well-acted and the story actually made sense.  Is this a fluke or did Check It Out! finally get itself together during the final season?

We’ll find out in 2025!  Due to the holidays, this is my final Check It Out! review for 2024.  These reviews will return on January 4th.

Lisa Marie’s Week In Television: 12/8/24 — 12/14/24

Posted on by Lisa Marie Bowman

This week, other than the shows that I watch for my Retro Television Reviews, the only other thing that I watched was Hell’s Kitchen.  Brittany was eliminated.  Who was Brittany?  Was she on the show earlier?  Sometimes, with these reality shows, it feels like contestants just pop up out of nowhere so that they can be eliminated at the end of the episode.  That said, I did feel bad for Brittany when she was eliminated.  No one on the Red Team could really explain why they nominated her.  It certainly was not Brittany’s fault that the Red Team lost that night’s dinner service.

I did smile when I saw that Penn and Teller were guests at the dinner service.  I kept waiting for Teller to complain about the food but he kept quiet.

Well, it’s the holidays and earlier today, I filed and scheduled my final Retro Television Reviews for 2024.  Those reviews will return on January 1st, 2025!  I’ve got a lot of films and other things to catch up on before the New Year.  Wish me luck!

 

Retro Television Review: Welcome Back, Kotter 4.11 “Frog Day Afternoon”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show can be purchased on Prime.

This week, Horshack takes center stage.  You’ve been warned.

Episode 4.11 “Frog Day Afternoon”

(Dir by Norman Abbott, originally aired on November 25th, 1978)

This week’s episode of Welcome Back, Kotter does not feature Mr. Kotter.

It does not feature Vinne Barbarino.

It doesn’t even feature Beau, the new Sweathog.

It does feature a lot of the show’s two most annoying characters, Arnold Horshack and Julie Kotter.

Horshack doesn’t want to dissect a frog because he’ll be required to kill the frog before cutting it open.  Did they really used to require students to personally kill their own frog in biology class?  That’s a little extreme.  I always assumed that everyone just got frogs that were already dead.

Julie, of course, support Horshack’s right to not open up a frog and argues with Woodman about it.  I’m not really sure what Julie actually does at the school.  Sometimes, she appears to be a guidance counselor.  Other times, she appears to be a receptionist.  She’s been called Woodman’s “secretary” a few times but we don’t ever actually see her doing any sort of secretarial work.  I guess that, when Gabe Kaplan announced he wouldn’t be appearing in the majority of the 4th season episodes, they had to put Julie in the school so that there would still be a Kotter in Welcome Back, Kotter.  But Julie’s originally from Nebraska so it’s not like she’s the one being welcomed back to Brooklyn.

Anyway, Horshack argues that frogs don’t get a say in whether or not they want to die and he refuses to kill them.  His teacher (Dena Dietrich) says that she’ll have to give Horshack an F.  Washington says, “You better lay one of those F’s on me too.”  Epstein also decides to take the F.  The entire class is so moved by Horshack’s stand that they all ask for an F as well!

Normally, this would be very moving but since every student at the school appears to be in their 30s, it’s pretty obvious that none of them are that worried about their grades.  When you’ve already been held back twelve times, it’s not like another F is going to make a difference.

This episode …. yech.  I mean, to be honest, I had sympathy for Horshack’s position.  I certainly wouldn’t want to kill a frog or any other animal and I agree that students who object should be given an alternative assignment.  I mean, unless you’re planning on actually going into the medical field, I don’t really see what the point is in dissecting things in school.  But Horshack has become such an annoying character that it didn’t matter that I agreed with him.  I just wanted him to stop talking!

During the first season, Ron Pallilo actually did a pretty good job playing Horshack.  Horshack was strange but he wasn’t a cartoon.  But that changed somewhere around the middle of the second season and, with each episode since then, Horshack has progressively become more and more annoying.  He’s not a proper replacement for Barbarino.

Anyway. bless the frogs.  They’re nice creatures if you don’t bother them.

This is my final Welcome Back, Kotter review of 2024.  These reviews will resume after the holidays, on January 4th.

THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA (2009) – Is this your family?!

Posted on by Bradley Crain

My wife was born and raised in the great state of West Virginia. It’s one of the most beautiful states in the country. I’ve enjoyed visiting awesome places like the New River Gorge Bridge, Kanawha Falls, the Greenbrier Resort, the Mothman museum, Reddish Knob, Seneca Rocks, and Hillbilly Hot Dogs over the years! Five or six years ago, I was browsing through the movies available on Amazon Prime and I came across this documentary called THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. Being a fan of my wife and fascinated by the state, I thought I’d check it out.

But first, a little back story…. in 1991, Jacob Young, a director and producer for two seasons of a PBS documentary series called DIFFERENT DRUMMER, made a documentary short for the series entitled DANCING OUTLAW. The subject of the documentary is a man from Boone County, WV named Jesco White. Jesco is a talented “mountain tap dancer,” a skill that was passed down to him from his father D. Ray White. Jesco is also a hard-living, hellraising, gas-huffing law breaker! The documentary would go on to win a 1992 Emmy Award, as well as a 1993 American Film Institute Award for “Best Documentary.” It would also make Jesco a celebrity and pop culture figure in the state.

Now, back to THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. This 2009 documentary, directed by Julian Nitzberg and executive produced by Johnny Knoxville, takes us back to Boone County to revisit Jesco White, as well as to introduce us to a whole bunch of his extended family. I’ll just say up front that I was fascinated by this family, but I would never in a million years trust a single one of them. Jesco is in the new documentary, but there isn’t a lot of time spent with him. He did perform some of his special mountain tap-dancing as Hank Williams III sang his song “Straight to Hell” during the opening credits. I enjoyed seeing his special talent prior to the movie turning into the documentation of a slow-motion, extended family train wreck. Here are a few of the people we spend time with:

  1. Mamie White – This is Jesco’s sister. Her thoughts on life are pretty scary. Based on her own words, I have no doubt that she would steal from me and possibly kill me if it would help her get ahead in any way. She would then brag about dumping my body in a local “holler.” It was not a surprise when a portion of the running time dealt with her daughter’s release from prison.
  2. Sue Bob White – This is also Jesco’s sister, “the sexy one of the family,” according to her own words. The primary events we see in her life concerns her interactions with her son, Brandon Poe. Poe is currently in jail for shooting his own uncle multiple times in the face.    
  3. Susan Ray (Kirk) White – This is Jesco’s niece, the daughter of his sister Bo White. When we meet her, she proudly tells us the story of when she attempted to kill her husband Dennis, the father of her hyperactive son Tylor, by slashing him with a knife because she “hated that son of a bitch.” Cut to six months later and she’s in the hospital delivering a beautiful baby girl. While she’s still in the hospital we see her snorting crushed up prescription pills. Her child is promptly taken from her by social services. Her story is ultimately the most interesting, because we get to see her attempts to get clean and get her child back.
  4. Poney White – This is Jesco’s brother. After some legal trouble in the past, when we meet Poney he’s living in Minnesota where he seems to have a good job and a relatively well-adjusted family. His story seems quite successful in comparison.

We meet many more of the Whites, but I think you can see where this is going. This is a family in distress, and we see extreme examples of a culture of horrific decisions that continue to yield horrific results. With that said, I also saw bits and pieces of my own family in the Whites, and while I won’t condone a single one of their bad decisions, I won’t pass judgment on them either. During the year that the filmmakers hung out with the Whites, the matriarch of the family, Bertie Mae White, turned 85 years old. Based on some of the things she said, as well as some of her mannerisms, she reminded me a little bit of my own Grandma Crain from the Ouachita Mountains in Arkansas. We see the family as they celebrate Bertie Mae on her 85th birthday. They love their mother, but they do drugs and smoke pot at her party even though she clearly doesn’t want any of that “stuff” around her. A sad section of the film is Bertie May’s passing while the documentary was being made. I know of instances where drug and alcohol abuse have wreaked havoc inside of my own family. There have been instances where extended family members have committed acts of violence that have sent them to prison. I think the fact that I can see certain characteristics of my own family through the craziness of the Whites is what fascinated me the most when I was watching. These are real people, and because of that, we know people like them, with some of them being our own family members if not ourselves. I’m not qualified to speak on how certain socio-economic factors affect any of this kind of behavior, so I won’t even try.  

Back in 2020, my wife and I visited the courthouse in Madison, WV, which is the county seat of Boone County, and a place that is shown multiple times throughout the documentary. I’ve included a picture below. We ate at a local grocery store in town that served a nice bologna sandwich for lunch. This is a very normal town and county, yet this is also where almost all of the action in the wild and wonderful Whites takes place. One of my takeaways from THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA is my continued amazement of the types of things us “normal” people are capable of. 

Late Night Retro Television Review: Friday the 13th 2.21 “Wedding in Black”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, the departed return!

Episode 2.21 “Wedding in Black”

(Dir by Rodney Charters, originally aired on May 8th, 1989)

In South America, a man named Calvin Collier (Stephen Meadows) is carrying around a snow globe and strangling women.  After he kills a young Jill Hennessy (credited here with playing “Spanish Hooker,”), Calvin is taken to prison.  However, an ominous voice says that it has need of Calvin’s soul.

In Africa, Brother Antonio (Guy Bannerman) is caught trying to rape a woman and is promptly set on fire.

In America (or maybe Canada), Maya Zedler (Carolyn Dunn) is released from prison and promptly kills herself.

What do all three of these people have in common?  They all know the folks at Curious Goods!  Calvin is a friend of Micki’s.  Brother Antonio is an acquaintance of Jack’s.  Maya used to be Ryan’s girlfriend.  And even though all three of them are now dead, Lucifer sent them back into the world of the living because he’s decided that he wants Micki to give birth to his child.

Calvin and Antonio show up and draw Micki and Jack out of the store and into a sudden blizzard.  Suddenly, all four of them find themselves in the castle that sits in the middle of Calvin’s snow globe.  Calvin sets about trying to seduce Micki on behalf of Lucifer.

Meanwhile, Maya shows up and tries to keep Ryan distracted so that he won’t go looking for Micki and Jack.  However, it turns out that Maya still has a conscience and eventually, she turns on Lucifer and sacrifices herself to help Ryan.

This episode was an interesting change of pace.  The snow globe may have been an antique but wasn’t one of the antiques and instead of Micki and Ryan stumbling into whatever terrible thing was happening, Lucifer instead came directly for them.  If nothing else, this episode showed that the producers of Friday the 13th: The Series understood the danger of falling into a rut and that they were capable of changing things up without losing the overall macabre atmosphere of the show.  The scenes in the castle were appropriately surreal and both Chris Wiggins and the often underused Robey gave good performances.  Of the three souls, Guy Bannerman made the strongest impression just by playing his character as being totally and unashamedly evil.

At the same time, it was hard not to feel that this episode was a bit of a missed opportunity.  While it was interesting to have Micki, Jack, and Ryan meet up with three spirits of people who they used to know, it’s hard not to feel that the episode would have worked better if the producers had reached into the past and brought back some of the show’s former guest stars.  Not an episode passed in which Micki, Jack, or Ryan doesn’t lose someone that they cared about and it would have been fun to see some of those people come back.  Imagine the emotional impact if John Stockwell or Catherine Disher or maybe one of Jack’s old war buddies had returned to life.

All in all, this was a good episode that could have been even better.

Due to the holidays, this is my final Friday the 13th review for 2024.  These reviews will return on January 3rd!