4 Shots From 4 Films: Special Rob Zombie Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Our final director: Rob Zombie.

4 Shots From 4 Films

The Devil’s Rejects (2005, dir by Rob Zombie)

Halloween (2007, dir by Rob Zombie)

The Lords of Salem (2013, dir by Rob Zombie)

31 (2016, dir by Rob Zombie)

Horror Film Review: Vampyr (dir by Carl Thedor Dryer)


A dream of dark and disturbing things….

Allan Gray (Nicolas de Gunzburg, performing under the name Julian West) might be a student of the occult or he might just be a man having a dream within a dream.  He’s handsome with just enough of an aristocratic bearing to be intriguing.  His face is strangely blank.  Whenever we see him, we wonder if he’s awake or if he’s asleep.  We’re reminded of Werner Herzog’s film Heart of Glass, in which the entire cast recited their lines while hypnotized.

Allan’s come to a small village in France.  It’s a quaint little place, probably the type that most tourist would consider to be quite beautiful.  But from the minute that we see it, the entire landscape seems to be off.  The inhabitants of the village seem almost as blank-faced as Allan.  When we see the trees sway in the wind, we’re reminded of  Victor Sjöström’s The Wind and how the nonstop wind drove Lillian Gish mad.

Allan stays in an inn.  He goes to sleep.  When he wakes up, an old man stands in his room.  The old man gives him a package.  The package is not to be opened until the man’s death.  Allan goes outside.  The village is full of shadows.  He watches an old woman and the town’s doctor.  Allan meets with one of the old man’s daughters and learns that her sister is deathly ill.  She needs a blood transfusion.  When Allan reads a book about vampyres, he suspects that both the town and the sisters are being held prisoner.  At times, the events feel almost random but the film has such a hypnotic power that we automatically know that nothing happens by mere chance.

Directed by Carl Theodor Dryer, Vampyr was filmed in 1931 and released in 1932.  This was Dreyer’s first sound film but Vampyr almost seems like a silent film.  It certainly has more in common with Dreyer’s hallucinogenic silent masterpiece, The Passion of Joan of Arc, than it does with Universal’s version of Dracula.  Vampyr feels like a cinematic dream, full of surrealistic images and odd performances.  As a collection of images, Vampyr is one of the most intensely atmospheric film that I’ve ever seen.  Allan, who may be having a dream within a dream, discovers a coffin and is shocked to discover who is inside.  A character is buried alive in flour.  Fogs rolls across the river and a figure with a scythe brings to mind Charon, the ferryman who took the dead to the underworld.  Shadows dance across the screen.  Much like Lucio Fulci’s Beyond trilogy, Vampyr succeeds by creating its own cinematic world, one where reality is solely defined by the images on the screen.  The plot of Vampyr might not always make sense in the real world but it’s perfectly logical in the world created by the film.

Vampyr’s a surreal classic, one that reportedly came close to being a lost film.  Several of the video releases have been technically inferior, though the flickering picture and inconsistent soundtrack of those releases can actually add to the film’s dreamlike power.  It’s been released by the Criterion Collection and that is the ideal version to watch.

 

Horror on the Lens: Night of the Living Dead (dir by George Romero)


Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally iconic review!)

ENJOY!

AMV of the Day: This Is Halloween (Soul Eater)


It’s been a while since we’ve done an AMV of the Day here at the Shattered Lens.  This seems like the perfect day to rectify that!

Anime: Soul Eater

Song: Marilyn Manson — This Is Halloween

CreatorHagarenGao

Past AMVs of the Day

A Halloween Film Review: A Ghost Story (dir by David Lowery)


To quote Taking Back Sunday:

“What’s it feel like to be a ghost?”

That’s the question that is asked in the hauntingly beautiful film, A Ghost Story.

How to describe the plot of A Ghost Story?  It’s not going to be easy because A Ghost Story is a film that defies easy description or categorization.  It’s power comes less from the specifics of the story and more from the mood that it creates.  A Ghost Story makes you think and it makes you feel and, to a certain extent, you’re just going to have to take my word on that.  This is one of those film that, to truly understand, you simply must see.

Casey Affleck plays C and Rooney Mara plays M.  They live in a small house, near Dallas.  They’re like any couple, really.  Sometimes, they appear to be in love.  Sometimes, they appear to be on the verge of breaking up and never seeing each other again.  Sometimes, they are happy.  Sometimes, they are sad.  The film starts with an almost random series of scenes, showing their life together.

Suddenly, we see a smashed car sitting in front of the house.

Just as abruptly, we’re in the hallway outside a sterile hospital room.  We can see that, inside the room,  M is staring down at a body on a slab.  The body has been covered with a sheet.  M leaves.  Slowly, the sheet-covered body sits up.  We watch as the sheet-covered ghost walks down the hallways of the hospital.  Briefly, it pauses to look at what appears to be a portal to … somewhere else.  The ghost does not enter the portal and the portal closes.

We spend the rest of the movie following that sheet-covered ghost as he wanders through our world.  No one living sees it and the ghost never says a word.  He watches as M mourns over his passing.  Time passes.  People enter and leave the house.  Life goes on but the ghost is stuck forever where he is, powerless to do anything other than occasionally break a dish, play a piano, or open a book.  Time passes.  The ghost sees the future, the past, and the present.  Why is the ghost still there?  Does the ghost know?  Is the ghost just waiting for someone who it has forgotten?

If I’m making A Ghost Story sound like a sad movie … well, it is.  There are moments of humor, largely coming from the fact that the ghost is literally a sheet with some eye holes.  For the most part, though, this film is a somber meditation on life, death, and what makes it all worth the trouble.  It’s a film that makes you wonder whether you would have entered that portal or if you too would have returned to your old house so that you silently watch the world go on without you.

From the stillness of the morgue to the view of a futuristic cityscape that the ghost can see but probably no longer appreciate, director David Lowery gives some truly beautiful and haunting images while telling this story.  (It’s not surprising to learn that the Dallas-based Lowery previously worked on Shane Carruth’s Upstream Color.)  A Ghost Story came out earlier this year and really didn’t get the attention that it deserved.  It’s a thought-provoking film and definitely one of the best of the year.

Jedadiah Leland’s Horrific Adventures Online #27: Bitten By A Werewolf (2013)


For my next adventure, I played Bitten By A Werewolf (2013).

Bitten By A Werewolf is a choose-your-own-adventure style Twine game.  This is the first thing you see:

I don’t want to be too hard on Bitten By A Werewolf because, having played it, I get the feeling that it was written either by a kid or by someone still learning how to write in English.  The game’s text regularly switches back from first to third person, sometimes in the same sentence.

The figure in the woods is a werewolf.  You can run but don’t expect to avoid getting bitten.  You can also stop long enough to try to help one of your friends climb out of a ravine but don’t expect it to go well.

The most interesting thing about Bitten By A Werewolf is discovering all the ways to die.  Here are a few examples:

When it comes to getting bitten by a werewolf, the best advice is not to get bitten in the first place.  Remember that the next time you’re in the woods and tempted to chase every strange figure you see.