Here Are The 2017 IFP Gotham Award Nominees!


Hi, everyone!

Well, today is officially the start of Oscar season.  This morning, the Independent Filmmakers Project announced this year’s nominees for the Gotham Awards!  While the Gotham Awards may not be as well-known as some of the other precursors, their importance has grown over the past few years.  Though most of the major studio contenders are typically not eligible, a Gotham nomination can provide a definite boost for an independent film.

This year, Get Out received the most nominations.  Get Out has been mentioned as an outside possibility for an Oscar nomination.  It’s generally considered to be the best reviewed film of the year but horror is a genre that has traditionally struggled with the Academy.  For Get Out to receive a nomination, it’s going to need some help from the precursors (much as how Mad Max: Fury Road was legitimized by the critic groups in 2015).  With the announcement of the Gotham nominations, Get Out is off to a good start.

I’m also happy to see that James Franco received a nomination for playing Tommy Wiseau in The Disaster Artist.

Here are the nominees:

Best Feature

Call Me by Your Name
Luca Guadagnino, director; Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito, James Ivory, Howard Rosenman, producers (Sony Pictures Classics)

The Florida Project
Sean Baker, director; Sean Baker, Chris Bergoch, Kevin Chinoy, Andrew Duncan, Alex Saks, Francesca Silvestri, Shih-Ching Tsou, producers (A24)

Get Out
Jordan Peele, director; Sean McKittrick, Jason Blum, Edward H. Hamm, Jr., Jordan Peele, producers (Universal Pictures)

Good Time

Josh and Benny Safdie, directors; Paris Kasidokostas-Latsis, Terry Dougas, Sebastian Bear-McClard, Oscar Boyson, producers (A24)

I, Tonya
Craig Gillespie, director; Bryan Unkeless, Steven Rogers, Margot Robbie, Tom Ackerley, producers (NEON)

Best Documentary

Ex Libris – The New York Public Library
Frederick Wiseman, director and producer (Zipporah Films)

Rat Film
Theo Anthony, director; Riel Roch-Decter, Sebastian Pardo, producers (MEMORY and Cinema Guild)

Strong Island
Yance Ford, director; Yance Ford, Joslyn Barnes, producers (Netflix)

The Work 
Sabaah Folayan, Damon Davis, directors; Sabaah Folayan, Damon Davis, Jennifer MacArthur, Flannery Miller, producers (Magnolia Pictures)

Whose Streets?

Jairus McLeary, director;  Alice Henty, Eon McLeary, Jairus McLeary, Miles McLeary, producers (The Orchard and First Look Media)

Bingham Ray Breakthrough Director Award

Maggie Betts for Novitiate (Sony Pictures Classics)
Greta Gerwig for Lady Bird (A24)
Kogonada for Columbus (Superlative Films/Depth of Field)
Jordan Peele for Get Out (Universal Pictures)
Joshua Z Weinstein for Menashe (A24)

Best Screenplay

The Big Sick, Emily V. Gordon and Kumail Nanjiani (Amazon Studios)
Brad’s Status, Mike White (Amazon Studios)
Call Me by Your Name, James Ivory (Sony Pictures Classics)
Columbus, Kogonada (Superlative Films/Depth of Field)
Get Out, Jordan Peele (Universal Pictures)
Lady Bird, Greta Gerwig (A24)


*
Best Actor*

Willem Dafoe in The Florida Project (A24)
James Franco in The Disaster Artist (A24)
Daniel Kaluuya in Get Out (Universal Pictures)
Robert Pattinson in Good Time (A24)
Adam Sandler in The Meyerowitz Stories (New and Selected) (Netflix)
Harry Dean Stanton in Lucky (Magnolia Pictures)

Best Actress

Melanie Lynskey in I Don’t Feel at Home in This World Anymore (Netflix)
Haley Lu Richardson in Columbus (Superlative Films/Depth of Field)
Margot Robbie in I, Tonya (NEON)
Saoirse Ronan in Lady Bird (A24)
Lois Smith in Marjorie Prime (FilmRise)

Breakthrough Actor

Mary J. Blige in Mudbound (Netflix)
Timothée Chalamet in Call Me by Your Name (Sony Pictures Classics)
Harris Dickinson in Beach Rats (NEON)
Kelvin Harrison, Jr. in It Comes at Night (A24)
Brooklynn Prince in The Florida Project (A24)

* The 2017 Best Actor/Best Actress nominating committee also voted to award a special Gotham Jury Award for ensemble performance to Mudbound, The award will go to actors Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, Rob Morgan, and Jonathan Banks.

 

Horror Film Review: It Comes At Night (dir by Trey Edward Shults)


It Comes At Night is yet another film about people waiting for the end of the world.  In this case, the end is due to the outbreak of a mysterious disease.  It Comes At Night is a film that I meant to see in theaters when it originally released but I never got a chance.  It Comes At Night was acclaimed by critics but generally hated by audiences.  (Some of the comments on twitter, from people who had just returned from seeing the film, were incredibly angry.)  To be honest, it’s really not surprising that audiences didn’t embrace the film.  Having recently watched the film myself, I can tell you that It Comes At Night is one of the most depressing movies ever made.

Seriously, remember how depressing the Arnold Schwarzenegger/Abigail Breslin zombie film Maggie was?  Well, compared to It Comes At Night, Maggie might as well have been a musical comedy.

It Comes At Night opens with a former school teacher named Paul (Joel Edgerton) executing his father-in-law.  Paul’s wife, Sarah (Carmen Ejogo), and his teenage son, Travis (Kelvin Harrison, Jr.) understand that Paul had no choice.  There’s been an outbreak of a disease and the old man was infected.  The only way to keep everyone else in the family safe was to kill him and burn his body.

Paul and his family live in an isolated cabin.  At all times, the front door remains locked.  Only Paul and Sarah are allowed to carry the key.  No one is allowed to leave the house at night and under no circumstances are strangers allowed to enter the house.  Sometimes, after the sun goes down, Travis thinks that he can hear sounds in the surrounding woods.  It’s a reminder that people are out there but the majority of them are either slowly dying from the disease or scavengers trying to survive.

Paul ruthlessly enforces the rules but then, one night, a man named Will (Christopher Abbott) attempts to break into the house.  Will swears that he’s not infected.  He was just trying to find food for his wife, Kim (Riley Keough) and his son, Andrew (Griffin Robert Faulkner).  After Paul determines that Will does not have the disease, he agrees to let Will and his family stay with them.  If the house is ever attacked, Paul and Sarah figure, Will and Kim will provide an extra layer of defense.

And, for a few weeks, everything is fine.  The two families bond.  But Travis is still having vivid nightmares in which he sees men and women who have been infected and who are living in the woods.  And he is still hearing sounds at night…

The inevitability of death hangs over minute of It Comes At Night.  From the film’s first scene, you know that things are probably not going to end well.  When the two families do start to surrender to their paranoia, it’s upsetting but not particularly shocking.  It’s depressing because it all seems very plausible.  I think we all know that, if the world really was ending, it wouldn’t bring about peace or reflection.  Instead, people would keep fighting until the final second.  That’s just human nature.  What makes It Comes At Night so sad and disturbing is that there are no traditional heroes or villains.  There’s just six people trying to live their lives in a world that’s rapidly coming to an end.  They think they can beat the darkness surrounding them but the audience knows better.

I know, I know.  You just read that paragraph and you thought, “Yeah, Lisa, that sounds like a really fun movie.”

And you’re right.  It’s not a fun movie.  I would seriously warn anyone struggling with depression to be careful about watching It Comes At Night.  It’s definitely not going to cheer you up.  I spent the first half of thid 90 minute film convinced that I was probably going to stop watching because it was just too dark.  But I ended up watching it to the end because, even if it was depressing, it was also a very well-made film.  It sucks you in, even though you might not want it to.  The entire cast does a good job but special praise has to be given to Kelvin Harrison, Jr., who gives a searingly vulnerable performance as Travis.

It Comes At Night is a well-made, disturbing, and heartbreakingly sad movie and probably not one that I’ll have any desire to watch again for quite some time.