Retro Television Reviews: The Love Boat 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, things get awkward as we set sail on The Love Boat!

Episode 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”

(Dir by Jack Arnold, originally aired on January 28th, 1978)

It’s the most awkward cruise ever!

A beauty contest is being held on the ship!  The winner becomes Ms. Pacific Princess and, along with getting a lot of money, she also sacrifices a year of her life so that she can go on free cruises and promote the Pacific Princess line.  Along with being beautiful, the winner is also expected to be “virtuous.”  Of course, judging from The Love Boat, the cruise line seems to specifically cater to people who are desperately looking to get laid so the rules seem to be a bit hypocritical.

The head of the contest, Waldo Linden (Graham Jarvis), recruits Captain Stubing to act as host.  Unfortunately, after Stubing gets a few laughs from the jokes that Waldo has written for him, the Captain turns into a prima donna.  He starts punching up the script on his own.  Waldo, however, has even more to worry about than the captain.  Suzy (Maureen McCormick), one of the contestants, is secretly traveling with her boyfriend, Rick (Bobby Sherman).  When Waldo tries to disqualify Suzy for not being “virtuous,” another contestant, the klutzy Jeanette (Priscilla Barnes), asks that Waldo help her zip up her dress and, after Waldo kisses her, she points out that Waldo hasn’t been living up to his own standards.  Due to Jeanette’s blackmail, Suzy is allowed to compete and she wins!  But then she refuses the crown so that she can marry Rick and, as a result, Jeanette becomes Miss Pacific Princess.

While that’s going on, scandal-plagued Congressman John Whitcomb (Dick Van Patten) falls in love with Robin Brandt (Vickie Lawrence).  What the Congressman doesn’t know is that Robin works for a tabloid newspaper and Robin’s editor expects Robin to report on whether or not allegations of an affair are going to led to Whitcomb resigning his seat. 

All of that is certainly awkward but it’s nothing compared to the third storyline.  Almost everyone loves passenger Virgil Gibson (played by the engaging Scatman Crothers), who is always the life of the party and who loves to make people laugh.  The only person who doesn’t like him is Prof. Stephanie Hayden (Vernee Watson), who is on the cruise to work on a study about African-American history.  Hayden feels the Virgil is acting like a fool and playing into all of the demeaning stereotypes that white people have about black people.  Hayden encourages Isaac to learn more about his background and soon, Isaac is being rude to Virgil and telling him not to call people “boss.”

Captain Stubing notices this.  He approaches Isaac — while Isaac is working — and says, “I notice you’ve been reading a lot of black history.”

AGCK!  As soon as the very white Captain Stubing says those words to Isaac, the cringing begins.

Stubing goes on to explain that Virgil was a pitcher in the Negro Baseball Leagues and that, if not for him, blacks would never have made it into the major leagues.  “And I wouldn’t be serving drinks on this cruise,” a remorseful Isaac says.  “And I wouldn’t be teaching,” Stephanie agrees.  Stubing goes on to explain that Virgil is acting the way he acts because that’s the way blacks were expected to behave when Virgil was a young man.  After being chastised by the ship’s white authority figure, Isaac and Stephanie agree that they were wrong to judge Virgil.

And, in many ways, Captain Stubing does have a point about judging people and Isaac and Stephanie were being a bit harsh in their dismissal of Virgil.  But that doesn’t change the fact that this episode features the extremely white Captain Stubing explaining black history to not only the ship’s only black employee but also a black college professor who has spent her entire academic career researching and writing about black history.  Stubing is essentially telling two black people how they should interpret and feel about black history.  It’s incredibly weird to watch and one has to wonder why the writers thought that Stubing — as opposed to Virgil himself — was the correct character to explain Virgil’s past and Virgil’s character.  It just doesn’t feel right, at all.

That said, there was a lot to like about this episode.  Scatman Crothers shows the same charm here that he showed in The Shining.  As cringey as Captain Stubing is when he lectures on black history, the plotline of him turning into a diva was actually pretty funny and Gavin MacLeod seemed to be having fun playing up the pompous side of the character.  The beauty pageant subplot was dumb but Maureen McCormick actually gave a pretty good performance as Suzy.  This episode had its moments though, in the end, it will always be defined by the awkwardness.

 

Here Are The Oscar Shortlists


Here are the Oscar “shortlists.”  These are the semi-finalists, from which the final five nominees will be selected at the end of January.  For the record, the Oscar Kitties think that short lists are lame.

DOCUMENTARY FEATURE FILM

All That Breathes
All the Beauty and the Bloodshed
Bad Axe
Children of the Mist
Descendant
Fire of Love
Hallelujah: Leonard Cohen, a Journey, a Song
Hidden Letters
A House Made of Splinters
The Janes
Last Flight Home
Moonage Daydream
Navalny
Retrograde
The Territory

DOCUMENTARY SHORT FILM

American Justice on Trial: People v. Newton
Anastasia
Angola Do You Hear Us? Voices from a Plantation Prison
As Far as They Can Run
The Elephant Whisperers
The Flagmakers
Happiness Is £4 Million
Haulout
Holding Moses
How Do You Measure a Year?
The Martha Mitchell Effect
Nuisance Bear
Shut Up and Paint
Stranger at the Gate
38 at the Garden

INTERNATIONAL FEATURE FILM

Argentina, Argentina, 1985
Austria, Corsage
Belgium, Close
Cambodia, Return to Seoul
Denmark, Holy Spider
France, Saint Omer
Germany, All Quiet on the Western Front
India, Last Film Show
Ireland, The Quiet Girl
Mexico, Bardo, False Chronicle of a Handful of Truths
Morocco, The Blue Caftan
Pakistan, Joyland
Poland, EO
South Korea, Decision to Leave
Sweden, Cairo Conspiracy

MAKEUP AND HAIRSTYLING

All Quiet on the Western Front
Amsterdam
Babylon
The Batman
Black Panther: Wakanda Forever
Blonde
Crimes of the Future
Elvis
Emancipation
The Whale

MUSIC (ORIGINAL SCORE)

All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Black Panther: Wakanda Forever
Devotion
Don’t Worry Darling
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Guillermo del Toro’s Pinocchio
Nope
She Said
The Woman King
Women Talking

MUSIC (ORIGINAL SONG)

“Time” from Amsterdam
“Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water
“Lift Me Up” from Black Panther: Wakanda Forever
“This Is A Life” from Everything Everywhere All at Once
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Til You’re Home” from A Man Called Otto
“Naatu Naatu” from RRR
“My Mind & Me” from Selena Gomez: My Mind & Me
“Good Afternoon” from Spirited
“Applause” from Tell It like a Woman
“Stand Up” from Till
“Hold My Hand” from Top Gun: Maverick
“Dust & Ash” from The Voice of Dust and Ash
“Carolina” from Where the Crawdads Sing
“New Body Rhumba” from White Noise

ANIMATED SHORT FILM

Black Slide
The Boy, the Mole, the Fox and the Horse
The Debutante
The Flying Sailor
The Garbage Man
Ice Merchants
It’s Nice in Here
More than I Want to Remember
My Year of Dicks
New Moon
An Ostrich Told Me the World Is Fake and I Think I Believe It
Passenger
Save Ralph
Sierra
Steakhouse

LIVE-ACTION SHORT FILM
Fifteen films will advance in the Live Action Short Film category for the 95th Academy Awards.  Two hundred films qualified in the category.  Members of the Short Films and Feature Animation, Directors, Producers and Writers Branches vote to determine the shortlist and the nominees.

The films, listed in alphabetical order by title, are:

All in Favor
Almost Home
An Irish Goodbye
Ivalu
Le Pupille
The Lone Wolf
Nakam
Night Ride
Plastic Killer
The Red Suitcase
The Right Words
Sideral
The Treatment
Tula
Warsha

SOUND

All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Batman
Black Panther: Wakanda Forever
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Moonage Daydream
Top Gun: Maverick

VISUAL EFFECTS

All Quiet on the Western Front
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Doctor Strange in the Multiverse of Madness
Fantastic Beasts: The Secrets of Dumbledore
Jurassic World Dominion
Nope
Thirteen Lives
Top Gun: Maverick

The Nevada Film Critics Society Honors She Said


The Nevada Film Critics Society have announced their picks for the best of 2022!

And here they are:

Best Film: She Said
Best Director: Daniel Kwan & Daniel Sheinert, Everything Everywhere All at Once
Best Actor: Brendan Fraser, The Whale
Best Actress: Michelle Yeoh, Everything Everywhere All at Once
Best Supporting Actor: Ke Huy Quan, Everything Everywhere All at Once
Best Supporting Actress: Jamie Lee Curtis, Everything Everywhere All at Once
Best Original Screenplay: Daniel Kwan & Daniel Sheinert, Everything Everywhere All at Once
Best Adapted Screenplay: Rebecca Lenkiewicz, She Said
Best Documentary: Good Night Oppy
Best Animated Movie: Guillermo del Toro’s Pinocchio
Best Production Design: Rick Carter, The Fabelmans
Best Cinematography: Claudio Miranda, Top Gun: Maverick
Best Visual Effects: Black Panther: Wakanda Forever

Holiday Spirit: An American Christmas Carol (dir by Eric Till)


On Christmas Eve, a miserly businessman is visited by a series of ghosts who help him understand the true meaning of Christmas, along with showing him a frightening vision of a possible future.

And that businessman was named …. Benedict Slade!

Yeah, the name’s have been changed and the action has been updated to Depression-era New England but this is basically the story of Scrooge.  Henry Winkler stars as the Scrooge character in the 1979 made-for-TV movie.  His old age make-up was done by none other than Rick Baker!

Retro Television Reviews: Fantasy Island 2.1 “Homecoming/The Sheikh”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, we begin season two of Fantasy Island!

Episode 2.1 “Homecoming/The Sheikh”

(Dir by Earl Bellamy, originally aired on September 16th, 1978)

The second season of Fantasy Island begins with a bizarre mishmash of tones.

As usual, there are two fantasies.  The first fantasy features David Birney as Alan Boardman.  As Mr. Roarke explains it, Alan served in Viet Nam.  He was horribly burned in battle and captured by the Viet Cong.  He spent years, as an amnesiac, in a POW camp.  In the United States, he was reported to have been killed in action.  Finally, he was released from the POW camp and he underwent extensive plastic surgery.  He now looks completely different than he did in his past life.  It was only after the plastic surgery that Alan remembered who he was.  He also remembered that he had a wife (Lynda Day George) and a son (Ronnie Scribner).  Alan comes to Fantasy Island, hoping to be reunited with his family.  However, there’s a complication.  Alan’s wife has remarried and she still believes Alan to be dead.  Alan meets his wife and his son but he has to pretend to be a stranger.  Alan must decide whether to reveal his true identity or to accept that his wife has moved on and now has a new life.

Wow, that’s really dark!  It’s an extremely serious story, one that ends on a bittersweet note that will leave no one truly satisfied.  David Birney and Lynda Day George both give intense performances as they struggle to come to terms with the horror of the Vietnam War….

Meanwhile, the other fantasy features Arte Johnson as Edgar, a meek school teacher who wants to be a sheikh with a harem.  Seriously, that’s his entire fantasy.  Of course, once he becomes a sheikh, he discovers that his servant (played by Sid Haig) is a part of a conspiracy to murder him.  It also turns out that a member of the harem is actually one of Edgar’s fellow teachers, Yasmine (Georgia Engel).  Yasmine’s fantasy was for Edgar to finally notice her so Roarke’s solution was to force her to be a member of a harem!  (Really, Mr. Roarke?)  This fantasy is played for laughs and the comedy is extremely broad.  It’s somewhat jarring to go from David Birney obsessing on the war to Arte Johnson grinning at the members of his harem.  It’s such a tonal mismatch that it makes it difficult to get invested in either fantasy.

While all of this is going on, Tattoo is feeling depressed and suffering from ennui.  Mr. Roarke solves this problem by giving Tattoo a tiny car that he can drive around.  In this episode, Mr. Roarke doesn’t seem to openly dislike Tattoo as much as he did during the first season so I’ll be interested to see if that trend continues.  Reportedly, Ricardo Montalban and Herve Villechaize did not have the best working relationship but, in this episode, Roarke and Tattoo actually seem to have a vague respect of one another.  It’s a change of pace.

Anyway, this episode doesn’t work because the fantasies don’t really mesh well.  However …. SID HAIG!

The Online Association of Female Film Critics Honors Everything


Here are the 2022 winners from the Online Association of Female Film Critics!

BEST PICTURE
The Banshees Of Inisherin
Everything Everywhere All At Once
Nope
The Woman King
Women Talking

BEST DIRECTOR
Park Chan-wook – Decision To Leave
Daniel Dwan & Daniel Scheinert – Everything Everywhere All At Once
Martin McDonagh – The Banshees Of Inisherin
Sarah Polley – Women Talking
Gina Prince-Bythewood – The Woman King

BEST FEMALE LEAD
Cate Blanchett – TÁR
Viola Davis – The Woman King
Danielle Deadwyler – Till
Emma Thompson – Good Luck To You, Leo Grande
Michelle Yeoh – Everything Everywhere All At Once

BEST MALE LEAD
Austin Butler – Elvis
Colin Farrell – The Banshees Of Inisherin
Brendan Fraser – The Whale
Park Hae-il – Decision To Leave
Paul Mescal – Aftersun

BEST BREAKTHROUGH FILMMAKER
Elegance Bratton – The Inspection
Mimi Cave – Fresh
Alice Diop – Saint Omer
Nikyatu Jusu – Nanny
Charlotte Wells – Aftersun

BEST BREAKTHROUGH PERFORMANCE
Austin Butler – Elvis
Frankie Corio – Aftersun
Mia Goth – Pearl
Thuso Mbedu – The Woman King
Daryl McCormack – Good Luck To You, Leo Grande

BEST CINEMATOGRAPHY
Grieg Fraser – The Batman
Kim Ji-yong – Decision To Leave
Roger Deakins – Empire Of Light
Hoyte van Hoytema – Nope
Claudio Miranda – Top Gun: Maverick

BEST ORIGINAL SCREENPLAY
Martin McDonagh – The Banshees Of Inisherin (WINNER TIE)
Cooper Raif – Cha Cha Real Smooth
Daniel Dwan & Daniel Scheinert – Everything Everywhere All At Once (WINNER TIE)
Jordan Peele – Nope
Todd Field – TÁR

BEST ADAPTED SCREENPLAY
David Kajgnich – Bones And All
Rian Johnson – Glass Onion: A Knives Out Mystery
Guillermo del Toro & Patrick McHale – Guillermo del Toro’s Pinocchio
Samuel D. Hunter – The Whale
Sarah Polley – Women Talking

BEST SUPPORTING FEMALE
Jessie Buckley – Women Talking
Hong Chau – The Whale
Dolly de Leon – Triangle Of Sadness
Stephanie Hsu – Everything Everywhere All At Once
Keke Palmer – Nope

BEST SUPPORTING MALE
Brendan Gleeson – The Banshees Of Inisherin
Barry Keoghan – The Banshees Of Inisherin
Ke Huy Quan – Everything Everywhere All At Once
Mark Rylance – Bones And All
Brian Tyree Henry – Causeway

BEST ACTING ENSEMBLE
The Banshees Of Inisherin
Everything Everywhere All At Once
Glass Onion: A Knives Out Mystery
The Menu
Women Talking

BEST EDITING
Decision To Leave
Elvis
Everything Everywhere All At Once
TÁR
Top Gun: Maverick

BEST STUNTS
Everything Everywhere All At Once
RRR
Top Gun: Maverick
The Batman
The Woman King

BEST COSTUME DESIGN

Black Panther: Wakanda Forever
Elvis
Everything Everywhere All At Once (WINNER TIE)
Mrs. Harris Goes To Paris (WINNER TIE)
The Woman King

BEST VISUAL EFFECTS
Avatar: The Way Of Water
Everything Everywhere All At Once
Guillermo del Toro’s Pinocchio
RRR
Top Gun: Maverick

BEST INTERNATIONAL FEATURE
Corsage
Decision To Leave
EO
Holy Spider
RRR

BEST ANIMATED FEATURE
The Bad Guys
Guillermo del Toro’s Pinocchio
Marcel The Shell With Shoes On
Puss In Boots: The Last Wish
Turning Red

BEST DOCUMENTARY
All The Beauty And The Bloodshed
All That Breathes
Fire Of Love
Good Night Oppy
Moonage Daydream

The OAFFC’s signature award, The Rosie (named for the iconic Rosie the Riveter), celebrates the film that best promotes women, their voices, and the female experience through cinema. We are pleased to announce that “Women Talking” has taken this year’s honor.

Holiday Spirit: Beyond Tomorrow (dir by A. Edward Sutherland)


After three eccentric businessman arrange for a young couple to get together right before the holidays, a plane crash kills the three men.  However, their ghosts remain on Earth to watch over the couple and to take care of some unexpected holiday business.  The film is a holiday film and a comedy and a romance and a musical and a ghost story and a melodrama and finally an oddly sincere meditation on life and death.

From 1940, here’s Beyond Tomorrow!

The Women Film Critics Circle Honors She Said


Here are the 2022 winners from the Women’s Film Critics Circle!

BEST MOVIE ABOUT WOMEN
She Said (WINNER)
The Woman King
Till
Women Talking (RUNNER UP)

BEST MOVIE BY A WOMAN
Don’t Worry Darling – Olivia Wilde
Till – Chinonye Chukwu (RUNNER UP)
The Woman King – Gina Prince-Bythewood (RUNNER UP)
Women Talking – Sarah Polley (WINNER)

BEST WOMAN STORYTELLER (Screenwriting Award)
Rebecca Lenkiewicz – She Said (RUNNER UP)
Emma Donoghue  – The Wonder
Dana Stevens (and Maria Bello, story) – The Woman King
Sarah Polley – Women Talking (WINNER)

BEST ACTRESS
Vicky Krieps – Corsage
Michelle Yeoh – Everything Everywhere All at Once (WINNER)
Danielle Deadwyler – Till (RUNNER UP)
Cate Blanchett – TAR

BEST ACTOR
Colin Farrell – The Banshees of Inisherin (RUNNER UP)
Ke Huy Quan – Everything Everywhere All at Once
Bill Nighy – Living
Brendan Fraser – The Whale (WINNER)

BEST FOREIGN FILM BY OR ABOUT WOMEN
Corsage (RUNNER UP)
Girl
Happening (WINNER)
Murina
Rickshaw

BEST DOCUMENTARY BY OR ABOUT WOMEN
Aftershock
Gabby Giffords Won’t Back Down
The Janes (WINNER)
Lucy and Desi (RUNNER UP)

BEST EQUALITY OF THE SEXES
Black Panther: Wakanda Forever (RUNNER UP)
Fire of Love
Good Luck To You, Leo Grande (WINNER)
The Woman King

BEST ANIMATED FEMALE
Izzy Hawthorne – Lightyear (RUNNER UP)
Belle Bottom – Minions: The Rise of Gru
Meilin – Turning Red (WINNER)

BEST SCREEN COUPLE
Olivia Colman and Micheal Ward – Empire of Light
Michelle Yeoh and Ke Huy Quan – Everything Everywhere All at Once (WINNER)
Kevin Kline & Sigourney Weaver – The Good House (RUNNER UP)
Emma Thompson and Daryl McCormack – Good Luck To You, Leo Grande

BEST TV SERIES
Dead to Me (RUNNER UP TIE)
The Handmaid’s Tale (WINNER TIE)
Julia (RUNNER UP TIE)
Yellowjackets (WINNER TIE)

ADRIENNE SHELLY AWARD – For a film that most passionately opposes violence against women

ADRIENNE SHELLY AWARD: Adrienne Shelly was a promising actress and filmmaker who was brutally strangled in her apartment in 2006 at the age of forty by a construction worker in the building, after she complained about noise. Her killer tried to cover up his crime by hanging her from a shower rack in her bathroom, to make it look like suicide. He later confessed that he was having a “bad day.” Shelly, who left behind a baby daughter, had just completed her film Waitress, which she also starred in, and which was honored at Sundance after her death.

Don’t Worry Darling
Holy Spider
She Said (RUNNER UP)
Women Talking (WINNER)

JOSEPHINE BAKER AWARD – For best expressing the woman of colour experience in America

JOSEPHINE BAKER AWARD: The daughter of a laundress and a musician, Baker overcame being born black, female and poor, and marriage at age fifteen, to become an internationally acclaimed legendary performer, starring in the films Princess Tam Tam, Moulin Rouge and Zou Zou. She also survived the race riots in East St. Louis, Illinois as a child, and later expatriated to France to escape US racism. After participating heroically in the underground French Resistance during WWII, Baker returned to the US where she was a crusader for racial equality. Her activism led to attacks against her by reporter Walter Winchell who denounced her as a communist, leading her to wage a battle against him. Baker was instrumental in ending segregation in many theaters and clubs, where she refused to perform unless integration was implemented.

Alice
Master
Nanny (RUNNER UP)
Till (WINNER)

KAREN MORLEY AWARD – For best exemplifying a woman’s place in history or society, and a courageous search for identity

KAREN MORLEY AWARD: Karen Morley was a promising Hollywood star in the 1930s, in such films as Mata Hari and Our Daily Bread. She was driven out of Hollywood for her leftist political convictions by the Blacklist and for refusing to testify against other actors, while Robert Taylor and Sterling Hayden were informants against her. And also for daring to have a child and become a mother, unacceptable for female stars in those days. Morley maintained her militant political activism for the rest of her life, running for Lieutenant Governor on the American Labor Party ticket in 1954. She passed away in 2003, unrepentant to the end, at the age of 93.

Alice
The Drover’s Wife: The Legend of Molly Johnson
The Woman King (RUNNER UP)
Women Talking (WINNER)

ACTING AND ACTIVISM AWARD
Geena Davis (WINNER)
Frances McDormand
Nichelle Nichols

LIFETIME ACHIEVEMENT AWARD
Angela Lansbury
Rita Moreno (WINNER)

THE WOMEN FILM CRITICS CIRCLE PAULINE KAEL JURY AWARDS 2022

BEST FEMALE ACTION HERO
Keke Palmer, Alice

BEST DIRECTRESS: COURAGE IN FILMMAKING
Olivia Wilde, Don’t Worry Darling

COURAGE IN ACTING
[Taking on unconventional roles that radically redefine the images of women on screen]
Danielle Deadwyler, Till
Anamaria Vartolomei, Happening

WOMEN’S WORK – BEST ENSEMBLE CAST
The Woman King

THE INVISIBLE WOMAN AWARD
[Supporting performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored]
Charmaine Bingwa, Emancipation

BEST KEPT SECRET
 – Overlooked Challenging Film Gems
Amitabh Reza Chowdhury, Rickshaw Girl
Nana Mensah, Queen Of Glory

WOMEN SAVING THEMSELVES AWARD
The Janes

MOMMIE DEAREST WORST SCREEN MOM OF THE YEAR
Blonde, Julianne Nicholson as Gladys

HALL OF SHAME
‘Unique, provocative and stylishly opinionated’…Fasten your seat belts!
[Individual WFCC Member Picks]

*The Gotham Awards. For removing the category Best Actress, in the further erasing of women.

*Anatomy Citation. “It doesn’t matter how much I do, I’m still not going to get paid as much as that guy, because of my vagina.” – Jennifer Lawrence speaks out against the continuing literal shortchanging of actresses – regarding Lawrence paid five million dollars less than Leonardo DiCaprio for “Don’t Look Up,” and less than the male cast Bradley Cooper, Christian Bale and Jeremy Renner for “American Hustle.”

*Cringe Citation. Harvey Weinstein’s shameful audiotape recordings. And being reminded of them/him in “She Said.”

*Too Much Information Citation: Emma Thompson, for “Good Luck To You, Leo Grande.”

*Blonde. For depicting only the worst fantasies about Marilyn Monroe, and none of her beauty, grace and intelligence.

*More Blonde. A film that re-exploited Marilyn Monroe and made me feel bad for her. She never had a chance in a man’s world, and this film exploited her again through the unnecessary explicit scenes.

*And More Blonde. An overrated actress romping through the film exposing herself. And why the constant showing of embryos, is it to champion pro-lifers.

*Even More Blonde. Completely inaccurate. The portrayal of the actress is shallow and cliched, and the part of the speaking embryo comes across as a disquieting anti-abortionist statement.”

*She Said. A drama about the NY Times investigation into the sex charges against Harvey Weinstein, “She Said” comes off more as a self-congratulatory promo for the NY Times, than emphasis on its victims and intimating a kind of damage control there for its own numerous scandals – the weapons of mass destruction hoax, and most recently calling for the release of Julian Assange –  without an apology for the paper’s media participation in orchestrating his incarceration.

*The Cannes Film Festival. For disrespecting credentialed Deadline critic and distinguished WFCC member Valerie Complex, treating her with racist implications as an intruder there.

*Shame On DOC NYC. For announcing then scrubbing the name off their public list, secretly inviting as guest of honor a cinematographer from the Ukraine Neo-Nazi Azov Battalion, Dmytro Kozatsky, who sports Nazi tattoos, and is fond of creating photographs of swastika carved pizzas, while dragging out from the premises a young woman protesting the event.