Brad reviews THE NAKED GUN (2025), starring Liam Neeson!


When I first saw that THE NAKED GUN was being rebooted with Liam Neeson as Frank Drebin, Jr., I must admit that I was quite skeptical. You see, the original THE NAKED GUN (1988) with Leslie Nielsen came out when I was 15 years old, and I remember watching it at the movie theater on a field trip with our high school’s Future Business Leaders of America (FBLA) club. I loved it so much! I eagerly watched THE NAKED GUN 2 1/2 (1991) and NAKED GUN 33 1/3 (1994) at the theaters as well. To be completely honest, this series is one of my favorites of my “growing into an adult” years, and I didn’t want to see it screwed up. When the trailer was released a couple of months ago my reaction was cautious optimism as I must admit it looked quite funny, and I decided that I would go watch it in the theater when it came out. Well, tonight my wife and I headed to the Cinemark in Little Rock to see what director Akiva Schaffer and his crew had come up with…

In THE NAKED GUN (2025), dedicated Detective Lt. Frank Drebin Jr. (Liam Neeson) follows in his father’s footsteps by leading Police Squad and causing an endless array of problems for Police Chief Davis (CCH Pounder). When a bank heist is staged by Sig Gustafson (Kevin Durand) in order to obtain a mysterious P.L.O.T. Device, Drebin teams up with his partner, Captain Ed Hocken Jr. (Paul Walter Hauser), and the beautiful crime novelist Beth Davenport (Pamela Anderson) to investigate. Their subsequent probe leads them to tech mogul Richard Cane (Danny Huston) and his sinister plot to use the device to revert humanity to a base barbaric state as the balls drop on New Year’s Eve. With the help of his deceased father’s spirit that’s being housed in the body of a large owl, Drebin goes all out to foil Cane’s plans while simultaneously falling in love with Beth! 

I’m going to go ahead and alleviate any suspense and state that I love the new NAKED GUN movie. I laughed out loud throughout the entire film, including the end credits, and I wasn’t the only one as there were people in our showing that were laughing much louder than me. It was a fun “crowd experience,” and I’m so glad we caught it in the theater. Not every joke is funny, but in the tradition of the original series, they come so fast and furious that there’s a good chance the next joke will be hilarious. Liam Neeson does a great job as Frank Drebin, Jr., infusing the character with just the right amount of seriousness to allow the absurdity all around him to be played for laughs. I told a friend a few months ago that I’d be really impressed if Neeson was able to pull this role off, and I’m glad to report that he passes with flying colors. He doesn’t make you forget the comedic genius of Leslie Nielsen, but he’s darn good. And Pamela Anderson is perfect in the crime novelist / love interest role. I haven’t seen her in anything in a long time, but she’s truly hilarious in the film. After watching her performance, I honestly don’t think any actress could have done any better. The rest of the game cast, including Paul Walter Hauser, Danny Huston and Kevin Durand each have good moments that add to the fun. I also enjoyed some of the specific throwbacks to the original series, including brief appearances by Priscilla Presley, Weird Al Yankovic, and especially the stuffed beaver, which got a big laugh out of me, just like it did when I was 15! 

Overall, I had a great time at the movie theater with THE NAKED GUN (2025). Director Akiva Schaffer delivers a hilarious, 85 minute film that’s a worthy follow-up to the original Zucker-Abrahams-Zucker / Leslie Nielsen classics. What else could you ask for?!!

Brad’s “Trailer of the Day” – THE NAKED GUN (2025), starring Liam Neeson!


When I first heard that Liam Neeson would be playing Frank Drebin, Jr. in a reboot of THE NAKED GUN series, I thought it might be a joke. Turns out it was the absolute truth! I’ll admit that I love the original NAKED GUN movies starring Leslie Nielsen. I watched every one of them at the movie theater and proudly own the DVD box set. Based on that love, I certainly hope that Neeson’s version will be a fun movie, and I’ll probably watch it at the movie theater sometime after it opens on August 1st as well. Check out the trailer for THE NAKED GUN (2025) below!

Conclave Wins In North Carolina


The North Carolina Film Critics Association has announced its picks for the best of 2024!

BEST NARRATIVE FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance

BEST DOCUMENTARY FILM
Dahomey
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Transformers One
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine As Light
Emilia Pérez
Evil Does Not Exist
I’m Still Here
The Seed of the Sacred Fig

BEST DIRECTOR
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Maya Hawke – Inside Out 2
Pedro Pascal – The Wild Robot
Sarah Snook – Memoir of a Snail

BEST ACTING ENSEMBLE
Conclave

Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
A Different Man
Anora
The Brutalist
Challengers
The Substance

BEST ADAPTED SCREENPLAY
Conclave

Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing

BEST CINEMATOGRAPHY
Challengers
Dune: Part Two
Nickel Boys
Nosferatu
The Brutalist

BEST EDITING
Anora
Challengers
Conclave
Dune: Part Two
Nickel Boys

BEST COSTUME DESIGN
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST HAIR AND MAKEUP
A Different Man
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST SCORE
The Brutalist
Challengers
Conclave
Nosferatu
The Wild Robot

BEST ORIGINAL SONG
“Compress/Repress” – Challengers

“El Mal” – Emilia Pérez
“Harper and Will Go West” – Will & Harper
“Kiss the Sky” – The Wild Robot
“Like a Bird” – Sing Sing

BEST SOUND DESIGN
Challengers
Civil War
Dune: Part Two
Nosferatu
Wicked

BEST SPECIAL EFFECTS
Dune: Part Two

Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu
The Substance

BEST STUNT COORDINATION
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

DIRECTORIAL DEBUT
Vera Drew – The People’s Joker
Francis Galluppi – The Last Stop in Yuma County
Zoë Kravitz – Blink Twice
Josh Margolin – Thelma
Sean Wang – Dìdi (弟弟)
Malcolm Washington – The Piano Lesson

BREAKTHROUGH PERFORMANCE
Carlos Diehz – Conclave
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Adam Pearson – A Different Man

LIFETIME ACHIEVEMENT: Cinematography
Roger Deakins

Christopher Doyle
Greig Fraser
Emmanuel Lubezki
Hoyte van Hoytema

KEN HANKE MEMORIAL TAR HEEL AWARD
Stephen McKinley Henderson – Civil War
Jeff Nichols (Director) – The Bikeriders
Margaret Qualley – The Substance
Hunter Schafer – Cuckoo
Drew Starkey – Queer

Here Are The 2024 Austin Film Critics Association!


Yesterday, the Austin Film Critics Association did their part to keep Austin weird by announcing their nominees for the best of 2024!  The winners will be announced January 6th!

Best Picture
Anora
The Brutalist
Dune: Part Two
Conclave
Love Lies Bleeding
Nosferatu
Nickel Boys
The Substance
Sing Sing
Wicked

Best Director
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Rose Glass – Love Lies Bleeding
Denis Villeneuve – Dune: Part Two

Best Actress
Pamela Anderson – The Last Showgirl
Marianne Jean-Baptiste – Hard Truths
Nicole Kidman – Babygirl
Mikey Madison – Anora
Demi Moore – The Substance

Best Actor
Adrien Brody – The Brutalist
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Hugh Grant – Heretic

Best Supporting Actress
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance

Best Supporting Actor
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Jeremy Strong – The Apprentice

Best Ensemble
Anora
The Brutalist
Conclave
Dune: Part Two
Sing Sing

Best Original Screenplay
Sean Baker – Anora
Brady Corbet & Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers

Best Adapted Screenplay
Dana Fox & Winnie Holzman – Wicked
Greg Kwedar & Clint Bentley – Sing Sing
RaMell Ross & Joslyn Barnes – Nickel Boys
Peter Straughan – Conclave
Denis Villeneuve & Jon Spaihts – Dune: Part Two

Best Cinematography
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Jomo Fray – Nickel Boys
Greig Frasier – Dune: Part Two
Benjamin Kracun – The Substance

Best Editing
Sean Baker – Anora
Coralie Fargeat, Jérôme Eltabet, & Valentin Féron – The Substance
Dávid Jancsó – The Brutalist
Joe Walker – Dune: Part Two
Hansjörg Weißbrich – September 5

Best Original Score
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Robin Carolan – Nosferatu
Trent Reznor & Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two

Best International Film
Emilia Perez
Flow
I’m Still Here
Kneecap
The Seed of the Sacred Fig

Best Documentary
Dahomey
No Other Land
The Remarkable Life of Ibelin
Super/Man: The Christopher Reeve Story
Will & Harper

Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

Best Voice Acting/Animated/Digital Performance
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Amy Poehler – Inside Out 2
Sarah Snook – Memoir of a Snail
Robbie Williams/Jonno Davies – Better Man

Best Stunt Work
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Kill
Monkey Man

Best First Film
Vera Drew – The People’s Joker
Zoe Kravitz – Blink Twice
Josh Margolin – Thelma
Arkasha Stevenson – The First Omen
Sean Wang – Didi

The AFCA also acknowledges standout works from directors who live in Austin. Our nominees for 2024:
The Bikeriders (Jeff Nichols)
Fugitive Dreams (Jason Neulander)
Hit Man (Richard Linklater)
Sasquatch Sunset (Nathan and David Zellner)
Sing Sing (Greg Kwedar)

Here Are The 2024 Nominations of The North Carolina Film Critics Association!


The North Carolina Film Critics Association has announced its nominees for the best of 2024.  The winners will be announced on January 3rd!

BEST NARRATIVE FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance

BEST DOCUMENTARY FILM
Dahomey
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Transformers One
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine As Light
Emilia Pérez
Evil Does Not Exist
I’m Still Here
The Seed of the Sacred Fig

BEST DIRECTOR
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Maya Hawke – Inside Out 2
Pedro Pascal – The Wild Robot
Sarah Snook – Memoir of a Snail

BEST ACTING ENSEMBLE
Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
A Different Man
Anora
The Brutalist
Challengers
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing

BEST CINEMATOGRAPHY
Challengers
Dune: Part Two
Nickel Boys
Nosferatu
The Brutalist

BEST EDITING
Anora
Challengers
Conclave
Dune: Part Two
Nickel Boys

BEST COSTUME DESIGN
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST HAIR AND MAKEUP
A Different Man
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST SCORE
The Brutalist
Challengers
Conclave
Nosferatu
The Wild Robot

BEST ORIGINAL SONG
“Compress/Repress” – Challengers
“El Mal” – Emilia Pérez
“Harper and Will Go West” – Will & Harper
“Kiss the Sky” – The Wild Robot
“Like a Bird” – Sing Sing

BEST SOUND DESIGN
Challengers
Civil War
Dune: Part Two
Nosferatu
Wicked

BEST SPECIAL EFFECTS
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu
The Substance

BEST STUNT COORDINATION
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

DIRECTORIAL DEBUT
Vera Drew – The People’s Joker
Francis Galluppi – The Last Stop in Yuma County
Zoë Kravitz – Blink Twice
Josh Margolin – Thelma
Sean Wang – Dìdi (弟弟)
Malcolm Washington – The Piano Lesson

BREAKTHROUGH PERFORMANCE
Carlos Diehz – Conclave
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Adam Pearson – A Different Man

LIFETIME ACHIEVEMENT: Cinematography
Roger Deakins
Christopher Doyle
Greig Fraser
Emmanuel Lubezki
Hoyte van Hoytema

KEN HANKE MEMORIAL TAR HEEL AWARD
Stephen McKinley Henderson – Civil War
Jeff Nichols (Director) – The Bikeriders
Margaret Qualley – The Substance
Hunter Schafer – Cuckoo
Drew Starkey – Queer

Wicked Wins In Washington D.C.


The Washington DC Area Film Critics Association — try saying that ten times fast — has announced it picks for the best of 2024!

And here they are:

Best Feature
“Anora” (Neon)
“Conclave” (Focus Features)
“Sing Sing” (A24)
“The Brutalist” (A24)
“Wicked” (Universal Pictures)

Best Director
Brady Corbet – “The Brutalist“
Denis Villeneuve – “Dune: Part Two”
Edward Berger – “Conclave”
Jon M. Chu – “Wicked”
Sean Baker – “Anora”

Best Actress
Cynthia Erivo – “Wicked”
Demi Moore – “The Substance”
Karla Sofia Gascon – “Emilia Perez”
Marianne Jean–Baptiste – “Hard Truths”
Mikey Madison – “Anora“

Best Actor
Adrien Brody – “The Brutalist”
Colman Domingo – “Sing Sing“
Daniel Craig – “Queer”
Ralph Fiennes – “Conclave”
Timothee Chalamet – “A Complete Unknown”

Best Supporting Actress
Ariana Grande – “Wicked”
Aunjanue Ellis–Taylor – “Nickel Boys”
Danielle Deadwyler – “The Piano Lesson“
Isabella Rossellini – “Conclave”
Zoe Saldana – “Emilia Perez”

Best Supporting Actor
Clarence Maclin – “Sing Sing”
Denzel Washington – “Gladiator II”
Guy Pearce – “The Brutalist”
Keiran Culkin – “A Real Pain“
Yura Borisov – “Anora”

Best Animated Feature
“Flow”
“Inside Out 2”
“Memoir of a Snail”
“The Wild Robot“
“Wallace and Gromit: Vengeance Most Fowl”

Best Documentary
“Dahomey”
“Daughters”
“Music by John Williams”
“No Other Land”
“Super/Man: The Christopher Reeve Story“
“Will & Harper”

Best International Film
“Dahomey”
“Emilia Perez“
“Flow”
“I’m Still Here”
“The Seed of the Sacred Fig”

Best Adapted Screenplay
“Conclave” – written for the screen by Peter Straughan
“Dune: Part Two” – written for the screen by Denis Villeneuve, Jon Spaihts
“Nickel Boys” – written for the screen by RaMell Ross, Joslyn Barnes
“Sing Sing” – written for the screen by Clint Bentley, Greg Kwedar
“Wicked” – written for the screen by Winnie Holzman, Dana Fox

Best Original Screenplay
“Anora” – Sean Baker
“A Real Pain” – Jesse Eisenberg
“Challengers” – Justin Kuritzkes
“The Brutalist” – Brady Corbet, Mona Fastvold
“The Substance” – Coralie Fargeat

Best Acting Ensemble
“Anora”
“Conclave“
“Dune: Part Two”
“Sing Sing”
“The Brutalist”
“Wicked”

Best Youth Performance
Alisha Weir – “Abigail”
Alyla Browne – “Furiosa: A Mad Max Saga”
Elliott Heffernan – “Blitz“
Ian Foreman – “Exhibiting Forgiveness”
Isabel DeRoy–Olson – “Fancy Dance”
Izaac Wang – “Didi”
Zoe Ziegler – “Janet Planet”

Best Voice Performance
Amy Poehler – “Inside Out 2”
Auli’i Cravalho – “Moana 2”
Brian Tyree Henry – “Transformers One”
Lupita Nyong’o – “The Wild Robot“
Maya Hawke – “Inside Out 2”

Best Original Score
“Blitz” – Hans Zimmer
“Challengers” – Trent Reznor and Atticus Ross (TIE)
“Conclave” – Volker Bertelmann
“Nosferatu” – Robin Carolan
“The Brutalist” – Daniel Blumberg (TIE)
“The Wild Robot” – Kris Bowers

Best Editing
“Anora” (TIE)
“Conclave”
“Dune: Part Two” (TIE)
“The Brutalist”
“Wicked”

Best Cinematography
“Conclave”
“Dune: Part Two”
“Nickel Boys”
“Nosferatu“
“The Brutalist”

Best Production Design
“Dune: Part Two”
“Gladiator II”
“Nosferatu”
“The Brutalist”
“Wicked“

Best Motion Capture
Eka Darville – “Kingdom of the Planet of the Apes”
Jonno Davies – “Better Man”
Kevin Durand – “Kingdom of the Planet of the Apes”
Owen Teague – “Kingdom of the Planet of the Apes“
Peter Macon – “Kingdom of the Planet of the Apes”

Best Stunts
“Deadpool and Wolverine”
“Dune: Part Two”
“Furiosa: A Mad Max Saga”
“Gladiator II”
“The Fall Guy“

The Joe Barber Award for Best Portrayal of Washington, DC
“Civil War“
“Daughters”
“Shirley”
“Stopping the Steal”

Here’s The Exclusive IMAX Trailer For Kingdom of the Planet Of The Apes


Another Planet of the Apes film?

Indeed!  And here’s the exclusive IMAX trailer for Kingdom of the Planet of the Apes which …. I mean, it might be good.  The trailer is effective.  The other Planet of the Apes films have largely been good, except for the one Tim Burton did.  (Even the bad ones — like Battle For The Planet of the Apes — have been oddly entertaining.)  That said, Andy Serkis was really the heart and soul of the whole reboot and he’s not in this one.  On the plus side, the great Kevin Durand is in this film and if anyone was ever meant to be play a tyrannical warlord who takes over a post-apocalyptic Earth, it’s Kevin Durand.

Anyway, here’s the trailer!

Horror Film Review: Dark Was The Night (dir by Jack Heller)


The 2014 horror film, Dark Was The Night, takes place in the town of Madison Woods.

Madison Woods is a small, isolated town that is located somewhere up north.  It’s one of those dreary blue collar towns where everyone knows everyone else.  Most of the citizens work in the logging industry, attend the same church, and drink at the same bar.  It’s not a town where much happens.  The police force consists of two guys, Sheriff Paul Shields (Kevin Durand) and his new deputy, Donny Saunders (Lukas Haas).  Donny worked in New York City before moving to Madison Woods.  Shields is currently estranged from his wife.  That’s the type of thing that passes for big news in Madison Woods.

When one of the local farmers complains that one of his horses has disappeared, Shields and Saunders assume that the horse has just run off.  When other animals start to disappear, Shields continues to insist that it’s all just a coincidence.  When the local hunters start to talk about an ancient legend of a monster that lives in the woods, Shields replies that there are no monsters and, for good measure, there’s no God as well.  (In many ways, Shields is a perfect example of the old joke about how the best way to spot an atheist is to wait a few minutes and he’ll tell you.)  Even when weird cloven footsteps start to show up around town and Shields himself spots something in his backyard, the Sheriff continues to insist that there is a rational explanation for all of this.  Meanwhile, Saunders hangs out at the bar and drinks and really, who can blame him?  As far as I can tell, it’s not like Madison Woods has a movie theater or anything like that.  It’s a really boring town.  You can either develop the beginnings of a drinking problem or you can start random fights or you can get ripped apart by the thing in the woods.  Make your choice.

Eventually, Shields and Saunders do discover that there is something lurking out in the woods.  And, despite their attempts to come up with a rational explanation, the creature proves itself to be more than just some animal.  Instead, it’s a true supernatural monster, tracking its prey through the community.  As a group of loggers discover at the start of the movie, the creature is just as quick to attack humans as it is to go after deer and other wild animals.  With the entire town locked away in the church basement (because, as Night of the Living Dead proved, the basement is always the safest place), Saunders and Shields try to figure out how to stop a monster that neither one of them has ever seen before.

Dark Was The Night was loosely inspired by a true story.  In 1885, the citizens of Topsham in the UK were stunned to wake up one cold morning and discover a series of cloven footprints in the snow.  The footprints led through the entire city and it appeared that whatever was responsible for them had stopped in front of every house and place of business.  Some claimed that the footprints belonged to the devil while others said that it was just some sort of animal.  The Devil’s Footprints, as the story became known, serves as a bit of Rorschach test.  Those inclined to believe in the supernatural have little trouble believing that the Devil visited the town of Topsham while the more rational among us assume that the footprints were left by a wild animal and then people saw whatever they wanted.  Dark Was The Night moves the story to the modern day and to America but the question remains the same.  Is there really a monster in the woods or, as Shields initially believes, are people just seeing what they want to see?  Unfortunately, the film reveals the monster’s existence within its opening minutes.  The film would have perhaps been more effective if there had at least been some mystery about whether or not Shields’s initial instincts were correct.

Dark Was The Night is a deliberately paced film, which again would be more effective if there was any mystery at all as to whether or not the monster actually existed.  On the plus side, the film is full of atmosphere and Kevin Durand and Lukas Haas are both effective as the two lawmen who find themselves in over their heads.  Fans of Lost will remember Durand as the evil Martin Keamy, who was one of the most heartless characters to ever appear on that show or any other show.  Durand gets to play the hero in Dark Was The Night and gives a good performance as a man who discovers that not everything has a rational explanation.  That said, while the film has some interesting ideas and performances, it ultimately becomes just another monster-laying-siege film and the ending is one that most viewers will see coming from miles away.  It’s not a bad film but it’s still never quite as good as one might hope.

Live Tweet Alert: Watch Dark Was The Night with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2014’s Dark Was The Night!

The forest near a small town serve as the home of a fearsome creature.  Can Kevin Durand and Lukas Haas save their town from supernatural destruction!?  I don’t know.  I’ll find out tonight when I watch Dark Was The Night with #ScarySocial!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and a few other streaming sites.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Film Review: The Butterfly Effect (dir by Eric Bress and J. Mackye Gruber)


How many different ways can Ashton Kutcher fuck up time and space?

That’s the question asked in the gloriously silly The Butterfly Effect, a film that was a minor hit back in 2004.  Ashton plays Evan Treborn, a disheveled college student who is studying how memory works.  All through his life, Evan has suffered from seizures that are triggered by stress.  Evan has a lot of stress because apparently, there’s not a single bad thing that didn’t happen to him when he was a child.

Crazy father who tried to strangle Evan before being gunned down in front of his son’s terrified eyes?  Yep.

Sexual molestation at the hands of a suburban drunk?  Yep.

A best friend who blew up not only a mailbox but also a mother and a baby?  Yep.

A dog that was set on fire by a neighborhood bully?  Yep.

Another friend who was driven into a catatonic state by all the madness around him?  Yep.

A girlfriend who, due to family tragedy, had to move away?  Yep.

However, things seem to be getting better for Evan.  Now, he’s a psychology major with a bright future.  His professors love him.  He’s even got a roommate named Thumper (played, somewhat inevitably, by Ethan Suplee).   And, as he’s soon to discover, he possesses a special power.  All he has to do is read his old journals and, for a limited time, he can go into the past and change his history.

Of course, it turns out that changing history is a lot more complicated than it looks.  Evan goes back into the past and confronts the pervy suburban drunk.  He then goes back to the present and discovers that he’s now a shallow frat boy who is hated by both his professors and Thumper!  Even worse, he eventually ends up in prison for killing a man.  Going back into the past and saving his dog leads to his friend Lenny (Elden Hansen) spending the rest of his life imprisoned.  Another trip to the past results in Evan waking up as a double amputee.  Depending on what Evan does, his friend Kayleigh (Amy Smart) either becomes a shallow sorority princess or a drug-addicted prostitute.  Meanwhile, Kayleigh’s brother (William Lee Scott) goes from being a psychotic murderer to a clean-cut religious guy.

Thumper never changers, though.  Thumper endures.

This, of course, is a lot of pressure to put on any character played by Ashton Kutcher and soon, Evan is having nosebleeds and migraines.  Every time he changes the past, his brain is flooded with 20 years worth of new memories.  His brain might explode before he can fix all the damage that he’s done….

Watching The Butterfly Effect is an odd experience because, on the one hand, the premise is genuinely intriguing but, on the other hand, the film stars the reliably goofy Ashton Kutcher.  Ashton grows a beard and doesn’t wash his hair for the first half of the movie, which is the film’s way of letting us know that we’re meant to take him seriously but it doesn’t change the fact that he’s still Ashton Kutcher.  Even when playing the most dramatic of scenes, Ashton tends to deliver every line as if it’s the set up for a punch line.  It’s not surprising that the best part of The Butterfly Effect is when Ashton wakes up and discovers that he’s now a frat boy.  Those scenes are intentionally funny and they take advantage of what Ashton Kutcher is actually good at.

At the same time, it’s hard not to get into The Butterfly Effect.  It’s a mess but it’s a likable mess and it’s undeniably enjoyable to see how everyone’s life changes as a result of Ashton’s constant meddling.  (William Lee Scott especially has fun, switching between being full-blown psycho and full-blown religious.)  The Butterfly Effect may be dumb but it’s fun.  It’s a film that’s best watched with your snarkiest friends.