As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial! The movie? 1986‘s Nomads!
If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Kotcheff directed a lot of classic films but perhaps the most influential was 1982’s First Blood. In today’s scene that I love, John Rambo (Sylvester Stallone) is arrested by Sheriff Will Teasle (Brian Dennehy). Teasle may think that he’s keeping his community safe and teaching Rambo a lesson about respecting authority but, needless to say, he’s making a huge mistake.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today is John Milius’s birthday and you know what? It should be a national holiday!
It’s time for….
4 Shots From 4 John Milius Films
Dillinger (1973, dir by John Milius, DP: Jules Brenner)
Big Wednesday (1978, dir by John Milius, DP: Bruce Surtees)
Conan The Barbarian (1982, dir by John Milius, DP: Duke Callaghan)
Red Dawn (1984, dir by John Milius, DP: Ric Waite)
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!
This week, Judith Light has got a gun!
Episode 1.18 “Dog Day Hospital”
(Dir by Victor Lobl, originally aired on March 22nd, 1983)
Finally, Dr. Ehrlich is performing his first solo operation. Dr. Craig is assisting but Ehrlich is in charge. He gets to play his music in the OR. He gets to decide what type of retractor to use. It’s a simple hernia operation. The patient (Sam Anderson) is awake and babbling through the whole operation.
Unfortunately, there’s also an angry woman in the OR and she has a gun. Barbara Lonnicker (Judith Light) is eight months pregnant, despite her husband claiming that he got a vasectomy at St. Eligius. As she already has several children to deal with, she wants to see the doctor who screwed up the vasectomy but she’s just as willing to shoot any other doctor to get her revenge. The operation continues while Dr. Craig and Dr. Westphall negotiate with her.
I have to admit that I did find a lot of this episode to be amusing. Ehrlich’s excitement over getting to do his first operation, Dr. Craig’s stuffy annoyance with being interrupted by a woman with a gun, and the patient’s nonstop rambling all made me smile more than once. And Judith Light, not surprisingly, was great as the woman with the gun. I loved the her husband was played by Tom Atkins. You never know who you might see at St. Eligius! That said, after the episode ended, I couldn’t help but think about how dumb the whole thing actually was. How are people always managing to get guns into St. Eligius? How did Barbara manage to get into an operating room without being stopped beforehand? (Luther does tell her that she can’t be back there but he’s the only one who seems to notice her before she bursts into the OR.) How come no one in the hospital seems to be more upset about the fact that there’s a woman waving a gun around an operating room? At one point, Barbara shoots Ehrlich’s radio and hardly anyone seems to react. The plot is played for laughs and that’s fine. But, in this case, the story was a bit too implausible for its own good.
Meanwhile, Nurse Rosenthal returned to work after her mastectomy and struggled to get back into her routine. Carolyn Pickles did a great job portraying Rosenthal in this episode. And Fiscus and Shirley Daniels visited an old woman in a nursing home. The subplots were handled well but, for the most part, this episode still felt as if it was trying a bit too hard.
In 2015’s DeadlySanctuary, Philadelphia reporter Kendall O’Dell (Rebekah Kochan) relocates to a small town in Arizona and proceeds to spend the majority of the movie complaining about it.
Seriously, I could relate to Kendall to an extent. We both have red hair. We both have asthma. We both hate snakes. We both wear high heels in the desert. We’ve both run outside in our underwear after coming across a tarantula in our house. But, even with all that in mind, even I quickly got annoyed with listening to her complain about every little thing. Her father got her a job at the Arizona newspaper so, of course, Kendall calls him up to complain about the desert. An old man stops and helps to shoo a snake away from Kendall’s car so, of course, Kendall gives him the glare of death when he casually calls her “sweetie.” (The guy’s 70 and was clearly not hitting on Kendall so maybe he can be forgiven for not speaking like a 30-something grad student.) Kendall shows up late for her job interview so, of course, she complains about the newspaper to her editor (Eric Roberts). Kendall gets a place to live, rent-free. She complains about the house being located near a mental hospital. Kendall’s co-worker, Ginger (Teri Lee), sets Kendall up with both a handsome cowboy (Marco Dapper) and the richest man in town (Peter Greene) and, of course, Kendall finds an excuse to complain about it.
Eventually, a plot of sorts kicks in. Kendall investigates the death of her predecessor and discovers that the sheriff (Dean Cain) doesn’t seem to be all the interested in solving any of the murders that seem to occur around town. She also tries to set up an interview with Dr. Price (Daniel Baldwin), the owner of the mental hospital, but it turns out that he doesn’t want to talk to her. He doesn’t care that she once wrote a series of articles about mental health in Philadelphia. (Yikes! I’ve seen Parking Wars so I can only guess how scary that must have been.)
Kendall hears strange voices in her house and spiders keep showing up at inopportune moments. Who can she trust? Who is the bad guy here? The rich guy or the salt-of-the-Earth cowboy dude? Well, I won’t spoil the film. I will say that the plot had potential but the poor pacing and the unlikable lead character eventually combine to do this movie in.
Eric Roberts is his usual avuncular self in this film. He spends most of his scenes sitting behind a desk. The rest of the film’s celebrity cameo budget was apparently spent on Dean Cain and Daniel Baldwin, both of whom seem rather bored with the whole thing.
Previous Eric Roberts Films That We Have Reviewed:
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1968’s DestroyAllMonsters, with Godzilla and friends!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
This week, Jonathan and Mark help out at a halfway house.
Episode 3.19 “Normal People”
(Dir by Michael Landon, originally aired on February 11th, 1987)
This week, Jonathan and Mark find themselves assigned to work as handymen at a halfway house for patients who have recently been released from a mental hospital but who are still not quite ready to reenter the society. As usual, Mark is skeptical about working with anyone outside of his comfort zone but Jonathan soon shows him the error of his ways. It seems like almost every assignment was really about teaching Mark to be more tolerant of people who were different than him.
The neighbors aren’t happy about having a halfway house in their neighborhood. They vandalize the yard. They blame the patients for every little thing. When some neighborhood kids accidentally start a fire, the blame is put on a teenager at the halfway house. Jonathan encourages the patients to try to leave the house and socialize and show everyone that they are just like normal people. Jonathan also punishes one snobbish neighbor by causing her to have mishap with a stack of melons at a grocery store. I’ve noticed that, during the third season, Jonathan and the Boss seem to take an extra delight in humiliating people.
Eventually, the stupid kids start another fire, which gives one of the patients that chance to save their lives. It also reveals that the patient was not responsible for the earlier fires. Everyone comes to realize the error of the ways. Hurray!
This was a good example of how Highway to Heaven‘s earnestness often made up for scripts that were a bit obvious and heavy-handed. There’s nothing subtle about this episode but it’s still so achingly sincere in its message of tolerance that it’s hard not appreciate it. The show’s good intentions stand the test of time.
Through the Shattered Lens 