6 Shots From 6 Films: Special Martin Scorsese Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to the one and only Martin Scorsese!  It’s time for….

6 Shots From 6 Martin Scorsese Films

Taxi Driver (1976, dir by Martin Scorsese, DP: Michael Chapman)

Goodfellas (1990, dir by Martin Scorsese, DP: Michael Ballhaus)

Casino (1995, dir by Martin Scorsese, DP: Robert Richardson)

Shutter Island (2010, dir by Martin Scorsese, DP: Robert Richardson)

Hugo (2011, dir by Martin Scorsese, DP: Robert Richardson)

The Irishman (2019, dir by Martin Scorsese, DP: Rodrigo Prieto)

 

 

10 Oscar Snubs From the 1990s


Ah, the 90s. Some would say that this was the last good decade that the world would ever experience. It was certainly a good decade for films!  Still, there were some notable Oscar snubs during this decade.  Here are ten of them.

1990: Ray Liotta Is Not Nominated For Goodfellas

The fact that Ray Liotta did not even receive a nomination for playing Henry Hill in Goodfellas will always astound me.  While the film did receive several nominations (and really, it should have won the majority of them), Ray Liotta was snubbed despite the fact that it was his performance that pretty much held the film together.  Alec Baldwin, Tom Cruise, and Val Kilmer were among those who were considered for the role before Liotta received it.  They’re all fine actors but it’s hard to imagine any of them bringing Henry to life quite as well as Ray Liotta.

1991: John Goodman is Not Nominated for Barton Fink

“I WILL SHOW YOU THE LIFE OF THE MIND!”

It’s a little bit amazing that John Goodman has never received an Oscar nomination.  I don’t think he’s ever been scarier (and, in his way, more poignant) than when he played Charley “Mad Man Mundt” Meadows in Barton Fink.

1993: The Age of Innocence Is Not Nominated For Best Picture

While we’re on the subject of Scorsese films that were snubbed by the Academy, it’s amazing to me that Scorsese’s witty, smart, and visually stunning adaptation of The Age of Innocence did not receive a Best Picture nomination.

1993: Dazed and Confused Is Completely Snubbed

Okay, maybe this one isn’t as surprising as the Academy snubbing as Scorsese picture.  Even today, it’s doubtful that the Academy would embrace a film about a bunch of stoned Texas high school kids.  Still, it bothers me that Dazed and Confused received not a single nomination.  It’s certainly better remembered than many of the films that were nominated that year.

1995: Heat Is Completely Ignored

Considering that the film is now regularly cited as one of the best crime films ever made, it’s interesting to note that the Academy totally ignored Heat.  The film received no acting nominations.  Michael Mann was not nominated for his skill in juggling several different storylines.  The film didn’t even receive any technical nominations.  The cinematography was ignored.  You would think that the massive shoot-out would have gotten the film a nomination for Best Sound Editing but, even in that category, Heat was ignored.

Needless to say, Heat was not nominated for Best Picture.  The 1995 Best Picture line-up has always seemed like an odd mix of films, with Babe, Apollo 13, Sense and Sensibility, and Il Postino all losing out to Mel Gibson’s Braveheart.  Apollo 13 and Sense and Sensibility didn’t even receive nominations for their directors, Ron Howard and Ang Lee.  It was an odd year, I guess.  Heat was not the only acclaimed film to miss out on a Best Picture nomination but at least Casino, Leaving Las Vegas, and Dead Man Walking still received nominations in other categories.  Heat was totally snubbed.

1996: Steve Buscemi Is Not Nominated For Fargo

Despite being a cultural institution, Steve Buscemi has never received an Oscar nomination.  I would have nominated him for Fargo.

1997: Boogie Nights Is Not Nominated For Best Picture, Best Director, or Best Actor

Despite receiving two acting nominations for Burt Reynolds and Julianne Moore and a screenplay nomination, Boogie Nights missed out on the big award.  To be honest, I have a feeling that the film would have been nominated if it had been released today.  But, in the year of Titanic, the Academy may not have been ready to embrace a film about the Golden Age of Porn.  And they certainly weren’t ready to embrace Mark Wahlberg, despite his award-worthy performance of The Touch.  Given a choice, the Academy will always embrace the James Camerons of the world before it embraces the Jack Horners.  That said, as we saw in the film, Dirk and Angels Live In My Town swept the AFAA awaards and that’s the important things.

1997: Billy Zane Is Not Nominated For Titanic

C’mon, he was the best thing about the movie!  If Billy Zane can’t receive a nomination for shouting, “I hope you’ll be very happy together!” while chasing Leo and Kate through a sinking ship, what is the point of even having the Oscars?

1999: Reese Witherspoon Is Not Nominated For Best Actress For Election

Reese Witherspoon’s performance as Tracey Flick is iconic precisely because it feels so real.  Everyone has known as Tracey Flick.  Everyone has been annoyed by a Tracey Flick.  Everyone has hoped for a Tracey Flick to fail.  And everyone has inwardly lost a little faith in karma as the Tracey Flicks of the world have continued to find work as mid-level bureaucrats.  In fact, I imagine that might be the reason why Reese Witherspoon was not nominated for her outstanding performance in Election.  No one wanted to reward Tracey Flick.

1999: Bruce Willis Is Not Nominated For Best Actor For The Sixth Sense

Seriously, everyone really took him for granted.  Just try to imagine The Sixth Sense with someone else in his role.

Agree?  Disagree?  Do you have an Oscar snub that you think is even worse than the 10 listed here?  Let us know in the comments!

Up next: A new century brings new snubs!

Ray Liotta, R.I.P.


I was stunned to just hear that Ray Liotta, that massively underrated actor who appeared in some truly great films and who always brought a dangerous but intriguing intensity to every role, died today.  He was 67 years old.

I’m going to share two scenes in honor of Ray, I’m sure that others will have more to say.  The first scene is from a favorite of Arleigh’s, Field of Dreams.  Ray doesn’t say much as Shoeless Joe Jackson but he’s already got that trademark intensity.  The second is the final scene from Goodfellas, which features Ray Liotta’s best work of the entire film.  The small moment when he briefly acknowledges the camera while getting his newspaper is brilliant.

RIP, Ray Liotta.

4 Shots From 4 Christmas Classics


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

It’s Christmas Eve so, in the spirit of the holidays, here are 4 Shots from 4 Christmas classics!

4 Shots From 4 Films

The Night of The Hunter (1955, dir by Charles Laughton)

The Godfather (1972, dir by Francis Ford Coppola)

Goodfellas (1990, dir by Martin Scorsese)

In Bruges (2008, dir by Martin McDonagh)

26 Shots From 26 Films: Special Martin Scorsese Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, the TSL wishes a happy birthday to one of the greatest director working today, the one and only Martin Scorsese!  And that means that it’s time for….

26 Shots From 26 Martin Scorsese Films

(That’s right.  We usually do 4.  Scorsese gets 26.  He deserves a hundred.)

Who’s That Knocking On My Door (1967, dir by Martin Scorsese)

Boxcar Bertha (1972, dir by Martin Scorsese)

Mean Streets (1973, dir by Martin Scorsese)

Alice Doesn’t Live Here Anymore (1974, dir by Martin Scorsese)

Taxi Driver (1976, dir by Martin Scorsese)

New York New York (1977, dir by Martin Scorsese)

The Last Waltz (1978, dir by Martin Scorsese)

Raging Bull (1980, dir by Martin Scorsese)

King of Comedy (1982, dir by Martin Scorsese)

After Hours (1985, dir by Martin Scorsese)

The Color of Money (1986, dir by Martin Scorsese)

The Last Temptation of Christ (1988, dir by Martin Scorsese)

Goodfellas (1990, dir by Martin Scorsese)

Cape Fear (1991, dir by Martin Scorsese)

The Age of Innocence (1993, dir by Martin Scorsese)

Casino (1995, dir by Martin Scorsese)

Kundun (1997, dir by Martin Scorsese)

Bringing out the Dead (1999, dir by Martin Scorsese)

Gangs of New York (2002, dir by Martin Scorsese)

The Aviator (2004, dir by Martin Scorsese)

The Departed (2006, dir by Martin Scorsese)

Shutter Island (2010, directed by Martin Scorsese)

Hugo (2011, dir by Martin Scorsese)

The Wolf of Wall Street (2013, dir by Martin Scorsese)

Silence (2016, dir by Martin Scorsese)

The Irishman (2019, dir by Martin Scorsese)

A Movie A Day #43: The Big Heist (2001, directed by Robert Markowitz)


the_big_heist_2001In 1978, low-level mob associate Jimmy Burke (Donald Sutherland) is released after serving a six years in prison.  As soon as he arrives home, he discovers that his son, Frank (Jamie Harris), has failed to keep up with the family business and that the Burke Crew is close to becoming a joke.  Looking for a big score, Jimmy masterminds a robbery at John F. Kennedy International Airport.  The so-called Lufthansa Heist becomes the largest cash robbery committed on American soil at that time.  Growing paranoid, Burke decides it would be easier to just kill all the members of his crew than to give them their cut of the robbery.  What Burke doesn’t realize is that his closest associates are destined to be his downfall.  Tommy DeSimone (Rocco Sisto) has offended John Gotti (Steven Randazzo) while Henry Hill (Nick Sandow) has become hooked on drugs and is considering turning informant.

If all this sounds familiar, that’s because part of this story was already told in Goodfellas.  The Big Heist was made for TNT and, because it focuses exclusively on the robbery, it goes into far more detail than Martin Scorsese’s film.  For instance, the character of Frank Burke was entirely left out of Goodfellas and it’s interesting to see how much more negatively Henry Hill is portrayed in The Big Heist.  Since it’s told from the viewpoint of Jimmy Burke instead of Henry Hill, The Big Heist makes for an interesting companion piece to Goodfellas but, at the same time, it never escapes the shadow of the other film.  With both movies employing voice over narration and frequent freeze frames, it’s impossible to watch The Big Heist without comparing it to Goodfellas.  Since Goodfellas was made by Martin Scorsese and The Big Heist was made for TNT, the former comes out on top.

It’s also hard to watch Donald Sutherland as Jimmy Burke without comparing his performance to Robert De Niro’s Jimmy Conway.  Though he never reaches the heights of De Niro’s performance, Sutherland is convincing as a sociopathic criminal mastermind.  Less convincing are Rocco Sisto and Nick Sandow, who both struggle to make an impression in roles previously made famous by Joe Pesci and Ray Liotta.

Let’s Second Guess The Academy: 1990 Best Picture Nominees


Let’s be honest — the Academy Awards are rarely presented to the best in film.  That’s part of why I love them — you can spend a lifetime debating and second guessing the films, performers, and craftsman. that the Academy annually chooses to recognize with an Oscar.

With that in mind, here’s the first entry in a  little something that I like to call Let’s Second Guess The Academy.

In this post, I’m focusing on the contest for Best Picture of 1990.  In that contest, the Academy nominated five films — Awakenings, Dances With Wolves, Ghost, The Godfather Part III, and Goodfellas.  In the end they named Dances With Wolves the best film of 1990.  Were they right?

You tell me.

And now, let’s make things really interesting by considering which films you would have nominated if those five nominees had never been made.  Vote for up to five and let’s show the Academy how it’s done.