Lisa Marie’s Oscar Predictions For December


With the 2024 coming to a close and awards season in full swing, the Oscar race has become a lot clearer.  For the last time this year, here are my monthly Oscar predictions!

Be sure to check out my predictions for AprilMayJuneJuly, August,  September, October, and November!

Best Picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune Part Two

Emilia Perez

Nickel Boys

Sing Sing

The Substance

Wicked

Best Director

Sean Baker for Anora

Brady Corbet for The Brutalist

Coralie Fargeat for The Substance

RaMell Ross for Nickel Boys

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Cynthia Erivo in Wicked

Marianne Jean-Baptiste in Hard Truths

Mikey Madison in Anora

Demi Moore in The Substance

Kate Winlset in Lee

Best Supporting Actor

Yura Borisov in Anora

Kieran Culkin in A Real Pain

Edward Norton in A Complete Unknown

Guy Pearce in The Brutalist

Denzel Washington in Gladiator Part II

Best Supporting Actress

Aunjanue Ellis-Taylor in Nickel Boys

Ariana Grande in Wicked

Felicity Jones in The Brutalist

Margaret Qualley in The Substance

Zoe Saldana in Emilia Perez

Here Are The 2024 Nominations Of The Georgia Film Critics Association


Earlier today, the Georgia Film Critics Association announced its nominees for the best of 2024!  The winners will be announced on January 7th,

Best Picture
“Anora”
“The Brutalist”
“Challengers”
“Conclave”
“Dune: Part Two”
“Flow”
“Nickel Boys”
“Sing Sing”
“The Substance”
“Wicked”

Best Director
“Anora” – Sean Baker
“The Brutalist” – Brady Corbet
“Dune: Part Two” – Denis Villeneuve
“Nickel Boys” – RaMell Ross
“The Substance” – Coralie Fargeat

Best Actor
Adrien Brody (“The Brutalist“)
Timothée Chalamet (“A Complete Unknown“)
Colman Domingo (“Sing Sing“)
Ralph Fiennes (“Conclave“)
Keith Kupferer (“Ghostlight“)

Best Actress
Lily-Rose Depp (“Nosferatu“)
Cynthia Erivo (“Wicked“)
Marianne Jean-Baptiste (“Hard Truths“)
Mikey Madison (“Anora“)
Demi Moore (“The Substance“)

Best Supporting Actor
Yura Borisov (“Anora“)
Kieran Culkin (“A Real Pain“)
Clarence Maclin (“Sing Sing“)
Guy Pearce (“The Brutalist“)
Denzel Washington (“Gladiator II“)

Best Supporting Actress
Danielle Deadwyler (“The Piano Lesson“)
Aunjanue Ellis-Taylor (“Nickel Boys“)
Ariana Grande-Butera (“Wicked“)
Katy O’Brian (“Love Lies Bleeding“)
Margaret Qualley (“The Substance“)
Zoe Saldaña (“Emilia Pérez“)

Best Original Screenplay
“Anora” – Sean Baker
“The Brutalist” – Brady Corbet, Mona Fastvold
“Challengers” – Justin Kuritzkes
“A Real Pain” – Jesse Eisenberg
“The Seed of the Sacred Fig” – Mohammad Rasoulof
“September 5” – Moritz Binder, Tim Fehlbaum, Alex David
“The Substance” – Coralie Fargeat

Best Adapted Screenplay
“Conclave” – Peter Straughan
“Dune: Part Two” – Denis Villeneuve, Jon Spaihts
“Nickel Boys” – RaMell Ross, Joslyn Barnes
“Sing Sing” – Greg Kwedar, Clint Bentley
“Wicked” – Winnie Holzman, Dana Fox

Best Cinematography
“The Brutalist” – Lol Crawley
“Dune: Part Two” – Greig Fraser
“Inside the Yellow Cocoon Shell” – Đinh Duy Hưng
“Nickel Boys” – Jomo Fray
“Nosferatu” – Jarin Blaschke

Best Production Design
“The Brutalist” – Judy Becker, Patricia Cuccia
“Dune: Part Two” – Patrice Vermette, Shane Vieau
“Furiosa: A Mad Max Saga” – Colin Gibson, Katie Sharrock
“Nosferatu” – Craig Lathrop
“Wicked” – Nathan Crowley, Lee Sandales

Best Original Score
“The Brutalist” – Daniel Blumberg
“Challengers” – Trent Reznor & Atticus Ross
“Conclave” – Volker Bertelmann
“Dune: Part Two” – Hans Zimmer
“The Wild Robot” – Kris Bowers

Best Original Song
“Ain’t No Love in Oklahoma” – Jessi Alexander, Luke Combs, Jonathan Singleton (“Twisters“)
“Compress/Repress” – Trent Reznor, Atticus Ross (“Challengers“)
“El Mal” – Clément Ducol, Camille, Jacques Audiard (“Emilia Pérez“)
“Kiss the Sky” – Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi (“The Wild Robot“)
“Sick in the Head” – Móglaí Bap, Mo Chara, DJ Próvaí, Adrian Louis Richard Mcleod, Toddla T (“Kneecap“)

Best Ensemble
“Conclave”
“Dune: Part Two”
“Saturday Night”
“Sing Sing”
“Wicked”

Best International Film
“All We Imagine as Light”
“Flow”
“Kneecap”
“Red Rooms”
“The Seed of the Sacred Fig”

Best Animated Film
“Flow”
“Inside Out 2”
“Memoir of a Snail”
“Wallace & Gromit: Vengeance Most Fowl”
“The Wild Robot”

Best Documentary Film
“No Other Land”
“The Remarkable Life of Ibelin”
“Sugarcane”
“Super/Man: The Christopher Reeve Story”
“Will & Harper”

Breakthrough Award
Clarence Maclin
Mikey Madison
Katy O’Brian
RaMell Ross
Maisy Stella

Oglethorpe Award for Excellence in Georgia Cinema
“Civil War” (Alex Garland)
“Color Book” (David Fortune)
“The Forge” (Alex Kendrick, Stephen Kendrick)
“The Idea of You” (Michael Showalter, Robinne Lee, Jennifer Westfeldt)
“Juror #2” (Clint Eastwood, Jonathan A. Abrams)
“Makayla’s Voice: A Letter to the World (short; Julio Palacio, Makayla Cain)
“The Piano Lesson” (Malcolm Washington, Virgil Williams, August Wilson)
“The Preakness (short; Akshay Bhatia)
“Saturday Night” (Jason Reitman, Gil Kenan)
“The South Got Something to Say” (Ryon Horne, Tyson Horne, Ernie Suggs, DeAsia Paige)

Here Are The 2024 Nominations of the Kansas City Film Critics Circle!


Yesterday, The Kansas City Film Critics Circle announced their nominations for the best of 2024!  The winners will be announced on January 4th!

BEST FILM
Anora
Civil War
Conclave
Dune: Part Two
I Saw The TV Glow
Nickel Boys
A Real Pain
Sing Sing
The Substance
Wicked

ROBERT ALTMAN AWARD FOR BEST DIRECTOR
Sean Baker – Anora
Jon M. Chu – Wicked
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Timothée Chalamet – A Complete Unknown
Timothée Chalamet – Dune: Part Two
David Dastmalchian – Late Night with the Devil
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Mikey Madison – Anora
Demi Moore – The Substance
June Squibb – Thelma

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man
Jeremy Strong – The Apprentice
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Joan Chen – Didi
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Civil War
A Real Pain
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
The Wild Robot

BEST CINEMATOGRAPHY
The Brutalist
Civil War
Dune: Part Two
Gladiator II
Nickel Boys
Nosferatu
Wicked

BEST ORIGINAL SCORE
Challengers
Conclave
Dune: Part Two
The Substance
The Wild Robot

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez
Flow
I’m Still Here
Kneecap
Twilight of the Warriors: Walled In

BEST DOCUMENTARY
Dahomey
Look Into My Eyes
Seeking Mavis Beacon
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION/FANTASY/HORROR
Dune: Part Two
I Saw The TV Glow
Late Night with the Devil
Nosferatu
The Substance

TOM POE AWARD FOR BEST LGBTQ FILM
I Saw The TV Glow
Emilia Pérez
Love Lies Bleeding
My Old Ass
Will & Harper
Queer

BUSTER KEATON AWARD FOR BEST STUNT ENSEMBLE FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man

THE TALL T (1957) – Budd Boetticher and Randolph Scott, a match made in heaven!


There was a time in my life, before streaming existed, where it seemed like I wanted to buy every movie that interested me in the slightest. The main ways I looked for new movie releases was to go to a store like the Hastings Entertainment Superstore and look at their inventory, or look at the new and recent releases on Amazon’s online store. I could spend hours looking for movies in either location, and I did. Sometime in 2008, I ran across a DVD box set described as “The Films of Budd Boetticher” that contained introductions by the likes of Martin Scorsese, Taylor Hackford, and Clint Eastwood. The films included on the box set were THE TALL T, DECISION AT SUNDOWN, BUCHANAN RIDES ALONE, RIDE LONESOME, and COMANCHE STATION. I remember seeing the names of these movies at various times in my life in my movie books. They had never really caught my attention, although I do remember that they would receive good reviews. This set did catch my attention, however, based on the interesting packaging and the fact that Scorsese and Eastwood were both singing the praises of the films. I did a little bit of quick research and decided to just buy the boxset. I’m glad to report that these films have turned into some of my very favorite movies, and I sing their praises to anyone who will listen.

Version 1.0.0

The earliest movie in this set is THE TALL T from 1957, which is based on Elmore Leonard’s short story, “The Captives.” The story opens with our hero Pat Brennan (Randolph Scott) stopping by the Sassabee Stagecoach Station and visiting with the owner Hank (Fred Sherman) and his son, Jeff (Christopher Olsen). Brennan seems like a good-natured guy who has a nice visit with the two and even agrees to purchase young Jeff some striped candy when he stops in the town of Contention later that day. Brennan heads on to Contention where we meet Ed Rintoon (Arthur Hunnicutt), a stagecoach driver who has been hired to take Willard and Doretta Mims (John Hubbard and Maureen O’Sullivan) to Bisbee for their honeymoon. Rintoon and Brennan are clearly old friends. As part of their various conversations, we learn that Doretta Mims is the daughter of Old Man Gateway, the man with the richest copper claim in the territory. After saying goodbye to Rintoon and buying young Jeff his striped candy, Brennan continues on to Tenvoorde’s (Robert Burton) ranch, in hopes of buying a seed bull for his own start-up ranch. For many years, Brennan had been the ramrod on Tenvoorde’s ranch, and the old man clearly wants him to come back. Tenvoorde offers Brennan a chance to get his bull for nothing, but he has to ride the bull to a stand still. If he can’t do it, then Tenvoorde keeps the bull and Brennan’s horse. Brennan takes him up on the offer, falls off the bull, dives into water trough to avoid getting stomped by the bull, and then heads back towards his ranch with nothing but his wet clothes and saddle. As he’s walking down the road, Rintoon comes by on his stagecoach with Mr. and Mrs. Mims. They pick Brennan up and give him a ride. When they stop back at the Sassabee Stagecoach Station, Hank and Jeff are nowhere to be seen. Rather, a voice from inside the station says “Drop your guns and come on down.” Frank Usher (Richard Boone) and young Billy Jack (Skip Homeier) emerge from the station with their guns drawn. When he’s getting down off the stagecoach, Rintoon goes for his shotgun and is shot down by another man, Chink (Henry Silva), whose been waiting in the shadows. These three men are waiting to rob the next stagecoach that comes along. They’ve already killed Hank and Jeff, and are planning to kill every person on this coach, when Willard tells them that his wife Doretta is from the richest family in the territory. Willard tells the three outlaws that Old Man Gateway will pay good money to get his daughter back, if they will just let them live. Usher, the leader of the bunch, likes this idea and sends Billy Jack and Willard back to Contention to request $50,000 from Gateway for the safe return of his daughter. With the endgame changed, Usher takes Brennan and Mrs. Mims to their hideout to wait to get their money from Gateway. Brennan knows that it’s just a matter of time before they are all killed, and he tells Mrs. Mims that they will need to be looking for any possible opportunity to escape.

THE TALL T is just so good. It’s amazing how much drama that director Budd Boetticher could fit into these films that all had running times of less than 80 minutes. The story is simple, but it deals with big themes like honor, cowardice, true love, sociopathic evil, and big dreams. Credit here has to be given to Elmore Leonard, the writer of the short story the film is based on. It must also be given to Burt Kennedy. Kennedy wrote the scripts for THE TALL T, RIDE LONESOME, and COMANCHE STATION. He’s not the credited writer for BUCHANAN RIDES ALONE but he did uncredited work on the script. Kennedy would go on to have a good career writing and directing his own westerns, like SUPPORT YOUR LOCAL SHERIFF, THE TRAIN ROBBERS, and HANNIE CAULDER, but his work with Boetticher is definitely some of his very best.

It’s also amazing how spare and simple everything looks in the THE TALL T. The land is just so dry, with nothing but big rocks and not a tree in sight. Growing up in Arkansas, I’m used to green fields and trees and flowers. It can almost feel like you’re choking on dust just watching this film.

The casting always seems to be perfect in Boetticher’s films. Randolph Scott is simpatico with Boetticher. His character here is a good man who will do what it takes to survive while also keeping his honor intact. Boetticher and Scott are truly a match made in heaven. Richard Boone is great as Frank Usher, the leader of the outlaws. He could have killed Scott’s character Brennan, but he is glad to have an honorable man to talk to after spending all of his time with Billy Jack and Chink. Boone somehow makes his outlaw leader into an honorable man even though he’s done many dishonorable things. It’s an impressive feat. Maureen O’Sullivan has an important role as Doretta Mims, the rich but plain woman, who married Willard because she was afraid she’d end up all alone. Her career goes all the way back to the 1930’s where she played Jane in the original Tarzan movies. She’s a good actress whose character undergoes the widest arc in the entire movie. Henry Silva’s Chink is a sociopath who is keeping score of the number of people he kills. Boone’s Usher would have been much better off if he would have gone with Chink’s advice and put Brennan and the Mims’ in the well back at the Sassabee station! Based on his nonchalant penchant for violence, you can see how Henry Silva would go on to having an amazing career playing bad guys. The last person I want to mention in the cast is Arthur Hunnicutt, who played Ed Rintoon. Hunnicutt is special to me because he comes from the hills of Arkansas, from a little town called Gravelly. He attended the same college I attended, although it was called the Arkansas State Teachers College when he was there. It was the University of Central Arkansas when I came through. Hunnicutt specialized in wise, rural characters. He was even nominated for an Acadamy Award a few years earlier for a movie called THE BIG SKY. He’d go on to be in so many good movies, including playing “Bull” in EL DORADO with John Wayne. I’m just proud of the guy for growing up in extreme rural Arkansas and then becoming a great character actor in Hollywood. I’ll watch anything he’s in.

I recommend all of these Budd Boetticher / Randolph Scott westerns, and THE TALL T is one of the very best!

#MondayMuggers – Why 48 HRS (1982)?


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday December 30th, we’re watching 48 HRS. starring Nick Nolte and Eddie Murphy.

So why did I pick 48 HRS., you might ask?

  1. It’s quite simply one of the best “Buddy-Cop” action comedies of all time! If you love tough, violent, badass action, as well as laughing your ass off, 48 HRS. is the perfect movie for you.
  2. Eddie Murphy made one of the great film debuts of all time with 48 HRS. After establishing himself as a comic genius on Saturday Night Live with roles like Mr. White, Buckwheat, and Mr. Robinson, Murphy absolutely steals his debut film. Nick Nolte is also great as the tough, grizzled cop, but it’s Murphy’s performance that turned this into a classic.
  3. Walter Hill directed 48 HRS. and he’s one of my favorite directors. My personal favorite film as I type this is Hill’s directorial debut, HARD TIMES (1975), starring legendary tough guy icon, Charles Bronson. Hill has such a great resume of top-notch films including THE DRIVER (1978), THE WARRIORS (1979), THE LONG RIDERS (1980), SOUTHERN COMFORT (1981), CROSSROADS (1986), EXTREME PREJUDICE (1987), and RED HEAT (1988). And 48 HRS. is probably the best of the bunch.
  4. I love the songs in the film. Of course it starts with Eddie Murphy’s rendition of “Roxanne” by The Police. And then you can’t help but want to dance when the BusBoys are singing “The Boys are Back in Town” and “New Shoes.” Heck, I love “Torchy’s Boogie” by Ira Newborn as well, setting the stage for Murphy’s rousting of the redneck bar, one of the movie’s best scenes!   

So join us tonight to for #MondayMuggers and watch 48 HRS. It’s on Amazon Prime.

Anora Wins In North Texas


The North Texas Film Critics Association has announced its picks for the best of 2024!

BEST PICTURE
Anora
The Brutalist
Conclave
Dune: Part Two
Sing Sing

BEST ACTOR
Adrien Brody – The Brutalist
Ralph Fiennes – Conclave
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Daniel Craig – Queer

BEST ACTRESS
Cynthia Erivo – Wicked
Mikey Madison – Anora
Demi Moore – The Substance
Pamela Anderson – The Last Showgirl
Anya Taylor-Joy – Furiosa: A Mad Max Saga

BEST SUPPORTING ACTOR
Kieran Culkin – A Real Pain
Guy Pearce – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Yura Borisov – Anora

BEST SUPPORTING ACTRESS
Isabella Rossellini – Conclave
Ariana Grande – Wicked
Aunjanue L. Ellis-Taylor – Nickel Boys
Zoe Saldana – Emilia Pérez
Felicity Jones – The Brutalist

BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two
RaMell Ross – Nickel Boys

BEST FOREIGN LANGUAGE FILM
The Seed Of The Sacred Fig (Germany) (TIE)
Flow (Latvia) (TIE)
Kneecap (Ireland)
I’m Still Here (Brazil)
All We Imagine As Light (an international co-production involving companies from France, India, the Netherlands, Luxembourg, and Italy)

BEST DOCUMENTARY
The Remarkable Life of Ibelin
Sugarcane
Will & Harper
Daughters
Super/Man: The Christopher Reeve Story

BEST ANIMATED FILM
The Wild Robot
Memoir Of A Snail
Inside Out 2
Flow
Transformers One

BEST CINEMATOGRAPHY
Jarin Blaschke – Nosferatu
Stéphane Fontaine – Conclave
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
John Mathieson – Gladiator II
Jomo Fray – Nickel Boys

BEST NEWCOMER
Marissa Bode – Wicked
Ethan Herisse – Nickel Boys
Clarence Maclin – Sing Sing
Vera Drew – The People’s Joker
Aaron Pierre – Rebel Ridge

BEST SCREENPLAY
Sean Baker – Anora
Brady Corbet & Mona Fastvold – The Brutalist
RaMell Ross & Joslyn Barnes – Nickel Boys
Coralie Fargeat – The Substance
Jesse Eisenberg – A Real Pain

GARY MURRAY AWARD (Best Ensemble)
Conclave
Saturday Night
Sing Sing
Wicked
Dune: Part Two

Here Are The 2024 Nominations of The Columbus Film Critics Association!


Awards season marches on!  Yesterday, the Columbus Film Critics Association announced its nominations for the best of 2024.  The winners will be announced on January 2nd.

Best Film
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
Love Lies Bleeding
Nickel Boys
Nosferatu
Sing Sing
The Substance

Best Director
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

Best Lead Performance
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Lily-Rose Depp – Nosferatu
Colman Domingo – Sing Sing
Cynthia Erivo – Wicked: Part I
Ralph Fiennes – Conclave
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Sebastian Stan – A Different Man

Best Supporting Performance
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Danielle Deadwyler – The Piano Lesson
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande-Butera – Wicked: Part I
Felicity Jones – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez
Bill Skarsgård – Nosferatu
Stanley Tucci – Conclave
Denzel Washington – Gladiator II

Best Ensemble
Anora
Challengers
Conclave
Dune: Part Two
The Piano Lesson
Sing Sing
Wicked: Part I

Actor of the Year (for an exemplary body of work)
Timothée Chalamet – A Complete Unknown and Dune: Part Two
Nicholas Hoult – The Garfield Movie, Juror #2, Nosferatu, and The Order
Cailee Spaeny – Alien: Romulus and Civil War
Sebastian Stan – The Apprentice and A Different Man
Zendaya – Challengers and Dune: Part Two

Breakthrough Film Artist
Brady Corbet – The Brutalist – (for directing and screenwriting)
Coralie Fargeat – The Substance – (for directing, film editing, and screenwriting)
Clarence Maclin – Sing Sing – (for acting)
Mikey Madison – Anora – (for acting)
Dev Patel – Monkey Man – (for acting, directing, producing, and screenwriting)

Best Cinematography
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
Jomo Fray – Nickel Boys
Benjamin Kracun – The Substance

Best Film Editing
Sean Baker – Anora
Marco Costa – Challengers
Jerome Eltabet, Coralie Fargeat, and Valentin Féron – The Substance
Nick Emerson – Conclave
Dávid Jancsó – The Brutalist
Nicholas Monsour – Nickel Boys

Best Adapted Screenplay
Robert Eggers – Nosferatu
RaMell Ross & Joslyn Barnes – Nickel Boys
Chris Sanders – The Wild Robot
Peter Straughan – Conclave
Denis Villeneuve and Jon Spaihts – Dune: Part Two

Best Original Screenplay
Sean Baker – Anora
Brady Corbet and Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers

Best Score
Volker Bertelmann – Conclave
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Robin Carolan – Nosferatu
Trent Reznor and Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two

Best Documentary
Daughters
No Other Land
Sugarcane
The Remarkable Life of Ibelin
Will & Harper

Best Foreign Language Film
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Kneecap
The Seed of the Sacred Fig

Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

Frank Gabrenya Award for Best Comedy
Babes
Hit Man
My Old Ass
A Real Pain
Saturday Night
Thelma

Best Overlooked Film
Didi
His Three Daughters
Hundreds of Beavers
The Last Stop in Yuma County
Snack Shack
Thelma

DRACULA 3D (2012) – Dario Argento, Rutger Hauer, and the folly of false expectations!


(Author’s note: I’m using the film’s original title of DRACULA 3D for my review. It seems to be going under the title of ARGENTO’S DRACULA as well, like in the image above. That’s also how I found it on Amazon Prime for my current viewing.)

If you’re one of my favorite directors or actors, I will watch all of your work, and I will probably like it. Such is the case with Dario Argento and Rutger Hauer. These two have been a part of so many great films over the years, but they have also been associated with some pretty bad stuff as well. I remember when I first read that Argento was making his own version of Dracula in 3D, and that Rutger Hauer would be playing the famous vampire hunter Van Helsing, the movie immediately went on my watch list. This means that I would google for more information every couple of days, as well as follow various entertainment-related websites looking for additional info. I also remember when the trailer was released. I specifically remember thinking that it looked awesome. I couldn’t wait to see it! And then it came out, and it seemed like everyone hated it. I made the mistake of reading reviews, which I often purposely avoid, and it seemed that many critics had a personal vendetta against the film. The reviewers weren’t content to just say it was a bad movie, they wanted me to know that it was an incompetent mess that everyone involved in should be completely ashamed of. There were a few exceptions to this universal shame, including my friend Lisa Marie Bowman, but that was definitely the general consensus. Because of this public disdain for the movie, I haven’t put that much effort into watching DRACULA 3D over the years. I’d started it a time or two, but I’d never actually finished it before. That is, until now. It’s a rainy day here in Central Arkansas, so I chose the movie for my wife and I to watch as the thunder rolled, and the rain came on in. 

The plot of the DRACULA 3D sticks to most of the things I remember about watching Dracula movies over the years. Count Dracula (Thomas Kretschmann) seems to be inflicting a sort of reign of terror in his part of the world and all the locals seem to know that going out into the woods by yourself at night is a bad idea, but they keep doing it anyway. The movie opens with Tanja (Miriam Giovanelli) going to meet her boyfriend in a barn for a late night sex romp. Sadly, after he gets satisfied, he refuses to walk her back to town. She throws her cross necklace at him and walks away in anger. Soon a big owl flies down on her, turns into Dracula and starts sucking her blood. The next person I remember meeting is an out of towner named Jonathan Harker (Unax Ugalde). It seems Count Dracula has called him to his castle to organize his library or something. He visits with Dracula for a bit, listens to wolves howling in the distance, and then heads to his room. It turns out that Tanja is not dead but is now living at the castle with Dracula. She invites herself in to tempt Jonathan, a married man, with her assets. Of course, it isn’t long before she’s trying to suck his blood. Dracula isn’t having any of that though, and he shows up and reminds Tanja that “he’s mine,” before attacking Jonathan’s neck like it’s a lobster tail at an all-you-can-eat seafood buffet in Branson, MO! Soon Jonathan’s wife, Mina (Marta Gastini), and her friend Lucy (Asia Argento) show up at Dracula’s place since Jonathan seems to have gone missing. Dracula proceeds to suck on Lucy behind her knee, turning her into a member of the undead, and then tries to turn Mina into his eternal love. Finally, after all the activities above, Van Helsing (Rutger Hauer), Dracula’s old nemesis, shows up to try to end his reign of terror once and for all. I’ve probably missed some important details, but I think I got the gist of it. Feel free to correct me in the comments if I missed anything important.    

After watching DRACULA 3D, the multitude of critics may have been right if all they cared about is a great movie by “movie criticism” standards. That just doesn’t describe me though. I watch movies because I like the people in them, and the people who make them. I certainly don’t expect perfection, and I certainly value entertainment over some self-important “message.” The critics have always gone out of their way to disparage my hero Charles Bronson, and I just keep watching his movies anyway. I have to admit I had that same feeling when watching DRACULA 3D. I think this movie is fun, and I don’t really give a shit what the critics think. Based on past movies like SUSPIRIA and BLADE RUNNER, maybe the critics have a right to expect more out of Argento and Hauer. But then again, if any person expected that level of cinema back in 2012 when they watched this movie, I wonder if they should consider going into another profession. DRACULA 3D never intended to compete with those classics. It is camp of the highest order, it’s on purpose, and it should be judged as such. The special effects are cheesy, the boobs are plenty, and the performances are over the top. Dario Argento has made some of the best movies I’ve ever watched. I don’t think he just forgot how to make a movie. This is the movie he meant to make, and, in my opinion, the campiness adds to the charm. Thomas Kretschmann gives a committed performance as Dracula, and Rutger Hauer is very serious as Van Helsing, without a hint of comedy or goofiness. With all the crazy things going on around them, I think their “serious” performances are perfect for the movie. If I had any complaint about the movie, it would be that Hauer doesn’t show up until over an hour into the one hour, 50-minute runtime. However, once he comes to town, Van Helsing pretty much takes over the movie from that point forward. As a big time, fan of Hauer, I enjoyed his Van Helsing turning badass and dispatching everyone who had seemed unkillable up to that point. 

My final word is if you’re truly a fan of Argento or Hauer, you should enjoy this film. Don’t expect TENEBRAE or THE HITCHER. Just enjoy it for what it is… a cheesy, B-movie take on a legendary story. That was enough for me!

Here Are The 2024 Austin Film Critics Association!


Yesterday, the Austin Film Critics Association did their part to keep Austin weird by announcing their nominees for the best of 2024!  The winners will be announced January 6th!

Best Picture
Anora
The Brutalist
Dune: Part Two
Conclave
Love Lies Bleeding
Nosferatu
Nickel Boys
The Substance
Sing Sing
Wicked

Best Director
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Rose Glass – Love Lies Bleeding
Denis Villeneuve – Dune: Part Two

Best Actress
Pamela Anderson – The Last Showgirl
Marianne Jean-Baptiste – Hard Truths
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

Best Actor
Adrien Brody – The Brutalist
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Hugh Grant – Heretic

Best Supporting Actress
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance

Best Supporting Actor
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Jeremy Strong – The Apprentice

Best Ensemble
Anora
The Brutalist
Conclave
Dune: Part Two
Sing Sing

Best Original Screenplay
Sean Baker – Anora
Brady Corbet & Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers

Best Adapted Screenplay
Dana Fox & Winnie Holzman – Wicked
Greg Kwedar & Clint Bentley – Sing Sing
RaMell Ross & Joslyn Barnes – Nickel Boys
Peter Straughan – Conclave
Denis Villeneuve & Jon Spaihts – Dune: Part Two

Best Cinematography
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Jomo Fray – Nickel Boys
Greig Frasier – Dune: Part Two
Benjamin Kracun – The Substance

Best Editing
Sean Baker – Anora
Coralie Fargeat, Jérôme Eltabet, & Valentin Féron – The Substance
Dávid Jancsó – The Brutalist
Joe Walker – Dune: Part Two
Hansjörg Weißbrich – September 5

Best Original Score
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Robin Carolan – Nosferatu
Trent Reznor & Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two

Best International Film
Emilia Perez
Flow
I’m Still Here
Kneecap
The Seed of the Sacred Fig

Best Documentary
Dahomey
No Other Land
The Remarkable Life of Ibelin
Super/Man: The Christopher Reeve Story
Will & Harper

Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

Best Voice Acting/Animated/Digital Performance
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Amy Poehler – Inside Out 2
Sarah Snook – Memoir of a Snail
Robbie Williams/Jonno Davies – Better Man

Best Stunt Work
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man

Best First Film
Vera Drew – The People’s Joker
Zoe Kravitz – Blink Twice
Josh Margolin – Thelma
Arkasha Stevenson – The First Omen
Sean Wang – Didi

The AFCA also acknowledges standout works from directors who live in Austin. Our nominees for 2024:
The Bikeriders (Jeff Nichols)
Fugitive Dreams (Jason Neulander)
Hit Man (Richard Linklater)
Sasquatch Sunset (Nathan and David Zellner)
Sing Sing (Greg Kwedar)

STARSHIP TROOPERS and Hell’s Half Acre – Taking my love of the movies on down the road (Part 4)!


2022 was a big year for my wife Sierra and I when it comes to “movie tourism.” I’ve already discussed our trips to Pennsylvania and Colorado to celebrate my healthy obsession with the late, great action movie icon Charles Bronson. In that same year, we spent some time in the beautiful city of Casper, Wyoming. About 40 miles from Casper is a place called “Hell’s Half Acre.” Sierra lived in Casper for 18 years, and she told me that the movie STARSHIP TROOPERS was filmed there. I had no idea. I had watched the movie way back in late 90’s because it was directed by Paul Verhoeven, the Dutch director who had made a star out of Rutger Hauer before coming to America and directing films like ROBOCOP, TOTAL RECALL, and BASIC INSTINCT. I remember it being graphically violent, but I honestly didn’t remember much about it. The fact that it was filmed out in the middle of nowhere outside of Casper piqued my interest, and I was determined to know more.

In a nutshell, STARSHIP TROOPERS stars Casper Van Dien as Johnny Rico, a young man who joins the military after graduation to become a citizen, and because of his love for his high school sweetheart Carmen (Denise Richards). As part of his service, he finds himself in a war against the bug aliens of Klendathu. Every day is a battle for survival as the soldiers try to save the human race. Aside from Van Dien and Richards, director Verhoeven has assembled an excellent supporting cast that includes veterans like Michael Ironside, Clancy Brown, and even Rue McClanahan. Maybe it’s because I visited the location, but I enjoyed the movie much more now, than I remember enjoying it back in the 90’s.

Hell’s Half Acre stood in for the alien planet of Klendathu in STARSHIP TROOPERS. It’s an interesting looking area that reminds me of the look of the Grand Canyon when viewed from afar. It turned out to be the perfect place for an alien planet, even if there was always a chance that the cast and crew might run into a rattlesnake or two. Here’s a picture I took of the sign on the premises that tells you a little more about Hell’s Half Acre.

The picture at the top of the article shows how Hell’s Half Acre is used in the movie to represent the alien planet of Klendathu. Here’s an image of the movie’s star, Casper Van Dien, on location. I met several people in Casper who remember when the actors and the crew were staying in Casper during filming, and they all spoke very positively of Van Dien. I also find it interesting that Casper Van Dien is filming this movie just outside of Casper, Wyoming. What are the chances?

Here are few of the pictures we took on our visit. I sent the picture below to my son while we were out of town and asked him if he knew where we were. His guess was The Grand Canyon!

Making movies is one hell of a business, and visiting Hell’s Half Acre was a great reminder of the imagination it takes to create movie magic. It was also a fun way to spend part of day, especially for a movie lover like me!