The National Society of Film Critics Honors One Battle After Another


The National Society of Film Critics have announced their picks for the best of 2025.  And here they are:

Best Picture
Winner: ONE BATTLE AFTER ANOTHER (57 points)
Runners-up: SINNERS (29 points) & THE SECRET AGENT (27 points)

Best Director
Winner: Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER (54 points)
Runners-up: Jafar Panahi, IT WAS JUST AN ACCIDENT (48 points) & Richard Linklater, BLUE MOON and NOUVELLE VAGUE (39 points)

Best Actress
Winner: Kathleen Chalfant, FAMILIAR TOUCH (45 points)
Runners-up: Rose Byrne, IF I HAD LEGS I’D KICK YOU (39 points) & Renate Reinsve, SENTIMENTAL VALUE (37 points)

Best Actor
Winner: Ethan Hawke, BLUE MOON (57 points)
Runners-up: Wagner Moura, THE SECRET AGENT (43 points) & Michael B. Jordan, SINNERS (36 points)

Best Supporting Actress
Winner: Teyana Taylor, ONE BATTLE AFTER ANOTHER (56 points)
Runners-up: Inga Ibsdotter Lilleaas, SENTIMENTAL VALUE (47 points) & Wunmi Mosaku, SINNERS (41 points)

Best Supporting Actor
​Winner: Benicio del Toro, ONE BATTLE AFTER ANOTHER (54 points)
Runners-up: Delroy Lindo, SINNERS (37 points) & Stellan Skarsgård, SENTIMENTAL VALUE (30 points)

Best Screenplay
Winner: Jafar Panahi, IT WAS JUST AN ACCIDENT (53 points)
Runners-up: Robert Kaplow, BLUE MOON (50 points) & Kleber Mendonça Filho, THE SECRET AGENT (40 points)

Best Cinematography
Winner: Autumn Durald Arkapaw, SINNERS (50 points)
Runners-up: Adolpho Veloso, TRAIN DREAMS (36 points) & Michael Bauman, ONE BATTLE AFTER ANOTHER (29 points)

Best Nonfiction Film
Winner: MY UNDESIRABLE FRIENDS: PART I — LAST AIR IN MOSCOW (56 points)
Runners-up: THE PERFECT NEIGHBOR (22 points) & ORWELL: 2+2=5 (18 points)

Best Film Not In The English Language
Winner: THE SECRET AGENT (58 points)
Runners-up: IT WAS JUST AN ACCIDENT (57 points) & SENTIMENTAL VALUE (38 points)

Best Experimental Film: MORNING CIRCLE (Basma al-Sharif)

Film Heritage Award: The late Ken and Flo Jacobs, an irreplaceable, gravitational center of the American avant-garde, with a shared artistic sensibility that helped define experimental cinema.

Film Heritage Award: The Film Desk, for releasing key movies from all over the world, in 35mm prints and on home video, and publishing books that have enriched the public’s knowledge of cinema.

Film Heritage Award: Cinema Tropical, for its tireless efforts to distribute, program and promote Latin American cinema in the U.S.

Special Citation for a Film Awaiting U.S. Distribution: LANDMARKS (Lucrecia Martel)

Brad discusses THE MAGNIFICENT SEVEN (1960), directed by John Sturges!


Way back in 1960, Director John Sturges took Akira Kurosawa’s timeless classic SEVEN SAMURAI (1954) and translated its themes of honor and sacrifice into the American western THE MAGNIFICENT SEVEN. A classic on its own, the film stars such cinematic legends as Yul Brynner, Steve McQueen, James Coburn, Eli Wallach, and Charles Bronson. The storyline of a small group of men protecting a village from bandits proved to be an irresistible subject once again, especially the way it was handled here. Its theme music by Elmer Bernstein is one of the most instantly recognizable pieces of music in western cinema. It’s not easy translating a masterpiece without suffering quite negatively in comparison, and I’ve always admired how Sturges and his team of writers were able to create a film that both honored the source material while successfully transferring its content to a different part of the world. 

The lead performances of Yul Brynner and Steve McQueen anchor the film, and the screenplay masterfully takes the time to introduce us to each of the seven men and their myriad of reasons for taking on this mission. We care about the men because we get to know them. After Brynner and McQueen, we learn James Coburn is the most badass, Robert Vaughn is the most cowardly, Brad Dexter is the most money hungry, and Horst Buchholz is the most naive. Unsurprisingly, my favorite of the characters is Bernardo O’Reilly, played by Charles Bronson. In my opinion, the character of O’Reilly represents the heart of the story. His character is as tough as it gets and great with a gun, but it’s the way he cares for the actual people, especially the children of the village, that really stands out. It’s in these small moments and exchanges between Bronson and the kids, where the film seems to transcend the genre and become something even more reflective and meaningful. So when Bronson pays the ultimate price, it’s not for some grand purpose or ideal, it’s specifically for those kids, and the moment becomes powerful. For my money, Bronson gives one of the more moving turns in classic western cinema that remains under appreciated to this day. 

In 2025, THE MAGNIFICENT SEVEN celebrated its 65th anniversary, with many theaters around the country screening the film again. I was lucky enough to catch one of those screenings at a theater in downtown Little Rock. It was a wonderful night at the movies. Today, on what would have been his 116th Birthday, I celebrate Director John Sturges and this great film that has meant so much to me!

Brad reviews UNDER SIEGE (1992), starring Steven Seagal! 


I’ve always liked UNDER SIEGE. After his sudden emergence with a series of brutal action films in the late 80’s and early 90’s, like ABOVE THE LAW and OUT FOR JUSTICE, Steven Seagal entered the world of high concept action filmmaking when he starred in this “Die Hard on a Battleship.” Seagal would not be the underdog cop taking on drug dealers, coked up mafia hitmen, or crooked cops here. Rather, he emerges as a full blown movie star in a big budget studio action film. Directed by Andrew Davis, whose credits include Chuck Norris’ best movie CODE OF SILENCE (1985), Seagal’s debut ABOVE THE LAW (1988) and the next year’s global smash THE FUGITIVE (1993), this is the movie where everything came together for Seagal. I watched UNDER SIEGE at the movie theater myself in 1992 and had a great time with it. I didn’t realize at the time that this would be his career peak, with a global box office of over $156 million. No other film would really even come close. 

Casey Ryback (Seagal) is a “cook” aboard the USS Missouri, a battleship that is scheduled to be decommissioned. He’s also a former badass Navy SEAL who was demoted after punching out his commanding officer when a mission in Panama had gone wrong. When a group of mercenaries led by ex–CIA operative William Strannix (Tommy Lee Jones) seize control of the ship under the guise of a birthday celebration, they overlook Ryback. In classic John McClane style, Ryback goes on to become a fly in their ointment, a monkey in their wrench, and a big-time pain in their asses! Moving through the narrow corridors of the ship, and with the assistance of Playboy Playmate Jordan Tate (Erika Eleniak), Ryback begins taking out mercenaries one by one. But will he be able to stop Strannix and his partner Krill (Gary Busey) from stealing the ship’s nuclear Tomahawks and preserve the safety and security of the world? I’ll give you one guess!

First and foremost, UNDER SIEGE is a damn good action movie. It definitely helps that a director as talented as Andrew Davis is calling the shots. His film delivers on the entertainment front, with lots of well staged shootouts, violent scenes of close quarter, hand-to-hand combat, and a cake emergence sequence that still makes my head spin! I think the battleship makes for a great “movie” setting for this type of action. With its concoction of narrow hallways, engine rooms, and mess halls, there’s all kinds of interesting places for fighting and killing. Back in 2007, I was lucky enough to take a tour of the USS Alabama battleship, the primary filming location for UNDER SIEGE, which only enhances my appreciation for the work done here. On the heels of his confident and charismatic performance in the prior year’s OUT FOR JUSTICE, this is Steven Seagal at his most watchable. He’s in peak physical condition, so he can believably kick all the ass that’s necessary for this kind of film, and he’s also likable in his role as the underestimated “cook.” He will never be mistaken for Bruce Willis, but Seagal is good here.

Great action movies will usually have great villains, and UNDER SIEGE is especially blessed in this area. Tommy Lee Jones goes way over-the-top, chewing on scenery like he’s at a Golden Corral buffet, turning Strannix into the type of irrational lunatic that I love in my early 90’s action movies. And looking back now, Gary Busey seems to do what he does best. His traitorous Commander Krill comes off as goofy, disgusting, and unstable. In other words, he’s perfect. Even though Seagal does smile more in this film, Jones and Busey do bring an energy to the movie that balances out Seagal’s more stoic character, providing the type of spark not often found in the star’s movies. 

At the end of the day, I rank UNDER SIEGE as my second favorite Steven Seagal film, slightly below my preference for the more down and dirty OUT FOR JUSTICE. What it lacks in grit is more than made up with entertainment value, strong performances, and action on a scale that the star’s future films would never rise to again. If I were put in a position where I could only recommend one Steven Seagal film to a person who’d never seen one of his movies before, I’d probably go with this one. It’s an excellent, mainstream 90’s action movie. 

Scenes That I Love: Once Upon A Time In America


(SPOILERS BELOW)

The final moments of Sergio Leone’s epic 1984 gangster film, Once Upon A Time in America, are filled with questions and mysteries.

The final moments of Sergio Leone’s epic 1984 gangster film, Once Upon A Time in America, are filed with questions and mysteries.

In 1968, who did Noodles (played by Robert De Niro) see standing outside of Max’s mansion?  When the garbage truck pulled up, did the mysterious man get in the truck or was he thrown in by some unseen force?

Why, in 1968, did Noodles see a car from the 1920s, one that was full of people who appeared to be celebrating the end of prohibition?  Was the car really there, in 1968, or was it an element of Noodles’s past as a gangster suddenly popping into his mind?

Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

When we then see a young Noodles in an opium den, are we flashing back to the 1920s?  Is Noodles remembering the past or is it possible that we’ve been in the 20s the whole time and all of the scenes set in 1968 were actually only a drug-induced dream?

Why, with men looking to kill him and all of his friends apparently dead, does Noodles suddenly smile at the end of the film?  Is that sudden smile a result of the drugs or is there something else going on?

Once Upon A Time In America was Sergio Leone’s final film.  It’s one that he spent decades trying to get made and, once it was finally produced, it was butchered and re-edited by a studio hacks who demanded that the film tell its story in a linear style.  Leone was reportedly heart-broken by how his film was treated.  Some have speculated that his disappointment may have even contributed to the heart attack that eventually killed him.  It was only after Leone passed that his version of Once Upon A Time In America became widely available in the U.S.  This enigmatic epic continues to spark debate.  One thing that can’t be denied is that it’s a brilliant film.

As today is Leone’s birthday, it only seems appropriate to share a pair of scenes that I love, from the ending of Once Upon A Time In America.

Live Tweet Alert: Join #ScarySocial for Re-Animator!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  1985’s Re-Animator!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime and Tubi!

Silent Film Review: Tarzan of the Apes (dir by Scott Sidney)


Elmo Lincoln.

That name may not sound all the imposing but Elmo Lincoln played a very important role in the early days of Hollywood.  He was the first actor to play the adult version of Tarzan, the Lord of the Jungle.  Originally from Indiana, Elmo Lincoln was a 29 year-old former sailor and boxer when he was selected to replace Stellan Windrow as the star of 1918’s Tarzan of the Apes.  (A stunt man, Windrow had already filmed the majority of Tarzan’s stunts before he was drafted to serve in World War I.)  Lincoln, who had already appeared in a few of D.W. Griffith’s films, would briefly find stardom as a result of playing Tarzan.

Of course, it takes a while for Lincoln to appear in Tarzan of the Apes.  The film was reportedly two hours long when it was initially released but today, it only exists in a 61-minute version.  (Because each municipality had its own board of censors, the version of Tarzan of the Apes that played in one city could be quite different from the version that played in another.  Unfortunately, with that many censors snipping scenes from city to city, a lot of footage that was cut from the film was undoubtedly lost forever.)  The first half of the film deals with the birth of Tarzan while the second half features Tarzan as an adult.  Technically, the first actor to play Tarzan was the uncredited baby who appears shortly after Lord Greystoke (True Boardman) and his wife (Kathleen Kirkham) are abandoned by mutineers in Africa.  After the baby is given to the Apes, child actor Gordon Griffith takes over the role.  Finally, once an expedition is sent to investigate whether or not the stories about Tarzan are true, Elmo Lincoln takes over the role and saves Jane (Enid Markey) after she’s kidnapped by a group of natives.  The film ends with Tarzan and Jane just starting to fall in love.  (A sequel, The Romance of Tarzan, was released that same year but it’s a lost film.)

In the role of Tarzan, Elmo Lincoln is …. well, he’s okay.  He’s not a great actor but he’s a good Tarzan.  He’s obviously strong and athletic and he looks convincing when he’s hiding in the trees.  Lincoln was not a particularly expressive actor and that natural stiffness is noticeable whenever he’s called upon to demonstrate anything other than grim determination.  He has a strong physical presence and, in 1918, that was probably enough to make him a star.  When he gazes at Jane and the title cards tells us that he’s saying, “Tarzan is a man and man does not force the love of a woman,” the viewer believes it.  If I was lost in the jungle, I’d probably want Elmo Lincoln to help me out.  We wouldn’t have much to talk about but I would have faith in his ability to take care of any problems that we ran into on the way back to civilization.

That said, the film is at its best when it depicts Tarzan’s childhood.  There’s a sense of fun and wonder to those scenes that is missing from the second half of the film.  Gordon Griffith did a good job as the young Tarzan.  Louisiana is a surprisingly effective stand-in for the jungles of Africa.  By today’s standards, Tarzan of the Apes can seem a bit creaky.  (The camera barely moves at all.)  But watching it, one can still understand why Hollywood fell in love with the idea of a man raised by apes.  One can even understand why, for a brief period of time, Elmo Lincoln became a star.

Shattered Politics: The Alternate (dir by Sam Firstenberg)


Why is 2000’s The Alternate one of the greatest action films ever made?

Consider this: President John Fallbrook (John Beck) is scheduled to give a speech at a World Hunger Symposium, where he will be announcing legislation that will make it illegal for people not to have food.  (I’m not sure how that would work but whatever.  It’s a movie.)  Eric Roberts is The Alternate, a former intelligence agent who has just been recruited to serve as a member of a team that is being used by Agent William (Ice-T) to test the President’s security.  (Ronn Moss, of Hard Ticket to Hawaii and Bold and the Beautiful fame, plays the fake President.)  The Leader (Bryan Genesse) tells the Alternate that the CIA actually wants to abduct the President for real in order to help boost the President’s reelection campaign.  The Alternate agrees to help but then it turns out that the Leader is actually just in it for the money and he’s planning on holding the President hostage until he gets paid.  While Agent Briggs (Michael Madsen) watches from the outside, The Alternate makes his way through a nearly deserted hotel and attempts to defeat the bad guys.

It’s Die Hard …. with Eric Roberts!

The plot is so convoluted that it borders on self-parody but director Sam Firstenberg keeps the action moving quickly and, to its credit, this is a film that fully understands how to embrace the melodrama.  When the Leader tries to take out The Alternate, he doesn’t just pursue him with a gun.  Instead, he picks up a flame thrower!  When The Alternate gets into a gunfight at the hotel’s pool, he doesn’t just duck behind pillars and fire his gun.  Instead, he grabs a banner and swings back and forth over the water, all the while shooting his gun.  When the President says that he doesn’t like heights, it isn’t just a case of him getting nervous about being on the roof of the hotel.  Instead, he’s so paralyzed that he literally has to be picked up and carried from one location to the next.  When The Leader calls the police and gives them his list of demands, he doesn’t just make the usual threats.  Instead, he speaks in what sounds like a French accent and claims to be a infamous (and possibly fictional) terrorist.  When it’s time to kidnap the President, the kidnappers don’t just use guns.  Instead, they also use blow-darts to paralyze the Secret Service agents.  Everything about the film is gloriously and wonderfully over the top.

(I’ve always felt that, when it comes to low-budget action films, the best ones are the ones that are willing to just be as ridiculous as possible. Bring out the flame thrower. Fly the Money Plane. Cast Joe Don Baker as your lead. Just jump off that cliff and see what happens.)

The Alternate is definitely a film that deserves to be better-known.  (It was also released under the title The Replacement.)  In the realm of Die Hard rip-offs, it’s in a class by itself, a totally enjoyable thrill ride that manages to get more and more excessive with each passing minute.  Bryan Genesse, who also wrote the script, gets to show off some stylish martial arts moves.  John Beck is the wimpiest President ever.  Michael Madsen never takes off his dark glasses.  And, best of all, Eric Roberts gets to be the star!

The Alternate?  Why, it’s just one of the best action movies ever!

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Love Is A Gun (1994)
  13. Sensation (1994)
  14. Dark Angel (1996)
  15. Doctor Who (1996)
  16. Most Wanted (1997)
  17. Mercy Streets (2000)
  18. Raptor (2001)
  19. Rough Air: Danger on Flight 534 (2001)
  20. Strange Frequency (2001)
  21. Wolves of Wall Street (2002)
  22. Border Blues (2004)
  23. Mr. Brightside (2004)
  24. Six: The Mark Unleased (2004)
  25. We Belong Together (2005)
  26. Hey You (2006)
  27. Depth Charge (2008)
  28. Amazing Racer (2009)
  29. The Chaos Experiment (2009)
  30. In The Blink of an Eye (2009)
  31. Bed & Breakfast (2010)
  32. Enemies Among Us (2010)
  33. The Expendables (2010) 
  34. Sharktopus (2010)
  35. Beyond The Trophy (2012)
  36. The Dead Want Women (2012)
  37. Deadline (2012)
  38. The Mark (2012)
  39. Miss Atomic Bomb (2012)
  40. Assault on Wall Street (2013)
  41. Bonnie And Clyde: Justified (2013)
  42. Lovelace (2013)
  43. The Mark: Redemption (2013)
  44. The Perfect Summer (2013)
  45. Revelation Road: The Beginning of the End (2013)
  46. Revelation Road 2: The Sea of Glass and Fire (2013)
  47. Self-Storage (2013)
  48. Sink Hole (2013)
  49. A Talking Cat!?! (2013)
  50. This Is Our Time (2013)
  51. Bigfoot vs DB Cooper (2014)
  52. Doc Holliday’s Revenge (2014)
  53. Inherent Vice (2014)
  54. Road to the Open (2014)
  55. Rumors of War (2014)
  56. So This Is Christmas (2014)
  57. Amityville Death House (2015)
  58. Deadly Sanctuary (2015)
  59. A Fatal Obsession (2015)
  60. Las Vegas Story (2015)
  61. Sorority Slaughterhouse (2015)
  62. Stalked By My Doctor (2015)
  63. Enemy Within (2016)
  64. Hunting Season (2016)
  65. Joker’s Poltergeist (2016)
  66. Prayer Never Fails (2016)
  67. Stalked By My Doctor: The Return (2016)
  68. The Wrong Roommate (2016)
  69. Dark Image (2017)
  70. The Demonic Dead (2017)
  71. Black Wake (2018)
  72. Frank and Ava (2018)
  73. Stalked By My Doctor: Patient’s Revenge (2018)
  74. Clinton Island (2019)
  75. Monster Island (2019)
  76. The Reliant (2019)
  77. The Savant (2019)
  78. Seven Deadly Sins (2019)
  79. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  80. The Wrong Mommy (2019)
  81. Exodus of a Prodigal Son (2020)
  82. Free Lunch Express (2020)
  83. Her Deadly Groom (2020)
  84. Top Gunner (2020)
  85. Deadly Nightshade (2021)
  86. The Elevator (2021)
  87. Just What The Doctor Ordered (2021)
  88. Killer Advice (2021)
  89. Megaboa (2021)
  90. Night Night (2021)
  91. The Poltergeist Diaries (2021)
  92. The Rebels of PT-218 (2021)
  93. Red Prophecies (2021)
  94. A Town Called Parable (2021)
  95. Bleach (2022)
  96. Dawn (2022)
  97. My Dinner With Eric (2022)
  98. 69 Parts (2022)
  99. The Rideshare Killer (2022)
  100. The Company We Keep (2023)
  101. D.C. Down (2023)
  102. Aftermath (2024)
  103. Bad Substitute (2024)
  104. Devil’s Knight (2024)
  105. Insane Like Me? (2024)
  106. Space Sharks (2024)
  107. The Wrong Life Coach (2024)
  108. Broken Church (2025)
  109. Shakey Grounds (2025)
  110. When It Rains In L.A. (2025)

Guilty Pleasure No. 97: Roller Boogie (dir by Mark L. Lester)


1979’s Roller Boogie opens with an impromptu parade of roller skaters rolling across the Venice Beach boardwalk.  They don’t care about any stuffy people who think that they should be in school or working behind a counter.  They’re young, they’re free!  One of them wears rainbow suspenders and juggles while skating.  (I’ve noticed that every roller skating movie seems to feature at least one juggler in rainbow suspenders.  Strangely, you never see them in real life.)

This is followed by a scene of a teenage rich girl Terry Barkley (Linda Blair) getting ready for her day in her poster decorated bedroom.  The camera zooms in for a close-up as she picks just the right chunky bracelet to wear.

In other words, it doesn’t get much more late 70s/early 80s than Roller Boogie.

The plot is pretty simple.  Terry meets the king of the roller skaters, Bobby James (Jim Bray).  Bobby is a kid from a working class background and he dreams of the day that his roller skating skills will lead to him competing in the Olympics.  Terry is rich and she has a snooty best friend (Kimberly Beck) and parents (Beverly Garland and Roger Perry) who are planning on sending her to Julliard.  Despite everyone saying that they’re from different worlds, Terry and Bobby enter the roller disco contest together!  Cue the montage!

Unfortunately, a crooked businessman (Mark Goddard) is planning on bulldozing the skating rink.  Can Bobby and the other skaters defeat the businessman and his gangster pals?  Even when guns are pulled on them, Bobby and his friends refuse to give up.  Myself, I’d just find another skating rink.  I mean, it’s Venice Beach in 1979.  It’s hard to believe that there’s only one place to go.

The gangster subplot feels out of place, a misguided attempt to bring some action to a perfectly acceptable teen romance.  This was Jim Bray’s only film role and he wasn’t a particularly good actor but he and Linda Blair had enough natural chemistry to bring some charm to the film.  Linda Blair, for her part, skates as if the fate of the world depended upon it and she seems to enjoy playing a relatively happy character for once.  It’s totally predictable, a bit dumb at times but it’s still likable enough.  Ultimately, it’s such a product of its time — look at the clothes, look at the hair, listen to the slang — that it becomes rather fascinating to watch.  This is a movie that you watch and say, “So, that’s what 1979 was like!”

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes
  86. The Horror at 37,000 Feet
  87. The ‘Burbs
  88. Lifeforce
  89. Highschool of the Dead
  90. Ice Station Zebra
  91. No One Lives
  92. Brewster’s Millions
  93. Porky’s
  94. Revenge of the Nerds
  95. The Delta Force
  96. The Hidden

One Battle After Another Wins In Minnesota


The Minnesota Film Critics Association has announced its picks for the best of 2025.  The winners are listed in bold.

Best Picture
Hamnet
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

Best Director
Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloé Zhao – Hamnet

Best Actor
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners

Best Actress
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Chase Infiniti – One Battle After Another
Renate Reinsve – Sentimental Value
Amanda Seyfried – The Testament of Ann Lee

Best Supporting Actor
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Stellan Skarsgård – Sentimental Value

Best Supporting Actress
Elle Fanning – Sentimental Value
Inga Ibsdotter Lilleaas – Sentimental Value
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best Ensemble
Marty Supreme
One Battle After Another
Sentimental Value
Sinners
Wake Up Dead Man: A Knives Out Mystery

Best Adapted Screenplay
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao, Maggie O’Farrell
No Other Choice – Lee Ja-hye, Lee Kyoung-mi, Don McKellar, Park Chan-wook
One Battle After Another – Paul Thomas Anderson
Wake Up Dead Man: A Knives Out Mystery – Rian Johnson

Best Original Screenplay
It Was Just an Accident – Jafar Panahi
Marty Supreme – Ronald Bronstein, Josh Safdie
Sentimental Value – Joachim Trier, Eskil Vogt
Sinners – Ryan Coogler
Weapons – Zach Cregger

Best Film Editing
F1
Marty Supreme
One Battle After Another
Sinners
Weapons

Best Cinematography
Frankenstein
Hamnet
One Battle After Another
Sinners
Train Dreams

Best Music
Hamnet
KPop Demon Hunters
Marty Supreme
One Battle After Another
Sinners

Best Costume Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Makeup and Hairstyling
Frankenstein
Marty Supreme
Sinners
The Smashing Machine
Wicked: For Good

Best Production Design
Frankenstein
Hamnet
Marty Supreme
Sinners
Wicked: For Good

Best Sound
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners
Warfare

Best Special Effects
Avatar: Fire and Ash
Frankenstein
Sinners
Superman
Tron: Ares

Best Stunt Choreography
Ballerina
F1
Mission: Impossible – The Final Reckoning
One Battle After Another
Sinners

Best International Feature
It Was Just an Accident – France, Iran, Luxembourg
No Other Choice – South Korea
The Secret Agent – Brazil, France, Germany, Netherlands
Sentimental Value – Denmark, France, Germany, Norway, Sweden, United Kingdom
The Ugly Stepsister – Denmark, Norway, Poland, Sweden

Best Animated Feature
Arco
Dog Man
Elio
KPop Demon Hunters
Zootopia 2