Retro Television Reviews: The Elevator (dir by Jerry Jameson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s The Elevator!  It  can be viewed on YouTube!

Marvin Ellis (Roddy McDowall) hates his job.  He’s been assigned to be the manager of a new high-rise office building.  Parts of the building are still under construction but that hasn’t stopped the company that owns it from selling out office space.  When Mrs. Kenyon (Myrna Loy) comes by and asks to look at the top floor penthouse, Ellis agrees.  In public, Ellis is always friendly and always courteous.  It’s only under the most stressful of circumstances that Ellis reveals that he feels as if the building has been built of out lies and cheap material.

Ellis and Kenyon soon find themselves in a stressful situation when they are trapped in an elevator.  Of course, they’re not alone in the elevator.  There’s also Dr. Reynolds (Craig Stevens), his wife (Teresa Wright), and his mistress (Arlene Golonka).  And then there’s Robert Peters (Barry Livingston), a teenager who has inherited a fortune.  And finally, there’s Eddie Holcomb (James Farentino).  Eddie has a suitcase full of money that he’s stolen from an office in the building.  He’s also got a loaded gun.  And, perhaps worst of all, he has an intense fear of tight places.  The longer that he’s trapped in the elevator, the worse his claustrophobia becomes.

Because the building isn’t really finished yet, the elevator’s alarm button doesn’t really work.  Other than the passengers trapped inside, the only people who know about the stalled elevator are Eddie’s partners-in-crime.  Irene (Carol Lynley) is Eddie’s girlfriend and she just wants to get the situation resolved with as little violence as possible.  Pete (Don Stroud) is Eddie’s sociopathic friend.  Pete is not only determined to rescue Eddie and retrieve the suitcase.  He’s also determined to take care of any potential witnesses by killing everyone on the elevator.

The Elevator is a disaster film, along the lines of Airport and The Towering Inferno.  Due to the hubris of a faceless corporation, a group of people find themselves trapped in a potentially catastrophic situation.  Some of them react with bravery.  Some of them react with cowardice.  All of them get a chance to reveal a bit of who they are on the inside.  Some might say that being trapped in an elevator is not quite as bad being trapped in a fiery skyscraper or being a passenger on a airplane that’s being held hostage by a mad bomber.  Technically, they’re right but I am also going to admit right now that I absolutely hate elevators and I try to avoid them whenever I can.  I always say that this is because running up and down several flights of stairs is a good way to keep my legs looking good and certainly that’s part of it.  But an even bigger reason is that I dread the thought of being stuck in a confined space with a bunch of strangers.  If I was on an elevator that was stuck between floors, I would probably lose my mind.  I have a hard enough time just standing in line for longer than 3 minutes.  As directed by Jerry Jameson, The Elevator does as good job of capturing the feeling of being trapped in a small space.  It’s not a film to watch if you have claustrophobia.

As for the cast, Myrna Loy is a delight as the eccentric Mrs. Kenyon.  And seriously, how can you dislike any film that gives Roddy McDowall a monologue about how much he hates skyscrapers?  It’s an entertaining, if undemanding, film.  After watching The Elevator, I’ll keep taking the stairs.

Live Tweet Alert: Watch Rogue with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2007’s Rogue!

 

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Scenes That I Love: Jack Sings True Love’s Flame From David Lynch’s What Did Jack Do?


It’s David Lynch’s birthday.  Celebrate accordingly.

In honor of this day, here’s a scene that I love from 2017’s What Did Jack Do?  As Lynch listens, Jack sings about True Love’s Flame.

Live Tweet Alert: Join #FridayNightFlix for Escape From New York!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting the third #FridayNightFlix of 2022!  The movie? 1981’s Escape From New York!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Escape From New York is available on Prime and Tubi!  See you there!

Scenes That I Love: The Viola Lee Blues Montage from Richard Lester’s Petulia


Who, you may be asking yourself, could have brought George C. Scott, Julie Christie, and the Grateful Dead all together in one movie?

The answer to that question is Richard Lester, who today celebrates his 91st birthday!  Though Lester is best-known for his work with the Beatles and with the Superman films, I think his best film was undoubtedly 1968’s Petulia.  A sharp social satire, Petulia took a look at what happened when the counter culture and the establishment collided in San Francisco.  And there’s perhaps no better symbol of that collision than George C. Scott, wearing a turtleneck and smoking cigarette while attending a Grateful Dead show.

While the band plays Viola Lee Blues, Scott wanders through 1960s San Francisco.

Scenes That I Love: The Opening of John Boorman’s Zardoz


Zardoz (1974, dir by John Boorman, DP: Geoffrey Unsworth)

Today, the Shattered Lens wishes a happy 90th birthday to the great British filmmaker, John Boorman!  Here is a scene that we love, the opening of Boorman’s 1974 film, Zardoz!  Fresh from directing and receiving an Oscar nomination for Deliverance, Boorman turned down a chance to direct the original Exorcist so he could bring Zardoz to cinematic life.

(Of course, Boorman would direct the first sequel to The Exorcist.)

Directed by John Boorman and featuring Sean Connery, here is the opening of Zardoz!

Everything Wins In Seattle


The Seattle Film Critics Society has announced its picks for the best of 2022!  You can see all the nominees by clicking here and you can check out the winners below!

Best Picture
Everything Everywhere All At Once (A24)

Best Director
Daniel Kwan, Daniel Scheinert – Everything Everywhere All At Once

Best Actor in a Leading Role
Colin Farrell – The Banshees of Inisherin

Best Actress in a Leading Role
Cate Blanchett – TÁR

Best Actor in a Supporting Role
Ke Huy Quan – Everything Everywhere All At Once

Best Actress in a Supporting Role
Kerry Condon – The Banshees of Inisherin

Best Ensemble Cast
Glass Onion: A Knives Out Mystery – Bret Howe, Mary Vernieu, casting directors

Best Action Choreography
RRR

Best Screenplay
The Banshees of Inisherin – Martin McDonagh

Best Animated Feature
Marcel the Shell With Shoes On – Dean Fleischer-Camp, director

Best Documentary Feature
Fire of Love – Sara Dosa, director

Best Film Not in the English Language
Decision to Leave – Park Chan-wook, director

Best Cinematography
Top Gun: Maverick – Claudio Miranda

Best Costume Design
Elvis – Catherine Martin

Best Film Editing
Everything Everywhere All At Once – Paul Rogers

Best Original Score
Babylon – Justin Hurwitz

Best Production Design
Babylon – Florencia Martin (Production Design); Anthony Carlino (Set Decoration)

Best Visual Effects
Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett

Best Youth Performance (18 years of age or younger upon start of filming)
Frankie Corio – Aftersun

Villain of the Year
Lydia Tár – TÁR – portrayed by Cate Blanchett

2022 Achievement in Pacific Northwest Filmmaking
Sweetheart Deal, Elisa Levine, Gabriel Miller

Everything Wins In Portland


The Portland Critics Association has announced their picks for the best of 2022!

And here they are!

Best Picture
Everything Everywhere All at Once (WINNER)
Guillermo del Toro’s Pinocchio (RUNNER UP)
Tár
The Banshees of Inisherin
Top Gun: Maverick

Best Director
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once (WINNER)
James Cameron, Avatar: The Way of Water
S.S. Rajamouli, RRR
Todd Field, Tár (RUNNER UP)

Best Actor in a Leading Role
Adam Driver, White Noise
Austin Butler, Elvis
Brendan Fraser, The Whale
Colin Farrell, The Banshees of Inisherin (WINNER)
Park Hae-il, Decision to Leave (RUNNER UP)
Tom Cruise, Top Gun: Maverick

Best Actress in a Leading Role
Cate Blanchett, Tár (RUNNER UP)
Margot Robbie, Babylon
Mia Goth, Pearl
Michelle Yeoh, Everything Everywhere All at Once (WINNER)

Best Actor in a Supporting Role
Anthony Hopkins, Armageddon Time
Brad Pitt, Babylon (RUNNER UP)
Ke Huy Quan, Everything Everywhere All at Once (WINNER)
Paul Dano, The Fabelmans
Rory Kinnear, Men

Best Actress in a Supporting Role
Dolly De Leon, Triangle of Sadness
Hong Chau, The Whale
Keke Palmer, Nope (RUNNER UP)
Stephanie Hsu, Everything Everywhere All at Once (WINNER)

Best Ensemble Cast
Amsterdam
Babylon
Everything Everywhere All at Once (RUNNER UP)
Glass Onion (WINNER)
Jackass Forever
The Menu

Best Animated Feature
Beavis and Butt-Head Do the Universe
Guillermo del Toro’s Pinocchio (WINNER)
Mad God
Marcel the Shell With Shoes On
Puss In Boots: The Last Wish
Turning Red (RUNNER UP)

Best Documentary Feature
All the Beauty and the Bloodshed (RUNNER UP)
Fire of Love
Good Night Oppy
Moonage Daydream (WINNER)

Best Film Not in the English Language
Athena
Decision to Leave (WINNER)
EO
Happening
RRR (RUNNER UP)

Best Comedy Feature
Bros
Everything Everywhere All at Once (WINNER)
Jackass Forever
The Unbearable Weight of Massive Talent (RUNNER UP)
Triangle of Sadness
White Noise

Best Horror Feature
Barbarian (WINNER)
Bones and All
Men
Pearl
X (RUNNER UP)

Best Science Fiction Feature
After Yang
Avatar: The Way of Water (RUNNER UP)
Everything Everywhere All at Once
Nope (WINNER)
Prey

Best Screenplay
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once (RUNNER UP)
Jeong Seo-kyeong and Park Chan-wook, Decision to Leave
Martin McDonagh, The Banshees of Inisherin
Rian Johnson, Glass Onion (WINNER)
Todd Field, Tár

Best Cinematography
Claudio Miranda, Top Gun: Maverick (WINNER)
Greig Fraser, The Batman
Hoyte van Hoytema, Nope
Kim Ji-yong, Decision to Leave (RUNNER UP)
Linus Sandgren, Babylon
Russell Carpenter, Avatar: The Way of Water

Best Original Score
Alexandre Desplat, Guillermo del Toro’s Pinocchio (WINNER)
Justin Hurwitz, Babylon
M.M. Keeravaani, RRR
Michael Giacchino, The Batman (RUNNER UP)

Best Costume Design
Catherine Martin, Elvis (WINNER)
Mary Zophres, Babylon
Ruth E. Carter, Black Panther: Wakanda Forever
Shirley Kurata, Everything Everywhere All at Once (RUNNER UP)

Best Production Design
Avatar: The Way of Water (RUNNER UP)
Babylon
Elvis
Everything Everywhere All at Once (WINNER)
Glass Onion

Best Sound Design
Avatar: The Way of Water (RUNNER UP)
Babylon
Elvis
Everything Everywhere All at Once
Nope
Top Gun: Maverick (WINNER)

Best Visual Effects
Avatar: The Way of Water (WINNER)
Doctor Strange in the Multiverse of Madness
Everything Everywhere All at Once (RUNNER UP)
Nope
Top Gun: Maverick

Best Stunts or Action Choreography
Avatar: The Way of Water
Everything Everywhere All at Once (RUNNER UP)
RRR
The Batman
Top Gun: Maverick (WINNER)

Top 10 Films Of 2022
1. Everything Everywhere All at Once
2. Tár
3. Decision to Leave
4. Guillermo del Toro’s Pinocchio
5. Top Gun: Maverick
6. RRR
7. Avatar: The Way of Water
8. Glass Onion
9. The Banshees of Inisherin
10. The Whale

The African American Film Critics Association Honors The Woman King


The African American Film Critics Association has announced their picks for the best of 2022!  And here they are:

Best Picture: “The Woman King”
Best Director: Gina Prince-Bythewood (“The Woman King”)
Best Actor: Jeremy Pope (“The Inspection”)
Best Actress: Danielle Deadwyler (“Till”)
Best Supporting Actor: Brian Tyree Henry (“Causeway”)
Best Supporting Actress: Angela Bassett (“Black Panther: Wakanda Forever”)
Emerging Face: Jaylin Hall (“Till” & “Bruiser”)
Emerging Filmmaker: Carey Williams (“Emergency”)
Best Independent Feature: “Nanny”
Best Animated Feature: “Wendell & Wild”
Best Documentary: “Sidney”
Best Ensemble: “Glass Onion: A Knives Out Mystery”
Best Writing: Rian Johnson (“Glass Onion: A Knives Out Mystery”)
Best International Feature: “Saint Omer”
Best Song: “Lift Me Up” (“Black Panther: Wakanda Forever”)
Best Live Action Short: “We Cry Together”
Best Animated Short: “New Moon”

SPECIAL ACHIEVEMENT HONOREES | 14TH ANNUAL AAFCA AWARDS
Impact Award: “Till”
The Innovator Award, presented by Nissan: Composer, Michael Abels (“Nope”)
Building Change Award, presented by Lowes: Production Designer, Hannah Beachler (“Black Panther: Wakanda Forever”)
The Beacon Award: Antoine Fuqua and Will Smith (“Emancipation”)
The Ashley Boone Award: Producer, Nate Moore (“Black Panther: Wakanda Forever”)

Aftersun Wins In North Dakota


The North Dakota Film Society has announced their picks for the best of 2022!  You can see the nominees by clicking here and you can check out the winners below!

Best Picture
AFTERSUN – Mark Ceryak, Amy Jackson, Barry Jenkins, Adele Romanski, producers (A24)

Best Director
Daniel Kwan & Daniel Scheinert – EVERYTHING EVERYWHERE ALL AT ONCE (A24)

Best Actress
Cate Blanchett – TÁR (Focus Features)

Best Actor
Brendan Fraser – THE WHALE (A24)

Best Supporting Actress
Dolly De Leon – TRIANGLE OF SADNESS (Neon)

Best Supporting Actor
Ke Huy Quan – EVERYTHING EVERYWHERE ALL AT ONCE (A24)

Best Screenplay
THE BANSHEES OF INISHERIN – Martin McDonagh (Searchlight Pictures)

Best Production Design
BABYLON – Anthony Carlino, Florencia Martin (Paramount Pictures)

Best Cinematography
TOP GUN: MAVERICK – Claudio Miranda (Paramount Pictures)

Best Film Editing
AFTERSUN – Blair McClendon (A24)

Best Visual Effects
AVATAR: THE WAY OF WATER – Richard Baneham, Daniel Barrett, Joe Letteri, Eric Saindon (20th Century Studios)

Best Sound
TOP GUN: MAVERICK – Chris Burdon, James H. Mather, Al Nelson, Mark Taylor, Mark Weingarten (Paramount Pictures)

Best Costume Design
BABYLON – Mary Zophres (Paramount Pictures)

Best Makeup and Hairstyling
THE WHALE – Anne Marie Bradley, Judy Chin, Adrien Morot (A24)

Best Original Score
BABYLON – Justin Hurwitz (Paramount Pictures)

Best Original Song
“Ciao Papa” Alexandre Desplat, Roeban Katz, Guillermo del Toro – GUILLERMO DEL TORO’S PINOCCHIO (Netflix)

Best International Feature
ALL QUIET ON THE WESTERN FRONT – Germany

Best Documentary Feature
ALL THE BEAUTY AND THE BLOODSHED – Howard Gertler, Nan Goldin, Yoni Golijov, John S. Lyons, Laura Poitras, producers (Neon)

Best Animated Feature
GUILLERMO DEL TORO’S PINOCCHIO – Alexander Bulkley, Corey Campodonico, Lisa Henson, Guillermo del Toro, Gary Ungar, producers (Netflix)