I Watched The Strongest Man In The World (1975, Dir. by Vincent McEveety)


Dexter Riley (Kurt Russell) is back, again!  He still hasn’t graduated from Medfield College and Medfield is still on the verge of going broke.  Dean Higgins (Joe Flynn) discovers that the reason Medfield can never get out of the red is because the science class and students like Dexter are spending so much money on their experiments.  The Dean fires the science professor and threatens to expel Dexter!  But when Dexter’s latest experiment develops a type of milk that gives the drinker super strength, the Dean might have to change his mind.

A cereal company wants to buy the supermilk, which would get Medfield out of the hole.  But a rival cereal company just wants to steal the formula for the milk so they hire disgraced businessman and gangster A.J. Arno (Cesar Romero) to once again try to thwart the best laid plans of Medfield College.  Meanwhile, Dexter competes in a contest to prove that the supermilk has truly made him into the strongest man in the world.

The plot of the last Dexter Riley movie somehow manages to be even dumber than the first two and it was high time for Dexter to graduate and get on with his life but The Strongest Man In The World did make me laugh a few times.  Because this entry in the series involved super strength instead of invisibility or merging with a computer, it allowed for more physical comedy and it felt less dates than the other two movies.  The action is pretty much nonstop, as Dexter gets into one scrape after another and the cast is likable even if they all were getting a little old to still be playing college students.  Like the other Dexter Riley films, The Strongest Man In The World is too innocent and good-natured not to enjoy on some level.

I guess Dexter finally graduated after this movie.  Both he and Kurt Russell went on to better things.

Life’s A Beach: Superdad (dir by Vincent McEveety)


In 1973’s Superdad, Disney takes on the generation gap.

Charlie McCready (Bob Crane) just can’t understand what’s going on with his daughter, Wendy (Kathleen Cody).  She’s smart, pretty, and has the potential for a great future ahead of her but all she wants to do is hang out with her friends on the beach.  Eccentric Stanley Schlimmer (Bruno Kirby) drives everyone around in a souped-ambulance.  Ed Begley, Jr. (who plays a character who doesn’t even get a name) joins in whenever the group sings a folk song.  Wendy’s boyfriend, Bart (young and likable Kurt Russell), is a surfer and water skier.  Charlie is truly convinced that this extremely clean-cut group of teenagers is going to lead his daughter astray.  In fact, Wendy wants to marry Bart!  Charlie attempts to hang out with Wendy, Bart, and his friends on the beach and he can’t keep up.  He can’t water ski, he can’t play football, he can’t play volleyball.  All he can do is scream in this weird high-pitched voice.  The entire time is Bart is extremely nice to him and doesn’t even make fun of him for not being able to hit a volleyball over a net.  I mean, even I can do that!  But because Charlie’s not dealing well with becoming middle-aged, he decides that Bart is a threat.

(I’m going to assume that Charlie also teams up with a creepy friend and starts filming himself having threesomes with groupies, though we don’t actually see that happen in the film.  The subtext is there, though!)

Charlie decides that he has to get Wendy away from this group and the best way to do that would be to trick her into thinking she’s received a scholarship to …. Yes, this is just that stupid …. a scholarship to a prestigious university.  While Bart and his healthy, non-smoking, non-drinking friends are all going to City College and living at home with their parents, Wendy will be miles away at a college where she can do anything that she wants. Charlie thinks this is a great plan.  One gets the feeling that Charlie, for all of his overprotectiveness, hasn’t read a newspaper in 20 years.  Seriously, has he not been keeping up with what was happening on most college campuses in the late 60s and early 70s?

The main problem with this film is that Charlie is an incredible jerk.  It’s one thing to be overprotective.  Fathers are supposed to be overprotective of their daughters.  It’s one thing to worry about his daughter not having a good deal of ambition.  I can even understand him getting annoyed with Stanley because Stanley is kind of annoying.  (Watching this film, it’s hard to believe that Bruno Kirby was just one year away from playing the young Clemenza in The Godfather, Part II.)  But seriously, Charlie is freaking out over his daughter dating KURT RUSSELL!  In this film, Kurt Russell plays a character who is always polite, mild-mannered, sensible, and remarkably understanding of Charlie’s attempts to keep him from marrying Wendy.  There is one scene where Bart gets upset and he barely even raises his voice.  He’s incredibly likeable and, for all of this film’s flaws, it’s still easy to see why Kurt Russell became a star.

Of course, what really makes this film a cringe-fest is that it stars Bob Crane as a family man with a secretly manipulative side and, the whole time I was watching, I kept having flashbacks to Greg Kinnear in Auto-Focus.  Wendy, to make her dad really angry, gets engaged to an actual hippie named Klutch (Joby Baker) and there’s a scene in which Klutch and Charlie get into a fight in Klutch’s artist studio.  Every time Klutch swung anything near Charlie’s head, I definitely cringed a bit.  Red paints get spilled everywhere, though luckily it ends up on Klutch and not Charlie.  Still, watching the film, I couldn’t help but think that there are worse things that could happen to someone than having their daughter marry Kurt Russell.

Retro Television Review: The Last Fling (dir by Corey Allen)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1987’s The Last Fling!  It  can be viewed on YouTube and Tubi.

Phillip Reed (John Ritter) is an attorney who has never gotten married, despite all of his friends trying to set him up with single women.  Even his law partner (Scott Bakula) worries about how Phillip’s love life is going.  Phillip’s married best friends (Paul Sand and Kate Zentall) think that Phillip is scared of commitment.  Phillip’s mother (Paddi Edwards) thinks he’s gay.  Joanne Preston (Shannon Tweed) enjoys sleeping with him but she owns a lot of cats that make him sneeze.  And since he’s played by John Ritter, you better believe that every sneeze is more dramatic than the last.

Gloria Franklin (Connie Selleca) is engaged to marry Jason Elliot (John Bennett Perry) but she worries that her rigidly controlled lifestyle has caused her to miss out on enjoying her time as a single person.  When she finds out that Jason is going to go to Las Vegas for a wild bachelor party, she decides to have one last fling of her own.

Phillip and Gloria meet each other at the zoo.  (Again, because Phillip is played by John Ritter, there are multiple shots of him making monkey noises while looking at the gorillas.)  Gloria tells Phillip that her name is Marsha Lyons.  Their meeting leads to Phillip and Gloria/Marsha spending the weekend in Mexico together.  (A very young, pre-Saved By The Bell Mario Lopez shows up as the kid who gives them their renal car.)  Despite an unseen mishap that causes their car to catch on fire, Phillip and Gloria spend a romantic night at a villa.  When Phillip wakes up the next morning, he’s convinced that he’s finally found the woman with whom he wants to spend the rest of his life.  However, Gloria is already gone.  She leaves behind a video confession, in which she tells Phillip that she’s going to be getting married.

Phillip returns to Los Angeles, determined to track down the mysterious Gloria and stop that wedding.

The Last Fling is an uneven romantic comedy.  It starts out as an amiable and sweetly funny film, with both Connie Sellecca and John Ritter giving likable performances.  But once Phillip returns from Mexico and starts searching for Gloria, it gets a bit too manic for its own good.  Instead of being a funny movie about two human beings looking for love, it instead becomes a live-action cartoon with John Ritter running from one location to another while being chased by Gloria’s husband-to-be.  The movie ends up getting so frantic that it actually becomes a bit annoying, which is a shame considering how things started.  By the end of the movie, Phillip is so obsessive that it’s hard not to feel that Gloria would be better off just staying single and maybe spending the next weekend in Mexico with Scott Bakula.

The director of The Last Fling played Buzz in Rebel Without A Cause.  Fortunately, no one plays chicken in this movie.

Late Night Retro Television Review: CHiPs 2.4 “Disaster Squad”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Ponch attacks a reporter …. or does he?

Episode 2.4 “Disaster Squad”

(Dir by Gordon Hessler, originally aired on October 7th, 1978)

In a change-of-pace for this show, it’s Officer Jon Baker who gets a girlfriend in this week’s episode.  Ellen Roberts (Liberty Godshall) is a recently divorced woman with an annoying 4 year-old named Chris (Christian Zika).  Because Baker doesn’t want any kids around to ruin his action, he gets Ponch to hang out with Chris.  Fortunately, it turns out that Chris loves motorcycle and even owns his own mini-bike.

Impressed by how well Chris can handle his bike, Ponch enters Chris in a children’s dirt bike race.  When one of the other racers knocks Chris down in the middle of the race, an angry Chris says that he’s going to hit the other racer.  Ponch tells Chris to never hit anyone and he says that he’s ashamed to hear Chris speak like that.  Chris promises not to ever fight.

But then, the next morning, Chris turns on the TV and sees a report about Ponch punching out an obnoxious news reporter (Harvey Jason) who got in the way while Ponch and Jon were dealing with a suicidal motorist.  The anchorman (played by Regis Philbin!) then comes on TV and basically says that Ponch is the epitome of everything bad about the police.   Chris starts sobbing.  Ponch lied about not fighting!  Chris hops on his mini-bike and, still crying, drives away.

What Chris doesn’t know is that Ponch was set up.  Lee and the members of “the Disaster Squad” have been following Ponch and Baker around, filming accidents, and getting in the way.  (At one point, one of Lee’s men event tosses a road flair under a car that’s leaking oil, causing an explosion.)  Lee doctored the tape of an earlier confrontation with Ponch to make it appear the Ponch threatened and hit him.

But that doesn’t matter to Chris.  With tears flowing down his cheeks, he drives his little motorcycle into the Los Angeles river.  Fortunately, Ponch and Baker find him in time to save his life and teach him an important lesson about fake news.

This episode …. where to begin?  It opened with a good chase scene and it featured a truck flipping over so that was good.  But then bratty little Chris showed up and the whole episode went downhill.  The child playing Chris was, to be charitable, not exactly the world’s best actor and his over-the-top reaction to seeing Ponch hit someone was bit too silly to inspire anything other than a chuckle.  “Ponch said never to hit anyone!” Chris wails.  Well, kid, Ponch is a damn hypocrite.  Sorry.

It was all pretty silly.  Baker finally got to do something other than gaze at Ponch in amazement but, in the end, the story was still pretty much Ponch-centered.  One thing I noticed about this episode is that Getraer had absolutely no sympathy for Ponch, even though he believed Ponch was being set up.  Seriously, I get that Getraer has a lot to deal with but does he have to be a jerk all the time?

Next week …. Ponch and Baker continue to keep California safe!

Retro Television Reviews: The Love Boat 2.7 “Ship of Ghouls”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Vincent Price comes aboard for a special Halloween episode!

This is actually, the second time that I’ve reviewed this episode.  I also watched and reviewed it back in 2021.  I enjoyed it the first time that I watched it and my opinion remained the same the second time I watched it.  Still, I’m glad that I rewatched the episode as opposed to trying to write a second review from memory.  There were a few details that I had forgotten.

Anyway, it’s time for…. SHIP OF GHOULS!

Episode 2.7 “Ship of Ghouls”

(Originally aired on October 28th, 1978, dir by Roger Duchowny)

It’s time for the annual Halloween cruise and Captain Stubing is super excited because he has hired The Amazing Alonzo (Vincent Price) to provide the cruise’s entertainment.  Alonzo is a master illusionist and hypnotist, who can trick people into seeing just about anything.  The episode really doesn’t explain just how exactly Alonzo is able to hypnotize people by just saying a few words to them but no matter.  This is The Love Boat and Vincent Price is …. well, he’s Vincent Price.  Vincent comes across like he’s having the time of his life in this episode and, as such, we accept that Alonzo can cause a bunch of people to think that Gopher and Doc have been turned into two donkeys.  We accept that he can fool the Captain into thinking that the ship’s pool has been turned into a giant ice cream sundae.  We even accept that he can make Isaac’s head appear in a glass of beer.  We accept all of it because it just feels wrong to get hung up on logic when Vincent Price is involved.

The Amazing Alonzo is having so much fun flirting with his elderly groupies and casting spells that his long-suffering fiancé, Ramona (Joan Blondell), dumps him and instead moves into the Captain’s quarters.  At first, Alonzo is jealous of the Captain but he soon comes to realize that the Captain is not romantically interested in Ramona and is just letting her stay in his quarters because she needs some place to stay.  Alonzo also discovers that he can no longer hypnotize people without Ramona’s support.  At the big Halloween party, Alonzo freezes time and apologizes to Ramona.  He also confesses to her that his real name is Wendell.  They walk out of the ship’s ballroom, hand-in-hand.  Yay!

Needless to say, Vincent Price was the highlight of this episode.  However, as was always the case with The Love Boat, there were other passengers on the cruise.

For instance, nine year-old Bobby Diller (Charlie Aikman) is a habitual liar and prankster.  His behavior may be bratty but that’s largely due to the fact that his parents (Gary Collins and Mary Ann Mobley) are getting back together after previously getting a divorce and he’s worried that they’re going to split up again.  Fortunately, Bobby’s lying comes in handy when he spots Karen (Barbara Anderson) preparing to throw herself overboard.   Bobby tells Karen that his mother committed suicide and that he’s never gotten over it.  Karen changes her mind about committing suicide.  Once Karen is safely back on deck, Bobby admits that he lied but then adds, “It’s the last lie I’ll ever tell!”

Why was Karen suicidal?  Karen was a model until a car accident left her with a scar on her face.  Karen is convinced that no one will ever find her to be beautiful again.  Of course, Gopher and Doc both find her to be beautiful and they spend the entire cruise hitting on her and arguing over which one of them has the right to dance with her and have dinner with her.  (As I’ve said in the past, The Love Boat really was a floating HR nightmare.)  Karen, unfortunately, thinks that they’re just doing this as a favor to Karen’s best friend, cruise director Julie.  Fortunately, Bobby’s lie convinces Karen that people can sincerely care about one another.  Also, Karen realizes that she’s too good for either Gopher or Doc.  Good for her!

This was a good episode.  Vincent Price was a delight as always and Barbara Anderson was sympathetic Karen.  All Halloween cruises should be as entertaining as The Love Boat‘s!

Halloween Film Review: Dreamscape (1984, directed by Joseph Ruben)


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Before there was Inception, there was Dreamscape!

DSDreamscape opens with the image of a woman running down a street while a red mushroom sprouts above the city behind her.  Just as a radioactive cloud envelopes the woman, the scene cuts to a man named John (Eddie Albert) waking up with a scream.  John is the President of the United States and he has been having reoccurring nightmares about nuclear war.  The dreams have shaken him to the extent that he plans of signing a disarmament treaty with the Soviet Union.

dreamscape-maxchrisBob Blair (Christopher Plummer, playing one of the slick villain roles that dominated his career until he finally won an Oscar for Beginners) is a political reactionary who works for a shadowy agency that is even feared by the CIA.  Determined to stop the President from signing that treaty, Blair recruits psychotic martial arts enthusiast Tommy Ray Glatman (David Patrick Kelly, of “Warriors, come out to play…” fame) to assassinate the President.  Tommy is a psychic who can enter people’s dreams and when you die in a dream, you die in real life.

Dreamscape_David_Patrick_KellyTommy is a part of a government-funded research project that is headed by Dr. Peter Novotny (Max Von Sydow) and Beth DeVries (Kate Capshaw).  Tommy was the program’s superstar until the arrival of Alex Gardner (Dennis Quaid).  Until he was recruited by Dr. Novotny, Alex was using his psychic abilities for gambling and womanizing.  Now, Alex has to use his abilities to save the President’s life.

Dreamscape_Capshaw1Dreamscape came out the same year as Wes Craven’s Nightmare on Elm Street and they do share a few things in common.  During one scene set in the President’s nightmare, Tommy even has razor-sharp claws.  But ultimately, Nightmare and Dreamscape are two very different films.  Whereas Nightmare was a horror film, Dreamscape is an adventure film with horror elements.  In fact, Dreamscape feels like four different films all mashed together.  It’s a political conspiracy story, with Christopher Plummer plotting to kill the President.  It’s an adventure story, with Dennis Quaid as an appealing rogue.  It’s a love story, as Alex and Beth fall in love while researching dreams.  At times, it is also a very dark comedy, like when Alex enters the dream of a man who is terrified that his wife is cheating on him with everyone that they know.

Fans of cult cinema will appreciate that Dreamscape features one of David Patrick Kelly’s best villainous performances.  In the role of Tommy, he not only gets to do his usual bravura work as a weasley psychopath but he also gets to bust out an impressive impersonation of Bruce Lee as well.

dreamscape-4Along with David Patrick Kelly at his demented best, Dreamscape also features the Snakeman, a claymation monster who may look cheesy today but probably gave many youngsters nightmares back in 1984.  Like the Snakeman, all of the film’s special effects have aged but it does not detract from the film.  Since the special effects were used to create the film’s dreams, it doesn’t matter that they no longer look 100% realistic.  Dreams are supposed to be strange so the cheesiness of some of the special effects actually works to Dreamscape‘s advantage.

Dreamscape may not be as well-known as Inception or Nightmare on Elm Street but it is still a fun and entertaining excursion into the dream world.

Dreamscape