4 Shots From 4 Films: Remember Pearl Harbor


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Visiting Pearl Harbor and seeing the remains of the Arizona, still trapped underwater and serving as a tomb for many of its crew, was one of the most moving experiences of my life.  It’s not something that you’ll ever forget.  You really don’t understand the full tragedy of Pearl Harbor until you visit for yourself.  There have been several films made about Pearl Harbor, some better than others.  Here are shots from four of them.

4 Shots From 4 Films: Remembering Pearl Harbor

December 7th (1943, Dir. by John Ford)

From Here To Eternity (1953, Dir. by Fred Zinnemann)

Tora! Tora! Tora! (1970, Dir. by Richard Fleischer)

The Final Countdown (1980, Dir. by Don Taylor)

 

 

4 Shots From 4 Films: Special Maureen O’Hara Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

These 4 Shots From 4 Films are dedicated to the memory of the great Maureen O’Hara.

4 Shots From 4 Maureen O’Hara Films

The Hunchback of Notre Dame (1939, dir by William Dieterle)

The Hunchback of Notre Dame (1939, dir by William Dieterle)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Dance, Girl. Dance (1940, dir by Dorothy Arzner)

Miracle on the 34th Street (1947, dir by George Seaton)

Miracle on the 34th Street (1947, dir by George Seaton)

The Quiet Man (1952, dir by John Ford)

The Quiet Man (1952, dir by John Ford)

Sláinte!

4 Shots From 4 Desert Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

It’s the summer and it’s hot!  Here are 4 shots from 4 films that represent just how hot it feels outside right now.

4 Shots From 4 Desert Films

The Searchers (1956, Dir. by John Ford)

Lawrence of Arabia (1962, Dir. by David Lean)

Star Wars: A New Hope (1977, Dir. by George Lucas)

Mad Max: Fury Road (2015, Dir. by George Miller)

 

4 Shots From 4 Beautiful Black-and-White Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Here are four shots in beautiful black-and-white!

4 Shots From 4 Beautiful Black-and-White Films

Rebecca (1940, Dir by Alfred Hitchcock)

The Grapes of Wrath (1940, Dir by John Ford)

The Southerner (1945, Dir by Jean Renoir)

Sunset Boulevard (1950, Dir by Billy Wilder)

4 Shots From 4 Films: Celebrating Beautiful Landscapes


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

As a photographer, I love movie that feature shots of beautiful landscape.  Here are four of my favorites!

4 Shots Of 4 Beautiful Landscapes

The Quiet Man (1952, Dir by John Ford)

Barry Lyndon (1975, Dir by Stanley Kubrick)

Days of Heaven (1978, Dir by Terrence Malick)

Nomadland (2020, dir by Chloe Zhao)

 

They Were Expendable (1945, directed by John Ford)


In December of 1941, Lt. John Brickley (Robert Montgomery) commands a squadron of Navy PT boats, based in the Philippines.  Brickley is convinced that the small and agile PT Boats could be used in combat but his superior officers disagree, even after viewing a demonstration of what they can do.  Brickley’s second-in-command, Rusty (John Wayne), is frustrated and feels that he will never see combat.  That changes when the Japanese attack Pearl Harbor and then turn their attention to the Philippines.  Brickley gets his chance to show what the PT boats can do but both he and his men must also deal with the terrible risks that come with combat.  Brickley and his men have been set up to fight a losing battle, only hoping to slow down the inevitable Japanese onslaught, because both they and their boats are considered to be expendable.  The hot-headed Rusty learns humility when he’s sidelined by blood poisoning and he also falls in love with a nurse, Sandy (Donna Reed).  However, the war doesn’t care about love or any other plans that its participants may have.  With the invasion of the Philippines inevitable, it just becomes a question of who will be sent with MacArthur to Australia and who will remain behind.

One of John Ford’s best films, They Were Expendable is a tribute to the U.S. Navy and also a realistic look at the realities of combat.  The movie features Ford’s trademark sentimentality and moments of humors but it also doesn’t deny that most of the characters who are left behind at the end of the movie will not survive the Japanese invasion.  Even “Dad’ Knowland (Russell Simpson), the fatherly owner of a local shipyard who does repair work on the PT boats, knows that he’s expendable.  He resolves to meet his fate with a rifle in hand and a jug of whiskey at his feet.  Rusty, who starts out thirty for combat, comes to learn the truth about war.  Ford was one of the many Hollywood directors who was recruited to film documentaries during World War II and he brings a documentarian’s touch to the scenes of combat.

Robert Montgomery had previously volunteered in France and the United Kingdom, fighting the Axis Powers before America officially entered the war.  After the war began, he entered the Navy and he was a lieutenant commander when he appeared in They Were Expendable.  Montgomery brought a hardened authenticity to the role of Brickley.  (Montgomery also reportedly directed a few scenes when Ford was sidelined with a broken leg.)  John Wayne is equally good in the role of the hot-headed Rusty, who learns the truth about combat and what it means to be expendable.  The cast is full of familiar faces, many of whom were members of the John Ford stock company.  Keep an eye out for Ward Bond, Cameron Mitchell, Leon Ames, Jack Holt, and Donald Curtis.

They Were Expendable is one of the best of the World War II movies.  It’s a worthy film for Memorial Day and any other day.

4 Shots From 4 Films: Special John Wayne Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

It’s John Wayne’s birthday!  Here’s 4 shots from the Duke’s unforgettable career.

4 Shots From 4 Films

Stagecoach (1939, directed by John Ford)

Sands of Iwo Jima (1949, directed by Allan Dwan)

The Searchers (1956, directed by John Ford)

The Man Who Shot Liberty Valance (1962, directed by John Ford)

 

 

I Watched Flashing Spikes (1962, Dir. by John Ford)


When infielder Bill Riley (Patrick Wayne) makes an error that costs his team the game, sports columnist Rex Short (Carleton Young) claims that he witnessed Bill being paid off by Slim Conway (James Stewart).  Slim is a former player who was banned from Major League Baseball after he was accused of taking a bribe from a gambler.

Most the movie is a flashback, showing how Bill first met Slim when Slim was playing for a barnstorming team of former major leaguers.  That was my favorite part of the movie.  Slim and a collection of old, worn-out men stumble out of their bus and even though they might move a little slower and they might need to stretch a little more before swinging a bat, they still show up a cocky team made up of young local players.  Even after the crowd nearly riots when they realize that Slim is one of the players, the old players keep their cool and their eye on the game.  After Bill spikes Slim while sliding into home plate, Bill apologizes.  Slim remembers the young man’s humility and, working with one of the few friends that he has left in the game, Slim helps Bill get his chance in the Majors.

Usually, when my sister yells at me to come watch something because “it’s got baseball!,” I’m prepared for it turn out to just be a movie with one scene of someone holding a bat.  I’m glad that she called me to come watch Flashing Spikes with her because it really is a good and loving celebration of my favorite game.  Even after Slim is treated so unfairly by the press, the League, and even some of the fans, he never stops loving the crack of the bats and the cheers of the crowd.  Flashing Spikes is unabashedly pro-baseball and Slim stands in for every player who was ever unfairly railroaded out of the game by scandal mongers like Rex Short.

4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

4 Shots From 4 Films: Special Henry Fonda Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of Henry Fonda!  Fonda was born 120 years ago today and, over the course of his long career, he was often cast in role the epitomized everything great about America.  It’s rare to find a Henry Fonda film in which he played an out-and-out villain, though he did just that in Sergio Leone’s Once Upon A Time In The West.  (Leone, in fact, cast Fonda as the evil Frank because he knew audiences would be shocked to see Fonda coldly gunning down settlers and their families.)

In honor Henry Fonda’s legacy, here are….

4 Shots From 4 Films

My Darling Clementine (1946, dir by John Ford)

Fort Apache (1948, dir by John Ford)

Once Upon A Time In The West (1968, dir by Sergio Leone)

My Name Is Nobody (1973, dir by Tonino Valerii)