4 Shots From 4 Films: Special Francois Truffaut Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 93rd birthday, TSL pays tribute to the great Francois Truffaut.  No one captured the act of falling in love in life, people, and cinema with the skill, sensitivity, and humor of Francois Truffaut.  It’s time for….

4 Shots From 4 Francois Truffaut Films

The 400 Blows (1959, dir by François Truffaut, DP: Henri Decae)

Shoot the Piano Player (1960, dir by François Truffaut, DP: Raoul Coutard)

The Story of Adele H. (1975, dir by Francois Truffaut, DP: Nestor Almendros)

The Last Metro (1980, dir by François Truffaut, DP: Nestor Alemndros)

Music Video Of The Day: you’re like me by Shower Curtain (2024, dir by ????)


Today’s music video of the day is a rather moody piece of nightlife from Shower Curtain.  Watching this video really took me back to the day when they was nothing better than going out at one in the morning and being jaded.

Enjoy!

Late Night Retro Television Review: Monsters 3.8 “Shave and a Haircut, Two Bites”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

Who needs a haircut?

(What is it with today’s reviews and hair?)

Episode 3.8 “Shave and a Haircut, Two Bites”

(Dir by John Strysik, originally aired on November 18th, 1990)

Tom (played by a young Matt LeBlanc) stands in front of an old timey barbershop and remembers when he was a teenager and he learned the truth about the place.  His friend, Kevin (Wil Wheaton), lived across the street from the barbershop and was convinced that the two elderly barbers who owned the place were actually vampires.  Kevin pointed out the customers were going inside with big jars of blood and then coming with little jars of blood.  Tommy remained skeptical.  I’m not sure why.  Jars of blood are a HUGE red flag.  Still, Tommy warned Kevin that if he continued to follow his vampire theory, he would probably get kicked out of all of his honors classes.  That was a risk that Kevin was willing to take.

Tommy and Kevin snuck into the barbershop one night and searched for evidence of vampires.  Kevin was serious while Tommy treated the whole thing as just being a big joke.  They were caught by the two barbers, Mr. Innes (John O’Leary) and Dr. D’Onofrio (Al Mancini), who revealed that they were not vampires.  Instead, they were just two guys who worshipped a giant slug creature who lived in the basement.  The slug creature stayed alive by drinking the blood that was brought into the barbershop.  In return, it offered up a smaller amount of its blood for the donors to drink.  The blood apparently allowed to people to live for a very long time.  So, I guess they were vampires but not really.

In the present, Tom gets a shave and a haircut and allows Kevin to draw some of his blood.  Then Kevin gets in the barber chair and Tom picks up the razor blade.  They both have noticeable scars on their neck.

This was an odd episode.  It was full of atmosphere and Tom’s voice over contributed to the creepy vibe.  It was generally well-acted.  Not even Wil Wheaton was too annoying.  The premise of the episode was intriguing but the episode’s pay-off fell a little flat.  I was happy that the show did something other than vampires but the weird slug creature really wasn’t that compelling either.  It felt like something out a Lovecraft short story but Lovecraft’s style of horror always works better when it’s something that the reader has to imagine as opposed to actually seeing.  This episode played out like an odd dream.  Even the ending feels like a fragment from a bigger narrative that has been lost to time.

Overall, though, I liked this episode and I appreciated the strange atmosphere.  Monsters was always the most fun when it was weird and this episode was definitely that.

 

Retro Television Review: The Love Boat 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Julie wears a wig!

Episode 5.16 “Green, But Not Jolly/Past Perfect Love/Instant Family”

(Dir by Richard Kinon, originally aired on January 30th, 1982)

“Where’s Julie?” Captain Stubing demands and he’s got good reason.  The Love Boat is only a few minutes away from setting sail.  The passengers are checking in and being given directions to their cabins.  And yet, Julie McCoy — the cruise director — is nowhere to be seen!

Fire him, Captain!  Seriously, she’s been erratic this entire season and she seems to have a permanent cold so it’s time to get a new cruise director.

Julie shows up at the last minute.  She reveals that she’s late because she went to see her hair dresser.  And now, she’s a platinum blonde!  She says that she’s proud of her new look.  The rest of the crew pretends to like it.  As for those of us watching, it’s hard not to notice that Julie is actually just wearing a very obvious wig.

Watching this episode, I couldn’t help but think about the fact that, according to a documentary about the show that I recently watched on Tubi, Lauren Tewes was dealing with a fairly serious cocaine problem during the fifth season.  I don’t say that suggest anything bad about Lauren Tewes.  From what I’ve read, cocaine was everywhere in the 80s and she’s hardly the only performer from the time to get into trouble with it.  (Tewes, it should be noted, went to rehab and cleaned herself up.)  Instead, I point that out because a lot of Julie’s actions during the fifth season seem as if they’re best explained by Julie being under the influence.  The moodiness, the impulsivity, the fact that she suddenly doesn’t seem to be all that focused on her job, I think Julie had a problem!  Her hair isn’t platinum blonde.  It’s cocaine white!

Gopher eventually works up the courage to tell her that her new hair color is not flattering.  (And, to be honest, he’s right.)  Gopher gives her some hair dye that he picked up — uh oh! — and Julie uses it — JULIE, WHAT ARE YOU DOING!? — and she wakes up the next morning with green hair.  Julie spends the rest of the cruise in her cabin while the rest of the crew feels guilty.  Even Vicki has a hard time talking to Julie with her green hair.  Then the rest of the cruse decides to die their hair green in solidarity with Julie, just to discover hat Julie’s hair has gone back to its natural color….

Yeah, it’s silly but I kind of enjoyed the storyline.  I like stories about the crew and the members of the cast had enough chemistry that they could even carry a story as silly as this one.  They’re a fun group to watch.

As for the other two stories, Lynda Day George boards the ship with her hyperactive son (a young Corey Feldman).  She meets a high school coach (John Philip Law) who is not scared by her son.  This was a predictable story but I’m a horror fan and an Italian movie fan so seeing George, Feldman, and Law interacting made up for any narrative flaws.

The third story starred Bert Convy and Tanya Roberts and it was about reincarnation.  I don’t believe reincarnation, mostly because people who claim to remember their past lives never remember anything boring.  Instead, they always remember being members of French royalty or the mistress of a Spanish pirate.  As for this story, Convy lies and tries to convince Roberts that they were lovers in a past life.  But then he has black-and-white visions of a chandelier falling on Roberts.  Maybe they were once lovers at another time!  Honestly, who cares?

This was an above average cruise.  I’m glad Julie finally took off that wig.

 

Scenes That I Love: The Tiger Scene From Manhunter


Since today is Michael Mann’s birthday, today’s scene that I love comes from his 1986 film, Manhunter.

In this scene, a blind woman (played by Joan Allen) pets a sedated tiger while her new boyfriend (Tom Noonan) watches.  This would actually be a pretty romantic scene if not for the fact that her boyfriend is also a homicidal maniac.  This is a scene that, when you watch the film, seems to come out of nowhere but, when you look back, you realize it was one of the key moments in the narrative.  While the killer watches the woman who represents a possible redemption embrace another predator, the profiler played by William Petersen continues his way into the killer’s tortured psyche.

This scene is Michael Mann at his best.

4 Shots From 4 Films: Special Michael Mann Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the 82nd birthday of the great Michael Mann!  It’s time for….

4 Shots From 4 Michael Mann Films

Thief (1981, dir by Michael Mann, DP: Donald Thorin)

Manhunter (1986, dir by Michael Mann, DP: Dante Spinotii)

Heat (1995, dir by Michael Mann, DP: Dante Spinotti)

Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)

Song of the Day: Night Train to Mundo Fine by John Carradine


On this date, 119 years ago, the great actor John Carradine was born in New York City.

Over the course of his career, Carradine worked for just about everyone.  He appeared on stage.  He appeared in film and television.  He played the great roles of Shakespeare and he also played Dracula.  He was a part of both the John Ford and the Fred Olen Ray stock companies.  He had a reputation for taking almost any role offered to him and, as a result, his huge filmography offers up a wonderful amount of variety.

He was also a singer!  Here he is performing today’s song of the day, Night Train to Mundo Fine!  This song was featured Coleman Francis’s Red Zone Cuba.  Say what you may about the song or the film, how can you not love Carrdine’s dramatic (and perhaps slightly mocking) delivery of the lyrics?

Late Night Retro Television Review: Pacific Blue 1.5 “Out Of The Past”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This show is proving difficult to review.

Episode 1.5 “Out of the Past”

(Dir by Terrence O’Hara, originally aired on March 30th, 1996)

Look, I tried.  I really did.

This episode should have fascinated me.  It featured three storylines.  Palermo was told take a vacation when it became obvious that a serial killer known as The Angel (Tim Thomerson) had returned to the beach and was targeting doctors.  Palermo and The Angel had a history, with Palermo failing to capture The Angel during the killer’s previous spree.  This time, The Angel tried to force a journalist (played by Barry Miller) to record his crimes for posterity.

Meanwhile, Chris and TC went undercover as guests at a hotel so that they could catch a thief and a peeping tom.  Chris and TC pretended to be romantically involved and were so dedicated to maintaining the act that they ended up spending a good deal of the episode hanging out together in their underwear.

Finally, both TC and Del Toro were obsessed with catching a speeding biker who continually managed to outrun and outmaneuver them.  Compounding their embarrassment was the revelation that the biker was a woman.

Mystery, empowerment, and lingerie.  Those are three of my favorites things but this episode still managed to thoroughly bore me.  I had to view it three times because I kept getting distracted whenever I tried to sit down and just watch the show.  Admittedly, with my ADHD, my attention span is on the short side but still, this episode of Pacific Blue was remarkable in that, no matter what happened, I just didn’t care.

Why?  Why can’t this show even work in a so-bad-its-good kind of way?  The characters are just boring and interchangeable.  The men are all grim and serious-minded and, physically, they’re all the same type.  They’re all tall and lean and blandly handsome and none of them have any quirks or interests to really make them stand-out.  The women are also bland and spend most of their time smirking at their male co-workers.  Who are these people?  Who cares?

Perhaps the biggest flaw with this episode and the show so far is that the members of the bicycle patrol just look dorky and they peddle around the beach.  The worse thing is when they have to chase a suspect down a flight of stairs and they literally pick and carry their bicycles as they do so.  It’s hard to take bicyclists seriously, even when they’re cops.

Watching the show, I kept thinking about the bicycle cops who used to patrol the campus where I went to college.  No one took them seriously and everyone knew the experience of being yanked over by one of them and being asked, “You been drinking tonight?” when you were totally sober.  It happened to me, one night, when an old ankle injury was acting up and I was walking with a slight limp.  I was already feeling self-conscious about it and getting stopped when all I wanted to do was get home and rest my ankle didn’t help.  The insistence that I must have been drunk or otherwise under the influence and also the assumption that I was obligated to stand around while the cops slowly talked to each other left me feeling violated.  Whenever I see TC or Palermo sitting on their bikes with their oh-so serious “I am a badass” facial expressions, I remember every bad experience that I’ve ever had or I’ve ever seen someone else have with a cop.

My hope is that Pacific Blue, over the course of its run, eventually found a way to make its characters less annoying and more likable.  (For instance, I don’t mind the cops on CHiPs because at least they’re entertaining.)  I guess we’ll find out!

Retro Television Review: Fantasy Island 6.4 “The Angel’s Triangle/Natchez Bound”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, an angel comes to the Island.

Episode 6.4 “The Angel’s Triangle/Natchez Bound”

(Dir by Bob Sweeney, originally aired on November 6th, 1982)

Death takes a holiday!

Well, not literally.  The Angel of Death, Michael Eden (played by Gary Collins), does come to Fantasy Island but he’s working.  Years ago, he was meant to take soul of Catharine Harris (Carol Lynley), a woman who was in a car accident with her husband, Brent Harris (Doug McClure).  Michael could not bring himself to allow Catharine to die.  So, she miraculously survived.  But now, years later, Michael has been sent to collect the soul of Brent.  Brent and Catharine have come to Fantasy Island to have the honeymoon they missed out on due to the car accident.  Michael has come to make sure that the honeymoon is a tragic one.

Michael very much wants to take Brent’s soul.  If Brent’s dead than maybe Michael and Catharine could (somehow) be together.  But when Brent is taken ill and sent to the Fantasy Island hospital, Michael sees how much Catharine loves her husband.  And he allow Brent to live, which seems a bit unfair to …. well, like anyone.  Or at the very least, anyone who has ever died or lost a loved one.

The interesting thing about this fantasy was that it established that Roarke is apparently not an angel.  When Roarke introduces Tattoo to Michael, Roarke says that Michael “is not like us.”  This leads to a funny moment in which Tattoo, upon hearing that Michael is the angel of death, announces that he some work to catch up on.  I always like it when Tattoo gets to do more than just wave at the airplane.  As for the rest of this fantasy, it wasn’t bad.  Carol Lynley did a good job as Catharine.  Gary Collins was a bit stiff but it kind of worked for his character.  Doug McClure was as goofy as ever.

The other fantasy features Jennilee Harrison as Jenny Ryan, a Vegas card dealer who wants to work on a Mississippi steamboat.  She gets her wish and promptly gets involved with helping a writer named Samuel Clemens (Stephen Shortridge, a.k.a. Beau on Welcome Back Kotter) and a kid named Huck Finn (Adam Rich) hide an escaped slave (Sam Scarber) from a dastardly gambler and slave hunter (Roddy McDowall).  Did I mention that Clemens is having trouble coming up with a plot for his new book?  Jenny inspires Mark Twain, helps Jim get to safety, and returns to the present with a pet frog.  Sure, why not?  This storyline was predictable, largely because I read Huckleberry Finn in high school.  However, Stephen Shortridge was, somewhat surprisingly given his work on Kotter, perfectly charming as Mark Twain and Roddy McDowall obviously enjoyed hamming up his villainy.  (To be honest, when I saw Roddy’s name in the opening credits, I was hoping he’d be returning as Satan.)

This was not a bad episode, especially compared to the previous season 6 episodes.  Both fantasies held me attention and apparently, the Angel of Death will leave you alone if he thinks you’re cute.  That’s good to know!