Tag Archives: hard rock

Song of the Day: Dazed and Confused (by Led Zeppelin)

Posted on by Arleigh

Today’s Song of the Day is Led Zeppelin’s “Dazed and Confused”, that hypnotic Yardbirds cover Jimmy Page transformed into a sprawling psychedelic monster on their 1969 debut. Robert Plant’s otherworldly wails float over John Paul Jones’s prowling bass and John Bonham’s primal drums, crafting this foggy, trippy atmosphere that’s perfect for zoning out late at night. But let’s be real, it’s Page’s six-string sorcery that cements it as essential listening.

The real magic erupts at the 3:53 timestamp in the official release cut, when Page launches into his legendary guitar solo—a blistering torrent of bent notes, ferocious pentatonic dives, and those eerie, talkbox-esque squeals that sound like the guitar’s possessed. He’s wringing every ounce of emotion from his Telecaster, stacking fuzz, echo, and vibrato into a wall of controlled chaos that feels like a bad acid trip turned triumphant. It’s raw, innovative shredding that grabs you by the soul and doesn’t let go.

Live versions took it to another level, ballooning into 10+ minute odysseys with Page’s violin bow creating those haunting drones before he dives back into the frenzy—check the ’73 Madison Square Garden tape for the ultimate freakout. This solo isn’t just flashy; it’s Page channeling pure rock alchemy, paving the way for metal and jam gods alike. Crank it up and feel the daze.

Dazed and Confused

Been dazed and confused for so long, it’s not true
Wanted a woman, never bargained for you
Lots of people talkin’, few of them know
Soul of a woman was created below, yeah

You hurt and abuse, tellin’ all of your lies
Run ’round, sweet baby, Lord, how they hypnotize
Sweet little baby, I don’t know where you been
Gonna love you, baby, here I come again

Every day I work so hard
Bringin’ home my hard-earned pay
Try to love you, baby
But you push me away

Don’t know where you’re goin’
Only know just where you’ve been
Sweet little baby
I want you again

Ah, ah, ah, ah
(Did you ever look up my woman?)
Ah, ah, ah, ah
Aah-ah, aah, ah, ah, ah, ah, ah

Aah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, aah
Oh, yeah, alright

Been dazed and confused
For so long, it’s not true
Wanted a woman
Never bargained for you

Take it easy, baby
Let them say what they will
Tongue wag so much
When I send you the bill

Oh yeah, alright

Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh, oh
Oh, oh, oh

Great Guitar Solos Series

Song of the Day: Neverending Journey (by Uematsu Nobuo)

Posted on by Arleigh

“Neverending Journey” by Nobuo Uematsu from Lost Odyssey is one of those tracks that just pulls you right into the game’s vibe without trying too hard. It kicks off super chill with soft strings and light woodwinds, creating this mellow, reflective mood like you’re wandering through old memories that won’t fade. The orchestral start feels patient and open, giving every note space to settle in before things pick up.

Then comes that smooth shift where the electric guitar riffs crash in — bold, distorted, and full of grit, but it flows naturally from the gentle opening. It’s like Uematsu’s flipping the switch from quiet nostalgia to raw determination, blending classical swells with rock edge in a way that screams the game’s themes of endless struggle. The guitar doesn’t steal the show; it amps up the emotion, turning introspection into something with real forward drive.

That mix is why the track sticks with you — Uematsu nails the immortal wanderer’s paradox, weary but unbreakable. From serene strings to guitar-fueled resolve, it captures Kaim’s story perfectly, making you feel the weight and hope of a journey with no end. It’s a standout that proves game music can hit as deep as any epic soundtrack.

Song of the Day: Layla (by Derek & The Dominoes)

Posted on by Arleigh

“Layla” is still one of those solos guitar players treat like a rite of passage. It’s not just the famous riff; the way Clapton and Duane Allman tear into the lead lines makes the whole first half feel like it’s permanently on the edge of falling apart, in the best way. The solo really starts to bloom once the main riff gives way to the verse lead around the 2:20 mark, with the piano-driven section kicking in later at about 3:10 on the original studio version.

A big part of why musicians and fans rate it so highly is the balance between flash and feel. The bends, slides, and quick little runs are impressive, but they always come back to short, singable phrases instead of just running scales. Allman’s slide work, especially those pushed, “beyond the fretboard” high notes, is a huge talking point among players because it sounds wild and emotional while still landing dead-on pitch.

People also love how the solo feels like one long emotional unraveling rather than a neat, contained spotlight moment. The guitar gradually hands things over to the piano section instead of ending on a standard rock climax, so the solo feels like it spills into that second movement of the song. That journey—from searing, tangled guitar lines to that almost resigned, melodic outro—is a big reason “Layla” keeps showing up on “greatest solos” lists and in conversations between working guitarists and casual fans alike.

Layla

What’ll you do when you get lonely
And nobody’s waiting by your side?
You’ve been running and hiding much too long
You know it’s just your foolish pride

Layla
You’ve got me on my knees
Layla
I’m begging, darling, please
Layla
Darling, won’t you ease my worried mind?

I tried to give you consolation
When your old man had let you down
Like a fool, I fell in love with you
You turned my whole world upside down

Layla
You’ve got me on my knees
Layla
I’m begging, darling, please
Layla
Darling, won’t you ease my worried mind?

Let’s make the best of the situation
Before I finally go insane
Please, don’t say we’ll never find a way
And tell me all my love’s in vain

Layla
You’ve got me on my knees
Layla
I’m begging, darling, please
Layla
Darling, won’t you ease my worried mind?
Layla
You’ve got me on my knees
Layla
I’m begging, darling, please
Layla
Darling, won’t you ease my worried mind?

[guitar solo]

Great Guitar Solos Series

Song of the Day: Cliffs of Dover (by Eric Johnson)

Posted on by Arleigh

Eric Johnson’s “Cliffs of Dover” is a bright and lively piece that grabs your attention from the beginning. The guitar work is smooth and confident, combining clear melodies with quick, well-executed runs. It feels like Johnson is having fun exploring different sounds, and that sense of ease makes the song enjoyable to listen to whether you’re a musician or not.

What really stands out is the tone of the guitar—clean, crisp, and well-balanced. Johnson shows great control, shifting between fast passages and slower, more expressive bends without losing the smooth flow of the music. The main solo starts about 2 minutes and 45 seconds in, and this is where the balance of technical skill and musicality comes through most clearly.

The track manages to be both intricate and accessible, with memorable themes that stick in your head after just one listen. Its upbeat and positive vibe has helped it remain popular over the years, earning respect from guitar players and fans alike. It strikes a nice balance between being impressive and inviting, which is part of why it’s still well-regarded today.

Great Guitar Solos Series

Song of the Day: Eruption (by Van Halen)

Posted on by Arleigh

Time to get back to our “Greatest Guitar Solos” series with a short but awesome rock instrumental from the one and only Eddie Van Halen.

“Eruption” was part of the band Van Halen’s self-titled debut album in 1978 and announced the arrival of one of rock’s guitar gods in Eddie Van Halen. Just like Jimi Hendrix’s “Little Wing”, this track was short (less than two minutes) but was very influential with future musicians.

The song itself has Eddie Van Halen mixing it classical music structures and cadences (he uses a section of “Etude No. 2” by Rodolphe Kreutzer in the beginning of the track. Eddie’s use of classical musical theory and melding it with the face-melting technique of hard rock will usher in an era of rock guitarists from all genres from hard rock to black metal where classical music is not seen a stodgy music, but a strong basis and foundation to create of the great rock songs for the next half-century.

Great Guitar Solos Series

Song of the Day: Plush (by Stone Temple Pilots)

Posted on by Arleigh

My latest pick for “Song of the Day” takes me back….way back to those early days post-high school. Only a couple years removed from graduating high school and maneuvering my ways through the turbulent seas of what would be my college years, it was only typical that music would be one of the few things that would anchor things for me during my Adrift Years.

Stone Temple Pilots is part of what I consider as the Big Four of alternative rock of the 1990’s or as some would label that particular sound as “grunge”. Alternative rock, grunge or just plain old hard rock, Stone Temple Pilots made their mark in the early 90’s rock scene with the second single off of their 1993 debut album Core.

“Plush” has always been one of my favorite songs of that era. I played that song on repeat and was one of my go-to Stone Temple Pilots track until “Interstate Love Song” a year later came along. The song was carried by Scott Weiland’s iconic vocals and its dark lyrics. I never knew how dark a song “Plush” was until finding out from a Weiland interview that it was based on a true story of a girl who had been kidnapped and murdered in the early 90’s.

Whether a song inspired by a true-crime story or a metaphor for a failed relationship (as Weiland has said the lyrics represented), “Plush” will remain one of those songs from my young adult years that I would revisit every year to reminisce.

Plush

And I feel that time’s a wasted go
So where you goin’ ’til tomorrow?
And I see that these are lies to come
So would you even care?

And I feel it
And I feel it

Where you goin’ for tomorrow?
Where you goin’ with the mask I found?
And I feel, and I feel when the dogs begin to smell her
Will she smell alone?

And I feel so much depends on the weather
So, is it rainin’ in your bedroom?
And I see that these are the eyes of disarray
So would you even care?

And I feel it
And she feels it

Where you goin’ for tomorrow?
Where you goin’ with the mask I found?
And I feel, and I feel when the dogs begin to smell her
Will she smell alone?

When the dogs do find her
Got time, time to wait for tomorrow
To find it, to find it, to find it
When the dogs do find her
Got time, time to wait for tomorrow
To find it, to find it, to find it

Where you goin’ for tomorrow?
Where you goin’ with the mask I found?
And I feel, and I feel when the dogs begin to smell her
Will she smell alone?

When the dogs do find her
Got time, time to wait for tomorrow
To find it, to find it, to find it
When the dogs do find her
Got time, time to wait for tomorrow
To find it, to find it, to find it

To find it
To find it
To find it

Song of the Day: The Rocker (by Thin Lizzy)

Posted on by Arleigh

So, it looks like it’s St. Patrick’s Day here in Through the Shattered Lens. For my lone contribution to all things Irish I present “The Rocker” by Dublin, Ireland’s very own Thin Lizzy.

A song that was part of their 1973 album release Vagabonds of the Western World and it features the Dublin trio of Phil Lynott on bass guitar, Eric Bell on lead guitar and Brian Downey on drums. The song itself has the Thin Lizzy rock sound with Irish folk music influence.

I’ve chosen this song as my choice since it also qualifies as having one of the great rock guitar solos in history. Eric Bell’s guitar solo actually occurs throughout the length and breadth of the song. It’s sometimes hard to hear that there’s even a guitar solo but the whole song could be looked at as being a guitar solo from start to finish with Eric Bell being the lead and only guitar with Phil supporting on bass.

“The Rocker” by Thin Lizzy is not a song that many fans today would ever think is a major classic, but rock aficionados, especially of music of the late 60’s through the 70’s would not hesitate to have this song as one of the classics.

The Rocker

I am your main man if you’re looking for trouble
I take no lip, no one’s tougher than me
I’d kick your face, you’d soon be seeing double
Hey, little girl, keep your hands off of me

I’m a rocker
I’m a rocker
I’m a roller too, baby
I’m a rocker

Down at the juke joint, me and the boys are stompin’
Bippin’ and boppin’ and telling a dirty joke or two
In walked this chick and I knew she was up to something
And I kissed her right there, out of the blue

I said, “Hey baby, meet me, I’m a tough guy
Got my cycle outside, you wanna try?”
She just looked at me and rolled them big eyes
“Said, I’d do anything for you, for you’re a rocker”

I’m a rocker
I’m a roller too, honey
I’m a rocker

I love to rock and roll
I get my records at the Rock On stall
Sweet rock and roll
Teddy boy, he got them all

Rocker

I love to rock and roll
I get my records at the Rock On stall
Sweet rock and roll
Teddy boy, he’s got them all

I’m a rocker

Great Guitar Solos Series

Song of the Day: While My Guitar Gently Weeps (by The Beatles)

Posted on by Arleigh

Continuing our series of greatest guitar solo series, I present “While My Guitar Gently Weeps” by The Beatles.

The song was written by George Harrison and was composed at a time after the band had just returned from a trip and stay in India to study Transcendental Meditation. Harrison, inspired by his stay in India, re-discovered his passion for the guitar and began to write songs with it as his main instrument. Thus begins an era of The Beatles and George Harrison as a maturing songwriter than made a huge contribution to the band becoming more than just the global rock phenomena pre-1968 and one where the group began to release songs and albums that reflected their new world views.

Yet, as great as the song has become since its release on November 22, 1968, it’s also well-remembered as the song that began a series of collaborations between George Harrison and Eric Clapton (a close friend) who plays lead guitar on the song. It is Clapton’s lead guitar work on “While My Guitar Gently Weeps” that has mesmerized listeners throughout the decades.

Clapton plays two guitar solos, the first occurring during first bridge section of the song, and the second the song’s outro. Both solos accentuates and focuses on the song’s lyrical tradition styling where the musical instrument provides the emotions that propel the song.

The outro guitar solo has also reached a new level of immortality in 2004 when Harrison was posthumously inducted into the Rock and Roll Hall of Fame. The collaboration of artists that included Tom Petty, Jeff Lynne, Steve Winwood, Marc Mann, Dhani Harrison, Prince, Steve Ferrone, Scott Thurston, Jeff Young, and Jim Capaldi. It was Prince’s extended performance of the outro solo that’s become legendary.

While My Guitar Gently Weeps

I look at you all, see the love there that’s sleeping

While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you how to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

[guitar solo]

I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No-one alerted you

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
Look at you all……
Still my guitar gently weeps

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
I look at the floor and I see it needs sweeping
Still my guitar gently weeps

I don’t know why nobody told you how to unfold your love
I don’t know how someone controlled you
They bought and sold you

I look at the world and I notice it’s turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

I don’t know how you were diverted
You were perverted too
I don’t know how you were inverted
No-one alerted you

I look at you all, see the love there that’s sleeping
While my guitar gently weeps
Look at you all……
Still my guitar gently weeps

[guitar solo]

Great Guitar Solos Series

Song of the Day: Sympathy for the Devil (The Rolling Stones)

Posted on by Arleigh

The latest “Song of the Day” is very near and dear to my blues-covered metal heart. I consider it one of the best rock ‘n’ roll songs ever created. It’s been covered by numerous bands in the decades since it’s initial release but I will always consider the original as the best. The latest song of the day is The Rolling Stones’ “Sympathy for the Devil”.

This song was released in the early days of December 1968. It was the opening track for The Rolling Stones’ latest album (Beggars Banquet) at that date. What makes this song so great is how simple the song really comes across. It doesn’t have the typical blues rock tone of previous Stones’ songs until Keith Richard’s guitar solo around the 2:55 mark. The song definitely sounds more like a combination of folk rock (by way of it’s spoken word-like lyrics) and a samba (due to the incorporation of additional percussions like the congas).

“Sympathy for the Devil” has been called a confession song while others see it as the narcissistic bragging of the narrator. Both viewpoints are quite valid and there are more as every listener of this song hears and imagines different themes. I always saw it as a combination of the two. It’s Lucifer’s confession and bragging about his role in the tumultuous and evil events in man’s history. It’s a song that its narrator wants to understand and admit that while he has been there through all those dark moments in history, he wouldn’t have been able to do what he’s done if not for people allowing him in and becoming complicit.

Sympathy for the Devil

Please allow me to introduce myself
I’m a man of wealth and taste
I’ve been around for a long, long years
Stole many a man’s soul and faith

And I was ’round when Jesus Christ
Had his moment of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name
But what’s puzzling you
Is the nature of my game

I stuck around St. Petersburg
When I saw it was a time for a change
Killed the czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a general’s rank
When the blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
Ah, what’s puzzling you
Is the nature of my game, oh yeah
(woo woo, woo woo)

I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made
(woo woo, woo woo)

I shouted out,
“Who killed the Kennedys?”
When after all
It was you and me
(who who, who who)

Let me please introduce myself
I’m a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached Bombay
(woo woo, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
(who who)
But what’s puzzling you
Is the nature of my game, oh yeah, get down, baby
(who who, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
But what’s confusing you
Is just the nature of my game
(woo woo, who who)

Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
‘Cause I’m in need of some restraint
(who who, who who)

So if you meet me
Have some courtesy
Have some sympathy, and some taste
(woo woo)
Use all your well-learned politesse
Or I’ll lay your soul to waste, um yeah
(woo woo, woo woo)

Pleased to meet you
Hope you guessed my name, um yeah
(who who)
But what’s puzzling you
Is the nature of my game, um mean it, get down
(woo woo, woo woo)

Woo, who
Oh yeah, get on down
Oh yeah
Oh yeah!
(woo woo)

Tell me baby, what’s my name
Tell me honey, can ya guess my name
Tell me baby, what’s my name
I tell you one time, you’re to blame

Oh, who
woo, woo
Woo, who
Woo, woo
Woo, who, who
Woo, who, who
Oh, yeah

What’s my name
Tell me, baby, what’s my name
Tell me, sweetie, what’s my name

Woo, who, who
Woo, who, who
Woo, who, who
Woo, who, who
Woo, who, who
Woo, who, who
Oh, yeah
Woo woo
Woo woo

Great Guitar Solos Series

Horror Song of the Day: Highway to Hell (by AC/DC)

Posted on by Arleigh

Highway to Hell

We’ve finally reached the finish line. It’s now Halloween. Enjoy the sun while it out and about because when it goes down and the sky darken and turns to black, the ghouls and monsters come out to play.

Those inclined towards enjoying the darker aspects of life will dance and play throughout the night as they continue their way down the highway to hell.

“Highway to Hell”

Living easy, livin’ free
Season ticket, on a one – way ride
Asking nothing, leave me be
Taking everything in my stride
Don’t need reason, don’t need rhyme
Ain’t nothing I would rather do
Going down, party time
My friends are gonna be there too

I’m on the highway to hell
On the Highway to hell
Highway to hell
I’m on the highway to hell

No stop signs, speedin’ limit
Nobody’s gonna slow me down
Like a wheel, gonna spin it
Nobody’s gonna mess me ’round
Hey Satan! Paid my dues
Playin’ in a rockin’ band
Hey Mama! Look at me
I’m on my way to the promise land

I’m on the highway to hell
Highway to hell
I’m on the highway to hell
Highway to hell

Dont stop me!

I’m on the highway to hell!
I’m on the highway to hell!
I’m on the highway to hell!
I’m on the highway to hell!

And I’m goin down..all the way!
I’m on the highway to hell..