Chubs”

Posted on April 12, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

It’s time for another cruise!

Episode 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”

(Dir by Allen Baron, originally aired on November 11th, 1978)

The Love Boat is haunted!

Well, no, not really. Instead, one of the passengers is haunted. Ellen Garner (Vernee Watson) is having a difficult time getting over the death of her husband, Mickey (Jimmie Walker, who also appeared on the very first episode of The Love Boat, though as a different character). It’s been two years since Mickey died and Ellen still has not been able to move on. Some of that might be because Mickey’s ghost is still following Ellen around. Only Ellen can see and hear Mickey. This leads to a lot of scenes of her arguing with Mickey while everyone standing around her assumes that she’s talking to herself.

(To be honest, I think most people would be made nervous by a woman who spent the entire cruise loudly arguing with herself but the passengers and the crew of The Love Boat are oddly unconcerned. It was the 70s so I assume everyone just assumed it was due to the cocaine.)

Mickey wants Ellen to move on and he pressures her to find a new husband on the cruise. In fact, Mickey thinks that Ellen should spend some time with Greg Elkins (Greg Morris), who is handsome, polite and wealthy. At first, Ellen resists Mickey’s attempts to push them together but finally, she gives in. Suddenly, Mickey starts to get jealous. By the end of the cruise, though, Mickey is at peace with Ellen moving on and Ellen accepts Greg’s marriage proposal. Mickey tries to congratulate Ellen, just to discover that she can no longer see or hear him. Mickey vanishes into thin air, giving this otherwise frothy story a somewhat bittersweet aftertaste.

Whether you were being haunted or not, would you get married after only knowing someone for a week? I know that there are reality shows built around this very idea but still, I have to wonder how many of these spontaneous Love Boat marriages ended in divorce. Speaking of divorce….

Also on the cruise is a young married couple, Linda (a young Jamie Lee Curtis, looking relieved to not have to deal with Michael Myers or any other knife-wielding madmen) and Wayne (Peter Coffield). Linda and Wayne are on the verge of divorce. Ever since her parents, Les and Gail (Conrad Bain and Curtis’s real-life mother, Janet Leigh), acrimoniously split up, Linda hasn’t believed in love. Linda and Wayne spend most of the cruise fighting, though it’s never quite clear what they’re fighting about. What they don’t know is that Les and Gail are on the cruise as well. Les and Gail came to the ship to see their daughter off and then, as they tried to exit, they accidentally got locked in an unused cabin. Trapped together and subsisting only on peanuts, water, and stowaway sex, Les and Gail discover that they are still in love and they agree to get married for a second time. At the end of the cruise, everyone is reunited and, seeing that her parents are going to give marriage another shot, Linda agrees to give Wayne another shot. Awwwww!

(Again, it should be kept in mind that Les and Gail fell back in love because they literally didn’t have anything else to do. They were trapped in cabin for several days! Will their rekindled love continue once they have to deal with each other in the real world? Considering how much they hated each other before getting trapped, it’s easy to be pessimistic. Can you imagine how Linda will feel if her parents get married a second time just to then get a second divorce? Then again, this is The Love Boat. Perhaps the whole point is not to give it too much thought….)

Finally, Gopher is super excited that his sister will be celebrating her 18th birthday on the cruise! However, Gopher is shocked and horrified to discover that Jennifer (Melissa Sue Anderson) has grown up and now has every guy on the ship hitting on her. Gopher asks Doc Bricker to look after her, which is an odd request given that Doc is a walking HR nightmare. That said, for once, Doc tries to do the right thing. However, Jennifer is eager to lose her virginity and she’s decided that Doc would be the perfect man to which to lose it….

Really? Out of all the guys on that cruise, you’re going to pick Doc?

Stories in which Doc is portrayed as being a legendary lover are always a bit strange because Doc was played be Bernie Kopell, a likable actor who gave off suburban Dad vibes as opposed to international playboy vibes. Kopell, Anderson, and the usually underused Fred Grandy all give likable performances in this storyline but it’s still just odd to think that Jennifer has apparently spent years dreaming about Doc Bricker.

It’s also strange that Captain Stubing mentions that it’s been years since he last saw Gopher’s sister. The previous season established that Captain Stubing had just recently been assigned to the boat and that he was still getting to know the crew. So, either several years passed between the first and the second season or someone in the writer’s room wasn’t paying attention to continuity. Then again, I imagine that continuity wasn’t as big a concern in the days before the Internet. Even if someone did notice the mistake, who would they tell?

This episode was a fairly entertaining one. Janet Leigh and Conrad Bain were definitely the highlight of this episode and it was fun to watch Leigh and Curtis acting opposite of each other. (That said, you just know the show’s producers probably tried to convince Tony Curtis to play Janet Leigh’s ex-husband before they asked Bain.) The ghost subplot had a few funny moments and Gopher finally got to do something. All in all, it was a pleasant cruise on the Love Boat.

Retro Television Reviews: Fantasy Island 2.17 “The Stripper/The Boxer”

Posted on April 11, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

Smiles, everyone, smiles! This week, we’ve got stripping and boxing!

Episode 2.17 “The Stripper/The Boxer”

(Dir by Lawrence Dobkin, originally aired on February 10th, 1979)

This week, Tattoo is wearing a monocle because his cousin Igor has discovered that they are descended from royalty. Roarke is not impressed. Indeed, he seems to be genuinely angered by Tattoo’s suggestion that he’s somehow better than him.

As for the fantasies, first off the plane is Maureen Banning (Laraine Stephens). Maureen is a runaway heiress. Her father doesn’t want her to marry a poet named Barnaby (William Beckley) so she has snuck off to Fantasy Island so that she can get married over the weekend. Unfortunately, her father’s private detectives have followed her to the island. In a panic, Maureen hops onto the first bus that she sees. It turns out the bus is the tour bus for a burlesque show and the show’s manager, Russ McCoy (Michael Callan), has a fantasy that concerns bringing the show to Broadway. Maureen is mistaken for a famous burlesque dancer. Fortunately, Sheba Palumbo (Mamie Van Doren) and Betty (Beverly Powers) are avid tabloid readers and they immediately recognize Maureen as the runaway heiress. They agree to teach her how to dance so that she can stay on the island and marry Barnaby. Except, of course, Maureen is now starting to feel more attracted to Russ….

This fantasy was okay. I enjoyed the dancing and I also enjoyed thinking about how much Gary Loggins would have enjoyed watching his favorite actress, Mamie Van Doren, teach Maureen all the moves. I think the main problem with this fantasy is that, even after she ran way, Maureen never seemed to be in control of her own fate. The appeal of dancing on stage, whether you’re an old school burlesque performer or a modern-day stripper, is that it gives you all the power but, for Maureen, it just seemed like something to do until she finally got around to getting married.

The other fantasy involves Billy Blake (Ben Murphy), a boxer who only has three years to live. He wants a chance to fight the other leading leading championship contender. Even though the fight will be unofficial, Billy just wants a chance to show that, if not for his fatal disease, he could have been a champ. Of course, if he takes too many hits to the head, Billy could die in the ring. Billy is okay with that until he discovers that his former high school girlfriend, Jennie Collins (Maureen McCormick), is working on the Island. Billy’s trainer (Forrest Tucker) tells Jennie to stay away from Billy and Jennie is ashamed of all of the “things” she did when she ran off to Hollywood to try to become a star. (Like starring on The Brady Bunch Hour, perhaps….) But, in the end, Billy realizes that his real fantasy is to spend his last remaining years with Jennie. Personally, I found myself wondering why Billy didn’t consider a fantasy where he was cured of his terminal but unnamed disease. Then he could both be champion and spend the rest of his life with Jennie.

There weren’t many surprises with this fantasy but Ben Murphy and Maureen McCormick were an undeniably cute couple. I hope they had many good times before Billy’s agonizing and tragic death.

Next week …. John Saxon comes to Fantasy Island!

Retro Television Review: Hang Time 4.9 “Love Triangle” and 4.10 “Texas Rose”

Posted on April 10, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!

This week, we have one decent episode and one episode that …. well, just read the review.

Episode 4.9 “Love Triangle”

(Dir by Patrick Maloney, originally aired on October 10th, 1998)

Finally, a decent episode!

At the start of this episode, Kristy informs Mary Beth that she has a crush on Hammer but she’s too shy to talk to him. Not surprisingly, Mary Beth takes it upon herself to set them up. She tells Hammer to be at the Stadium at a certain time so that he can meet his blind date. Hammer agrees but is shocked when the blind date turns out to be Kristy. After the date, he approaches Mary Beth and tells her that, while he thinks Kristy is great, she’s not the girl that he’s interested in. He’s interested in …. MARY BETH!

Now, you can probably guess that this leads to Mary Beth dating Hammer in secret. And you can probably also guess that Kristy eventually figures out what’s happening while they’re all at the latest school dance. Mary Beth and Kristy argue and then they make up and then everything’s fine. Mary Beth has a boyfriend, Hammer has a girlfriend, and Kristy …. well, okay. It kind of sucks for Kristy. That said, Mary Beth and Hammer are a cute couple.

This was a pretty simple episode and it almost felt like a throwback to the type of episodes that dominated the show’s first season. (Remember when Danny tried to date Julie before eventually realizing that Sam was perfect for him?) But it was kind of nice to take a break from all the basketball stuff and Megan Parlen and Amber Barretto did a good job with both the dramatic and the comedic moments of the episode. And, after a rough few episodes, Mark Famiglietti finally got to display some bad boy charm in the role of Hammer.

All in all, this wasn’t a bad episode.

Episode 4.10 “Texas Rose”

(Dir by Patrick Maloney, originally aired on October 10th, 1998)

*sigh*

This episode finds the team going to a basketball tournament in San Antonio, Texas so, of course, it opens up with stock footage of an oil derrick. From the minute I saw that cliché, I knew this would be a difficult episode for me. As a Texan, I’m very sensitive to all the silly stereotypes and clichés that television shows tend to fall back on whenever they try to tell a story about my part of the world.

The oil derricks were followed by a shot of the Alamo. That was good. The Alamo is a huge part of Texas culture. This was followed by the Tornadoes checking into their San Antonio hotel and, of course, everyone in the lobby is wearing a cowboy hat. I rolled my eyes so hard that I gave myself a headache. “Is it me or does everyone around here look like Garth Brooks?” Mary Beth says.

Oh c’mon, I muttered for neither the first nor the last time.

“I can’t wait to get on the court and kick some cowboy butt!” Michael declares.

So, I guess the point of this episode was to make sure no one in Texas ever watched another episode of Hang Time. I mean, we’ve got enough confidence down here to take a joke but that doesn’t mean we want to spend 30 minutes being made fun of by a bunch of people who think Indianapolis is a real city.

At the local restaurant, the boys go crazy watching some fat dude try to ride an electric bull while Kristy sees a handsome Latino and automatically assumes that he can’t speak English. She speaks to him in Spanish and, as we can see from the subtitles, her Spanish sucks. Still, Antonio (Jay Hernandez, of Crazy/Beautiful and Hostel fame) is so attracted to her that he doesn’t mention that he was born in America and he can speak English. Myself, I just find it interesting that Kristy and her friends assume that just because someone has brown skin in San Antonio, they must have been born in Mexico or Latin America and that they must not be able to speak English. I mean, did they not notice that the town itself is called San Antonio but it’s full of people who speak and understand both English and Spanish? Did they somehow never learn that Texas has a strong and politically active Latino community? Seriously, the whole world isn’t freaking Indiana.

(And they wonder why we dislike Yankee tourists down here….)

Meanwhile, Silk meets a girl named Rose and falls for her. However, Silk thinks that Rose is rich so he pretends to be rich in order to impress her. When Silk takes Rose to Coach K’s suite and tries to pretend that it’s actually his hotel room, it works until Coach K shows up. Oh well, Silk — that’s what you get!

The next day, as the team gets ready for their first game, Kristy is shocked to discover that Antonio is on the rival team and he can speak English! Kristy yells at him for not telling her that he could speak English. You know, Kristy, maybe you should have given him a chance to speak English before assuming that he couldn’t.

Things work out in the end. Silk discovers that Rose isn’t actually rich and then he commandeers the stage of the local country-western bar and sings her a country song. Wow, that’s stupid. The episode ends without any word as to whether or not The Tornadoes won their tournament. I really hope this doesn’t mean that I’m going to have sit through four more episodes about the Tornadoes in San Antonio.

*shudder*

Retro Television Reviews: International Airport (dir by Don Chaffey and Charles S. Dubin)

Posted on April 9, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1985’s International Airport! It can be viewed on YouTube!

It’s not easy working at an international airport!

At least, that’s the message of this made-for-television film. Produced by Aaron Spelling and obviously designed to be a pilot for a weekly television series, International Airport details one day in the life of airport manager David Montgomery (Gil Gerard). Everyone respects and admires David, from the recently graduated flight attendants who can’t wait for their first day on the job to the hard-working members of the airport security team. The only person who really has a problem with David is Harvey Jameson (Bill Bixby), the old school flight controller who throws a fit when he learns that a woman, Dana Fredricks (Connie Sellecca), has been assigned to work in the tower. Harvey claims that women can’t handle the pressure of working the tower and not having a personal life. He demands to know what Dana’s going to do during that “one week of the month when you’re not feeling well!” Harvey’s a jerk but, fortunately, he has a nervous breakdown early on in the film and Dana gets to take over the tower.

Meanwhile, David is trying to figure out why an old friend of his, Carl Roberts (played by Retro Television mainstay Robert Reed, with his bad perm and his retired porn star mustache), is at the airport without his wife (Susan Blakely). David takes it upon himself to save Carl’s troubled marriage because it’s all in a day’s work for the world’s greatest airport manager!

While Carl is dealing with his mid-life crisis, someone else is sending threatening letters to the airport. One of the letters declares that there’s a bomb on a flight that’s heading for Honolulu. David and Dana must decide whether to allow Captain Powell (Robert Vaughn) to fly to Hawaii or to order him to return to California. And Captain Powell must figure out which one of his passengers is the bomber. Is it Martin Harris (George Grizzard), the sweaty alcoholic who want shut up about losing all of his friends in the war? Or is it the woman sitting next to Martin Harris, the cool and aloof Elaine Corey (Vera Miles)?

Of course, there are other passengers on the plane. Rudy (George Kennedy) is a veteran airline mechanic. Rudy is hoping that he can talk his wife (Susan Oliver) into adopting Pepe (Danny Ponce), an orphan who secretly lives at the airport. Unfortunately, when Pepe hears that Rudy’s plane might have a bomb on it, he spends so much time praying that he doesn’t realize he’s been spotted by airport security. Pepe manages to outrun the security forces but he ends up hiding out in a meat freezer and, when the door is slammed shut, it appears that Pepe may no longer be available for adoption. Will someone hear Pepe praying in time to let him out? Or, like Frankie Carbone, will he end up frozen stiff?

International Airport was an attempt to reboot the Airport films for television, with the opening credits even mentioning that the film was inspired by the Arthur Hailey novel that started it all. As well, Gil Gerard, Susan Blakely, and George Kennedy were all veterans of the original Airport franchise. George Kennedy may be called Rudy in International Airport but it’s easy to see that he’s still supposed to be dependable old Joe Patroni. Unfortunately, despite the familiar faces in the cast, International Airport itself is a bit bland. It’s a disaster film on a budget. While the viewers gets all of the expected melodrama, they don’t get anything as entertaining or amusing as Karen Black flying the plane in Airport 1975 or the scene in Concorde: Airport ’79 where George Kennedy leaned out the cockpit window (while in flight) and fired a gun at an enemy aircraft. Probably the only thing that was really amusing (either intentionally or unintentionally) about International Airport was the character of Pepe and that was just because young Danny Ponce gave perhaps the worst performance in the history of television.

International Airport did not lead to a television series. Watching it today, it’s a bit on the dull side but, at the same time, it is kind of nice to see what an airport was like in the days before the TSA. If nothing else, it’s a time capsule that serves as a record of the days when the world was a bit more innocent.

Retro Television Reviews: California Dreams 4.15 “Dancing Isn’t Everything” and 5.1 “Stand By Your Man”

Posted on April 8, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!

This week, one season ends and another begins.

Episode 4.15 “Dancing Isn’t Everything”

(Dir by Don Barnhart, originally aired on April 6th, 1996)

The fourth season of California Dreams comes to a close with one of its best episodes and a personal favorite of mine, Dancing Isn’t Everything. In fact, I already reviewed this episode a few years ago.

Rewatching it, I was pleased to discover that I still continue to enjoy the episode. Determined to prove the she’s more than just the band’s groupie, Lorena enters Sharky’s dance contest. Unfortunately, a series of events conspire against her and she’s forced to dance with the very unrhythmic Sly. Fortunately, Lorena learns about the importance of friendship and, even more importantly, this episode sets up the foundation for what will become Lorena and Sly’s romance during Season 5.

There are more than a few memorable moments from this episode, from Lorena coldly dismissing all of her potential dance partners to Sly breaking out his spastic dance moves whenever the judges aren’t looking. My favorite moment is Sly reading the subtitles and discovering what Lorena actually said to him. (If you watch carefully, you can see Kelly Packard breaking character and laughing in the background.) This was also the first episode to feature Tony and Sam performing Next Big Thing. “He’s so funky!”

This episode is California Dreams at its best and it brings the fourth season to worthy close.

Episode 5.1 “Stand By Your Man”

(Dir by Patrick Maloney, originally aired on September 7th, 1996)

The fifth and final season of California Dreams was the best of the show’s history. It not only gave the show a proper send-off but it also gave all of the members of the cast to show how much they had grown as actors since the show began. By the end of the fifth and final season of the show, the cast had proven themselves to be the type of tight and talented ensemble that could wring laughs and tears from even the most predictable of situations.

You wouldn’t necessarily know that from watching the first episode of the fifth season, though. In this episode, Jake needs money to fix his motorcycle and takes a job that requires him to dress up like a pirate for the local seafood restaurant. When he tires of his friends laughing at his costume, Jake gets another job at a local garage. The pay is good and Jake does like working on cars and motorcycles. However, his boss is an attractive woman named Mel. (I have a sister named Melissa who we call Mel. Hi, Mely!) Tiffani gets jealous and, for some reason, she decides that it would be a good idea for her, Sam, and Lorena to put on fake beards and pretend to be old bikers so they can hang out around the garage. (*Sigh* Wacky disguises were a staple on these shows and they never cease to be annoying.) This leads to them knocking over a motorcycle and Jake getting fired. Jake is furious with Tiffany, not because he lost his job but because she didn’t trust him. Tiffani apologizes and Jake forgives her. He then gets his old pirate job back. Arrrrgh!

Meanwhile, Sly and Tony try to catch Mark doing something stupid so they can win a video contest. However, it turns out that Mark is actually filming them for the same contest. Ha ha.

You may be under the impression that this episode was not a favorite of mine and you’re right. It’s not. It’s just too silly and cartoonish, particularly when compared to some of the other season 5 episodes. This is the first episode of the final season and it’s hard not to feel that there should have been a bit more to it than just wacky disguises and a pirate joke.

Oh well! Things will get better next week, as we move further into the final season of California Dreams.

Retro Television Reviews: Half Nelson Episode 1.4 “Uppers and Downers”

Posted on April 7, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The adventures of Rocky Nelson continue!

Episode 1.4 “Uppers and Downers”

(Dir by James Sheldon, originally aired on April 5th, 1985)

When a burglar alarm goes off in Beverly Hills, it’s Rocky Nelson (Joe Pesci) of Beverly Hills Patrol to the rescue! Reaching the mansion of a local businessman (played by Cliff Gorman), Rocky discovers that the alarm was set off by a racoon.

(“A racoon is Beverly Hills!?” Gorman’s wife says, in a tone that suggests that racoons are unknown creatures in California.)

Rocky also happens to spot the next door neighbor (Nancy Stafford) leading her personal trainer into her house, whispering that she’s going to show him her bedroom. At first, Rocky is amused but, later that day, Rocky hears that the personal trainer has been found, floating in Stafford’s swimming pool. Stafford claims that the trainer had a heart attack while swimming but, upon arriving at the scene, Rocky immediately figures out that the trainer died in the house and was then dragged out to the pool. Stafford swears that she didn’t kill him and Rocky believes her. However, when the autopsy report reveals that the trainer was dead before he was put in the pool, Stafford is arrested and charged with murdering him by hitting him over the head.

Despite being told by his boss (Fred Williamson) to stay away from the case, Rocky feels that he has to prove Stafford’s innocence. Rocky’s first plan is to have his associates, Kurt (Bubba Smith) and Beau (Dick Butkus), disguise themselves as mortuary attendants and steal the trainer’s body from the crematorium. Rocky then takes the body to a coroner who does a second autopsy and discovers that not only did the trainer have a heart attack but that he was also poisoned! Someone slipped the trainer a pill that was specifically designed to cause a heart attack. Now, it’s up to Rocky to discover who that person was and clear Stafford’s name before Stafford’s husband (Brett Halsey, a veteran of Italian horror and spaghetti westerns) files for divorce.

Rocky deduces that the trainer was probably targeted by a jealous husband. Rocky decides to disguise himself as a physical trainer so that he can get close to all of the dead man’s former clients. How does Rocky prepare for this role? He does calisthenics with his landlord, Dean Martin. When Rocky mentions that he needs someone to determine whether or not his clients are lying to him, Dean Martin suggests that he steal a lie detector from the set of “Burt’s new film.” (I’m guessing that Burt was a reference to Burt Reynolds, Dean’s co-star in two Cannonball Run films.) Rocky promptly goes down to the studio backlot and steals a bunch of Burt Reynolds’s property.

(The backlot was a prominent and amusing part of the show’s pilot but it was ignored during last week’s episode. I was glad to see it back for this episode because Dean Martin instructing Joe Pesci to steal Burt Reynolds’s lie detector will never not be amusing.)

Rocky meets with all of the dead trainer’s clients and tricks them into hooking themselves up to the lie detector by telling them that it’s a instrument that will check their heart rate. Rocky discovers that any number of people could have wanted the trainer dead. However, those of us in the audience already knows that Cliff Gorman is the murderer because we witnessed Gorman gloating about it earlier in the episode. Rocky eventually figures it out as well and tricks Gorman into confessing by pretending to take one of the heart attack pills while driving Gorman around Beverly Hills.

Thanks to the visit to the studio lot and Dean Martin’s eccentric performance, this episode was an improvement on last week’s. That said, it still suffered from the fact that the murder itself wasn’t that interesting (with Gorman’s ruthless businessman not getting much characterization beyond being evil). Despite being second and third-billed in the opening credits, neither Victoria Jackson nor Fred Williamson got to do much in this episode and considering that both of those performers had their own unique and eccentric style, it feels like a bit of waste to just have them sitting in the office and uttering just a handful of lines per episode. The main appeal of the show continues to be Joe Pesci, who brings a lot of streetwise charm to Rocky. In the episodes that I’ve watched so far, Pesci is likable and engaging as Rocky and I think his performance would surprise a lot of people who are used to Pesci playing killers with hair-trigger tempers. Rocky is smart and tough but ultimately rather friendly. In his performance in Half Nelson, one can see hints of his later performance in The Irishman, I just wish the rest of this show was as consistently good.

Next week: Joe Pesci faces off against John Saxon! That sounds promising! We’ll see how it goes.

Retro Television Reviews: City Guys 4.12 “Makin’ Up Is Hard To Do” and 4.13 “Living in America”

Posted on April 6, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. The entire show is currently streaming on YouTube!

This week, Al and Dawn have relationship trouble and the viewers are expected to endure a clip show.

Episode 4.12 “Makin’ Up Is Hard To Do”

(Dir by Frank Bonner, originally aired on October 28th, 2000)

It’s Spring Fest. Time for dance on the school roof!

Now, to be honest, this episode’s roof dance actually looks like it would be fun to attend. The music is a lot more danceable than that jazz funk that the Jazz Posse played last week. For once, it looks like Dawn actually put some effort into decorating the roof. There aren’t any dead pigeons lying around. It looks like fun until….

….for some reason, Chris starts dancing with Ms. Noble. And then Ms. Noble leads the entire school in a disco line dance, Tony Manero-style. I’ve said this a hundred times before but, people — SHE’S THE PRINCIPAL! It is neither healthy nor believable for students to be this obsessed with their principal!

As I mentioned earlier, Dawn put the dance together. This time, she worked with Nate, a new kid from California. Because the show’s writers finally remembered that they were supposed to be a couple, Al got jealous of Nate and forbid her to work with him. Dawn dumped Al, which would have been a big dramatic moment if not for the fact that the two of them hardly ever acted like they were dating in the first place. Al attempted to sabotage the dance by booby-trapping a raffle box but, after discovering that Nate was a nice guy and having a change of heart, Al was the one who ended up with an ink pack exploding all over him. Dawn was so moved by Al’s stupidity that she took him back.

Meanwhile, Jamal and some random student had a dance-off. Jamal won. Yay!

This episode actually wasn’t too bad. The dance looked like fun. Dawn shouldn’t have taken Al back, though.

Episode 4.13 “Living in America”

(Dir by Frank Bonner, originally aired on November 4th, 2000)

Ms. Noble sets up a pen pal program between Manny High and Japan because, of course, she did. Unfortunately, it turns out that Chris and Jamal have not been responding to the emails being sent by the Japanese students. When Ms. Noble asks them why, Chris and Jamal reply that they don’t know what to talk about. Then, the entire homerun ends up discussing all the amazing adventures that they’ve had.

Yep, it’s a clip show, delivered with all the straight-face earnestness of a show that had an extra episode to burn off.

“Hey, Train,” Al says at one point, “maybe you should tell everyone about that time you tried to be a wrestler….”

That pretty much sums up this episode.

Still, there is a little bit of drama when Ms. Noble suddenly announces, “Kids, I just heard there was an earthquake in Japan, not far from where your pen pals live.” Well, I guess they won’t have to reply to those emails now …. oh wait, everyone survived. That’s good.

For whatever reason, Tubi has removed City Guys from its site. So, I will be watching the rest of this show on YouTube. I think every episode is on YouTube but I can’t be sure. We’ll find out, starring next week!

Retro Television Reviews: The Love Boat 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”

Posted on April 5, 2023 by Lisa Marie Bowman

This week, hearts are broken on a special 90-minute episode of The Love Boat!

Episode 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”

(Dir by Roger Duchowny, originally aired on November 4th, 1978)

What a sad episode!

Seriously, this cruise is all about heart break.

For instance, when Russian Commissar Anoushka Mishancov (Loretta Swit) first boards the boat, Doc Bricker is upset when he’s assigned to keep an eye on her. As has been established over the previous 32 episodes, Doc prefers to spend his time talking to women who are about twenty years younger than him and who are from capitalist countries. Anoushka, on the other hand, is a communist (boo!) who, for some reason, is boarding the Pacific Princess so that she can learn about how Americans handle catering. (I said it was weird.) At first, Anoushka is so determined to do her duty that she insists on wearing her uniform at all times.

However, after Anoushka reveals that she does find old Doc Bricker to be a little bit intriguing, Julie tells her that she’s going to have to loosen up if she’s going to capture Doc’s attention. Which, Anoushka does at dinner that night….

Eyes up, Gopher!

Doc does notice Anoushka. In fact, he falls in love with her and, at the end of the cruise, he asks her to marry him! Anoushka confesses to having fallen in love with Doc but then she explains that she also loves her country. (Really? It’s just Russia.) Doc loves America and Anoushka loves Russia and, as a result, they cannot marry. Anouska leaves the ship and a heart-broken Doc looks like he’s actually about to cry. And let’s give credit where credit is due. It’s a really well-acted scene. Doc Bricker has always been a fairly ludicrous character but, in this episode, Bernie Kopell does a good job of suggesting that, even if he is a lecher, Doc Bricker is a lecher with a heart.

While Doc is falling in love with a commie, Captain Stubing is getting to know Vicki (Jill Whelan), the 9 year-old daughter of Captain Stubing’s former lover, the late Georgina (played, in flashbacks, by Melendy Britt). Vicki was originally supposed to travel with her aunt, Delores (Sandra Deel). However, something has come up and Delores will not be able to travel with her. Captain Stubing agrees to look after Vicki and even allows Vicki to stay in his quarters. Over the course of the cruise, Captain Stubing and Vicki bond. Everyone agrees that they have the same eyes. Of course, that’s because Vicki is actually Captain Stubing’s daughter!

Vicki wants to live on the ship but the Captain explains that a cruise ship is not a good place for a nine year-old to grow up. Stubing considers retiring and living on dry land but Doc Bricker reminds Stubing that he would never be happy if he wasn’t on the ocean. Stubing promises that Vicki can return to the boat whenever she has time off from school and he tells her that, when she gets older, she could even “be a cruise director, like Ms. McCoy.”

(In other words, don’t even think of trying to become a captain, girl!)

Now, of course, Vicki did later return to the ship. In fact, she returned just a year later and became a regular during the third season. I guess Captain Stubing decided that going to school on dry land wasn’t that important after all. (We’ll find out when we reach the third season!) That said, even with that in mind, it was undeniably sad to watch as Stubing sat in his cabin and struggled to hold back the tears after Vicki left the ship. Much like Bernie Kopell, Gavin MacLeod gave a surprisingly heartfelt and sincere performance in this episode.

It wasn’t all sadness

Luckily, it wasn’t all heartbreak on this episode. After getting drunk and boarding the boat by mistake, Sandy Beal (Jo Anne Worley) and Victor Marshall (Soupy Sales) fell in love for real. And jingle writer Charlie Godwin (Robert Goulet) ran into his old song-writing partner (Richard Dawson) and the two of them saved Charlie’s marriage to June (Juliet Mills). There were two happy endings but they were overshadowed by all the sadness.

This was a good episode. Even The Love Boat needs a little heartbreak every once and a while.

Retro Television Review: Hang Time 4.7 “Assault and Pepper Spray” and 4.8 “High Hoops”

Posted on April 3, 2023 by Lisa Marie Bowman

This week, it’s all about self-defense and marijuana at Deering High!

Episode 4.7 “Assault and Pepper Spray”

(Dir by Patrick Maloney, originally aired on October 3rd, 1998)

This was a weird episode. Kristy has a job working at the mall. Since this is a Peter Engel-produced show, that job involves wearing an ugly outfit and selling corny dogs. One night, when she gets off work, she’s mugged. Despite her efforts to try to move on with her life, she still struggles with PTSD. So far, so good. I’ve been in similar situations and it’s not something you ever really get over, even if you do eventually manage to get on with your life. After taking a self-defense class and discovering that she’s not good at beating people up, Kristy decides to carry pepper spray instead. The next night, while she’s walking out to her car, someone comes up behind her. Startled, Kristy uses the pepper spray. OH NO, SHE JUST SPRAYED MICHAEL!

Now, don’t get me wrong. It sucks that Michael got sprayed in the face. I carry pepper spray myself and I’ve accidentally sprayed myself in the face enough time that I know what it can do. (That’s one reason why I carry it.) But Michael also knew what had happened to Kristy earlier so he should have known better than to sneak up on her. Everyone on the show acts as if Kristy drew a gun, turned around and shot Michael but all Kristy did was spray him in the face. (And again, it really was Michael’s fault that he got sprayed in the first place.) Feeling guilty, Kristy says she’s going to give up the pepper spray and take another self-defense course. No, Kristy! The pepper spray worked! Just because Michael ends up crying about it, that doesn’t mean that the pepper spray was a bad idea. If Kristy had sprayed someone other than Michael, everyone would be talking about how lucky she was to have it with her.

I mean, take me for instance. I run. I dance. I know how to kick. I like to think that I’m in pretty good shape. But if some dude who outweighs me by over a hundred pounds is coming at me, I’m going for the pepper spray.

The plot of this episode left a bad, coppery taste in my mouth and brought tears to my eyes. Let’s move on.

Episode 4.8 “High Hoops”

(Dir by Patrick Maloney, originally aired on October 3rd, 1998)

Rico is eating more than usual. He’s laughing at strange moments. He’s paranoid about people sneaking up on him. He’s screwing up at practice.

OH MY GOD, RICO’S ON THE WEED!

Which weed?

THE WEED WITH ROOTS IN HELL!

Yes, this is another Peter Engel-produced television show about the dangers of marijuana. This time, it’s Rico who is getting high and running the risk of hurting himself and his friends. The team discovers that Rico is now a stoner when he opens up his locker and a baggie of weed literally flies out of it. Rico says that pot is no big deal. Hammer says that his cousin used to think the same thing but now he lives in the park and thinks that he’s a squirrel. (I think Hammer’s cousin may have been doing something more than just marijuana if that’s the case.) The team is scandalized and who can blame them? Athletes doing drugs? WHO EVER HEARD OF SUCH A THING!?

(Wow, I’m doing a lot of yelling today.)

Despite knowing that Rico is now a drug fiend, Hammer still asks him to fix the brakes on his motorcycle. Unfortunately, Rico gets too stoned to fix the brakes and Hammer ends up having a serious accident as a result. You have to wonder why Hammer would have trusted Rico with that responsibility to begin with, especially considering that this episode has an entire B-plot about Mary Beth, Kristy, and Michael taking auto shop because they think it’ll be an easy A.

(It turns out that not only is not an easy A but Kristy manages to get trapped in the trunk of the teacher’s car while installing a radio. It was kind of dumb but, as I’ve said more than a few times, Megan Parlen and Amber Barretto were a strong enough comedic team that they could wring laughs out of even the dumbest of situations.)

Anyway, Hammer comes back to school with his arm in a sling and looking for revenge. He uses his one good arm to try to beat up Rico, which is all it takes for Rico to realize that he needs to clean up his act. So, the lesson here is to beat up all of your drug-abusing friends but don’t use pepper spray if they come at you.

I’m glad that’s cleared up.

Retro Television Reviews: The Screaming Woman (dir by Jack Smight)

Posted on April 2, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1972’s The Screaming Woman! It can be viewed on YouTube!

In this made-for-tv movie from 1972, the great Olivia de Havilland plays Laura Wynant. Laura is a wealthy woman who has just been released from a mental institution. She goes to her country estate to recuperate but, as soon as she arrives, she starts to hear a woman’s voice in the back yard.

“help me …. help me….” the voice cries.

Laura looks around and she soon realizes that the voice is coming from the ground! A woman has been buried alive in the backyard and will soon die if not rescued! At first Laura tries to dig up the woman on her own but her hands are crippled by arthritis. An attempt to get a neighborhood child to help her dig just leads to Laura being confined to her home, under doctor’s orders. No matter how much Laura tries to get the people around her to listen for the sound of the woman crying for help, everyone just assume that Laura must be imagining things.

Further complicating things is the fact that the person who put the woman in the ground is still out there. And, when he discovers that Laura has been hearing voices, he decides that maybe he needs to do something about both Laura and the screaming woman….

The Screaming Woman is an effective psychological thriller and, considering that it was made for early 70s network television, surprisingly suspenseful. If the film were remade today, I imagine it would try to keep us guessing as to whether or not Laura was hearing an actual woman or if it was all in her mind. However, by revealing early on that Laura actually is hearing what she thinks she’s hearing, The Screaming Woman puts us right into Laura’s shoes and we share her frustration as she desperately tries to get someone — anyone — to take her seriously. It helps that Laura is played by Olivia de Havilland, who gives a very sympathetic and believable performance. De Havilland, who started her career appearing in Errol Flynn movies back in the 30s and who most famously played Melanie in Gone With The Wind, was one of the longest-lived stars of Hollywood’s Golden Age, living to the age of 104 and winning two Academy Awards for Best Actress.

The film is based on a short story by Ray Bradbury. In the story, it’s a little girl — as opposed to an old woman — who hears the voice. I haven’t read the short story so I don’t know how else it compares to this adaptation but, as a film, The Screaming Woman is an entertaining and creepy thriller and, when viewed today, it serves as a reminder of what a good actress Olivia De Havilland truly was. She takes a simple thriller and turns it into a meditation on aging and the one person’s determination to do the right thing even when the entire world seems to be against her.