“Neverending Journey” by Nobuo Uematsu from Lost Odyssey is one of those tracks that just pulls you right into the game’s vibe without trying too hard. It kicks off super chill with soft strings and light woodwinds, creating this mellow, reflective mood like you’re wandering through old memories that won’t fade. The orchestral start feels patient and open, giving every note space to settle in before things pick up.
Then comes that smooth shift where the electric guitar riffs crash in — bold, distorted, and full of grit, but it flows naturally from the gentle opening. It’s like Uematsu’s flipping the switch from quiet nostalgia to raw determination, blending classical swells with rock edge in a way that screams the game’s themes of endless struggle. The guitar doesn’t steal the show; it amps up the emotion, turning introspection into something with real forward drive.
That mix is why the track sticks with you — Uematsu nails the immortal wanderer’s paradox, weary but unbreakable. From serene strings to guitar-fueled resolve, it captures Kaim’s story perfectly, making you feel the weight and hope of a journey with no end. It’s a standout that proves game music can hit as deep as any epic soundtrack.
“Layla” is still one of those solos guitar players treat like a rite of passage. It’s not just the famous riff; the way Clapton and Duane Allman tear into the lead lines makes the whole first half feel like it’s permanently on the edge of falling apart, in the best way. The solo really starts to bloom once the main riff gives way to the verse lead around the 2:20 mark, with the piano-driven section kicking in later at about 3:10 on the original studio version.
A big part of why musicians and fans rate it so highly is the balance between flash and feel. The bends, slides, and quick little runs are impressive, but they always come back to short, singable phrases instead of just running scales. Allman’s slide work, especially those pushed, “beyond the fretboard” high notes, is a huge talking point among players because it sounds wild and emotional while still landing dead-on pitch.
People also love how the solo feels like one long emotional unraveling rather than a neat, contained spotlight moment. The guitar gradually hands things over to the piano section instead of ending on a standard rock climax, so the solo feels like it spills into that second movement of the song. That journey—from searing, tangled guitar lines to that almost resigned, melodic outro—is a big reason “Layla” keeps showing up on “greatest solos” lists and in conversations between working guitarists and casual fans alike.
Layla
What’ll you do when you get lonely And nobody’s waiting by your side? You’ve been running and hiding much too long You know it’s just your foolish pride
Layla You’ve got me on my knees Layla I’m begging, darling, please Layla Darling, won’t you ease my worried mind?
I tried to give you consolation When your old man had let you down Like a fool, I fell in love with you You turned my whole world upside down
Layla You’ve got me on my knees Layla I’m begging, darling, please Layla Darling, won’t you ease my worried mind?
Let’s make the best of the situation Before I finally go insane Please, don’t say we’ll never find a way And tell me all my love’s in vain
Layla You’ve got me on my knees Layla I’m begging, darling, please Layla Darling, won’t you ease my worried mind? Layla You’ve got me on my knees Layla I’m begging, darling, please Layla Darling, won’t you ease my worried mind?
Eric Johnson’s “Cliffs of Dover” is a bright and lively piece that grabs your attention from the beginning. The guitar work is smooth and confident, combining clear melodies with quick, well-executed runs. It feels like Johnson is having fun exploring different sounds, and that sense of ease makes the song enjoyable to listen to whether you’re a musician or not.
What really stands out is the tone of the guitar—clean, crisp, and well-balanced. Johnson shows great control, shifting between fast passages and slower, more expressive bends without losing the smooth flow of the music. The main solo starts about 2 minutes and 45 seconds in, and this is where the balance of technical skill and musicality comes through most clearly.
The track manages to be both intricate and accessible, with memorable themes that stick in your head after just one listen. Its upbeat and positive vibe has helped it remain popular over the years, earning respect from guitar players and fans alike. It strikes a nice balance between being impressive and inviting, which is part of why it’s still well-regarded today.
Time to get back to our “Greatest Guitar Solos” series with a short but awesome rock instrumental from the one and only Eddie Van Halen.
“Eruption” was part of the band Van Halen’s self-titled debut album in 1978 and announced the arrival of one of rock’s guitar gods in Eddie Van Halen. Just like Jimi Hendrix’s “Little Wing”, this track was short (less than two minutes) but was very influential with future musicians.
The song itself has Eddie Van Halen mixing it classical music structures and cadences (he uses a section of “Etude No. 2” by Rodolphe Kreutzer in the beginning of the track. Eddie’s use of classical musical theory and melding it with the face-melting technique of hard rock will usher in an era of rock guitarists from all genres from hard rock to black metal where classical music is not seen a stodgy music, but a strong basis and foundation to create of the great rock songs for the next half-century.
My latest pick for “Song of the Day” takes me back….way back to those early days post-high school. Only a couple years removed from graduating high school and maneuvering my ways through the turbulent seas of what would be my college years, it was only typical that music would be one of the few things that would anchor things for me during my Adrift Years.
Stone Temple Pilots is part of what I consider as the Big Four of alternative rock of the 1990’s or as some would label that particular sound as “grunge”. Alternative rock, grunge or just plain old hard rock, Stone Temple Pilots made their mark in the early 90’s rock scene with the second single off of their 1993 debut album Core.
“Plush” has always been one of my favorite songs of that era. I played that song on repeat and was one of my go-to Stone Temple Pilots track until “Interstate Love Song” a year later came along. The song was carried by Scott Weiland’s iconic vocals and its dark lyrics. I never knew how dark a song “Plush” was until finding out from a Weiland interview that it was based on a true story of a girl who had been kidnapped and murdered in the early 90’s.
Whether a song inspired by a true-crime story or a metaphor for a failed relationship (as Weiland has said the lyrics represented), “Plush” will remain one of those songs from my young adult years that I would revisit every year to reminisce.
Plush
And I feel that time’s a wasted go So where you goin’ ’til tomorrow? And I see that these are lies to come So would you even care?
And I feel it And I feel it
Where you goin’ for tomorrow? Where you goin’ with the mask I found? And I feel, and I feel when the dogs begin to smell her Will she smell alone?
And I feel so much depends on the weather So, is it rainin’ in your bedroom? And I see that these are the eyes of disarray So would you even care?
And I feel it And she feels it
Where you goin’ for tomorrow? Where you goin’ with the mask I found? And I feel, and I feel when the dogs begin to smell her Will she smell alone?
When the dogs do find her Got time, time to wait for tomorrow To find it, to find it, to find it When the dogs do find her Got time, time to wait for tomorrow To find it, to find it, to find it
Where you goin’ for tomorrow? Where you goin’ with the mask I found? And I feel, and I feel when the dogs begin to smell her Will she smell alone?
When the dogs do find her Got time, time to wait for tomorrow To find it, to find it, to find it When the dogs do find her Got time, time to wait for tomorrow To find it, to find it, to find it
So, it looks like it’s St. Patrick’s Day here in Through the Shattered Lens. For my lone contribution to all things Irish I present “The Rocker” by Dublin, Ireland’s very own Thin Lizzy.
A song that was part of their 1973 album release Vagabonds of the Western World and it features the Dublin trio of Phil Lynott on bass guitar, Eric Bell on lead guitar and Brian Downey on drums. The song itself has the Thin Lizzy rock sound with Irish folk music influence.
I’ve chosen this song as my choice since it also qualifies as having one of the great rock guitar solos in history. Eric Bell’s guitar solo actually occurs throughout the length and breadth of the song. It’s sometimes hard to hear that there’s even a guitar solo but the whole song could be looked at as being a guitar solo from start to finish with Eric Bell being the lead and only guitar with Phil supporting on bass.
“The Rocker” by Thin Lizzy is not a song that many fans today would ever think is a major classic, but rock aficionados, especially of music of the late 60’s through the 70’s would not hesitate to have this song as one of the classics.
The Rocker
I am your main man if you’re looking for trouble I take no lip, no one’s tougher than me I’d kick your face, you’d soon be seeing double Hey, little girl, keep your hands off of me
I’m a rocker I’m a rocker I’m a roller too, baby I’m a rocker
Down at the juke joint, me and the boys are stompin’ Bippin’ and boppin’ and telling a dirty joke or two In walked this chick and I knew she was up to something And I kissed her right there, out of the blue
I said, “Hey baby, meet me, I’m a tough guy Got my cycle outside, you wanna try?” She just looked at me and rolled them big eyes “Said, I’d do anything for you, for you’re a rocker”
I’m a rocker I’m a roller too, honey I’m a rocker
I love to rock and roll I get my records at the Rock On stall Sweet rock and roll Teddy boy, he got them all
Rocker
I love to rock and roll I get my records at the Rock On stall Sweet rock and roll Teddy boy, he’s got them all
Continuing our series of greatest guitar solo series, I present “While My Guitar Gently Weeps” by The Beatles.
The song was written by George Harrison and was composed at a time after the band had just returned from a trip and stay in India to study Transcendental Meditation. Harrison, inspired by his stay in India, re-discovered his passion for the guitar and began to write songs with it as his main instrument. Thus begins an era of The Beatles and George Harrison as a maturing songwriter than made a huge contribution to the band becoming more than just the global rock phenomena pre-1968 and one where the group began to release songs and albums that reflected their new world views.
Yet, as great as the song has become since its release on November 22, 1968, it’s also well-remembered as the song that began a series of collaborations between George Harrison and Eric Clapton (a close friend) who plays lead guitar on the song. It is Clapton’s lead guitar work on “While My Guitar Gently Weeps” that has mesmerized listeners throughout the decades.
Clapton plays two guitar solos, the first occurring during first bridge section of the song, and the second the song’s outro. Both solos accentuates and focuses on the song’s lyrical tradition styling where the musical instrument provides the emotions that propel the song.
The outro guitar solo has also reached a new level of immortality in 2004 when Harrison was posthumously inducted into the Rock and Roll Hall of Fame. The collaboration of artists that included Tom Petty, Jeff Lynne, Steve Winwood, Marc Mann, Dhani Harrison, Prince, Steve Ferrone, Scott Thurston, Jeff Young, and Jim Capaldi. It was Prince’s extended performance of the outro solo that’s become legendary.
While My Guitar Gently Weeps
I look at you all, see the love there that’s sleeping
While my guitar gently weeps I look at the floor and I see it needs sweeping Still my guitar gently weeps
I don’t know why nobody told you how to unfold your love I don’t know how someone controlled you They bought and sold you
I look at the world and I notice it’s turning While my guitar gently weeps With every mistake we must surely be learning Still my guitar gently weeps
[guitar solo]
I don’t know how you were diverted You were perverted too I don’t know how you were inverted No-one alerted you
I look at you all, see the love there that’s sleeping While my guitar gently weeps Look at you all…… Still my guitar gently weeps
I look at you all, see the love there that’s sleeping While my guitar gently weeps I look at the floor and I see it needs sweeping Still my guitar gently weeps
I don’t know why nobody told you how to unfold your love I don’t know how someone controlled you They bought and sold you
I look at the world and I notice it’s turning While my guitar gently weeps With every mistake we must surely be learning Still my guitar gently weeps
I don’t know how you were diverted You were perverted too I don’t know how you were inverted No-one alerted you
I look at you all, see the love there that’s sleeping While my guitar gently weeps Look at you all…… Still my guitar gently weeps
The latest “Song of the Day” is very near and dear to my blues-covered metal heart. I consider it one of the best rock ‘n’ roll songs ever created. It’s been covered by numerous bands in the decades since it’s initial release but I will always consider the original as the best. The latest song of the day is The Rolling Stones’ “Sympathy for the Devil”.
This song was released in the early days of December 1968. It was the opening track for The Rolling Stones’ latest album (Beggars Banquet) at that date. What makes this song so great is how simple the song really comes across. It doesn’t have the typical blues rock tone of previous Stones’ songs until Keith Richard’s guitar solo around the 2:55 mark. The song definitely sounds more like a combination of folk rock (by way of it’s spoken word-like lyrics) and a samba (due to the incorporation of additional percussions like the congas).
“Sympathy for the Devil” has been called a confession song while others see it as the narcissistic bragging of the narrator. Both viewpoints are quite valid and there are more as every listener of this song hears and imagines different themes. I always saw it as a combination of the two. It’s Lucifer’s confession and bragging about his role in the tumultuous and evil events in man’s history. It’s a song that its narrator wants to understand and admit that while he has been there through all those dark moments in history, he wouldn’t have been able to do what he’s done if not for people allowing him in and becoming complicit.
Sympathy for the Devil
Please allow me to introduce myself I’m a man of wealth and taste I’ve been around for a long, long years Stole many a man’s soul and faith
And I was ’round when Jesus Christ Had his moment of doubt and pain Made damn sure that Pilate Washed his hands and sealed his fate
Pleased to meet you Hope you guess my name But what’s puzzling you Is the nature of my game
I stuck around St. Petersburg When I saw it was a time for a change Killed the czar and his ministers Anastasia screamed in vain
I rode a tank Held a general’s rank When the blitzkrieg raged And the bodies stank
Pleased to meet you Hope you guess my name, oh yeah Ah, what’s puzzling you Is the nature of my game, oh yeah (woo woo, woo woo)
I watched with glee While your kings and queens Fought for ten decades For the gods they made (woo woo, woo woo)
I shouted out, “Who killed the Kennedys?” When after all It was you and me (who who, who who)
Let me please introduce myself I’m a man of wealth and taste And I laid traps for troubadours Who get killed before they reached Bombay (woo woo, who who)
Pleased to meet you Hope you guessed my name, oh yeah (who who) But what’s puzzling you Is the nature of my game, oh yeah, get down, baby (who who, who who)
Pleased to meet you Hope you guessed my name, oh yeah But what’s confusing you Is just the nature of my game (woo woo, who who)
Just as every cop is a criminal And all the sinners saints As heads is tails Just call me Lucifer ‘Cause I’m in need of some restraint (who who, who who)
So if you meet me Have some courtesy Have some sympathy, and some taste (woo woo) Use all your well-learned politesse Or I’ll lay your soul to waste, um yeah (woo woo, woo woo)
Pleased to meet you Hope you guessed my name, um yeah (who who) But what’s puzzling you Is the nature of my game, um mean it, get down (woo woo, woo woo)
Woo, who Oh yeah, get on down Oh yeah Oh yeah! (woo woo)
Tell me baby, what’s my name Tell me honey, can ya guess my name Tell me baby, what’s my name I tell you one time, you’re to blame
Oh, who woo, woo Woo, who Woo, woo Woo, who, who Woo, who, who Oh, yeah
What’s my name Tell me, baby, what’s my name Tell me, sweetie, what’s my name
Woo, who, who Woo, who, who Woo, who, who Woo, who, who Woo, who, who Woo, who, who Oh, yeah Woo woo Woo woo
We’ve finally reached the finish line. It’s now Halloween. Enjoy the sun while it out and about because when it goes down and the sky darken and turns to black, the ghouls and monsters come out to play.
Those inclined towards enjoying the darker aspects of life will dance and play throughout the night as they continue their way down the highway to hell.
“Highway to Hell”
Living easy, livin’ free Season ticket, on a one – way ride Asking nothing, leave me be Taking everything in my stride Don’t need reason, don’t need rhyme Ain’t nothing I would rather do Going down, party time My friends are gonna be there too
I’m on the highway to hell On the Highway to hell Highway to hell I’m on the highway to hell
No stop signs, speedin’ limit Nobody’s gonna slow me down Like a wheel, gonna spin it Nobody’s gonna mess me ’round Hey Satan! Paid my dues Playin’ in a rockin’ band Hey Mama! Look at me I’m on my way to the promise land
I’m on the highway to hell Highway to hell I’m on the highway to hell Highway to hell
Dont stop me!
I’m on the highway to hell! I’m on the highway to hell! I’m on the highway to hell! I’m on the highway to hell!
And I’m goin down..all the way! I’m on the highway to hell..
This past week saw another great musician pass away.
Ed King was an integral part of the three-guitar sound that made the Lynyrd Skynyrd sound so unique among the other blues-inspired American rock bands of the 70’s. Some have called Ed King the backbone of the band.
He was great either on bass guitar or as the third guitarist. The latter becoming the signature sound of the band’s most popular song and one of their most requested: “Free Bird.”
While it’d be simple enough to commemorate Ed King’s passing with another listen to that hit song, it’s on another much simpler song of the band’s that best typifies the member of Lynyrd Skynyrd. He who helped give them their signature sound and whose laid-back attitude finally convinced him that it was time to leave the band when the atmosphere around it began to turn mean and violent.
Some fans of Lynyrd Skynyrd don’t have good things to say about Ed King. They think he bailed on the group just when they were reaching the pinnacle of their success and popularity. But as the song “Simple Man” says, “Oh, take your time, don’t live too fast.”
That was Ed King. It’s time you joined the rest of your band mates waiting for you up above.
Simple Man
Mama told me when I was young “Come sit beside me, my only son And listen closely to what I say And if you do this it’ll help you some sunny day”
“Oh, take your time, don’t live too fast Troubles will come and they will pass You’ll find a woman and you’ll find love And don’t forget, son, there is someone up above”
“And be a simple kind of man Oh, be something you love and understand Baby be a simple kind of man Oh, won’t you do this for me, son, if you can”
“Forget your lust for the rich man’s gold All that you need is in your soul And you can do this, oh baby, if you try All that I want for you, my son, is to be satisfied”
“And be a simple kind of man Oh, be something you love and understand Baby be a simple kind of man Oh, won’t you do this for me, son, if you can”
Oh yes, I will
“Boy, don’t you worry, you’ll find yourself Follow your heart and nothing else And you can do this, oh baby, if you try All that I want for you, my son, is to be satisfied”
“And be a simple kind of man Oh, be something you love and understand Baby be a simple kind of man Oh, won’t you do this for me, son, if you can”
Baby, be a simple, be a simple man Oh, be something you love and understand Baby, be a simple kind of man
Through the Shattered Lens 