Song of the Day: Wild Thing by The Troggs, featuring Oliver Reed

Posted on February 13, 2025 by Lisa Marie Bowman

The late, great British actor Oliver Reed was born 87 years ago in London. Reed was one of those actors who was so infamous for his often alcohol-fueled exploits off-screen that it was often overlooked that he was also a very talented man whose ability to create intriguing characters was appreciated by directors Ken Russell and whose powerful screen presence went far beyond his famously scarred face. Oliver Reed was one of the actors considered for the role of James Bond after Sean Connery left the part. With his physicality and his dangerous smile, Reed would have offered an intriguing take on the character.

A British cultural icon, Oliver Reed was someone who tended to show up in the least expected places. In 1992, The Troggs rerecorded and rereleased their best-known song, Wild Thing. Accompanying them in the recording was none other than Oliver Reed. In honor of an actor who could do it all, here is today’s song of the day!

Wild thing, you make my heart sing
You make everything groovy, wild thing
Wild thing, I think I love you
But I wanna know for sure
Come on and hold me tight
I love you

Wild thing, you make my heart sing
You make everything groovy
Wild thing

Wild thing, I think you move me
But I wanna know for sure
Come on and hold me tight
You move me

Wild thing, you make my heart sing
You make everything groovy, wild thing
C’mon, c’mon, wild thing
Check it, check it, wild thing

Songwriters: Matt Dike / Marvin Young / Anthony Terrell Smith

Scenes That I Love: William Holden and Kim Novak in Picnic

Posted on February 13, 2025 by Lisa Marie Bowman

Today is Kim Novak’s 92nd birthday!

Today’s scene of the day is the wonderfully sensual dance scene that she shares with William Holden in 1955’s Picnic. Picnic is a film that has its flaws, the main one being that William Holden, as charming and ruggedly handsome as he is, is a bit too old for the lead role. But none of that matter once he and Kim Novak start dancing.

(At around the 18 second mark, the picture appears to freeze but don’t panic. That’s a glitch in the upload and it only lasts for a second or two.)

4 Shots From 4 Films: Special “Love” Edition

Posted on February 13, 2025 by Lisa Marie Bowman

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Valentine’s Day is right around the corner! Let’s get a head start!

4 Shots From 4 “Love”ly Films

Love Story (1970, dir by Arthur Hiller, DP: Richard Kratina)

The Spy Who Loved Me (1977, dir by Lewis Gilbert, DP: Claude Renoir)

Shakespeare In Love (1998, dir by John Madden, DP: Richard Greatrex)

Only Lovers Left Alive (2013, dir by Jim Jarmusch, DP: Yorick Le Saux)

Music Video of the Day: Tunnel Vision by Beach Bunny (2025, dir by Bertie Gilbert)

Posted on February 13, 2025 by Lisa Marie Bowman

We’ve all been there.

Enjoy!

Late Night Retro Television Reviews: Monsters 3.9 “The Young and the Headless”

Posted on February 12, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, Monsters loses its head of another series.

Episode 3.9 “The Young and the Headless”

(Dir by Tom Abrams, originally aired on November 25th, 1990)

As you can tell from the title, this episode of Monsters is meant to be a parody of soap operas. Two scientists, Victoria (Karen Valentine) and Edward (George Reinhardt), have been have been married ever since Victoria’s lunkhead ex-boyfriend, Hunk (John Schiappa), disappeared while on a soldier of fortune mission. However, when Hunk suddenly returns, Victoria and George are left with a dilemma, especially after Edward tricks Hunk into killing himself and then removes his head.

Victoria and George decide to reanimate the headless Hunk, bringing him back to life with microchips. (Sure, why not?) They treat the headless Hunk as a servant but it turns out that Hunk doesn’t need a brain to get his revenge.

The plot was nonsense but the episode did have good performances and a memorable monster in headless Hunk. I think the main problem is that the episode tried very hard to parody the soap opera genre but, since most soap operas are already self-parodies that cheerfully embrace the melodrama and make no attempt to pretend to be realistic, a lot of the humor fell flat. It’s hard to make fun of a genre that is, for the most part, defined by its self-awareness.

Retro Television Review: The Love Boat 5.17 “The Return of the Captain’s Lady/Love Ain’t Illegal/The Irresistible Man”

Posted on February 12, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

It’s time for another trip on The Love Boat! We’re a little late setting sail today but it happens. Let’s see what’s happening on this cruise….

Episode 5.17 “The Return of the Captain’s Lady/Love Ain’t Illegal/The Irresistible Man”

(Dir by Howard Morris, originally aired on February 6th, 1982)

This week’s cruise is all about people being stupid.

For instance, George Boggs (Dick Martin) wants to embezzle some money from his company but he can’t run the risk of his business partner, Irwin (Robert Mandan), finding out. So, George tells his secretary, Marge (Phyllis Davis), to keep Irwin distracted while George steals the money. However, Marge really does fall for Irwin. This was a very predictable storyline and it suffered from Dick Martin continually mugging for the camera and acting so obviously guilty that there was no way that the entire world wouldn’t have noticed what he was doing. Still, if you’re a fan of sitcoms from the 70s and 80s, it’s always interesting to see Robert Mandan playing a sympathetic character for a change.

Things get even dumber when Doug Bridges (Linwood Boomer) decides that the best way to get Pam (Lydia Cornell) to notice him would be to fake being pulled into a broom closet and kissed by an amorous woman who then, in Doug’s telling of the story, runs off and disappears. Soon, the entire ship is looking for Doug’s mystery woman. Why this would get Pam to like Doug, I’m not sure. Pam’s best friend (Pat Klous) does like Doug so she pretends to be the mystery woman. Of course, Doug can’t reveal that she’s lying because that would mean revealing that he was lying and …. as I said, this story was dumb. Dumb, dumb, dumb!

Finally, Captain Stubing’s ex-fiancé, Linda (Pat Crowley) boards the ship and the Captain is super excited! He starts to rekindle their relationship and soon, he’s even thinking of proposing. Yay! Vicki’s finally going to have a stepmom …. oh wait. Hold on. It turns out that Linda’s married and she just boarded the boat and allowed herself to be romanced by the Captain without telling him any of this because …. reasons, I guess? I mean, don’t get me wrong. Linda is not happy with her marriage and is in the process of getting a divorce but she doesn’t tell any of that to the Captain. Merrill thinks that Linda is single and ready to get married. Nope, Linda was just looking for a fling and is not ready to get married again. Poor Merrill! At least he has the crew looking out for him….

Ugh. This episode. Listen, I am more than willing to suspend my disbelief when it comes to this show. Usually, I absolutely love The Love Boat. But usually there’s at least one sort of funny or sweet story to go along with the ones that are less memorable. None of the stories worked on this cruise and that’s a shame. That said, I’ll be back next week. The Love Boat promises something for everyone, afterall.

Are You Ready For The Slaughter Brothers Dime Circus?

Posted on February 12, 2025 by Lisa Marie Bowman

Back in 2022, I was lucky enough to get a chance to view and review Richard Burgin’s Fang, a visceral work of body horror that not only captured the paranoia and fear of our increasingly isolated society but which also featured an excellent performance from the iconic Lynn Lowry. It’s a wonderful film and one that I continue to recommend. With the horror genre running the risk of being commercialized and compromised by the big studios that, just a few years ago, refused to even consider supporting the genre, it is more important than ever to support indie horror and independent filmmakers.

Richard Burgin’s upcoming project promises to be another unique excursion into the world of indie horror. The Slaughter Brothers Dime Circus is described as being “(a) calliope-fueled comic nightmare. A surrealist horror circus mindbender.” The production, which takes inspiration from both classic horror and film noir, takes place at a dilapidated carnival and it will explore both the lives of those who work at the carnival and also the horror that lurks underneath the show. The Slaughter Brothers Dime Circus was originally a stage show that, like so many creative endeavors, ran afoul the COVID lockdowns. The stage show was transformed into a radio show and now, director Burgin and the show’s writer, Sean Sullivan, are hoping to adapt into a feature film.

And I hope they do! The premise sounds intriguing and Richard Burgin has already shown, with Fang, that he can craft a surprising and moving horror film. As well, I think we’re just now coming to terms with just how much the creative industry suffered as a result of the COVID era. As a result of the pandemic and how the fears of COVID were handled, so many theatrical and cinematic projects were derailed and many of them are just now getting back on their feet. Some projects never recovered. So many theaters shut down permanently as a result of the pandemic that I always have to cheer whenever I hear about one that has reopened. That’s the beautiful thing about creative people. We have faith in our vision and we don’t give up. Not only do I want to see this film for its story but I also feel that its production will prove the resilience of the creative spirit.

You can find out more about this project at their indiegogo site. As I sit here typing, this project has raised 69% of its goal. H ere’s a link to their site, which has more information about the film, its story, and the people involved in producing it. I’m looking forward to reviewing this one!

Song of the Day: Lincoln Suite by John Williams

Posted on February 12, 2025 by Lisa Marie Bowman

Seeing as today is Lincoln’s Birthday, it seems appropriate that today’s song of the day should come from John Williams’s score of Steven Spielberg’s Lincoln, performed here by the Film Symphony Orchestra.

4 Shots From 4 Films: Special Darren Aronofsky Edition

Posted on February 12, 2025 by Lisa Marie Bowman

Today, the Shattered Lens wishes a happy 56th birthday to one of our favorite filmmakers, Darren Aronofsky! When we first started this site, we were eagerly awaiting the release of Black Swan. Now, ten years alter, we’re eagerly awaiting the release of Aronofsky’s next film, whatever it may be.

In honor of the birthday of a true visionary director, here are….

4 Shots From 4 Darren Aronofsky Films