Embracing the Melodrama #28: The Towering Inferno (dir by John Guillermin)


The_Towering_Inferno_1974-500x300

I have a weakness for the old, all-star disaster movies of the 1970s.  It could be because those movies remind me of how fragile life really is and encourage me to make the most of every minute.  Or maybe it’s because I have my phobias and, by watching those movies, I can confront my fears without having to deal with a real-life tornado, hurricane, tidal wave, avalanche, or fire.

Or maybe I just have a weakness of glitz, glamour, and melodrama — especially when it involves a huge cast of stars and character actors.  Yes that’s probably the reason right there.

Case in point: the 1974 best picture nominee, The Towering Inferno. 

As is the case with most of the classic disaster films, The Towering Inferno is a long and big movie but it has a very simple plot.  The world’s tallest building — known as the Glass Tower — has been built in San Francisco.  On the night of the grand opening, a fire breaks out, trapping all the rich and famous guests on the 135th floor.  Now, it’s up to the fire department to put out the fire while the trapped guests simply try to survive long enough to be rescued.  Some will live, some will die but one thing is certain — every member of the all-star cast will get at least 15 minutes of screen time and at least one chance to scream in the face of the film’s still effective special effects.

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As for the people trapped by the towering inferno, we don’t really get to know them or their motivations.  (Add to that, once the fire breaks out, everyone pretty much only has one motivation and that’s to not die.)  As a result, we don’t so much react to them as characters as we do to personas of the actors who are playing them.

Steve-McQueen-in-The-Towe-001

For instance, we know that Fire Chief O’Halloran is a fearless badass and a natural leader because he’s played by Steve McQueen.  McQueen brings a certain blue collar arrogance to this role and it’s a lot of fun to watch as he gets progressively more and more annoyed with the rich people that he’s been tasked with rescuing.

We know that architect Doug Roberts is a good guy because he’s played by Paul Newman.  Reportedly, Newman and McQueen were very competitive and, in this movie, we literally get to see them go-head-to-head.  And, as charismatic as Newman is, McQueen pretty much wins the movie.  That’s because there’s never a moment that O’Halloran isn’t in charge.  Doug, meanwhile, spends most of the movie begging everyone else in the tower to exercise the common sense necessary to not die.  (Unfortunately, despite the fact that he looks and sounds just like Paul Newman, nobody in the tower feels like listening to Doug.  If Towering Inferno proves anything, it’s that most people are too stupid to survive a disaster.)

paul-newman-inferno1

The tower’s owner, James Duncan, is played by William Holden so we know that Duncan may be a ruthless businessman but that ultimately he’s one of the good guys.  Holden gets one of the best scenes in the film when, after being told that people in the building are catching on fire, he replies, “I think you’re overreacting.”

Roger Simmons is Duncan’s son-in-law and we know that he’s ultimately to blame for the fire because he’s played by Richard Chamberlain.  Roger might as well have a sign on his back that reads “Doomed.”  The same can be said of publicity executive Dan (Robert Wagner) and his girlfriend, Lorrie (Susan Flannery).

The_Towering_Inferno_1974_Faye_Dunaway_Mike_Lookinland

Faye Dunway is Susan.  She is Doug’s fiancée and she really doesn’t do much but she does get to wear a really pretty dress.  The same can be said of Susan Blakely, who plays Roger’s dissatisfied wife, and Jennifer Jones, who plays a recluse.  And good for them because if you’re going to be stuck in an inferno without much to do, you can at least take some comfort in looking good.

Then there’s Fred Astaire, who does not dance in this film.  Instead, he plays a kind-hearted con artist who ends up falling in love with Jennifer Jones.  Fred Astaire received his only Oscar nomination for his brief but likable performance in The Towering Inferno.

And finally, there’s the building’s head of security, Jernigan.  We know that he’s a murderer because he’s played by O.J. Simpson and … oh wait.  Jernigan is actually probably the second nicest guy in the whole film.  The only person nicer than Jernigan is Carlos, the bartender played by Gregory Sierra.

OJ

The real star of the film, of course, is the fire.  In the 40 years since The Towering Inferno was produced, there’s been a lot of advances in CGI and I imagine that if the film was made today, we’d be watching the fire in 3D and it would be so realistic that we’d probably feel the heat in the theater.  That said, the fire effects in The Towering Inferno are still pretty effective.  Now, I have to admit that I have a phobia (and frequent nightmares) about being trapped in a fire so, obviously, this is a film that’s specifically designed to work itself into my subconscious.  But that said, the scenes with various extras thrashing about in the flames are still difficult to watch.  There’s a scene where Robert Wagner and Susan Flannery find themselves trapped in a blazing reception area and it is pure nightmare fuel.

The Towering Inferno 9

The Towering Inferno is an undeniably effective disaster film.  At the same time, when one looks at the 1974 Oscar nominees, it’s odd to see The Towering Inferno nominated for best picture along with The Godfather Part II, Chinatown, and The Conversation.  Unlike those three, The Towering Inferno is hardly a great film.

But it is definitely an entertaining one.

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Embracing the Melodrama #11: All About Eve (dir by Joseph L. Mankiewicz)


Bette Davis

“Fasten your seat belts, it’s gonna be a bumpy night!” — Margo Channing (Bette Davis) in All About Eve (1950)

If you’re a lover of classic films or even if you’re just someone who occasionally watches TCM, chances are that you already know All About Eve.  It’s one of those films that is endlessly quoted and it features at least two performances — Bette Davis’s turn as aging Broadway diva Margo Channing and George Sanders’ acidic theater critic Addison DeWitt — that serve as frequent inspiration for professional impersonators.  It’s the film that was named best picture of 1950 and it continues to hold the record for both the most Oscar nominations overall and it’s the only film in Oscar history to receive four female acting nominations.

Even more importantly, it’s a film that everyone already knows it great.

So, that brings up the question that every film blogger dreads: how do you review a classic film that everyone already knows about?  I’ve often said that it’s easier to review a bad film than a great one.  It’s easy to pinpoint why a film fails but when it comes time to explain why a film is great, it’s often difficult to put to words the intangible qualities that elevate it.

Eve and Margo

For instance, I could tell you that the film has a fascinating plot but that barely only begins to scratch the surface of everything that’s going on underneath the glossy and melodramatic surface of All About Eve.  The movie tells the story of how scheming young actress Eve Harrington (Anne Baxter) becomes a star with the help of Addison DeWitt and at the expense of the talented but aging Margo Channing.  In telling Eve and Margo’s stories, All About Eve explores issues of female friendship and competition, sexuality, and why older men are celebrated while older women are constantly at risk of being pushed to the side for a newer model.  The complexity and power of All About Eve’s storyline can be summed up by the fact that right now, when I watch the film, I relate to Eve but I imagine that  twenty years from now, I’ll rewatch and I’ll relate to Margo.

I could tell you that this is a film that is full of bigger-than-life characters and iconic performances but that doesn’t even begin to scratch at the surface of how well-acted and perfectly cast this film is.  Even boring old Hugh Marlowe is a perfect choice for playing boring old playwright Lloyd Richards.  (His wife is played by Celeste Holm.  Reportedly Bette Davis hated working with Celeste Holm but onscreen, their friendship feels very real and poignant and leads to some of the best scenes in the entire film.)  Gary Merrill, who later married Bette Davis, is likable as Margo’s boyfriend and Thelma Ritter is great as Margo’s outspoken assistant, largely because she’s Thelma Ritter and she was always great.  Marilyn Monroe famously makes the most of her minor role in All About Eve, playing an aspiring actress who has a very good reason for calling the butler a waiter.  And then there’s Bette Davis and George Sanders, both of whom are simply brilliant.

My favorite scene from All About Eve

My favorite scene from All About Eve

But to me, the best performance in All About Eve comes from Anne Baxter.  Baxter plays Eve as a perpetually smiling schemer and one of the great pleasures of the film is watching as Eve wrecks passive-aggressive havoc through Margo’s circle of friends.  Just watch the scenes where she deftly manipulates Celeste Holm.  All About Eve is usually referred to as being a vehicle for Bette Davis but if you actually watch the film, you see that the title is absolutely appropriate.  The film really is all about Eve.

And I could always tell you about how wonderfully sardonic the dialogue is but you already know that.  There’s a reason why even people who have never seen the film still quote Margo’s suggestion that everyone fasten their seat belts!

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So, in the end, what can I tell you about All About Eve?  Well, all I can really tell you is that it’s a great film and, if you haven’t seen it, you need to make time to learn all about Eve.

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Lisa’s Way Too Early Oscar Predictions For June


Timothy Spall in Mr Turner

It’s time for me to update my way too early Oscar predictions!  Every month, based on a combination of buzz, reviews, gut feelings, and random guesses, I attempt to predict which films, directors, and performers will receive nominations in 2015!  For the June edition, I look at how my predictions have been effected and changed by the results of the Cannes Film Festival.

Thanks to Cannes, I’m a bit more sure about some of my predictions (in particular, Foxcatcher, Mr. Turner, and Julianne Moore in Map To The Stars).  But at the same time, the majority of these predictions remain the result of instinct and random guessing.

Click on the links to check out my predictions for March, April, and May!

And now, here are June’s predictions!

Best Picture

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

Mr. Turner

Whiplash

Wild

Based on its reception at Cannes, I’ve added Mr. Turner to the list of nominees.    I’ve also dropped Unbroken from the list, largely because of how aggressively it is currently being hyped by people who have yet to see it.    Traditionally, the more intensely an awards contender is hyped during the first half of the year, the more likely it is that the film itself is going to be end up being ignored once the actual nominations are announced.  (This is known as the Law of The Butler.)

Best Director

Alejandro Gonzalez Inarritu for Birdman

Mike Leigh for Mr. Turner

Richard Linklater for Boyhood

Bennett Miller for Foxcatcher

Jean-Marc Vallee for Wild

I’ve dropped Angelina Jolie (Unbroken) and Morten Tyldum (The Imitation Game) and replaced them with Mike Leigh (Mr. Turner) and Bennett Miller (Foxcatcher).  I’m far more confident that Cannes winner Miller will receive a nomination than Leigh.

Best Actor

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Ralph Fiennes in The Grand Budapest Hotel

Michael Keaton in Birdman

Timothy Spall in Mr. Turner

The big addition here is Timothy Spall, who I am predicting will be nominated for his Cannes-winning performance in Mr. Turner.

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in The Disappearance of Eleanor Rigby

Rosamund Pike in Gone Girl

Reese Whitherspoon in Wild

Shailene Woodley in The Fault In Our Stars

Based on the charming but slight trailer for Magic In The Moonlight, I have removed Emma Stone from this list.  I was tempted to replace her with Hillary Swank but even the positive reviews of The Homesman were curiously muted.  So, I ended up going with Jessica Chastain’s performance in The Disappearance of Eleanor Rigby.  I also replaced Michelle Williams with Shailene Woodley who, much like Jennifer Lawrence over the past two years, is currently starring in both a commercially successful franchise film and a critically and commercially acclaimed drama.  That said, The Fault In Our Stars may have opened too early in the year to be a legitimate contender.

Best Supporting Actor

James Franco in True Story

Ethan Hawke in Boyhood

Mark Ruffalo in Foxcatcher

Martin Sheen in Trash

J.K. Simmons in Whiplash

I’ve moved Ralph Fiennes back up to Best Actor and I’ve replaced him with James Franco for True Story.  That might be wishful thinking on my part because everyone knows that I have a huge crush on James Franco.  However, the role — that of a real-life murderer who steals a reporter’s identity — sounds like both a chance of pace for Franco and the type of role that often leads to Oscar recognition.  (Just ask Steve Carell…)

Speaking of Steve Carell, he’s not the only actor getting awards-buzz for his performance in Foxcatcher.  Channing Tatum has been getting the best reviews of his career.  If he’s promoted for a supporting nod, Tatum is probably guaranteed a nomination (and, in all probability, that would doom the chances of Mark Ruffalo).  However, Tatum is apparently going to be promoted for best actor and his chances might be a bit more iffy in that race.

Best Supporting Actress

Patricia Arquette in Boyhood

Julianne Moore in Map To The Stars

Vanessa Redgrave in Foxcatcher

Kristen Scott Thomas in Suite francaise

Kristen Stewart in The Clouds of Sils Maria

Unlike a lot of film bloggers, I am not expecting Into the Woods to be a major Oscar contender.  (See The Law of The Butler above.)  While I was originally predicting that this film would manage to get Meryl Streep her annual nomination, I am now going to go out on a limb and predict that Meryl Streep will not be nominated for anything (other than maybe a Nobel Peace Prize) in 2015.  I’m also dropping both Viola Davis and Marcia Gay Harden from my list of predicted nominees and I’m replacing them with three actresses who received a lot of acclaim at Cannes: Julianne Moore for Map To The Stars, Vanessa Redgrave for Foxcatcher, and Kristen Stewart for The Clouds of Sils Maria.

Yes, I know what you’re saying — “Kristen Stewart!?”  Personally, if she’s as good as her reviews for The Clouds of Sils Maria seem to indicate, I think she will definitely be nominated.  I think it will actually help her case that she’s not exactly an acclaimed actress.  Look at it this way — people take it for granted that Meryl Streep is going to give a great performance, so much so that they’ll even make excuses for Meryl’s shrill turn in August: Osage County.  When someone like Kristen Stewart shows that she’s capable of more than Twilight, people notice and remember.  It’s those performances that inspire people to go, “Oh yeah, she actually can act!” that often lead to Oscar momentum.

And those are my predictions for June.  Agree?  Disagree?  Let me know in the comments section below!

Kristen Stewart

And here’s the Cannes Teaser for Foxcatcher!


Speaking of Cannes, Bennett Miller’s Foxcatcher has also been shown at the festival and it got a far more positive reaction than Lost River.  Below is the teaser that was released to coincide with its Cannes premiere.

I think everyone is pretty much assuming that both Foxcatcher and Steve Carell are going to be nominated for Oscars.  The big question, right now, seems to be rather Mark Ruffalo or Channing Tatum will join the list of nominees.  I’m also going to be keeping an eye on Vanessa Redgrave, who has a small role as Carell’s mother.  After all, a Redgrave nomination would be a chance for the Academy to honor a respected actress who might not be appearing in many more films.

(As well, it would be a perfect excuse to get Franco Nero to come to the ceremony!)

As for the trailer below — if nothing else, this movie looks intense.  It’s interesting to see Carell in such a dark role but I fully believe that he’s capable of pulling it off.

Here’s some news from Cannes and the trailer for Mr. Turner!


As much as I wish I was in Cannes right now, I’m not.  I’m stuck here in the States while everyone else gets to pose for the photographers, walk around topless on the beach, and see movies.  Oh well, there’s always next year.  Until then, I’m keeping up with Cannes via social media.

The festival opened last night with Grace of Monaco and guess what?  The reaction would appear to confirm that the film is just as much of a misfire as I think everyone assumed it would be.  It’s not so much that the film sounds terrible as much as it just sounds like it’s remarkably bland.

However, no sooner had everyone dismissed Grace than everyone started to rave about Mike Leigh’s latest film, Mr. Turner.  I’ve been intrigued by Mr. Turner ever since I first heard about it, largely because it’s a biopic of the great landscape painter J.M.W. Turner and I’ve got a degree in art history.  The enthusiastic reaction that both the film and star Timothy Spall have gotten at Cannes have only served to make me even more excited about seeing this film once it’s released here in December.  (My friends in the UK will get to see it in October.)

(Not to brag or anything — because you know I would never do that! — but quite a few of the reviews from Cannes are speculating that both the film and Spall could be Oscar contenders.  That’s something that I predicted way back in March.)

As the film premiered at Cannes, the official trailer was also released.

And here it is!

 

Lisa’s Way Too Early Oscar Predictions For May


Whiplash

Whiplash

Of course, it’s way too early for me or anyone else to try to predict who and what will be nominated for an Academy Award in 2015.  However, that’s not stopping me from trying to do so on a monthly basis!

Below are my updated predictions for May.

You can read my predictions for April here and my March predictions here.

Best Picture

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

Unbroken

Whiplash

Wild

I’ve dropped Get On Up from my list of best picture nominees, mostly because the film’s trailer is just too bland.  As for some of the other films that some of my fellow bloggers are predicting will be contenders: The Grand Budapest Hotel may very well deserve a nomination but it may have come out too early in the year.  Gone Girl may be too much of a genre piece while Inherent Vice may not be enough of one. Big Eyes would theoretically benefit from the fact that both Christoph Waltz and Amy Adams would appear to be perfectly cast but, after his last few live action films, I don’t have much faith in Tim Burton. As for Into The Woods, my instinct says that Rob Marshall’s latest musical film adaptation is going to have more in common with Nine than with Chicago.

Best Director

Alejandro Gonzalez Inarritu for Birdman

Angelina Jolie for Unbroken

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

Jean-Marc Vallee for Wild

No changes here.  I nearly dropped Angelina Jolie from the list, just because she’s being so aggressively hyped and early hype always seems to lead to later disappointment.  If I had dropped her, I would have replaced her with Christopher Nolan for Interstellar.

Best Actor

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Michael Keaton in Birdman

Joaquin Phoenix in Inherent Vice

Christoph Waltz in Big Eyes

I dropped Chadwick Boseman from my list of predictions, again based on the blandness of the trailer for Get On Up.  I also moved Ralph Fiennes down to best supporting actor.  In their place: Joaquin Phoenix and Christoph Waltz.

Best Actress

Amy Adams in Big Eyes

Rosamund Pike in Gone Girl

Emma Stone in Magic in the Moonlight

Reese Whitherspoon in Wild

Michelle Williams in Suite francaise

I dropped Jessica Chastain from the list and replaced her with Michelle Williams.  Why?  There’s really no big reason, beyond the fact that I know more about the role Williams is playing in Suite francaise than I do about the role Chastain is playing in A Most Violent Year.  If The Fault In Our Stars was being released in October (as opposed to next month), I would have probably found room for Shailene Woodley on this list.

Best Supporting Actor

Ralph Fiennes in The Grand Budapest Hotel

Ethan Hawke in Boyhood

Mark Ruffalo in Foxcatcher

Martin Sheen in Trash

J.K. Simmons in Whiplash

I dropped both Robert Duvall and Channing Tatum from this list, largely because I don’t know enough about Duvall’s character in The Judge and because I have a feeling that, when it comes to Foxcatcher, the Academy will either nominate Ruffalo or Tatum but not both of them.  My first replacement is Martin Sheen for Trash, largely because Sheen has never been nominated for an Oscar and the role of an activist priest seems to be perfect for him.  My second replacement is Ralph Fiennes for The Grand Budapest Hotel.  Originally, I was predicting Fiennes would get a best actor nod but — as is explained in this article over at AwardsWatch — a pretty good case can be made for Fiennes getting a supporting nod instead.

Literally minutes before clicking publish on this post, I also decided to remove Christopher Walken and replace him with Ethan Hawke.  With three nominations already — one for acting and two for writing — Hawke seems to be popular with Academy voters and he always seems to do his best work for Richard Linklater.

Best Supporting Actress

Patricia Arquette in Boyhood

Viola Davis in Get On Up

Marcia Gay Harden in Magic In The Moonlight

Kristen Scott Thomas in Suite francaise

Meryl Streep in Into The Woods

Two changes: I dropped Amy Ryan and replaced her with Kristen Scott Thomas.  Again, it’s mostly just because I know more about the role Scott Thomas is playing than I do about Ryan’s role.  I also, shortly before posting this, decided to remove Kiera Knightley and replace her with Patricia Arquette for Boyhood.

So, those are my predictions for this month!  Agree?  Disagree?  Please feel free to let me know in the comments section below.

Boyhood

Boyhood

 

 

Lisa’s Way Too Early Oscar Predictions For April


michael-keaton-birdman

As I explained in March, I’m going to be doing a monthly series of posts in which I’m going to attempt to predict which 2014 films will be Oscar-nominated.

Obviously, at this point of the year, the nominations listed below are less like predictions and more like random guesses.  However, if nothing else, these early predictions will be good for a laugh or two once the actual Oscar race becomes a bit more clear.

Below, you’ll find my predictions for April.  Check out my predictions for March here.

Best Picture

Birdman

Boyhood

Foxcatcher

Get On Up

The Imitation Game

Interstellar

Unbroken

Whiplash

Wild

Best Director

Alejandro Gonzalez Inarritu for Birdman

Angelina Jolie for Unbroken

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

Jean-Marc Vallee for Wild

Best Actor

Chadwick Boseman in Get On Up

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Ralph Fiennes in The Grand Budapest Hotel

Michael Keaton in Birdman

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in A Most Violent Year

Rosamund Pike in Gone Girl

Emma Stone in Magic in the Moonlight

Reese Whitherspoon in Wild

Best Supporting Actor

Robert Duvall in The Judge

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

Channing Tatum in Foxcatcher

Christopher Walken in Jersey Boys

Best Supporting Actress

Viola Davis in Get On Up

Marcia Gay Harden in Magic In The Moonlight

Kiera Knightley in The Imitation Game

Amy Ryan in Birdman

Meryl Streep in Into The Woods

Meryl-Streep-Into-The-Woods

The March Edition Of Lisa’s Way Too Early Oscar Predictions


foxcatcher-trailer-hd

Is it ever too early to start trying to predict what films will be nominated for Oscars next year?

In a word … yes.

After all, it’s only March.  Grand Budapest Hotel has just now been released in New York and Los Angeles.  Whiplash and Boyhood were acclaimed at Sundance.  But otherwise, this is the time of year when the studios release films like The Legend of Hercules and Jack Ryan: Shadow Recruit. 

Yes, it’s way too early and, quite frankly, a bit silly to try to predict anything right now.

But, a lot of us are still going to try.

Below you can find my way too early predictions for the 2015 Oscar nominations.  Needless to say, these are blind guesses and should not be taken too seriously.

Some may notice that three films that are very popular with other award watchers are not listed on my list of best picture predictions.  I have not listed Grand Budapest Hotel because the Academy, in the past, has not exactly been receptive to the films of Wes Anderson.  As for David Fincher’s Gone Girl, I’m predicting it will have more in common with his rehash of The Girl With The Dragon Tattoo than The Social Network.  Finally, I’m looking forward to seeing Paul Thomas Anderson’s Inherent Vice but I think the material will be too quirky for the Academy.

Best Picture

Birdman

Boyhood

Foxcatcher

Get On Up

The Imitation Game

Interstellar

Unbroken

Whiplash

Wild

Best Director

Alejandro Gonzalez Inarritu for Birdman

Angelina Jolie for Unbroken

Richard Linklater for Boyhood

Morten Tyldum for The Imitation Game

Jean-Marc Vallee for Wild

Best Actor

Chadwick Boseman in Get On Up

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Brendan Gleeson in Calvary

Timothy Spall in Mr. Turner

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in A Most Violent Year

Rosamund Pike in Gone Girl

Emma Stone in Magic in the Moonlight

Reese Whitherspoon in Wild

Best Supporting Actor

Robert Duvall in The Judge

Idris Elba in Beasts of No Nation

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

Christopher Walken in Jersey Boys

Best Supporting Actress

Viola Davis in Get On Up

Amy Ryan in Birdman

Kristen Scott-Thomas in Suite Francaise

Meryl Streep in Suffragette

Jacki Weaver in Magic in the Moonlight

Those are my predictions for now.  Come April, I’ll sit down and make (and post) another collection of blind guesses.  If nothing else, these way too early predictions will give everyone something to laugh about when, next year, the actual Oscar nominations are announced.

Agree?  Disagree?  Let me know in the comments.

reese-witherspoon-wild-slice

Scenes I Love: 86th Academy Awards Show


bill murray oscars reuters

Always known to be the quirky, eccentric personality, during last night’s broadcast of the 86th Academy Awards, Bill Murray provided a fitting, spontaneous tribute to his long-time friends and collaborator Harold Ramis.

Harold Ramis passed away last week at the age of 69 and Murray’s on-stage tribute to his friend must’ve brought not just smiles and applause from the crowd but some tears as well.

Whatever one thinks of last night’s show this was one moment that made it all worth watching.

20 Random Thoughts About The Oscars


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If only Jared Leto had leaned a little more in.

1) Let’s start with the ceremony itself.  It ran way too long, it was full of slow spots, and it was almost painfully safe.  And yet, it was also fun to watch.  As opposed to Seth McFarlane, Ellen DeGeneres went out of her way to keep things positive and uncontroversial.  There’s a lot of political and social turmoil in the world right now but you wouldn’t know that from listening to any of Ellen’s jokes.

But you know what?  That’s okay.  Last night’s Oscar ceremony was 3 and a half hours of positive energy in an increasingly negative world and how can you complain about that?

2) This may be the first Oscar telecast that I can remember where there really weren’t any bad acceptance speeches.  (I could have done without the woman singing after Twenty Feet From Stardom won for Best Documentary but that’s mostly because I find gospel music to be tedious and everyone knows Stories We Tell should have been nominated and should have won.)  So, who gave the best acceptance speech?  I think it’s a 7-way tie between Jared Leto, Lupita Nyong’o, Matthew McConaughey, the two songwriters who won for Best Original Song, Spike Jonze, and Steve McQueen.

3) How adorable was Jared Leto last night?  Not only did he give a great acceptance speech but he also brought him mom to the ceremony to him!  How sweet!  I think I may have a new celebrity crush to go along with the Franco brothers, Michael Fassbender, Bradley Cooper, Ryan Gosling, and Idris Elba.

4) I enjoyed Pharrell’s performance, largely because it provided proof positive that I’m a better dancer than Meryl Streep.

5) I haven’t seen August: Osage County but, just judging from the clips they showed of Meryl and Julia Roberts in the film, I’m not regretting that decision.  It’s hard to judge a performance on the basis of a few seconds but both Meryl and Julia came across, in what I did see, as being painfully shrill.

6) I’m not a religious person but I did enjoy watching all the hipster douchebags having an online meltdown after McConaughey thanked God.  I haven’t seen them that scandalized since Clint Eastwood endorsed Mitt Romney.

7) A lot of people made some unkind comments about Kim Novak and the way she looked (and acted) during last night’s broadcast.  Well, you know what?  Kim Novak is 81 years old and she was directed by Alfred Hitchcock so, as far as I’m concerned, she can do whatever the Hell she wants.

8) I loved Penelope Cruz’s dress!  Penelope Cruz always reminds me a lot of my mom so I’m always happy to see her.

9) “Jim Carey” was briefly a trending topic on twitter, largely because everyone was misspelling Carrey.  That’s probably a bad sign, for an actor, when people can’t spell your name correctly.

10) For the second time in Academy history, Tyler Perry was a presenter.  That’s probably the closest Perry will ever get to winning an Oscar.

11) As far as my predictions went,  I got 18 out of 24 correct.  My mistake is that I assumed there would be more upsets than there actually were.  As a matter of fact, there really wasn’t a single upset this year.

12) I recently rewatched Blue Jasmine and I have to admit that I was a lot less impressed by Cate Blanchett’s performance the second time.  If anything, Sally Hawkins is really the one who held the film together.

13) A film directed by Woody Allen won an Oscar last night.  Has Ronan Farrow responded yet?

14) As far as the winners go, I can’t complain.  My favorite of the nominees was American Hustle but 12 Years A Slave is a great film as well.  I did get a little bored with Gravity winning every single technical award but then again, Gravity deserved its victories.

15) Of all the nominated performances, I think that Barkhad Abdi’s was the most underrated.  I think a lot of people are assuming that Abdi was simply playing himself.  Hopefully, he’ll get a chance to show more of what he, as an actor, is capable of doing.

16) I loved American Hustle but a lot of my fellow film blogger did not.  What I find interesting is that people go so overboard with the American Hustle hate, as if the film’s existence is a personal insult or something.  Seriously, let’s all grow up, okay?

17)  My BFF Evelyn’s review of the show is that U2’s performance of Ordinary Love put her to sleep and she never really woke back up.

18) As is tradition, I live-tweeted the Oscars and it was a lot of fun, even if my tweets weren’t quite as good this year as last year.  When I was asked who I was wearing for the Oscars, I replied, quite truthfully, “Victoria’s Secret” and gained a dozen new followers.

19) One very odd thing of note: essentially, a few hundred of the most outspokenly liberal people in America were all gathered in an auditorium together and yet, somehow, it was a very apolitical evening.  Jared Leto mentioned the people of Venezuela and Ukraine in his acceptance speech and Steve McQueen spoke out against slavery but otherwise, politics did not come up.

20) Now that this Oscar season is over, is it too early to start speculating about next year’s Oscar winners?  Of course not!  A lot of people seem to be excited about Christopher Nolan’s Interstellar.  Myself, I’m curious to see what David Fincher will do with Gone Girl and whether or not the people at AwardsDaily will declare it to be the greatest film ever made without having seen it (which is typically their response to any movie directed by David Fincher).  And let’s not forget that Wes Anderson’s Grand Budapest Hotel is opening in just a few more days.