Lisa Marie’s Week In Television: 6/1/25 — 6/7/25


Hi, television.  It’s been a while since I’ve really had time to watch you!

Here’s what I watched this week:

Cold Case: The Tylenol Murders (Netflix)

This is the latest in the true crime docuseries that Joe Berlinger has been doing for Netflix.  Over three episodes, this series told the story of a series of Tylenol poisonings that occurred in the early 80s.  The show featured the last record interview with James Lewis, the number one suspect.  Personally, I thought Lewis came across like he was guilty as Hell.  If you’re like me and you suffer from frequent headaches, exercise some caution before watching this one.

Good American Family (Hulu)

I finally watched this true crime miniseries this week.  Good American Family centers around the story of Natalia Grace, a seven year-old with dwarfism who was abandoned by her adoptive parents.  Her adoptive mother (played by Ellen Pompeo) claimed that Natalia (played by Imogen Faith Reid) was actually a 22 year-old con artist.

It’s an interesting story and the miniseries featured good performances from Pompeo and Mark Duplass, cast as her husband.  But, at 8 episodes, the whole thing felt a bit overextended and the show itself was pretty inconsistent.  As so often happens with these Hulu true crime docuseries, the attempts to use the story to critique and satirize middle America fell flat.

 

Brad reviews THE GREY (2011), starring Liam Neeson!


Liam Neeson is John Ottway, a sharpshooter who works for an oil company in Alaska. His job is to protect the company’s employees from dangerous wildlife in the area. He’s flying with a group of his co-workers from a remote drilling site when the plane crashes out in the middle of nowhere. There’s a small group of survivors who must now face harsh weather conditions with very little supplies. If that isn’t bad enough, a pack of hungry wolves are after them. Ottway takes charge of the group and tries to lead them out of the remote, frozen wilderness to safety. As impossible as it all seems, it turns out to be even worse, and all of those lucky enough to survive the plane crash must try to come to terms with the difficult moments that lie ahead.

I’ll go ahead and say that THE GREY is my favorite film starring Liam Neeson. When I first saw the movie in the theater back in 2012, I was expecting more of a typical “man versus nature” survival thriller. I wasn’t expecting director Joe Carnahan to deliver a powerful story that would transcend its basic premise and force me to assess the meaning of my life! When I watch THE GREY, I think about the things that make my life meaningful, and if I truly appreciate those things. I think about my own mortality, and if I am living a life that makes a real difference to anyone. I think about the need to take advantage of every moment in my life, and I’m doing this while I’m watching a movie where men are desperately trying not to be eaten by big wolves. Carnahan pulls off this feat brilliantly! With that said, if you’re looking for mindless wall-to-wall action, THE GREY is probably not the movie for you. This is a thinking person’s film, and even though I wasn’t expecting that element when I first watched it, I love it! 

Liam Neeson gives an incredible performance as a man who goes from being so emotionally damaged at the beginning of the film that he considers killing himself, to a man who’s willing to go one on one with a giant black alpha male wolf for one more chance at life! For a man who played Oskar Schindler, I don’t think Neeson has ever been better than he is in THE GREY. If you don’t get misty-eyed in the scene where he holds a man’s hand as he’s dying and talks him through his fear, then you must have a heart of stone. It’s a beautifully acted scene by Neeson and actor James Badge Dale. There are other good performances in the film, mainly from Frank Grillo, Dermot Mulroney, and Dallas Roberts as the plane crash survivors that make it deep into the story with Neeson. Each of these actors have strong moments at different times. But make no mistake, Neeson’s performance is the backbone of the story and elevates THE GREY to something special. 

Throughout the story, Neeson’s character recites a poem that was written by his father:

Once more into the fray, into the last good fight I’ll ever know. Live and die on this day, live and die on this day.

In THE GREY, we see various characters live their lives and face their deaths in different ways. While none of them wants to die, some fight harder for life than others. At the end of the day, we have to honestly ask ourselves… are our own lives really worth fighting for?

COMBAT (TV Series) – starring Rick Jason and Vic Morrow – S3, E30: “Heritage” (Guest star – Charles Bronson)!


Just after surviving a difficult mission, Lt. Hanley (Rick Jason) and Kirby (Jack Hogan) are given orders to guide an artistic demolitions expert named Cpl. Velasquez (Charles Bronson) to a German observation post that sits on top of a rocky mountain. Their objective is to blow up the enemy post so a group of ten thousand Allied soldiers can cross the valley below on the very next day. Complicating the journey to the targeted destination is Velasquez’s slow pace and fascination with the local geology. This lack of focus causes plenty of problems with Hanley who just wants to get to the location and blow it to smithereens. Once they finally make it to the observation post, Velasquez spots a vault dug into the side of mountain and determines it’s the perfect spot to set his charges. However, when he goes into the vault, he sees that it is full of priceless sculptures and works of art, and he can’t bring himself to blow them up. But if they don’t complete their mission, 10,000 Allied soldiers will soon be sitting ducks. Will Velasquez come to his senses in time to save the men?!!

Today, I watched my old VHS tape of this season 3 episode of COMBAT, called “Heritage,” which premiered in April of 1965. When I was in junior high, I was at Wal-Mart and they had a big bin of VHS tapes, and in those bins, they had tapes that would contain one episode of the series. I don’t remember now who the guest stars were on the other tapes, but I certainly got excited when I saw an episode with Charles Bronson for sale. Since this was in the late 80’s, my tape is over 35 years old, and it’s still holding up well. “Heritage” is the only episode of COMBAT that I’ve ever seen. The series stars Rick Jason as Lt. Hanley and Vic Morrow as Sgt. Saunders. Morrow just makes a very short appearance here at the very beginning, with the episode focusing on the characters played by Jason and Bronson. The other primary character in this episode, who goes by the name of Kirby, is played by Jack Hogan who appeared in 111 episodes of the series. He’s more in the background of the episode as Bronson and Jason take center stage. 

Charles Bronson plays a much different type of character than he would go on to play in most of movies from the 70’s and 80’s. His Cpl. Velasquez can be described as more of a lover and not a fighter. Rather than focus on getting to his target, he’d rather take his time and soak in the interesting and varied rock formations along the way. Rather than easily taking out the enemy and saving his fellow soldiers, he can’t bring himself to destroy priceless works of art, pieces he calls our “God-given…immortal heritage!” It takes a little getting used to, but Bronson turns in a strong performance as a man who has something much more beautiful on his mind than just following orders and killing. This character and performance contrasts greatly with Rick Jason’s character who just wants to complete his mission and get back to base. It’s a shame that war puts people into these kinds of positions where you have to destroy some amazing things in order to save others, but that’s just how it is. I thank God that there have been so many brave men and women who have done what it takes to give us the freedom that we enjoy every day. Even though it was gonna hurt, Cpl. Velasquez, as played by Charles Bronson, is the kind of man who does what it takes. 

Overall, “Heritage” is a good episode that’s elevated by Bronson’s excellent performance. It’s a prime example of just what a great character actor Bronson was before hitting the big time as an international superstar a few short years later. I may have to check out a few more episodes of the COMBAT series after this! 

4 Films For The Weekend (6/6/25)


On Sunday, the Tonys will be handed out on  and, if you want to watch the ceremony, it’ll be televised on CBS.  However, if you’d just rather watch some movies about backstage life, I’ve got a few suggestions.

The Broadway Melody (1929) is a historically important film, in that it was the first sound film and the first musical to win the Oscar for Best Picture.  The story is nothing special.  Two sisters (Anita Page and Bessie Love) attempt to make the transition for Vaudeville to Broadway.  One sister becomes a success and almost loses herself in the process.  The other sister remains determined to become a star.  Watching the film today, it’s obvious that the cast and the crew were still figuring out how to work with sound.  That said, it’s a historical oddity and an interesting look at the film industry making the transition into the sound era.  If you’re into that sort of thing — and I certainly am! — the film is now available on Tubi. 

Far more entertaining is the same year’s Hollywood Revue of 1929 (1929).  Produced by MGM, Hollywood Revue features all of the MGM featured players showing off what they could do.  It’s a plotless parade of variety acts, hosted by the suave Conrad Nagel and featuring everyone from Joan Crawford to Marion Davies to Buster Keaton, Laurel & Hardy, Lionel Barrymore, John Gilbert, and Jack Benny!  The goal here was to not only show off MGM’s roster of stars but also to show audiences that MGM knew how make sound pictures.  It’s actually a really fun little movie.  The cast appears to be having fun and there’s something really enjoyable about seeing so many talented people all in one movie.  It also features a song called Singin’ In The RainThe film can be viewed on YouTube.

Bob Fosse’s All That Jazz (1979) is a masterpiece, following choreographer Joe Gideon (Roy Scheider) as he directs both a film and a musical at the same time while popping pills, having heart attacks, and flirting with the Angel of Death (Jessica Lange).  The scene where Gideon watches as his daughter and his girlfriend perform a dance routine that they’ve prepared for him is one of the most heartfelt moments that I’ve ever seen in a movie.  The film’s surreal ending manages to be satirical, heart-breaking, oddly funny, and sad.  Fosse based Gideon on himself and sadly, they both shared the same fate.  It can be viewed on Tubi.

Finally, Michele Soavi’s Stage Fright (1987) is one of the best horror films to ever be set in a theater.  Have you ever wondered why the victims in slasher films don’t just leave the house or the theater?  Have you ever said, “Don’t split up, you idiots!”  Well, in this one, everyone sticks together and everyone tries to leave and it doesn’t do a bit of good.  (Unfortunately, their director has a cocaine problem.)  This film has an absolutely brilliant opening sequence.  I always laugh when the Marilyn Monroe look-alike starts playing the saxophone.  The much-missed Giovanni Lombardo Radice has a small role.  Director Soavi appears as a cop who asks, “Do you think I look like James Dean?”  The film is on Tubi.

(Check out last week’s Weekend Films here!)

A Book To Read This Weekend (6/6/25)


With the Tony Awards scheduled to be held and televised on Sunday, this weekend might be a good time to read William Goldman’s The Season.

First published in 1969, The Season was William Goldman’s very opinionated and very snarky look at the 1967-1968 Broadway season.  Best known as a screenwriter, Goldman took the money that he made from selling the script for Butch Cassidy and the Sundance Kid and spent a year going to Broadway show after Broadway show.  Many shows, he sat through multiple times.  The book features his thoughts on not just the productions but also the culture around Broadway.  Apparently, when the book was published, it was considered controversial because Goldman suggested that most Broadway critics played favorites and didn’t honestly write about the shows that they reviewed.  Goldman suggested that some performers were viewed as being untouchable while other worthy actors were ignored because they weren’t a part of the clique.  Today, that seems like common sense.  One need only look at a site like Rotten Tomatoes to see how pervasive groupthink is amongst film critics and also how carefully most reviews are written to ensure that no one loses access to the next big studio event.  In 1969, however, people were apparently a bit more naive about that sort of thing.

It’s an interesting book, especially if you’re a theater nerd like me.  That said, it’s also a bit of an annoying book.  There’s a smugness to Goldman’s tone, one that is actually present in all of Goldman’s books and essays and yes, aspiring screenwriters, that includes Adventures In The Screen Trade.  He clearly believed himself to be the smartest guy in the room and he wasn’t going to let you forget it.  It makes for a somewhat odd reading experience.  On the one hand, Goldman’s style is lively.  Goldman holds your interest.  On the other hand, there will be times when you’ll want to throw a book across the room.  When he hears two women talking about their confusion as to why they didn’t enjoy a show as much as they had hoped, Goldman describes walking up to them and offering to tell them.  It comes across as being very condescending.

That said, Goldman makes up for it in the chapters in which he explores some of the more troubled productions of the season.  His barbed dismissals of some of Broadway’s most popular performers still packs a punch and it remains relevant today as there are, to put it mildly, more than a few acclaimed performers who have been coasting on their reputations and their fandoms for more than a decade.  Goldman passed away in 2018.  One can only imagine what he would think of today’s celebrity-worshipping culture.

Finally, The Season does feature one beautiful chapter and it should be read by anyone who appreciates the character actors who carry movies and plays while the stars get all the credit.  Goldman’s look at play called The Trial of Lee Harvey Oswald features a powerful profile of actor Peter Masterson.  Goldman writes about a play that closed after 7 nights and which was not critically acclaimed but he turns the chapter into a celebration of truly good acting.  It’s the chapter that makes the rest of the book worth the trouble.

(Click here for last week’s Weekend Book!)

Music Video of the Day: Easy Lover by Miley Cyrus (2025, dir by Miley Cyrus, Jacob Bixenman, and Brendan Walter)


Oh hey, it’s yet another behind-the-scenes style music video.  Look at all the effort that goes into shooting a Miley Cyrus video, everyone!

Oh well.  Even if I am a bit cynical about this video’s format, at least Miley’s improved as a performer over the past few years.

Enjoy!