Late Night Retro Television Review: CHiPs 5.14 “Tiger In The Streets”

Posted on April 6, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, there’s a big cat on the loose!

Episode 5.14 “Tiger In The Streets”

(Dir by Charles Bail, originally aired on January 10th, 1982)

Ponch and Baker wonder why someone is digging deep holes in the Los Angeles hills and filling them with raw meat. Could someone by trying to capture a tiger that’s recently gotten loose from a wildlife park? Yes, that’s exactly what’s happening! The owner of the park wants to keep the cops from finding out but, when it turns out that the tiger is a mother and is missing her cubs, only the highway patrol can help Animal Control capture her. Baker likes Stephanie, the Animal Control officer. This is one of the rare episodes where Baker actually gets to have a romance while Ponch stands around and looks awkwardly out-of-place.

As for Ponch, he is more concerned with an ex-con who is at the center of a series of violent confrontations involving various car clubs. I’m pretty sure I’ve seen this plot before. CHiPs has been repeating itself a lot during the fifth season. That said, the car chases led to a slow motion wreck and a scene of bouncing hydraulics. I’ve never been in one of those bouncing cars before. It seems like you would get ill riding in one of those.

Finally, Grossie wants to be a comedian. Harlan is a friend of legendary funny man Slappy White. Harlan gives Grossie a bunch of Slappy’s jokes about how black people are different from white people. Needless to say, the jokes don’t go over that well when they’re told be a white guy in a policeman’s uniform.

This episode was silly but I did like the tiger.

Late Night Retro Television Review: CHiPs 5.13 “Breaking Point”

Posted on March 30, 2026 by Lisa Marie Bowman

This week, Ponch worries that he’s lost his touch.

Episode 5.13 “Breaking Point”

(Dir by Leslie H. Martinson, originally aired on January 3rd, 1982)

While pursuing a car thief, Ponch loses control of his motorcycle and crashes through the glass door of a jewelry store. He smashes into a display case and finds himself trapped underneath a shelf of jagged glass. One wrong move and he could lose his head!

Now, Baker and the other cops are able to rescue Ponch and move the display case. Still, the experience leaves Ponch so shaken that he starts to doubt himself. He starts to find excuses to not go out on his bike. He does paperwork back at headquarters. He claims that his bike has a vibration. The other members of the Highway Patrol start to whisper that Ponch is not pulling his weight. Getraer tells Ponch to take some vacation time and to get his head together.

Ponch’s sister, Patti (Maria O’Brien), is visiting. She’s a nurse but, like Ponch, she’s having doubts about her job. She would rather be a model, despite not being particularly attractive. Ponch isn’t happy about Patti giving up her career but he does arrange for Patti to spend some time with Jon’s model girlfriend, Christy (Mary Angela Young). While Patti and Christy are chatting, a man has a heart stroke and Patti saves his life. Patti realizes that her job is important and this leads to Ponch deciding that his job is important too.

I’m going to guess that this was designed to be Erik Estrada’s Emmy episode. Estrada does his best to capture Ponch’s uncertainty and his conflicted emotions but the thing with Erik Estrada is that you look at him and you just can’t believe he’s ever had a moment of self-doubt in his entire life. By the end of the episode, Ponch is back on his bike and flashing his big smile and there was never any doubt that he would be.

Even with Estrada hamming it up for the Emmy judges, this episode found room for two slo mo of doom accidents. How anyone could have survived the second accident, I have no idea. And yet, it appears that there weren’t any serious injuries. I guess we should be thankful for that!

Late Night Retro Television Review: CHiPs 5.12 “Mitchell & Woods”

Posted on March 23, 2026 by Lisa Marie Bowman

This week …. hey, what is this!?

Episode 5.12 “Mitchell & Woods”

(Dir by Bernard L. Kowalski, originally aired on December 18th, 1981)

Paula Woods (Jayne Kennedy) and Melanie Mitchell (Cindy Morgan) may have once just been two members of the highway patrol who were trained by Ponch but they’ve now been promoted to working as plainclothes detectives in Ocean City!

“Look out Ocean City!” Jon Baker says.

When an old high school friend of Michell’s is murdered, Mitchell and Woods uncover a male prostitution ring. Along with bringing the guilty to justice, they also help Chickee (Pamela Susan Shoop) find the courage to leave her abusive relationship….

No, there’s not much motorcycle action. No, there’s no slow motion car crashes. Yes, this is an episode of CHiPs. Well, kind of.

It’s actually a backdoor pilot for a show about Mitchell and Woods. Ponch and Baker show up at the start of the show to wish Mitchell and Woods luck. Ponch and Baker return halfway through the show so that Ponch can tell Mitchell and Woods about an informant named Avrom (Tony Burton). And, finally, Ponch and Baker return at the end of the episode and give our erstwhile detectives a parking ticket.

Backdoor pilots at the worst! You’re all prepared to spend 40 minutes with people you know and suddenly, a bunch of new folks show up and start demanding your attention. It doesn’t help that Mitchell & Woods is a terrible pilot and I’m not really surprised that it didn’t become an actual series. Can Mitchell and Woods prove that woman can be good detectives? Will they ever impress their new boss (Paul Gale)? I don’t really know the characters so I don’t care.

I swear, they could have at least brought back Caitlyn Jenner for this episode.

Late Night Retro Television Review: CHiPs 5.11 “Concours d’Elegance”

Posted on March 2, 2026 by Lisa Marie Bowman

This week, we say goodbye to a member of the highway patrol. Excuse while I wipe the tears away from my myopic eyes.

Episode 5.11 “Concours d’Elegance”

(Dir by John Patterson, originally aired on December 13th, 1981)

This is it. This the final episode to feature the character of Steve McLeish.

Played by a pre-transition Caitlyn Jenner, Steve was introduced as a replacement for Ponch while Erik Estrada was recovering from a stunt gone wrong. Once Ponch rejoined the series, there really wasn’t much for Steve to do but he still stuck around for a few episodes. He only appears for a few minutes in this episode. He arrests some joyriding teens who are constantly trying to get older people to buy them liquor. Maybe they should have asked Steve. He always seemed like was eager to please.

(I should mention that both of the “teens” appear to be in their 30s.)

I’m going to miss Steve, largely because Jenner’s bland performance was so bad that it actually became rather fascinating to watch. In this episode, he continues to deliver his lines with a puppy-dog earnestness that can’t disguise his total inability to show any emotion beyond wide-eyed wonderment.

As for this episode, it featured Baker and Ponch getting involved with a rich family. While matriarch Hannah Chadway (Claudette Nevins) tries to see Baker up with her niece, sleazy Anthony Chadway (Gary Graham) is illegally selling cars and using the family’s charity as a front. At one point, Hannah offers Baker a private security job. Baker turns her down. Couldn’t he have at least put in a word for his friend Steve? Ponch and Baker eventually take it upon themselves to tell Hannah that she needs to get her spoiled family under control. Hannah realizes they’re right. Personally, I would have told Ponch and Baker that it was really none of their business but that’s just me.

This episode feature two slow motion crashes, both of which are so severe that everyone involved should have been killed. (One accidents features not one but two cars flying through a trailer as it explodes.) Oddly, no one is seriously injured. I’m getting the feeling that CHiPs may not have always been a realistic show.

Late Night Retro Television Review: CHiPs 5.10 “Fast Money”

Posted on February 23, 2026 by Lisa Marie Bowman

This week, Ponch is back!

Episode 5.10 “Fast Money”

(Dir by Leslie H. Martinson, originally aired on December 5th, 1981)

This is getting weird.

After being either absent or only appearing in one or two scenes over the past few episodes, Ponch returns this week. He’s once again on active duty, patrolling the California highways with Baker. As much as I notice and joke about the obvious disdain that Erik Estrada and Larry Wilcox held for each other, they do make a surprisingly good team. They just seem to belong together. If I’ve learned anything over the past few weeks, it’s that Larry Wilcox needed Estrada’s flamboyance and that Erik Estrada needed Wilcox’s cool professionalism. They balanced each other out.

With Ponch (and Estrada) back, there’s really no reason for Steve McLeish to stick around. And yet, during this episode — there he was!

He didn’t really have anything to do. Ponch and Baker were after some van-driving engineers who were using a hydraulic lift to hijack other cars. When they figured out which company had developed the hydraulics being used in the crime wave, Steve called the company’s chairman. (Steve says the chairman of the board is an old friend and no one acts surprise. I’m guessing maybe that was an inside joke or some sort of reference to the Olympics.) Later, Steve showed them a mansion that was fixing up so he could flip it. The scenes felt awkward and not just because of the Caitlyn Jenner’s total lack of acting ability. There really wasn’t any reason for them to be in the episode. There was no reason for Steve to be around. Ponch and Baker should have been out there, taking down those nerdy engineers and warning people about the dangers of technology. Instead, they were having to make time to hang out with Steve.

As I watched this episode, it occurred to me that maybe Caitlyn Jenner just refused to go home. Maybe Jenner showed up on set and wouldn’t leave until the writers wrote Steve a few scenes. That theory is really the only one that makes sense.

Anyway, this episode had a few good car crashes. The hydraulic lift was incredibly silly and so was Harlan’s suggestion that they could catch the thieves by tricking them into trying to lift a car that was weighted down with rocks. There was also a big subplot that was centered around Ponch trying to get the shower fixed in his apartment. I always like it whenever the show finds an excuse to show us either Ponch or Jon’s apartment. The wood paneling and the shag carpeting amuses me. They should have called this show Disco Cops.

According to the imdb, next week will be Jenner’s final episode. So, we’ll see how the saga of Steve McLeish comes to an end. I think he’s going to get arrested for taking payoffs from the mob. We’ll see if I’m right!

Late Night Retro Television Review: CHiPs 5.9 “Finders Keepers”

Posted on February 16, 2026 by Lisa Marie Bowman

This week is just a mess.

Episode 5.9 “Finders Keepers”

(Dir by John Peyser, originally aired on November 29th, 1981)

Oh, it’s a Steve McLeish episode!

These episodes are fun because they were so obviously written and re-written to try to cover up the fact that Caitlyn Jenner was a terrible actor. In this episode, we learn that Steve is into rare flowers and that he drives a pretty snazzy convertible. And yet, despite these character details, Steve still doesn’t really have a personality beyond being kind of twitchy and always hesitating before delivering his lines. Jenner seemed to be made out of charisma anti-matter and it’s bizarre to see a public figure with absolutely zero screen presence.

This episode is a mess. Two teens steal a car and come into possession of some stolen money. Steve searches for the stolen car. An eccentric bounty hunter (Noble Willingham) drives from Texas to California in a pink Cadillac and gets in everyone’s way as he chases a fugitive. Oscar nominee Amy Madigan appears as a country singer who would really like to get it on with Baker but Baker always ends up running late. Ponch makes three brief appearances in this episode. It’s explained that he’s preparing to testify in a huge trial and that’s why Baker and Steve are temporary partners. None of the storylines really feel complete or connected. One gets the feeling that three different scripts were just randomly crammed together.

This episode had two effective car crashes and it was somewhat amusing to watch as Baker always showed up just a minute or two after Amy Madigan stopped singing. That said, this episode didn’t add up to much. The only thing that really made it watchable was Jenner’s bizarre performance.

There’s a part of me that kind of hopes that Ponch never comes back! Of course, if that happened, it would no longer be….

Late Night Retro Television Review: Pacific Blue 3.14 “Heartbeat”

Posted on February 10, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Palermo dies but it’s not a permanent condition.

Episode 3.14 “Heartbeat”

(Dir by Terence H. Winkless, originally aired on December 28th, 1997)

This week, Pacific Blue decided to stop pretending that it was anything more than a Baywatch ripoff by having Carmen Electra appear as Lani MacKenzie, the lifeguard that she played on Baywatch. She helped the bicycle cops out with a rescue and then the bike cops helped her out when she had to break up a knife fight on the beach.

Lani was also present to discuss a new program in which two EMTs will ride with the cops. They will learn how to get around on a bicycle while teaching the bike cops stuff like CPR. One of the EMTs is Alexa Cholak (Alex Datcher), an ex-girlfriend of Palermo’s. This complicates things when an explosion rips across the beach. Palermo and a random woman are injured. Alexa and all the bike cops work on restarting Palermo’s heart, giving him mouth-to-mouth and chest compressions. Palermo lives. The woman dies. The woman’s boyfriend then sues the bike patrol because he says that they were so concerned about saving Palermo that they essentially just let his girlfriend die. We’re supposed to dislike the boyfriend but he is actually kind of …. sort of …. right? Chris points out that the woman would have died even if the EMTs had tried to save her but they had no way of knowing that at the time. Essentially, they decided to save their friend Palermo while ignoring someone else who was seriously injured.

This really gets to one of the major problems I have with Pacific Blue. The show just assumes that we’re going to be on the side of the bike patrol no matter what, despite the fact that they often come across as being a bunch of jerks. That’s certainly the case here. When Palermo returns to the office, everyone starts applauding and cheering for him, despite the fact that the dead woman’s boyfriend happens to be standing just a few feet away.

This episode features scenes of the members of the bike patrol being interviewed by a therapist after the explosion. Palermo says that, when he was dead, he didn’t see a bright light or feel any sort of inner peace. He didn’t see his loved ones waiting for him. It’s like even the show is admitting that Palermo is going to go to Hell for creating the bike patrol.

As for the rest of the episode, Chris and Victor investigated the claims of an environmentalist whack job (Michael Houston King) who said that a big evil businessman (Larry Wilcox, of CHiPs fame) was polluting the beach. It turned out the environmentalist was telling the truth. Meanwhile, shaken by the death of the woman and the resulting lawsuit, Alexa resigned from the bike patrol. It would have been touching if Alexa had actually been in more than one episode. Still, each member of the bike patrol popped a wheelie in honor of Alexa. It was dumb. Get those bicycles off the beach!

Stupid episode, this week.

Late Night Retro Television Review: CHiPs 5.8 “Diamond In The Rough”

Posted on February 9, 2026 by Lisa Marie Bowman

Who will be Jon’s partner this week? Read on to find out.

Episode 5.8 “Diamond in the Rough”

(Dir by Leslie H. Martinson, originally aired on November 22nd, 1981)

Erik Estrada is not in this episode which means that a pre-transition Caitlyn Jenner is back as Officer Steve McLeish. Yay! Jenner is just as off-putting and unconvincing as the last time that he appeared on this show. Unfortunately, it appears that the show’s producers picked up on the fact that he wasn’t a particularly good (or even appealing) actor and, as a result, neither Jon nor Steve do much in this episode. It’s almost as if the show’s producer didn’t realize that Jenner’s inability to show emotion or deliver his lines without smiling like a goofball was the most entertaining thing about the episodes without Estrada.

Instead, the episode is split between a veteran thief (Henry Jones) plotting his next robbery and an angry kid named Pat (Nicky Katt, in one of his first roles) who stays with the Getraers while his mother is recovering after a car accident. As the car accident was caused by the thief’s car, Pat is in a position where he can identify the thief. But first, Pat has to stop getting angry at everyone.

This episode didn’t add up too much. The whole thing felt a bit half-baked and one gets the feeling that the script was hastily thrown together so that it wouldn’t require Estrada (who was recovering from a stunt-gone-wrong at the time) while, at the same time, it also wouldn’t require Jenner to do much more other than stand around and direct traffic. Robert Pine gets to do a bit more than usual, which is good because he was the best actor on the show. But still, on the whole, this just didn’t feel like a proper episode of CHiPs.

One final note: Nicky Katt was really good as Pat. Most child actors tend to go overboard and come across as being cutesy. Katt, on the other hand, seemed to be sincerely angry in the role of Pat. Your heart really broke for him. Even as a child actor, Katt was a smart and intuitive actor. He is definitely missed.

Late Night Retro Television Review: CHiPs 5.7 “Bomb Run”

Posted on February 2, 2026 by Lisa Marie Bowman

Who will be Jon’s partner this week? Read on to find out!

Episode 5.7 “Bomb Run”

(Dir by Phil Bondelli, originally aired on November 15th, 1981)

I was really hoping that this would be another episode with Caitlyn Jenner playing Steve but no, Ponch was back. (Erik Estrada is the better actor of the two but Jenner’s performance is often so bizarre in its utter blandness that it becomes fascinating to watch.) This episode opened with Baker observing as Ponch piloted a small airplane. CHiPs was all about the California lifestyle and apparently, a big part of that lifestyle was being able to take off in a small private plane whenever you felt like it. Ponch thinks that he’s ready for a solo flight but Baker tells him that he still needs to work on his landing skills. Sorry, Ponch, you’re not a Kennedy.

The highway patrol is preparing for the big air show. Officer Baricza (Brodie Greer) is surprised when he sees his ex-girlfriend, Terri (Kristin Griffith), hanging out around an airplane and preparing to take part in the show despite the fact that she has always been scared of flying. What Baricza does not know is that Terri and her father (Ed King) have planned a big robbery to take place during the air show. While Terri drops bombs from the airplane, the explosions will cover the sound of two safecrackers (played by Brion James and Taylor Lacher) blowing open a safe and stealing a bunch of bearer bonds. However, things get complicated when the safecrackers illegally park their car (which leads to a helicopter towing it off, carrying it through the sky). Things get even more complicated when Terri’s father has a heart attack when they’re in the air and Baker and Ponch have to perform a mid-air rescue.

So, how does Baricza react to his ex-girlfriend being a criminal? We never find out. Ponch roughly lands Terri’s plane and then show pretty much ends. As a result, we don’t know what happens to Terri and her father. We don’t know if the police succeeded in catching the safecrackers. We don’t even know if Terri’s father merely passed out or if he actually died up there. Instead, Getraer makes a joke about Ponch’s terrible landing skills and we get the familiar CHiPs freeze frame.

This episode featured a lot of airshow stock footage and it was pretty obvious that the plot was secondary to showing off all of the planes doing fancy maneuvers in the sky. It felt a bit lazy on the part of the show’s producers but I also imagine that this episode was also fairly cheap to produce. There’s more stock footage than plot. As a result, the ending is a bit unsatisfying. Is Baricza upset about Terri being a criminal? Who knows? He certainly does seem to be amused by Ponch’s landing though!

Late Night Retro Television Review: CHiPs 5.4 “The Killer Indy”

Posted on January 12, 2026 by Lisa Marie Bowman

This week, Baker has a new partner!

Episode 5.4 “The Killer Indy”

(Dir by Leslie H. Martinson, originally aired on October 25th, 1981)

When a group of bikers start holding illegal street races, Getraer wants it stopped before someone is seriously hurt! Jon Baker and his partner Steve McLeish decide to end the races by any means necessary, especially since Steve’s brothers are involved….

Wait, who?

Played by a pre-transition Caitlyn Jenner, Steve McLeish serves as Baker’s partner in this episode. We don’t really get much of an introduction as to who Steve is or why he’s even riding with Baker. Everyone just acts as if Steve has always been there. Ponch is not even mentioned and it’s difficult not to notice that Larry Wilcox seems a bit more cheerful than usual in this episode. For once, he’s the one who gets to do all of the cool stuff while everyone else watches.

This was the first of several episodes that Erik Estrada missed during the fifth season, the result of being injured during a stunt gone wrong. Jenner, who was then best-known as an Olympian, was brought in to play Steve McLeish. Judging from this episode, Jenner was a remarkably bad actor. Compared to everyone else in the episode, Jenner comes across as being awkward and stiff. Like many nonprofessional actors, it’s obvious that Jenner was not sure what do when not delivering dialogue. Jenner stands there, hands awkwardly positioned and occasionally trying to react to the other actors. It’s really almost painful to watch.

It’s obvious that this episode was written with Ponch in mind. Like Ponch, Steve has two brothers and used to be a motorcycle-racing delinquent when he was younger. His older brother (who is played by the legendary character actor Robert F. Lyons) is named Toro, which might make sense if he was Ponch’s brother but, as it is, you really do have to wonder about the parents who would name one son Toro and the other sons Steve and Ted. Ted, incidentally, is played by Kevyn Major Howard. Howard, Lyons and Jenner have next to no features in common, leading one to wonder how they could possibly all be members of the same family?

There was some good motorcycle chase action in this episode. There was also so much dialogue about the importance of wearing a helmet that, as soon as the gang’s leader announced he didn’t need a helmet, the most viewers had to know that he was doomed to ultimately be thrown from his motorcycle and crash headfirst into the pavement. “He hit his head,” Getraer says and that’s the last we hear about the guy.

As for this episodes comedic subplot, Grossman begged his fellow patrol people to join him and his nieces at the waterpark. While Baker, Steve, and everyone else took care of his nieces, Grossman hung out with his two bikini-clad neighbors. Grossman winked at the camera as the CHiPs theme music started to play.

And so, it’s another day in L.A….