4 Shots From 4 Films: Special Quentin Tarantino Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 61st birthday to director/screenwriter/cultural institution, Quentin Tarantino!

Here are….

4 Shots From 4 Quentin Tarantino Films

Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Jackie Brown (1997, dir by Quentin Tarantino, DP: Guillermo Navarro)

Kill Bill Volume 1 (2003, dir by Quentin Tarantino, DP: Robert Richardson)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

Documentary Review: Sly (dir by Thom Zimmy)


Now streaming on Netflix, Sly is a documentary about the life and career of Sylvester Stallone.

The documentary opens with Stallone watching as all of his belongings in his Hollywood mansion are packed in boxes so they can be shipped to his new home in New York.  As I listened to Stallone talk about how you sometimes have to return to your roots to discover who you truly are, it occurred to me that Stallone is one of those people who is never not playing a role.  Even when he’s not Rocky Balboa or John Rambo or any of the other characters that he’s played in the movies (or, less frequently on television), he’s still playing Sylvester Stallone, the bigger-than-life movie star who has been an inescapable part of the American pop cultural landscape for longer than I’ve been alive.  Watching Stallone talk about what it’s like to go, overnight, from being an unknown to being a celebrity, I never doubted his sincerity but I was always aware of how carefully chosen his words seemed to be.  Sylvester Stallone lets the audience in but he’s still careful about how much he reveals about himself.

The same can be said of the documentary, which largely focuses on Rocky, Rambo, and The Expendables, with a little Lords of Flatbush, F.I.S.T., Paradise Alley, and Cop Land trivia tossed in as well.  Stallone admits that he’s not proud of all of the films that he’s made, citing Stop!  Or My Mom Will Shoot! as his biggest regret.  (Arnold Schwarzenegger pops up to brag about how he was smart enough to turn down the script when it was originally sent to him.)  That said, there’s not much attention given to Stallone’s films with Roger Corman or for the films that he did for Cannon.  Sorry, there’s no Over The Top trivia.  There are a few clips from Cobra and Rhinestone but not much more.  If you’re looking for a documentary about the B-movies of Sylvester Stallone, this is not it.  (Interestingly enough, even films like Demolition Man — which was one of Stallone’s better non-Rocky and non-Rambo films — are also glossed over.)  Beyond talking his troubled relationship with his father, mentioning his love for daughters, and a moment where he gets noticeably emotional while talking about his late son, there’s not much information here about Stallone’s private life.  And again, it’s not that Stallone owes anyone any of that information.  At one point, Stallone says that he hasn’t had a moment of privacy since the release of Rocky and he’s probably right.  He’s earned the right to keep some things private.

Also interviewed in the documentary are Frank Stallone, Quentin Tarantino, film critic Wesley Morris, director John Herzfeld, and Talia Shire.  Frank comes across as a lot more genuine here than he did in his own documentary while Talia does the best job of understanding the appeal of Rocky.

This is a documentary that will probably best be appreciated by people who are already fans of Stallone.  Stallone doesn’t attempt to win over his doubters but, having been a star for nearly 50 years, Stallone can definitely argue that his doesn’t owe his doubters any effort.  Watching the documentary, it became clear to me that Stallone is one of those pop cultural figures who it is impossible not to love.  Everything about him, from the rough Hell’s Kitchen childhood to his decision to write a movie for himself to his decision to move into the director’s chair, is pure Americana.  There’s a reason why Rocky Balboa often appears with an American flag.

(That said, I still think that Stallone’s best performance was in First Blood and, in this documentary, Stallone gets genuinely emotional as he discusses when he discusses why he felt it was important for Rambo to survive the end of the film.)

He’s a survivor and he’s confident enough to admit that he got a bit arrogant after the success of Rocky.  Stallone still has that confidence that borders on arrogance but he’s aging well and it’s hard not to feel that he’s earned the right to brag on himself.  (It helps, of course, that he’s become a better actor as he’s aged.)  Stallone may not totally open up but he still has his movie star charisma.  When he talks, you listen.  When he moves, you watch.  We’ll miss him when he’s gone.

 

Monday Live Tweet Alert: Join Us For Return of the Six Million Dollar Man and Bionic Woman and Jackie Brown!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1987’s The Return of the Six Million Dollar Man and Bionic Woman!

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet!  We will be watching 1997’s Jackie Brown, starring Pam Grier, Robert Forster, Samuel L. Jackson, Robert De Niro, Bridget Fonda, Michael Keaton, and Diana Uribe!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Return of the Six Million Dollar Man and Bionic Woman on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Jackie Brown, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Enjoy!

Scenes I Love: The Beginning of The Fifth Chapter of Inglourious Basterds


This is, without a doubt, one of the best sequences that Quentin Tarantino has ever directed.  Along with the perfect visuals of Shoshanna getting ready for the premiere, Tarantino makes perfect use of Theme From Cat People, reinventing the song from a somewhat silly horror theme to an anthem of revolution and revenge.

4 Shots From 4 Films: Special Quentin Tarantino Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 60th birthday to director/screenwriter/cultural institution, Quentin Tarantino!

Here are….

4 Shots From 4 Quentin Tarantino Films

Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Kill Bill (2003, dir by Quentin Tarantino, DP: Robert Richardson)

Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

4 Shots From 4 Films: Special Pam Grier Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to screen icon Pam Grier!  It’s time for….

4 Shots From 4 Pam Grier Films

Coffy (1973, dir by Jack Hill, DP: Paul Lohmann)

Foxy Brown (1974, dir by Jack Hill, DP: Brick Marquard)

Something Wicked This Way Comes (1983, dir by Jack Clayton, DP: Stephen H. Burum)

Jackie Brown (1997, dir by Quentin Tarantino, DP: Guillermo Navarro)

Quick Review – Grindhouse (dir. by Robert Rodriguez & Quentin Tarantino)


The following was posted on 4/6/2007 from my LiveJournal on Grindhouse (which is celebrating it’s 15th Anniversary). I’ll admit I respect Death Proof a bit more now than I did back then:

Gotta write fast. Have to jump into shower and head for work.

I got into the movie theatre at about 8pm, and spent the hour talking with a pair of film students from the School of Visual Arts. At 9 (an hour before the movie), the rest of the sold out crowd appeared. I was officially 3rd in line. Sweet. 🙂 I didn’t my preferred seat (the single one on the right reserved for patrons coming in with someone in a wheelchair), but did get a seat in the empty row (meaning I could stretch my legs, even better).

The short of it: Grindhouse is paying one low price for 2 bad movies, on purpose. You get 3 great built in trailers, and two mini movies. Between the two mini movies, I loved “Planet Terror” (the Rodriguez one) more than “Death Proof” (The Tarantino film), simply because Death Proof had too much of Tarantino’s conversational style that all of his films have. It’s like you’re listening to a conversation that absolutely doesn’t tie itself to any of the storyline’s major points. It’s just “cool” stuff, but I literally almost fell asleep until Kurt Russell showed up on screen. I think that if one knows to expect this from Tarantino, it comes across better. It’s like watching both Kill Bill volumes back to back. The first one’s cool and action packed, and the second one has some action (the chase scene alone in Death Proof had me wondering how they did that), but is so slow before getting there, you want to sigh.

Being a Charmed Fan, it was great to see Rose McGowan again, and there were so many cameos to laugh at. Fergie has a cameo, and Michael Biehn’s (“Hicks” from Aliens, Navy Seals) even in this. Where did they dig up these guys?

Grindhouse is easily a party film. I’d go see it again in the theatre, but I don’t see myself getting the DVD. It takes you back about a good 30 years, and does that really well. There are missing reels, serious jump cuts in the film and the sound sometimes cuts out. 🙂 In that sense, it’s really beautiful. The audience laughed and applauded, though there were some that at the end were like “Man, that sucked.” In the 60’s and 70’s, Grindhouse movies were pretty bad. I guess it’s like watching one of those old Hammer films, mixed in with a cheap horror flick. You have to walk into this movie not expecting “The Departed” for it to work. Just have fun with what you’re seeing and remember, this is what your parents sometimes saw in the movies (it should be noted that my parents went to something of a Grindhouse once – the movie they went to see was Night of the Living Dead. The other movie that was in the show was John Carpenter’s “Halloween”, which freaked my Dad out).

The music in particular is really great. Robert Rodriguez, Chingon, and a few friends come up with a sound for Planet Terror that’s in essence a John Carpenter like sound. If you have access to the Itunes Music Store, give it a listen (I bought it). Plus, if you’re a fan of some of the older movies out there, you’ll find references to some of Carpenter’s films in there (for example, one of the songs from “Escape from New York” is actually used in the film). The same occurs with the soundtrack from “Creepshow” – The story with the drowned couple. There are also tons of older Tarantino/Rodriguez references in there. One fellow actually yelled out a line, word for word, from what was on screen. It took me a second to realize the line came from “From Dusk Till Dawn”. Sweet.

The in betwen trailers are absolutely fantastic. If I were to get the DVD, it would probably be for this reason alone. You can tell that Rob Zombie, Edgar Wright (Shaun of the Dead) and Eli Roth (Hostel) really had fun with their pieces.

So, Grindhouse is worth seeing in theatre at least once with a bunch of friends, but know what you’re walking into. The movie can get gross at times and no young kid should even be brought near to this (we got carded to actually get into the theatre, and a Weinstein Rep. was on hand after the film to let us take surveys). Also before the movies, one of the teaser trailers is for Rob Zombie’s “Halloween”. I haven’t been so excited for a horror film like this since Zack Snyder’s version of “Dawn of the Dead”. This looks really good, and I’m wondering what Michael Myers is going to look like when someone like Tyler Mane (Sabretooth from the first X-Men movie) is playing him. That’s going to be creepy.

Scenes That I Love: The Opening of Reservoir Dogs


In honor of Quentin Tarantino’s birthday, today’s scene of the day is the opening coffeeshop scene from Tarnatino’s directorial debut, 1992’s Reservoir Dogs. 

While Tarantino will always be better appreciated as a director than an actor, it does seem somewhat appropriate that the very first lines in the very first Tarantino film are spoken by Tarantino himself.  There’s also something undeniably likable about Tarantino laughing at the sound of his own dialogue.

From Reservoir Dogs:

4 Shots From 4 Film: Special Quentin Tarantino Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is not just Oscar Sunday!  It’s also Quentin Tarantino’s 59th birthday!  Since Tarantino is one of the favorite filmmakers of this site, it only makes sense to celebrate with….

4 Shots From 4 Quentin Tarantino Films

Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Kill Bill Volume 1 (2003, dir by Quentin Tarantino, DP: Robert Richardson)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

2021 In Review: Lisa Marie’s 10 Top Novels


Be sure to check out my picks for 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, and 2011!

  1. Once Upon A Time In Hollywood by Quentin Tarantino
  2. Verity by Colleen Hoover
  3. The Final Girl Support Group by Grady Hendrix
  4. Widespread Panic by James Ellroy
  5. Last House on Needless Street by Diane Chamberlain
  6. Back in the Burbs by Avery Flynn and Tracy Wolff
  7. Last Thing He Told Me by Laura Dave
  8. The Lost Apothecary by Sarah Penner
  9. Nothing’s Ever Easy by Amanda Lee Dixon
  10. Red Thorns by Rebel Hart

Lisa Marie’s 2021 In Review:

  1. 10 Worst Films
  2. 10 Favorite Songs
  3. 10 Top Non-Fiction Books