Scenes That I Love: Burt Reynolds Meets Burt Reynolds in The Last Movie Star


Today, the national speed limit is 50 years old.

Boooo!

Yes, it was 50 years ago today that President Richard Nixon signed the law that set the national speed limit as being 55 miles per hour.  Perhaps this was Nixon’s final revenge on a nation that was making a huge deal out of Watergate.  Who knows?

In honor of the occasion, today’s scene that I love is from 2018’s overlooked The Last Movie Star.  In this scene, an elderly Burt Reynolds finds himself transported back to the days of Smokey and the Bandit, where he meets his younger self and takes a ride in a famous black sportscar.  It turns out that the two Burts do not agree when it comes to observing the posted speed limit.

4 Shots From 4 Films: Special Todd Haynes Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to director Todd Haynes!  It’s time for….

4 Shots From 4 Todd Haynes Films

Safe (1995, dir by Todd Haynes, DP: Alex Nepomniaschy)

I’m Not There (2007, dir by Todd Haynes, DP: Edward Lachman)

Carol (2015, dir by Todd Haynes, DP: Edward Lachman)

Dark Waters (2019, dir by Todd Haynes, DP: Edward Lachman)

Catching Up With The Films of 2023: After Everything (dir by Castille Landon)


The saga of the world’s most boring and tedious couple finally comes to an end in After Everything.

When last we checked in on Tessa Young (Josephine Langford) and Hardin Scott (Hero Fiennes Tiffin), they were probably both wondering how they ended up with the type of names that most people would expect to find attached to fake profiles on a dating app.  Tessa had also just left Hardin, upset that he used the details of their relationship to write his first novel, After.

After Everything opens with best-selling, voice-of-his-whiny-generation Hardin being pressured to come up with a follow-up novel but he has writer’s block because Tessa won’t even return his texts.  As he explains it, he’s lost his muse and he can’t write anything without her.  (Maybe he should send her some of the money that he made off of her life story then.)  Despondent, Hardin starts drinking again.  This would be a big plot point if not for the fact that, in every After film, the alcoholic Hardin starts drinking again.  Hardin has gotten sober and given up his sobriety so many times that, at this point, it’s more about being indecisive than anything else.  Either be a drunk or don’t be a drunk but make up your freaking mind.

Hardin does what any struggling writer would do when confronted with writer’s block.  He goes to Portugal and reunites with a woman whose life he ruined.  Natalie (Mimi Keene) had a scholarship and a promising future until Hardin filmed himself having sex with her in order to win a bet.  When Hardin’s friends made the film public, Natalie was humiliated, she lost her scholarship, and she spent years mired in depression before she escaped to Portugal.  In a plot twist that is not only dumb but also rather offensive, she’s surprisingly forgiving of Hardin when he shows up in Lisbon.  Sure, he took her virginity to win a bet and sent a video to all of his friends without her consent but hey, Hardin’s had a rough life as the privileged child of two wealthy people who give him everything that he wants.  Natalie’s life may have been ruined, the film tells us, but Hardin has recently spent a few weeks feeling bad about it so they’re even.  Natalie introduces him to all of her friends.  (It doesn’t take long because Natalie only has two.)  Everyone is really impressed to discover that Hardin wrote After.

“I hear they’re making a movie!” one friend says.

“Harry Styles should play you!” the other friend shouts, a reference to the fact that the whole damned After franchise started as Harry Styles fan fiction.

(It’s a moment so awkwardly executed and so self-congratulatory that it reminded me of the moment in the second film when the author of the original book made a cameo appearance.  “What do you write?” she was asked.  “Oh,” she replied, smirking directly at the camera, “this and that.”  I threw a shoe at my TV but, fortunately, I have terrible aim.)

If Natalie forgiving Hardin isn’t bad enough, Hardin also decides to write a book about the time that he ruined her life, a book that he cleverly entitles Before.  You really do have to wonder if Hardin has ever met anyone that he didn’t end up exploiting in some terrible way.  Having learned his lesson with Tessa, Hardin allows Natalie to read the book before sending it off to the publisher.  Natalie happily gives her consent for it to be published because what girl wouldn’t want the guy who sexually humiliated her to use the memories of that humiliation as a way to make money for himself?

As you may have noticed, Tessa is not present for the majority of After Everything, though she does appear in several flashbacks to the earlier films.  She shows up briefly at the beginning and then the end of the film and there’s a point about halfway through the film where she wakes up and discovers that Hardin has sent her a weepy text.  When Hardin gives his best man speech at his half-brother’s wedding reception and, as usual, makes it all about himself, there’s a shot of Tessa looking moved.  But, for the most part, this installment is all about Hardin thinking about the past and saying stuff like, “I’m trying to be a better person.”  Of course, we do still get the franchise’s signature overheated but discreetly-shot sex scenes, though one of them is just Hardin having a dream about a flight attendant while most of the rest are just flashbacks.

(This film has so many flashbacks to the previous films that it’s hard not to notice that the franchise’s makeup artists could never quite remember the exact locations of all of Hardin’s tattoos.)

Unfortunately, Hero Fiennes Tiffin’s bland performance as Hardin has always been one of After’s biggest problems so basing an entire movie around his petulant screen presence was perhaps not the best way to go.  We are continually told that Hardin Scott is the most exciting writer in the world but there’s nothing about Tiffin’s performance that suggests that Hardin can even think in complete sentences, let alone write them down.  Hardin spends a lot of time whining and a lot of time drinking and there comes a point where you just want someone to say, “You’re a twenty-something alcoholic who is still bitching about stuff that most people get over when they’re 16.  Grow up.”  Unfortunately, no one does say that.  However, about 52 minutes into the film, Hardin totally gets his ass kicked by some beach bullies.  That was emotionally satisfying to watch.

In the end, Hardin and Tessa are reunited.  After five movies, Josephine Langford and Hero Fiennes Tiffin still do not have a shred of romantic chemistry.  It’s nice that Hardin and Tessa worked everything out but I would still dread getting stuck in a conversation with either one of them.

Apparently, this is the last of the After films and that’s probably for the best.  At this point, I think the only place left to go would be After Life, with Tessa and Hardin boring everyone in Purgatory with their story about how they first bonded over their shared love of an obscure novel called The Great Gatsby.  Writing this review, I was shocked to discover that this franchise is only 4 years old.  Seriously, I thought had been suffering for at least ten years because of these two.

Other After Films:

  1. After
  2. After We Collided
  3. After We Fell
  4. After Ever Happy

The Eric Roberts Collection: Top Gunner: America vs Russia (dir by Christopher Ray)


The latest addition to the quasi-franchise that started with 2020’s Top Gunner, 2023’s Top Gunner: America vs Russia takes place in the near future.

Russia’s war with Ukraine has led to a stalemate.  When the United States starts to take a more active role in defending Ukraine and arming the dissidents in Russia, it leads to a coup in Russia.  President Vasiliev (Alex Veadow) wants to bring about a new era of peace but, when he’s assassinated, the new president of Russia, the evil Borovsk (Pavel Kuzin), accuses the United States of being behind the murder and declares war on the U.S.A.  Soon, Russian jets are invading the airspace of Washington D.C. and blowing up the Washington Monument.  (The White House gets hit by a bomb as well but, fortunately, it’s not a very impressive bomb.)  Borovsk is such a fanatic that he is even prepared to launch his country’s nuclear arsenal against America.  Such an action would, of course, lead to the end of the world.

Fortunately, America is not just going to roll over and accept defeat.  (Or, at least, it’s not going to accept defeat in the movies.  In the real world, it seems to be a different story.)  America has fighter pilots, like Footloose (Andrew Rogers) and Firefly (Kayla Fields), who are dedicated to defending the nation.  America has a super-secret new jet than can even fly into deep space so it can fire missiles at a Russian satellite.  America has got CIA operatives like Veronica Vachs (Simone Posey) operating in Moscow.  America has got a Vice President (Gary Poux) who believes in the country’s destiny.  And, perhaps most importantly of all, America has got Eric Roberts.

Eric Roberts also appeared in the first Top Gunner, though he was playing a different character in that film.  In Top Gunner, Eric Roberts was a flight instructor.  In Top Gunner: America vs Russia, Eric Roberts is …. PRESIDENT OF THE UNITED STATES!

As President Jeremiah Stewart, Eric Roberts gives orders and refuses to be pushed around and always puts America first.  When he hears that Washington D.C. might soon be attacked, he doesn’t show a hint of fear.  He doesn’t run off to a bunker.  He doesn’t whine about not being popular.  He doesn’t desert America’s allies.  Seriously, he’s one of the best president that I’ve ever seen and I would certainly vote for Jeremiah Stewart in 2024 before I even considered casting a ballot for any of the other jokers that are running.  Just by casting Eric Roberts as the President, Top Gunner: America vs Russia wins the war.  When Roberts says that he doesn’t care what the official protocol is, you believe him.  I bet when he’s not fighting the Russians, President Stewart is working to repeal the 16th Amendment.  (That’s the one about income tax.)  Seriously, I want to see this guy on Mt. Rushmore.

Anyway, this is a typical Asylum film.  The special effects are cheap but it seems like everyone had fun working on the film and it’s hard not get swept up in the silliness of it all.  I mean, at one point, a fighter plane literally flies into space without a bit of concern for stuff like oxygen or heat shields or anything else.  It’s so shamelessly absurd that it feels rather churlish to nitpick.  Most importantly, it’s a movie about how America kicks ass and, in these troubled times, who can’t appreciate that?  I mean, how could we not kick ass with Eric Roberts leading us?

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Dark Angel (1996)
  9. Doctor Who (1996)
  10. Most Wanted (1997)
  11. Mr. Brightside (2004)
  12. Six: The Mark Unleased (2004)
  13. Hey You (2006)
  14. In The Blink of an Eye (2009)
  15. Enemies Among Us (2010)
  16. The Expendables (2010) 
  17. Sharktopus (2010)
  18. The Dead Want Women (2012)
  19. Deadline (2012)
  20. The Mark (2012)
  21. Miss Atomic Bomb (2012)
  22. Lovelace (2013)
  23. The Mark: Redemption (2013)
  24. Self-Storage (2013)
  25. This Is Our Time (2013)
  26. Inherent Vice (2014)
  27. Road to the Open (2014)
  28. Rumors of War (2014)
  29. Amityville Death House (2015)
  30. A Fatal Obsession (2015)
  31. Stalked By My Doctor (2015)
  32. Joker’s Poltergeist (2016)
  33. Prayer Never Fails (2016)
  34. Stalked By My Doctor: The Return (2016)
  35. The Wrong Roommate (2016)
  36. Dark Image (2017)
  37. Black Wake (2018)
  38. Stalked By My Doctor: Patient’s Revenge (2018)
  39. Clinton Island (2019)
  40. Monster Island (2019)
  41. Seven Deadly Sins (2019)
  42. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  43. The Wrong Mommy (2019)
  44. Exodus of a Prodigal Son (2020)
  45. Free Lunch Express (2020)
  46. Her Deadly Groom (2020)
  47. Top Gunner (2020)
  48. Deadly Nightshade (2021)
  49. Just What The Doctor Ordered (2021)
  50. Killer Advice (2021)
  51. The Poltergeist Diaries (2021)
  52. A Town Called Parable (2021)
  53. Bleach (2022)
  54. My Dinner With Eric (2022)

6 Things That I Am Looking Forward To In January of 2024


Ah, January.

Traditionally, as far as pop culture goes, January doesn’t get much respect.  If a studio has a film that they knew isn’t going to be a hit with critics or audiences, January is where they usually dump it.  The same can often be said of publishers.  Everyone is so busy getting caught up on what they missed during the last few months of the previous year, chances are that they won’t notice a few bombs dropped on the cultural landscape.  That’s the theory anyways.

But, you know me!  I’m an optimist.  And I remain convinced that, even in January, there are things to which we can look forward,  And here’s six of those things!

(Why six?  Because Lisa doesn’t do odd numbers.)

  1. The Iowa Caucus

That’s right!  It’s an election year!  And the first contest of 2024, the Iowa Presidential Caucus, is just two weeks away!  Remember how much fun we all had in 2020 when the Democrats couldn’t figure out who had actually won their caucus?  Who knows what fun this year has in store for us!  The Iowa Caucus will be held on January 15th.

(Okay, this may seem like a lame thing to look forward to but it’s January and beggars can’t be choosers.)

2. The Sundance Film Festival

While the 2023 race waits to be determined, the 2024 Oscar Race will begin at the Sundance Film Festival!  It seems like, every year, there is at least one Sundance Film that makes it into the Best Picture lineup.  In 2023, Past Lives and Magazine Dreams were huge hits at Sundance and now, it looks like Past Lives has a great chance of being nominated for Best Picture.  As for Magazine Dreams ….. well, yeah.  Which contenders will come out of this year’s festival?  We’ll find out when Sundance opens on January 18th.

3. I.S.S. — This film, about strange happenings on the International Space Station, is set to be released on January 19th.  I always enjoy a good mix of horror and science fiction.  Plus, once this film comes out, maybe YouTube will stop trying to make me watch the trailer.

4. Mean Girls — The Mean Girls musical will be released in theaters on January 12th.  I’m not really sure that we need a new version of the film when the original holds up perfectly well but whatever.  Originally, this was going to go straight to Paramount Plus but it was decided to give the film a theatrical release instead.  Normally, that would be a sign of huge confidence if not for the fact that it was given a January release.

5. The Bricklayer — For those of us wondering whatever happened to Renny Harlin, he’s got a new film set to be released on January 5th.  Hey, that’s this week!

6. The Oscar Nominations — The nominations will be announced on January 23rd and I’ve got a lot of movies that I still need to watch!  So I better get to it!

What are you looking forward to in January?

4 Shots From 4 Films: Special New Year’s Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Happy New Year’s Day!  Did you have as wonderful a celebration as the characters featured in today’s special edition of 4 Shots From 4 Films?

4 Shots From 4 Films

The Poseidon Adventure (1972, dir by Ronald Neame, DP: Harold E. Stine)

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

New Year’s Evil (1980, dir by Emmett Alston, DP: Edward Thomas)

Strange Days (1995, dir by Kathryn Bigelow, DP: Matthew F. Leonetti)

Scenes That I Love: Prohibition’s Funeral From Once Upon A Time In America


Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)

Change comes with a new year.  That’s just an inevitable fact of life.  Sometimes, it’s good chance and sometimes, it’s bad change and sometimes, it’s change that is both good and bad.  That’s certainly the case with today’s scene that I love.

In Serigo Leone’s 1984 masterpiece, Once Upon A Time In America, 1933 brings with it the end of prohibition.  While the nation celebrates the right to once again legally drink, gangsters like the ones played by James Woods and Robert De Niro mourn the loss of their business and try to figure out a new way to pay their bills.

In this scene, Prohibition — that law that was hated by so many — is given a send-off by the people that it made very rich.

Lisa Marie’s Oscar Predictions For December


Here they are!  These are my final Oscar predictions for 2023.  The critics groups have certainly helped to show us which films are major contenders.  That said, the Guilds are even more important so I can’t wait to see who they nominate and honor in January.

Below are my predictions for December.  Be sure to also check out my predictions for March and April and May and June and July and August and September and October and November!

Best Picture 

American Fiction

Barbie

Godzilla Minus One

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

Poor Things

The Zone of Interest

(Before anyone gives me a hard time about Godzilla Minus One, I always toss in one critically acclaimed long shot so that I can brag — or perhaps even gloat — if it actually happens.  Plus, everyone knows that having Godzilla at the Oscars would be entertainment gold.)

Best Director

Greta Gerwig for Barbie

Yorgos Lanthimos for Poor Things

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Jeffrey Wright in American Fiction

Best Actress

Lily Gladstone in Killers of the Flower Moon

Sandra Huller in Anatomy of a Fall

Greta Lee in Past Lives

Carey Mulligan in Maestro

Emma Stone in Poor Things

Best Supporting Actor

Robert De Niro in Killers of the Flower Moon

Robert Downey, Jr. in Oppenheimer

Ryan Gosling in Barbie

Charles Melton in May/December

Mark Ruffalo in Poor Things

Best Supporting Actress

Emily Blunt in Oppenheimer

Danielle Brooks in The Color Purple

Jodie Foster in Nyad

Rachel McAdams in Are You There God?  It’s Me, Margaret.

Da’Vine Joy Randolph in The Holdovers

Live Tweet Alert: Join #ScarySocial for Bones and All!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2022’s Bones and All!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Bones and All is available on Prime!

See you there!

4 Shots From 4 Films: Special Carol Reed Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we celebrate the birth of the great British director, Carol Reed!  It’s time for….

4 Shots From 4 Carol Reed Films

Odd Man Out (1947, dir by Carol Reed, DP: Robert Krasker)

The Fallen Idol (1948, dir by Carol Reed, DP: Georges Perinal)

The Third Man (1949, dir by Carol Reed, DP: Robert Krasker)

Flap (1970, dir by Carol Reed, DP: Fred J. Koenekamp)