Horror On TV: The Great Bear Scare (dir by Hal Mason)


I came across this old cartoon on YouTube.  Apparently, it aired in October of 1983.

It’s about bears living in Bearbank.  Halloween is approaching and they’re worried about getting invaded by the monsters who live on Monster Mountain.  Well, that makes sense.  My question is why would you buy a house near a location called Monster Mountain?  And really, shouldn’t the monsters be in the houses and the bears in the mountains?  This cartoon is weird.

Anyway, the bears are getting ready to feel the city but little Ted E. Bear sets out to confront his fears!  Woo hoo!

I don’t know.  It’s from 1983.  That was a strange year, I guess.

Enjoy!

Retro Television Review: The Love Boat 4.18 “Aquaphobiac/Humpty Dumpty/The Starmaker”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week …. it’s one of the best episodes of The Love Boat ever!

Episode 4.18 “Aquaphobiac/Humpty Dumpty/The Starmaker”

(Dir by Roger Duchowny, originally aired on February 7th, 1981)

David Hasselhoff boards The Love Boat, for the second time!

This time around, the Hoff is playing Brian Kiley.  Brian and Julie went to college together.  Brian was the star quarterback and, as he explains it, he and Julie were a pretty serious couple at the time.  But, in the end, Brian ended up marrying Julie’s roommate and his own playing days came to a premature end when he broke his arm.  Now, he’s on the Love Boat and he wants to not only get back together with Julie but he also wants to make a comeback in the NFL!

Julie is tempted.  How couldn’t she be tempted by the Hoff?  But watching Brian talk about his glory days on the football field, she realizes that he’s living in the past and, to an extent, so is she.  Brian is, at first, upset by Julie’s feelings but then he realizes that she’s right.  He makes peace with his years as a famous quarterback and he leaves the boat not as Julie’s lover but as her good friend….

MY GOD, JULIE — IT’S THE HOFF IN HIS GLORY DAYS!  WHO CARES IF HE TALKS ABOUT FOOTBALL!?  CHASE AFTER HIM!

The Pointer Sisters also board the ship, this time as employees of the cruise.  Isaac want to impress a talent agent (Jeff Cooper) so he recruits the sisters to serve as his backing vocalists.  After seeing them perform, the talent agent is impressed but only by the sisters.  They get a recording contract while Isaac …. well, Isaac goes back to pouring drinks.  POOR ISAAC!  But give credit to Ted Lange, who brought a lot of sincere feeling to what could have been a throwaway storyline.

Finally, Glenn Dobson (Louis Nye) and his fiancée, Vanessa (Audra Lindley), board the boat so that they can get to know each other before the wedding.  Glenn has severe aquaphobia and cannot bring himself to take off his inflatable life jacket.  Vanessa tries to help him conquer his fear but nothing helps.  Glenn fears all the other passengers are laughing at him.  So, the crew and the passengers all put on their own life jackets to show Glenn that he has nothing to be ashamed of.

“Tonight,” Stubing announces, “we are truly a boat of love.”

Awwwwww!  Seriously, who would have guessed that The Love Boat would make me cry?  This was such a sweet story and both Louis Nye and Audra Lindley really seemed to be invested in their characters.  When Glenn finally removed his life vest and took a few stumbling steps into the pool, I wanted to cheer.

What a great cruise this turned out to be!

Retro Television Reviews: The Love Boat 3.9 “Trial Romance/Never Say Goodbye/A New Woman”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Love Boat gets a new member of the crew!

Episode 3.9 “Trial Romance/Never Say Goodbye/A New Woman”

(Dir by Gordon Farr, originally aired on November 3rd, 1979)

This episode is a big one for Captain Stubing so let’s quickly get the non-Stubing storylines out of the way.

First off, Barney Briscoe (Louis Nye) and Rose Kennycott (Gale Storm) are two older passengers who board the ship looking for love.  Since they’re both kind of old-fashioned and not a fan of public displays of affection, Julie thinks that they would be perfect together.  Unfortunately, while Barney does like Rose, he also thinks that Julie is hitting on him while Rose thinks that the man Julie says likes her is Doc Bricker!  Rose decides to take matters into her own hands and heads to Doc Bricker’s office.  Thinking that she’s feeling ill, Doc tells her to go in the exam room and remove her clothes.  Rose, fearing that things are moving too quickly, flees from Bricker’s cabin.  Fortunately, she and Barney do end up together but Barney is always in such a cranky mood that you can’t help but feel that Rose is going to get tired of dealing with him after a week or two.

Meanwhile, Harry Stewart (Vic Tayback) boards the ship, fresh from getting finished with jury duty.  He was a part of jury that heard a case that drew national attention.  A woman was accused of poisoning her husband and the trial ended with a hung jury.  Harry explains to Gopher and Isaac that 11 men were ready to convict but the one woman on the jury refused to vote guilty.  That woman is Ann Noyce (Jo Ann Pflug) and — surprise! — she’s also a passenger.  Harry and Ann spend the entire cruise arguing the facts of the case before eventually falling in love. It’s a typical Love Boat storyline and Tayback and Pflug don’t exactly have the greatest romantic chemistry.  It’s easy to believe them when they’re arguing but not quite as easy to buy them as sudden lovers.

But really, the only storyline that matters is the one involving Captain Stubing and his daughter Vicki (Jill Whelan, who is listed as a guest star for this episode but joins the regular cast next week).  Now 11 years old, Vicki has been writing to Stubing on a regular basis and telling him about how much she wishes she could see him again.  However, Stubing tells Bricker that he has resolved never to see Vicki again because it would be too painful for him to have to say goodbye to his daughter all over again.  However, Vicki has discovered that Stubing is her father and she decides to take matters into her own hands by running away from home and boarding the ship in Acapulco.  Stubing finally admits that he is Vicki’s father but he still feels that a ship is not the right place for a child.  He returns her home to her aunt, just to discover that her aunt is in the middle of a divorce and she feels that Vicki should be with her father.  Stubing and Vicki return to the ship, where Vicki will now live.

Awwwwww!

Actually, I’m not totally sure how this thing with Vicki living on the ship is supposed to work.  She’s 11 years old, which is a bit young to be working on a cruise ship.  Does the Love Boat have a school on one of its decks?  Is Vick really going to be happy living on a boat that is largely populated by elderly people?  There’s a lot of questions to be considered but it really doesn’t matter.  Gavin MacLeod gives such a sincere and emotional performance that it feels almost churlish to obsess on the specifics of how Vicki is going to be raised.  Captain Stubing has always been more interesting of character than one might assume.  Though he’s often a bit goofy and it’s hard not to cringe whenever he gets a storyline that requires him to flirt, Gavin MacLeod always did a wonderful job of showing Stubing’s more vulnerable side.  Whether he was talking about Vicki’s mother or his own struggles with alcoholism, there was always an undercurrent of melancholy with Captain Stubing and MacLeod always seemed to make the most of those scenes that allowed Stubing to open up about his life and regrets.

In the end, the viewer is just happy that Captain Stubing has finally been reunited with his daughter.

Next week: The Dallas Cowboy Cheerleaders board the ship!

Retro Television Review: Fantasy Island 1.6 “Treasure Hunt/Beauty Contest”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1996.  The entire show is currently streaming on Tubi!

Smiles, everyone!  Smiles!  My fantasy is to get this week’s review over with because, to be honest, this was one of the less interesting episodes of the original Fantasy Island.  So, let’s get to it!

Episode 1.6 “Treasure Hunt/Beauty Contest”

(Directed by Allen Baron and George McCowan, originally aired on March 11th, 1978)

For this week’s episode of Fantasy Island, we have two so-so fantasies and a lot of scenes of Mr. Roarke and Tattoo arguing with each other.  After having an almost brotherly relationship over the past few weeks, Roarke and Tattoo both seem kind of annoyed with each other during this episode.  If I had to guess, I’d say that the episodes are probably being shown out of production order and this episode was written and filmed before the show’s producers were sure what the overall tone of the show should be.  

Indeed, the first fantasy features Mr. Roarke allowing three people to search for a lost pirate’s treasure on an isolated part of the island.  He does this despite the fact that the terrain is dangerous and that he knows that one of the three treasure hunters is planning on killing the other two.  When Tattoo points out that a murder would be bad for business, Roarke kind of shrugs Tattoo off.  Indeed, in this storyline, Roarke comes across as being rather aloof, as if he has little concern for the troubles of humanity.

As for the three treasure hunters, they are Stu Chambers (Michael Callan), his wife Andrea (Jo Ann Harris), and their friend James (Peter Haskell).  Stu is under the impression that James and Andrea are carrying on an affair and, as Mr. Roarke mentioned, he is planning on killing the two of them.  Fortunately, he changes his mind during the fantasy and, instead of murdering his wife and his best friend, he instead helps them survive when they get trapped in a cave.  In the end, they don’t get the treasure but they do win back their ability to trust each other.  One has to wonder what the consequences would have been if Stu had gone through with his original plans.  Is there a Fantasy Island police force?  Would Tattoo be forced to arrest Stu?  Who knows?

Meanwhile, in the other fantasy, Maureen McCormick plays Sally Quinn.  Sally is the daughter of a legendary beauty pageant winner.  She wants to follow in her mother’s footsteps and win a pageant herself.  However, Roarke — who seems far more invested in Sally’s fantasy than the treasure hunt fantasy — figures out that Sally’s real fantasy is to win the love of her father, Neville (Gene Barry).  In the end, Sally doesn’t win the pageant but she does learn that there’s more to happiness than being beautiful.

To be honest, both of the fantasies in this episode are pretty dull and predictable.  But we do learn a little bit about what Tattoo actually does on the island.  He’s the accountant.  He starts the show complaining that Mr. Roarke doesn’t charge enough for the fantasies.  Tattoo then says he has a fantasy.  Mr. Roarke laughs him off, saying that candy shop employees never develop a taste for candy.  WHAT!?  

We also learn that Roarke and Tattoo enjoy playing Monopoly but Tattoo apparently cheats by using loaded dice.  And, to be honest, the thought of Roarke and Tattoo arguing over Boardwalk is such an appealing one that it saves the entire episode.

As for next week’s episode …. hopefully, it’ll involve even more Monopoly!

 

Cannonball Run II (1984, directed by Hal Needham)


In 1981, director Hal Needham and star Burt Reynolds had a surprise hit with The Cannonball Run.  Critics hated the film about a race from one end of America to the other but audiences flocked to watch Burt and a group of familiar faces ham it up while cars crashed all around them.  The original Cannonball Run is a goofy and gloriously stupid movie and it can still be fun to watch.  The sequel, on the other hand…

When the sequel begins, the Cannonball Run has been discontinued.  The film never explains why the race is no longer being run but then again, there’s a lot that the sequel doesn’t explain.  King Abdul ben Falafel (Ricardo Montalban, following up The Wrath of Khan with this) wants his son, The Sheik (Jamie Farr, returning from the first film) to win the Cannonball so he puts up a million dollars and announces that the race is back on.  Problem solved.

With the notable exceptions of Farrah Fawcett, Roger Moore, and Adrienne Barbeau, almost everyone from the first film returns to take another shot at the race.  Burt Reynolds and Dom DeLuise are back.  Jack Elam returns as the crazy doctor, though he’s riding with the Sheik this time.  Jackie Chan returns, riding with Richard “Jaws” Kiel.  Dean Martin and Sammy Davis, Jr. return, playing barely disguised versions of themselves.  They’re joined by the surviving members of the Rat Pack.  Yes, Frank Sinatra is in this thing.  He plays himself and, from the way his scenes are shot, it’s obvious they were all filmed in a day and all the shots of people reacting to his presence were shot on another day.  Shirley MacClaine also shows up, fresh from having won an Oscar.  She plays a fake nun who rides with Burt and Dom.  Burt, of course, had a previous chance to co-star with Shirley but he turned down Terms of Endearment so he could star in Stroker AceCannonball Run II finally gave the two a chance to act opposite each other, though no one would be winning any Oscars for appearing in this film.

Say what you will about Hal Needham as a director, he was obviously someone who cultivated a lot of friendships in Hollywood because this film is jam-packed with people who I guess didn’t have anything better to do that weekend.  Telly Savalas, Michael V. Gazzo, Henry Silva, Abe Vigoda, and Henry Silva all play gangsters.  Jim Nabors plays Homer Lyle, a country-fried soldier who is still only a private despite being in his 50s.  Catherine Bach and Susan Anton replace Adrienne Barbeau and Tara Buckman as the two racers who break traffic laws and hearts with impunity.  Tim Conway, Don Knotts, Foster Brooks, Sid Caesar, Arte Johnson, Mel Tillis, Doug McClure, George “Goober” Lindsey, and more; Needham found room for all of them in this movie.  He even found roles for Tony Danza and an orangutan.  (Marilu Henner is also in the movie so I guess Needham was watching both Taxi and Every Which Way But Loose while casting the film.)  Needham also came up with a role for Charles Nelson Reilly, who is cast as a mafia don in Cannonball Run II.  His name is also Don so everyone refers to him as being “Don Don.”  That’s just a typical example of the humor that runs throughout Cannonball Run II.  If you thought the humor of It’s A Mad, Mad, Mad, Mad World was too subtle and cerebral, Cannonball Run II might be right up your alley.

The main problem with Cannonball Run II is that there’s not much time spent on the race, which is strange because that’s the main reason why anyone would want to watch this movie.  The race itself doesn’t start until 45 minutes into this 108 minute film and all the racers are quickly distracted by a subplot about the Mafia trying to kidnap the Sheik.  Everyone stops racing so that Dean Martin and Sammy Davis, Jr. can disguise themselves as belly dancers to help rescue the Sheik.  By the time that’s all been taken care of, there’s only 10 minutes left for everyone to race across the country.  After a montage of driving scenes and a cartoon of an arrow stretching across the nation (the cartoon was animated by Ralph Bakshi!), we discover who won the Cannonball and then it’s time for a montage of Burt and Dom blowing their lines and giggling.  Needham always ended his films with a montage of everyone screwing up a take and it’s probably one of his most lasting cinematic contributions.  Every blooper reel that’s ever been included as a DVD or Blu-ray extra owes a debt of gratitude to Hal Needham.  Watching people blow their lines can be fun if you’ve just watched a fun movie but watching Burt and Dom amuse themselves after sitting through Cannonball Run II is just adding insult to injury.  It feels less like they’re laughing at themselves and more like they’re laughing at you for being stupid enough to sit through a movie featuring Tony Danza and an orangutan.

The dumb charm of the first Cannonball Run is nowhere to be found in this sequel and, though the film made a profit, the box office numbers were still considered to be a disappointment when compared to the other films that Reynolds and Needham collaborated on.  Along with Stroker Ace, this is considered to be one of the films that ended Reynolds’s reign as a top box office attraction.  Cannonball Run II was also the final feature film to feature Dean Martin and Frank Sinatra.  This could be considered the final Rat Pack film, though I wouldn’t say that too loudly.

Cannonball Run II is a disappointment on so many levels.  It’s hard to believe that the same director who did Smokey and the Bandit and Hooper could be responsible for the anemic stunts and chases found in this movie.  The cast may have had a good time but the audience is left bored.  Stick with the first Cannonball Run.

 

Horror On TV: The Great Bear Scare (dir by Hal Mason)


I came across this old cartoon on YouTube.  Apparently, it aired in October of 1983.

It’s about bears living in Bearbank.  Halloween is approaching and they’re worried about getting invaded by the monsters who live on Monster Mountain.  Well, that makes sense.  My question is why would you buy a house near a location called Monster Mountain?  And really, shouldn’t the monsters be in the houses and the bears in the mountains?  This cartoon is weird.

Anyway, the bears are getting ready to feel the city but little Ted E. Bear sets out to confront his fears!  Woo hoo!

I don’t know.  It’s from 1983.  That was a strange year, I guess.

Enjoy!

Kitty Litter: SEX KITTENS GO TO COLLEGE (Allied Artists 1960)


gary loggins's avatarcracked rear viewer

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Let’s get it out of the way right now- SEX KITTENS GO TO COLLEGE is bad. Real bad. Like mind-numbingly bad. Despite the presence of sex kittens Mamie Van Doren and Tuesday Weld, this movie is a smelly litter box in desperate need of cleaning. It’s an Albert Zugsmith extravaganza, so you know right off the bat it’s gonna be a stinker. Zugsmith had once been a producer at Universal, overseeing prestige films like WRITTEN ON THE WIND and TOUCH OF EVIL. But when he went into independent productions, Zugsmith chose to go the low-budget exploitation route and even though he managed to attract some well-known names, his little epics usually stunk to high heaven.

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The movie revolves around the talents of Mamie Van Doren, a beautiful creature whose best assets weren’t her acting. She plays Dr. Mathilda West, a genius hired to take over the science department at Collins College. Thinko, a supercomputer/robot type thing…

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