Mike Hammer: Murder Takes All (1989, directed by John Nicollela)


Entertainer Johnny Roman (Ed Winter, best-known as the crazed Colonel Flagg on M*A*S*H) sends an invitation to New York P.I. Mike Hammer (Stacy Keach), asking him to come to Vegas for a job.  Hammer refuses.  Vegas is not for him.  He’s pure New York.  So, someone has Hammer abducted and thrown out of an airplane over Vegas.  Luckily, they gave Hammer a parachute.  Unluckily, for them, Hammer is now in Las Vegas and he’s pissed off.

Johnny, who says he had nothing to do with the kidnapping and just wants Hammer to help him deal with a singer who has been stealing from him, is killed by an explosive device while hosting a telethon.  Everyone suspects Hammer.  When the singer that Hammer was supposed to investigate also turns up dead, Hammer is again suspected.  Hammer has to clear his name while dealing with guest stars ranging from Lynda Carter to Michelle Phillips to Jim Carrey.

Stacy Keach was Mike Hammer for most of the 80s, playing Mickey Spillane’s notorious detective in a television series and in several made-for-TV movies, like this one.  Television was an awkward fit for Mike Hammer, or at least Hammer the way he was imagined in the books.  Mike Hammer was written to be a killer with his own brand of justice.  He was not written to be a nice person.  Instead, he was the brutal but intelligent warrior that you hoped would be on your side.  The television version of Mike Hammer was considered to be violent for the era but the show still toned down Hammer’s signature brutality.  Keach’s Hammer still killed people but he no longer gloated about it.  Stacy Keach, with his trademark intensity, was a good pick for Mike Hammer, even if the show’s scripts often let him down.

This movie is hamstrung by the fact that it was made-for-TV.  Hammer is not happy about being in Las Vegas but he can’t go off on the city in the same way that he would have in one of Mickey Spillane’s novels.  Keach still gives a good and tough performance as Hammer, getting as close to the character as anyone could under the restrictions of 80s network television.  The mystery is interesting, though Hammer doesn’t really solve it as much as he just waits until all the other suspects have been killed.  The main attraction of this one is the amount of guest stars who show up.  Lynda Carter is a great femme fatale and it’s always good to see Michelle Phillips, even in a small role.  Jim Carrey, in his pre-In Living Color days, plays an accountant and does okay with a serious role.

Who could play Mike Hammer today?  It’s hard to say.  There aren’t many believably tough actors around anymore and even those who do seem like they could hold their own in a fight don’t have the gritty world-weariness that the character requires.  (Just try to imagine Dwayne Johnson reenacting the end of I, the Jury.)  A few years ago, I would have said Frank Grillo.  In the 90s, Bruce Willis would have been the perfect Hammer.  Today, though, Mike Hammer’s time may finally have passed.

Murder Me, Murder You (1983, directed by Gary Nelson)


When two employees of an all-female courier service are murdered, Private Investigator Mike Hammer (Stacy Keach) is on the case.  The service was owned by his ex-girlfriend, Chris (Michelle Phillips), and she wants him to protect her while she testifies in front of a grand jury.  It turns out that her courier service has gotten involved in some shady business, transporting deliveries between a helicopter company and a South American dictator.  Chris fears that she’ll be murdered to keep her from testifying.  Hammer agrees to protect her and she tells him that he has a 19 year-old daughter who he’s never met.

While Chris is testifying, she suddenly dies on the stand.  The doctors say that it was a heart attack but Hammer knows that it was murder.  Hammer sets out to not only get revenge for Chris but also to find his daughter, who has disappeared into the world of underground pornography.  It’s all connected though, as is traditional with Mike Hammer, it can sometimes be difficult to keep up with how.

Murder Me, Murder You was a pilot film for a brief-lived but fondly-remembered Mike Hammer TV series that aired in the 80s.  Murder Me, Murder You takes Mickey Spillane’s famous detective into what was then the modern age but it allows him to remain a man of the hard-boiled noir era.  Hammer’s narration is tougher than leather, he’s more interested in listening to swing music than new wave, and he still dresses like an old-fashioned private eye, complete with a fedora on his head.  As played by Stacy Keach, he’s also just as dangerous and quick to kill as Hammer was in Spillane’s original novels.  In the novels, Hammer was an unapologetic brute who often bragged about how much he enjoyed killing criminals and communist spies and whose closest associate was his gun, which he nicknamed Betsy.  When Spillane’s novels were filmed, the violence of Hammer’s character was often downplayed.  (A notable exception was Robert Aldrich’s Kiss Me Deadly, which suggested that Hammer was such a fascist that he would eventually be responsible for the end of the world.  The Mike Hammer of Spillane’s novels would probably dismiss Kiss Me Deadly as being red propaganda and set out to deliver American justice to the Hollywood communists who wrote it.)  In Murder Me, Murder You, Mike Hammer is just as brutal an avenger as Spillane originally imagined him to be.  With his hulking frame, grim eyes, and his surly manner, Stacy Keach is the perfect Mike Hammer.

Murder Me, Murder You is a convoluted and often difficult-to-follow murder mystery but with Keach’s bravura lead performance, a strong supporting cast (including notable tough guys Tom Atkins and Jonathan Banks) and good direction from TV movie vet Gary Nelson, this movie comes about as close as any to capturing the feel of Mickey Spillane’s original novels.  Murder Me, Murder You was released on DVD fourteen years ago.  Though it is now out-of-print, copies are still available on Amazon.

Pulp Fiction #1: Mickey Spillane’s Mike Hammer


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“The roar of the .45 shook the room. Charlotte struggled back a step. Her eyes were a symphony of incredulity, an unbelieving witness to truth. Slowly, she looked down at the ugly swelling in her belly where the bullet went in.

“How c-could you”, she gasped.

I only had a moment before talking to a corpse. I got it in.

“It was easy”, I said. “

– from I, THE JURY by Mickey Spillane, first published in 1947 by EP Dutton

Mickey Spillane’s PI Mike Hammer made his debut in I, THE JURY, and set the shocked literary world on its collective ear with its sex-and-violence laden story. Critics savaged Spillane, but the book buying public ate it up, turning I, THE JURY into a best seller and launching Hammer as a pop culture icon. Hammer’s roots were deeply set in the bloody pulps and another 20th century phenomenon… the four-color comics!

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A Movie A Day #158: The Girl Hunters (1963, directed by Roy Rowland)


Private detective Mike Hammer (Mickey Spillane) has spent the last seven years in the gutter.  Ever since his secretary, Velda, disappeared, Hammer has stopped working cases and, instead, spends all of his time drinking and passing out in alleys.  That is where he is found by his old friend, Captain Pat Chambers (Scott Peters).  Pat tells Mike that there has been a shooting.  A man named Richie is dying in the hospital and want to speak to him.  According to Richie, he was shot by the Dragon, the same communist super villain that Velda is currently hiding from.  That sobers Hammer up.  In fact, Mike Hammer is so tough that it only takes him a few minutes to shake off seven years of alcoholism.  Mike discovers that Richie’s murder is also connected to the murder of a senator.  Mike’s investigation leads him to both the senator’s bikini-clad wife (Shirley Eaton) and a communist conspiracy to take over the world.  What is strange is that it never leads him to Velda.  Maybe he would have found her if The Girl Hunters had gotten a sequel.

Many films were based on Mickey Spillane’s Mike Hammer novels but The Girl Hunters is unique because it stars Mickey Spillane as Hammer.  Spillane was not much of an actor but he was a genuine tough guy who, even after he became a successful writer, still looked like he had gone a few rounds with the world so he was not necessarily miscast in the role of Hammer.  The main problem with The Girl Hunters is that the mystery is not that interesting.  Mike Hammer does not really investigate anything.  He just goes from fight to fight.  At the end of the movie, he does come up with a clever trick to catch the killer but since there is only one suspect, the killer’s identity is not a surprise.s   The Girl Hunter is worth seeing for Shirley Eaton in a bikini and the novelty of Mickey Spillane playing his most famous creation but Kiss Me Deadly is still the best Mike Hammer film.

The French poster leaves no doubt about The Girl Hunters’ main selling point.

Hammer Time!: KISS ME DEADLY (United Artists 1955)


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Mickey Spillane’s Mike Hammer novels have long been one of my favorite Guilty Pleasures. Spillane’s books were the literary equivalent of knocking back shots of Jack Daniels with no chaser. The misanthropic Mike Hammer’s Sex & Violence filled adventures are rapid paced, testosterone fueled trips through a definitely un-PC world where men are men, women are sex objects, and blood and bullets flow freely through a dark, corrupt post-war world.  Spillane turned the conventional detective yarn on its ear and, though critics hated his simplistic writing, the public ate up his books by the millions.

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The film version of Spillane’s KISS ME DEADLY turns film noir on its ear from its opening shot of Christine Bailey (a young Cloris Leachman) running down a lonely highway, almost getting run over by Mike Hammer. The PI picks her up and the opening credits roll backwards to the strains of Nat King Cole crooning “Rather Have The Blues”. This beginning set-up lets…

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Poll: Lisa Marie Submits To Your Will


Last year, I gave up control to the reader of the site and you know what?  I kinda liked it in a sneaky, dirty little way.  So I figured, why not do it again?

Of course, I’m sure you’ve already guessed that I’m referring to my What Movie Should Lisa Marie Review poll.  This is the poll that led to me reviewing Anatomy of a Murder. 

Here’s how it works.  Earlier today, I put on a blindfold and then I randomly groped through my DVD collection until I had managed to pull out ten movies.  I then promptly stubbed my big toe on the coffee table, fell down to the floor, and spent about 15 minutes cursing and crying.  Because, seriously, it hurt!  Anyway, I then took off the blindfold and looked over the 10 movies I had randomly selected.  Two of them — Dracula A.D. 1972 and A Blade in the Dark — were movies that I had already reviewed on this site.  So I put them back and I replaced them with two movies of my own choosing — in this case, Eternal Sunshine of the Spotless Mind and The Unbearable Lightness of Being.

Between now and next Sunday (March 27th), people will hopefully vote in this poll.  On Sunday, I will watch and review whichever movie has received the most votes.  Even if that movie turns out to be Incubus. *shudder*  (Have I mentioned how much I love Eternal Sunshine of the Spotless Mind?)

Now, of course, there’s always the possibility that no one will vote in this poll and I’ll end up looking silly.  Those are the risks you take when you set up an online poll.  However, I have a backup plan.  If nobody votes, I will just spend every day next week shopping for purses at Northpark Mall and then blogging about it.  And by that, I mean blogging every single little detail.  So, it’s a win-win for me.

Anyway, here’s the list of the 10 films:

1) Barbarella — From 1968, Jane Fonda plays Barbarella who flies around space while getting molested by …. well, everyone.  Directed by Roger Vadim.

2) Barry Lyndon — From 1975, this best picture nominee is director Stanley Kubrick’s legendary recreation of 18th-century Europe and the rogues who live there.

3) Caligula — Yes, that Caligula.  From 1979, it’s time for decadence, blood, and nudity in the Roman Empire.  Starring Malcolm McDowell, Helen Mirren, Peter O’Toole, John Gielgud, John Steiner, and Theresa Ann Savoy.

4) Eternal Sunshine of the Spotless Mind — Oh my God, I love this movie.  Jim Carrey breaks up with Kate Winslet and deals with the pain by getting his mind erased by Tom Wilkinson, Mark Ruffalo, Kirsten Dunst, and an amazingly creepy Elijah Wood.

5) Incubus — From 1969, this low-budget supernatural thriller not only stars a young William Shatner but it also features the entire cast speaking in Esperanto.  For.  The.  Entire.  Movie.

6) Inland Empire — If you want to give Lisa nightmares, you can vote for David Lynch’s disturbing 3-hour film about lost identity, sexual repression, human trafficking, and talking rabbits.

7) Kiss Me Deadly — From 1955, this Robert Aldrich-directed cult classic features hard-boiled P.I. Mike Hammer and a host of others chasing after a mysterious glowing box and accidentally destroying the world in the process.

8 ) Mandingo — From 1975, this infamous little film is a look at slavery, incest, and rheumatism in the pre-Civil War South.  Starring James Mason, Ken Norton, Perry King, and Susan George.  Supposedly a really offensive movie, one I haven’t sat down and watched yet.

9) Sunset Boulevard — From 1950, hack screenwriter William Holden ends up the kept man of psychotic former screen goddess Gloria Swanson.  Directed by Billy Wilder.

10) The Unbearable Lightness of Being — From 1988, Philip L. Kaufman’s adaptation of Milan Kundera’s classic novel (one of my favorite books, by the way) features Daniel Day-Lewis, Juliette Binoche, and Lena Olin having sex and dealing with ennui.  After I first saw this movie, I insisted on wearing a hat just like Lena Olin did.

Everyone, except for me, is eligible to vote.  Vote as often as you want.  The poll is now open until Sunday, March 27th.

(Edit: Voting is now closed but check below for the results! — Lisa)