I review TIGHTROPE (1984) – starring Clint Eastwood! 


In TIGHTROPE, a psychiatrist makes the following comment to New Orleans police detective Wes Block (Clint Eastwood) while he’s trying to catch a serial killer who’s targeting sex workers:

“There’s a darkness inside all of us, Wes; you, me, and the man down the street. Some have it under control. Others act it out. The rest of us try to walk a tightrope between the two.”

This statement definitely hits home to Wes, whose personal life has gotten rather dark. His wife has recently left him and their two daughters (Alison Eastwood and Jenny Beck), and the detective seems to be drowning himself in his work, at times in a bottle, and at other times in the arms of some of the local ladies of the night. Whenever he does try to plan something with his girls, his job always seems to get in his way. As he investigates the murders in a variety of the seediest locations in New Orleans, we learn that Wes is very much into the kinds of women who inhabit these places, and he gives into his secret desires on multiple occasions. This becomes personal when the killer, who knows that Wes is the detective in charge of the case, begins targeting and killing some of the very same women who helped ease Wes’ emotional pain, and then taunts him about it. It becomes even more personal when the killer goes after his daughters and his new “legitimate” lady friend Beryl Thibodeaux (Geneviève Bujold), a rape counselor Block has gotten to know as part of the broader investigation. As the bodies continue to pile up, will Wes be able to stop the killer in time to save the most precious people in his life?!!

TIGHTROPE is a special movie to me. I’ve mentioned this before in other reviews, but FOX-16 out of Little Rock played a lot of good movies in the mid to late 80’s when I was a teenager. Some of those movies hold a strong nostalgic value in my life because I first discovered them and my true love of movies during those years. The channel advertised and showed TIGHTROPE, and many other Eastwood films, quite often. Of course, the movie broadcast on FOX-16 was heavily edited, and I didn’t realize the true sexual complexity of detective Wes Block until I was quite a bit older. In the original DIRTY HARRY, there’s a running gag where different people ask Eastwood’s iconic character, “Why do they call you Dirty Harry?” From what we see in TIGHTROPE, if someone asked, “Why do they call you Dirty Wes,” the answer would be more than obvious as he engages in various kinky forms of sexual relations with at least three of the sex workers he hits up for information. The killer knows of his sexual activities with these women, even watching on occasion. The movie leans hard into this connection between Wes’ kinky sex that often involves handcuffs, and the kinship that the killer feels with Wes when he’s perpetrating violence on these same women. It adds an uneasy and unsettling quality to the proceedings when the killer publicly taunts his rival, who understandably doesn’t want his peers to know of his more private nocturnal activities. He can’t fool his new lady friend, the tough as nails Beryl Thibodeaux, who senses his hidden desires and accepts him for who he is, especially after spending some quality time with him and his daughters. I like Genevieve Bujold in the role and the French-Canadian actress is able to even nail the local accent on a couple of occasions. I also wanted to mention the excellent chemistry between Clint Eastwood and his real-life daughter Alison, who play father and daughter in the movie as well. Alison was only 12 years old when TIGHTROPE was released, but she gives a strong performance as the older daughter who’s still trying to come to terms with her parents’ divorce. The killer really messes up when he targets her. 

I’ll tell anyone who’s willing to listen that I love the city of New Orleans as a movie location. I personally love to visit the city and partake in its fun atmosphere and wide variety of excellent cuisine. TIGHTROPE hits many of the highlights of New Orleans in 1984… Bourbon Street, Jackson Square, the Super Dome, the Creole Queen, a warehouse full of Mardi Gras floats, the famous cemeteries, Randi Brooks in a hot tub, etc. etc. One thing about New Orleans is that its famous streets like Bourbon Street have not been cleaned up or become “family friendly” in the same way as a place like Times Square in New York City. To this day, it retains that same feeling of sexual decadence that is portrayed here in 1984. 

I personally consider TIGHTROPE to be a must-see film for fans of Clint Eastwood, as Wes Block is a wholly unique addition to his cavalcade of tough cop characters, and he makes us justifiably uncomfortable at times. Eastwood’s conflicted performance, the serial killer storyline and the fun New Orleans locations add up to a very good movie that’s aimed squarely at adults. 

I review BLOOD WORK (2002) – starring Clint Eastwood and Jeff Daniels!


Here at The Shattered Lens, we’re celebrating Clint Eastwood’s 95th birthday on May 31st. As part of that celebration, I decided to revisit his 2002 film, BLOOD WORK. 

BLOOD WORK finds Clint Eastwood as retired FBI profiler, Terry McCaleb (Clint Eastwood), a man who has recently had a heart transplant. Despite the wishes of his doctor Bonnie Fox (Angelica Huston), the beautiful Graciella Rivers (Wanda De Jesus) is able to guilt McCaleb into investigating the death of her sister, Gloria, when she reveals to him that it’s her sister’s heart that is now beating in his chest. Unable to drive due to his heart condition, McCaleb hires his goofy next-boat neighbor Buddy (Jeff Daniels) as his driver. The two set out to find any clue or follow any lead they come across. Eventually McCaleb is able to uncover that Gloria’s killer may be the “Code Killer,” the very same killer that he was after when his heart gave out on him, forcing his retirement. He’s going to do everything he can to catch the killer this time, even if it kills him in the process! 

BLOOD WORK puts Clint Eastwood smack dab in the middle of one of my favorite genres, the serial killer film, and the result is somewhat of a mixed bag. On the positive side, it contains a really good performance from a 72 year old Clint Eastwood as the retired FBI guy and recent heart transplant recipient. This character trait strips away Eastwood’s ability to be a Superman as he has been so many times before in his career. As a matter of fact, we feel his pain when a big Russian throws him down, or when he has to dive out of the way of a car trying to run him over. We worry for him when he gets a fever, which could actually kill him. But even in his fragile state, every so often he’ll grab a shotgun and start blasting away at the inhabitant of a car he sees watching him. His character has to rely on his intellect more than his strength and Eastwood is fun to watch in the role, with his performance the highlight of the movie. Of the other performances, I really like Angelica Huston in the relatively small role of his doctor. You believe that she really wants him to get better, and she’s pissed off that he’s gotten himself involved in this murder investigation. I’m not that impressed with Jeff Daniels here. I normally like his work, so I think the problem is that his character isn’t written that well. Wanda De Jesus is a lovely woman, and she has some good moments, but there are a couple of times that she’s way over dramatic, and I couldn’t help but roll my eyes. 

As I mentioned earlier, I usually enjoy serial killer movies, and I did enjoy BLOOD WORK. It hits most of the expected notes of the genre… the serial killer taunting the lawman, the visits to the family members of the victims, the sudden discovery of clues / evidence, the eleventh hour reveal of the killer, etc. With Eastwood at the center of it all as both actor and director, you can’t really go wrong even if the movie does drag some during its middle portion. And even though it’s presented as a whodunit, there’s not a lot of mystery to the identity of the killer. I suspect most filmgoers will figure it out before the final reveal. But at the end of the day, BLOOD WORK is definitely worth a viewing for fans of Clint Eastwood and fans of serial killer movies. Not his best work, but still better than most! 

I’ve included the trailer for BLOOD WORK below:

A Blast From The Past: Casino Royale (dir by William H. Brown)


Everyone knows that Sean Connery made his debut of James Bond in 1962’s Dr. No but what they may not know is that Sean Connery was not the first actor to play James Bond.  James Bond made his first appearance 8 years earlier when an American television show called Climax! presented a 48-minute adaptation of Ian Fleming’s first Bond novel, Casino Royale.

In this version of Casino Royale, James Bond was known as Jimmy Bond and he was about as American as you can get.  (Felix Leiter, meanwhile, was now English and named Clarence Leiter).  Jimmy Bond was played by Barry Nelson, an actor who is probably best known for playing the blandly friendly hotel manager in Stanley Kubrick’s The ShiningCasino Royale’s villain, Le Chiffre, was played by none other than Peter Lorre.

This version of Casino Royale was initially meant to serve as a pilot for a weekly television series but, perhaps fortunately, the Climax version of Casino Royale didn’t get much attention when it was originally aired.  According to Sinclair McKay’s authoritative Bond book, The Man With The Golden Touch, this version of Casino Royale was forgotten about until a copy of it was discovered in the 1980s.  By that time, of course, everyone knew that James Bond was English and that Felix Leiter was American.

Thanks to YouTube, I’ve seen the Climax! Casino Royale and it’s definitely a curiosity.  If Dr. No hadn’t launched the James Bond film franchise, there would be little reason to watch this version of Casino Royale.  It moves a bit slowly, is way too stagey, and it reveals that, contrary to what we’ve all heard, live television was not always the greatest thing on the planet.  Not surprisingly, this adaptation contains none of the brutality or the moral ambiguity that makes Fleming’s novel such a fun read.  American television audiences would not see Jimmy Bond strapped naked to a chair and an American television show would never end with the hero saying, “The bitch is dead.”  The best you can say about this version of Casino Royale is that Peter Lorre makes for a good villain (in fact, of the three versions of Casino Royale, the television version is the only one to feature an effective Le Chiffre) and Barry Nelson would have made a good Felix Leiter.

That said, I still find the television version of Casino Royale to be fascinating from a historical point of view.  This is the type of show that you watch for curiosity value.  This is the type of show that you watch so that you can think about how different things could have been.

So, presented for your viewing pleasure, here’s the original version of Casino Royale:

Song of the Day: My Way, performed by Christopher Lee


A lot of people have sung this song, from Paul Anka to Frank Sinatra to Sid Viscous and Jay-Z.

Christopher Lee’s version remains my favorite.

… And now, the end is near
And so I face the final curtain
My friend, I’ll say it clear
I’ll state my case, of which I’m certain
I’ve lived a life that’s full
I traveled each and every highway
And more, much more than this
I did it my way

… Regrets, I’ve had a few
But then again, too few to mention
I did what I had to do
And saw it through without exemption
I planned each charted course
Each careful step along the byway
And more, much more than this
I did it my way

… Yes, there were times, I’m sure you knew
When I bit off more than I could chew
But through it all, when there was doubt
I ate it up and spit it out
I faced it all, and I stood tall
And did it my way

… I’ve loved, I’ve laughed and cried
I’ve had my fill, my share of losing
And now, as tears subside
I find it all so amusing
To think I did all that
And may I say, not in a shy way
Oh, no, oh, no, not me
I did it my way

… For what is a man, what has he got?
If not himself, then he has naught
To say the things he truly feels
And not the words of one who kneels
The record shows I took the blows
And did it my way

… Yes, it was my way

Songwriters: Paul Anka / Gilles Thibaut / Claude Francois / Jacques Revaux

I review THE EIGER SANCTION (1975) – starring Clint Eastwood and George Kennedy!


Here at The Shattered Lens, we’re definitely celebrating Clint Eastwood’s May 31st  birthday. As part of that celebration, I decided to revisit his 1975 film, THE EIGER SANCTION. 

Clint Eastwood is art professor Jonathan Hemlock, a retired assassin, who agrees to take one last “sanction” from a shadowy agency to avenge his friend’s death. A skilled mountain climber, Hemlock learns that the killer is part of a group of men who are attempting to climb the treacherous Eiger mountain in Switzerland. The Eiger has defeated Hemlock two times already, but he’s hoping the third time will be the charm. He goes to see his friend Ben (George Kennedy) in Arizona, who gets him in the shape he needs to be in to climb the Eiger. The time finally comes to go to Switzerland, climb the mountain, identify the man who killed his friend, and take him out. None of it goes easy, and Hemlock can only hope he will live long enough to avenge his friend! 

THE EIGER SANCTION finds Clint Eastwood in James Bond territory. The “agency” is run by the over-the-top albino villain “Dragon,” who can never see any daylight, but seems to enjoy the sanctioning of death. He sends a beautiful woman named Jemima Brown (Vonetta McGee) to steal Hemlock’s money and put him in no position to turn down the agency’s request. Luckily for Hemlock, in true Bond fashion, the beautiful “Aunt” Jemima decides to bed him as part of her assignment. I must admit that I found myself quite enraptured by the beautiful Vonetta McGee. This is some pretty good stuff, but I prefer my 70’s Bond action to come from Sean Connery or Roger Moore. Eastwood is always great (the man had the best head of hair in the business), but I enjoy his movies more when they’re set in the real world of cops and criminals. It’s still a fun movie, and I especially like Hemlock’s relationship with Kennedy. There are some amazing shots of Eastwood and Kennedy in Arizona’s Monument Valley as they prepare for the Eiger and drink some warm beer together on the Totem Pole rock formation! The shots of the men climbing the Eiger are also amazing, but we don’t really know the characters so the drama isn’t strong during this portion of the film. The visuals are absolutely amazing though. The final reveal of the man that Hemlock is after isn’t very surprising. Any person who has seen more than a couple of “mystery” films will figure it out quite easily. 

At the end of the day, I enjoyed THE EIGER SANCTION. Eastwood is always worth watching and this film contains several moments of his unique toughness and dry sense of humor. It’s just not as engaging as his very best work. Eastwood is tying to do something a little different, and while I commend him for that, it’s not quite as good as his other work during this time. I’d still give a solid 7 out of 10. The trailer is included below:

I review SPACE COWBOYS (2000) – starring Clint Eastwood, Tommy Lee Jones, Donald Sutherland and James Garner!


Here at The Shattered Lens, we’re definitely celebrating Clint Eastwood’s May 31st birthday. As part of that celebration, I decided to revisit his 2000 film, SPACE COWBOYS. 

SPACE COWBOYS opens in 1958 on the day that Air Force Test Pilot Frank Corvin (Clint Eastwood) and his team of Hawk Hawkins (Tommy Lee Jones), Jerry O’Neill (Donald Sutherland), and Tank Sullivan (James Garner) find out that their test program is being shutdown due to the formation of NASA. Their dreams of someday making it to space are crushed, and to make it worse, they were stabbed in the back by their leader Bob Gerson (James Cromwell) and not invited to be part of NASA’s new testing program. Fast forward to the present time, where a Soviet communications satellite seems to be unresponsive and NASA is working with Russian General Vostov (Rade Serbedzija) to figure out how to keep it from crashing back to Earth. The satellite is a relic of the Cold War that somehow ended up with a guidance system on board that’s so old that it was designed by Frank, and the young folks don’t know how to work with it. And to complicate things even further, the guidance system can only be fixed on site, which means in space. So it seems that NASA finally needs Frank after all this time, and he’ll only agree to help if he’s able to bring his old team on board. Their old nemesis Bob, the project’s manager at NASA, reluctantly agrees. We see that he’s still the same bastard he’s always been as he and General Vostov are holding back critical information about the cargo of the satellite. So let the training and preparation for the mission begin! 

The premise of SPACE COWBOYS may not be very realistic, but I think it’s one hell of a fun movie, especially during its first half. I really enjoy watching this amazing cast of veteran actors do their thing. Of course they get the cool walk into NASA headquarters wearing sunglasses and leather jackets, while N’ Sync’s “Space Cowboy” plays over the soundtrack. Clint Eastwood plays the character he has perfected over his career, that of the tough, grizzled leader with a dry sense of humor. Tommy Lee Jones is the fearless hotshot who has never been good at following orders, but has the kind of talent that everyone wishes they had. Jones is actually by far the youngest of the primary cast, a full 16 years younger than Eastwood. Donald Sutherland gets some of the best laughs as the ladies man of the team. The scene where he answers Jay Leno’s question about his reputation as a lothario made me laugh out loud! James Garner’s character became a Baptist minister after his days with the Air Force and prays often for the group. He’s good here, but his character is the least memorable. With their mission labeled “The Ripe Stuff” by the media, watching these great older actors go through their training, and deal with their much younger counterparts and the NASA brass, is a joy. I also want to shout out William Devane as the NASA flight director for the mission. He has a couple of really strong scenes. 

The legendary cast of this film can’t help but give a seasoned moviegoer like me a warm sense of nostalgia based on their amazing body of work. I remember introducing KELLY’S HEROES to my son when he was a boy. He watched my DVD over and over again. Seeing Eastwood and Sutherland together here brought those memories back. One of my very favorite revenge films is ROLLING THUNDER with William Devane and Tommy Lee Jones. Seeing them together here helps me remember just how great they are in that badass classic. Heck, Garner’s character name of “Tank” Sullivan takes me back to one of the very first movies our family rented when we got our VCR in the mid-80’s! Do y’all remember Garner’s film TANK from 1984? I certainly do! 

I will admit that once the crew takes off and begins the actual mission, which comprises about the last 45 minutes of the film, the entertainment level goes down a couple of notches for me. The technical aspects of completing the mission are not as interesting to me as the character interplay in the earlier portions of the film. With that said, there are still some exciting moments to be had, including the nailbiter of a landing at the end. 

I enjoyed revisiting SPACE COWBOYS after quite a few years. This movie is ultimately a crowd pleaser, and for me, it does its job well. Enjoy the trailer below:

The Eric Roberts Collection: To Heal A Nation (dir by Michael Pressman)


In 1988’s To Heal A Nation, Eric Roberts stars as Jan Scruggs.

When we first meet Scruggs, the year is 1971 and he’s taking his seat on a commercial airliner.  When the blonde woman sitting beside him starts to flirt with him, Scruggs mentions that he’s happy because he’s finished up his tour of duty in Vietnam.  Upon hearing that Scruggs is a Vietnam vet, the woman immediately requests to be moved to a different seat.

Eight years later, things haven’t gotten much better.  Scruggs works for the Department of Labor in Washington D.C.  He’s married to Becky (Glynnis O’Connor) but he’s struggling to deal with the past.  He drinks too much.  He has trouble sleeping.  He doesn’t feel like he can open up about the things that he saw in Vietnam because nobody wants to talk about it.  He was one of the thousands of people who served in Vietnam who now feel as if they’ve been abandoned by their country.  However, after attending a showing of The Deer Hunter, Scruggs has a vision of  a monument that that features the name of every American who was killed in the Vietnam Conflict.

Scruggs devotes the next several years of his life to getting the monument built, appealing to both the government and private citizens for funding.  At first, everyone treats Scruggs and his efforts like a joke.  Even some fellow veterans feel that Scruggs is pushing too hard and that he’s just going to end up embarrassing himself.  But Scruggs refuses to give up and finally, with the support of a senator (Laurence Luckinbill) and a Texas millionaire named H. Ross Perot (Conrad Bachmann), Scruggs is able to make his dream a reality.

Based on the true story of the struggle to build the Vietnam Veterans Memorial in Washington, D.C., To Heal A Nation features a young Eric Roberts giving a nervy but likable performance as Jan Scruggs, a man who becomes so obsessed with building a monument to those who lost their lives in Vietnam that he occasionally seems like he’s close to going over the edge himself.  It’s a good film for Memorial Day and one that still feels relevant today.  The way that Scruggs was treated after returning from Vietnam is the way a lot of our veterans were treated and continue to be treated after returning from Iraq and Afghanistan.  We love our soldiers when they fight in popular wars that result in a definite victory.  When they serve in an unpopular war, they’re often deserted by people who don’t want to be reminded of recent history.  One can certainly see that in the attempts by the national media to gloss over what happened during our final days in Afghanistan.  This film is a reminder that no one should be forgotten.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Strange Frequency (2001)
  19. Wolves of Wall Street (2002)
  20. Border Blues (2004)
  21. Mr. Brightside (2004)
  22. Six: The Mark Unleased (2004)
  23. We Belong Together (2005)
  24. Hey You (2006)
  25. Depth Charge (2008)
  26. Amazing Racer (2009)
  27. The Chaos Experiment (2009)
  28. In The Blink of an Eye (2009)
  29. Bed & Breakfast (2010)
  30. Enemies Among Us (2010)
  31. The Expendables (2010) 
  32. Sharktopus (2010)
  33. Beyond The Trophy (2012)
  34. The Dead Want Women (2012)
  35. Deadline (2012)
  36. The Mark (2012)
  37. Miss Atomic Bomb (2012)
  38. Assault on Wall Street (2013)
  39. Bonnie And Clyde: Justified (2013)
  40. Lovelace (2013)
  41. The Mark: Redemption (2013)
  42. The Perfect Summer (2013)
  43. Self-Storage (2013)
  44. Sink Hole (2013)
  45. A Talking Cat!?! (2013)
  46. This Is Our Time (2013)
  47. Bigfoot vs DB Cooper (2014)
  48. Doc Holliday’s Revenge (2014)
  49. Inherent Vice (2014)
  50. Road to the Open (2014)
  51. Rumors of War (2014)
  52. Amityville Death House (2015)
  53. Deadly Sanctuary (2015)
  54. A Fatal Obsession (2015)
  55. Las Vegas Story (2015)
  56. Stalked By My Doctor (2015)
  57. Enemy Within (2016)
  58. Hunting Season (2016)
  59. Joker’s Poltergeist (2016)
  60. Prayer Never Fails (2016)
  61. Stalked By My Doctor: The Return (2016)
  62. The Wrong Roommate (2016)
  63. Dark Image (2017)
  64. The Demonic Dead (2017)
  65. Black Wake (2018)
  66. Frank and Ava (2018)
  67. Stalked By My Doctor: Patient’s Revenge (2018)
  68. Clinton Island (2019)
  69. Monster Island (2019)
  70. The Reliant (2019)
  71. The Savant (2019)
  72. Seven Deadly Sins (2019)
  73. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  74. The Wrong Mommy (2019)
  75. Exodus of a Prodigal Son (2020)
  76. Free Lunch Express (2020)
  77. Her Deadly Groom (2020)
  78. Top Gunner (2020)
  79. Deadly Nightshade (2021)
  80. The Elevator (2021)
  81. Just What The Doctor Ordered (2021)
  82. Killer Advice (2021)
  83. Megaboa (2021)
  84. Night Night (2021)
  85. The Poltergeist Diaries (2021)
  86. The Rebels of PT-218 (2021)
  87. Red Prophecies (2021)
  88. A Town Called Parable (2021)
  89. Bleach (2022)
  90. Dawn (2022)
  91. My Dinner With Eric (2022)
  92. 69 Parts (2022)
  93. The Rideshare Killer (2022)
  94. D.C. Down (2023)
  95. Aftermath (2024)
  96. Bad Substitute (2024)
  97. Devil’s Knight (2024)
  98. The Wrong Life Coach (2024)
  99. When It Rains In L.A. (2025

MAN WITH A CAMERA (TV Series) – starring Charles Bronson – S1, E4: Close-up on Violence 


Mike Kovac (Charles Bronson) is taking pictures at a tenement fire in New York City. After getting his pictures of the fire, he gets a few shots of some of the people hanging around, including Norma Delgado (Angie Dickinson). A group of young men see him taking the pictures, so they take the camera away from him. It seems Norma is the daughter of Marty Delgado (Robert Armstrong), a mobster who’s just finished off a six year stretch in prison. Prior to going to prison, Marty stashed a lot of cash away and the boys are planning on taking it away from him. They’re afraid if anyone knows his daughter is around, they’ll be on their way to take the money for themselves. When the boys show back up at Kovac’s house, take his pictures and smash him on the head, he’s determined to figure out what the hell is going on. The first step is finding Norma. Once he finds her, everything else should become clear. 

Aside from Charles Bronson as Mike Kovac, the most interesting thing about this episode is the presence of the lovely Angie Dickinson. At this point in her career she was mostly guesting on TV shows or doing smaller parts in movies. She’s so beautiful, but she really doesn’t have a lot to do here. The next year she would play John Wayne’s love interest in RIO BRAVO (1959) and she’d be on her way to stardom. It’s a treat seeing her and Bronson on screen together. 

Bronson does have one decent tough guy exchange with the young thugs:

Kovac – “…a real tough bunch. You’re tough like a coat of cheap paint. First stretch of bad weather comes along and it peels right off!”

Thug – “Maybe you’re the paint remover?!”

Kovac – “You don’t get that boy out the darkroom, we’ll soon find out!”

As soon as Kovac says this he gets knocked out cold, so Bronson’s not always as tough as he seems at this point in his career. 

One other thing, I am finding that I like the episodes where Kovac’s “Pop” Anton (Ludwig Stossel) shows up. Pop is also a photographer, and he’s so proud of his son and the way his pictures are always in magazines and in the papers. During the middle part of this episode he just has one slight criticism of his son’s work, “you need more lighting.” When Kovac gets the money shot at the end and Pop sees it in a magazine, he’s so proud… he just thinks there needed to be more lighting! It’s a lighthearted and fun way for the episode to end. 

I review TRUE CRIME (1999) – starring Clint Eastwood and James Woods!


Here at The Shattered Lens, we’re celebrating Clint Eastwood’s birthday on May 31st. I decided to revisit his 1999 film, TRUE CRIME. 

Clint Eastwood directs and stars as ace journalist, Steve Everett, who also happens to be a bad friend, a terrible dad, and an even worse husband. Literally the only thing that he’s got going for him is his “nose,” his ability to sniff out a story where no one else can. Even that has begun to fail him, mostly due to his recents bouts with alcoholism, which he seems to somewhat have a handle on at the time of this story. When a young, beautiful colleague tragically passes away in an auto accident, Steve is given her previous assignment to cover the execution of convicted murderer Frank Beechum (Isaiah Washington). Not the kind to write a human interest “puff piece” like the Oakland Tribune is wanting, Everett begins digging into the past and pretty soon that nose of his starts telling him that Beechum is a victim of circumstantial evidence. Despite his editor Bob Findley’s (Denis Leary) objections, he’s able to convince his newspaper boss Alan Mann (James Woods) to let him dig deeper into the story. As he tries to juggle his myriad personal problems with his growing belief in Beechum’s innocence, Everett is also facing a clock that is ticking down to the midnight execution. Will he be able to find the crucial piece of evidence that will set Beechum free?

TRUE CRIME appears to be somewhat of a forgotten Clint Eastwood film. I saw it at the theater when it came out in 1999, but it was not financially successful, only bringing in $16 Million at the box office. Regardless of that, I still love the film. It’s certainly not perfect. It’s probably too long, Beechum is probably too angelic after being “born again,” and the resolution may be a little unrealistic, but I still enjoyed every second of it. One of the coolest things about Clint Eastwood is his willingness to play such flawed men on screen, yet we still love him. He’s great in this film! Anyone who’s read much of my work knows that my love of actor James Woods goes back to being in junior high and renting his movies BEST SELLER and COP. It’s such a treat seeing the legendary pair on screen together even if Woods’ role is sort of a glorified cameo. Woods is hilarious in his limited screen time. My last shout out is to Isaiah Washington as the innocent man who’s about to be put to death. After all these years and appeals, he’s accepted his fate, but the scene where he tells Everett his story and Everett tells him that he believes he’s innocent is so powerful. Add to that Washington’s scenes with his wife and daughter, and I was very much emotionally invested in this film. Washington’s performance was key to the film working, and he’s great!

Overall, TRUE CRIME is a film that takes its sweet time, but it ultimately tells a tense, engrossing story that ratchets up the tension to 10 prior to its last second resolution. I consider it very underrated and highly recommend it. I’ve included the trailer below: