The TSL Grindhouse: Exterminator 2 (dir by Mark Buntzman)


Four years after the end of the first Exterminator, the man they drove too far is driven too far again….

As you may remember, the first Exterminator ended with the CIA shooting vigilante John Eastland (Robert Ginty) because Eastland’s anti-crime activities were somehow making the President look bad.  The wounded Eastland fell into the Hudson River.  “Washington will be pleased,” the CIA agent said to the gunman.  However, the film’s final shot revealed that Eastland had survived his plunge.

1984’s Exterminator 2 opens with Eastland returning to New York City.  He’s got a small apartment and a police scanner and when he hears a report that an elderly couple is being menaced by a group of thugs, he puts on a welding mask and uses his flame thrower to set the criminals on fire.  Of course, he doesn’t actually arrive in time to save the old couple from getting shot and killed.  Just because Eastland has decided to become a vigilante, that doesn’t mean that he’s particularly good at it.

The first Exterminator was a grim and gritty thriller that took itself very seriously.  In fact, one could argue that it took itself a bit too seriously.  Exterminator 2, which was produced by Cannon Films, takes a slightly different approach.  This is obvious as soon as Mario Van Peebles shows up as X, a cult leader who is looking to take over the New York drug trade.  Van Peebles, with his model good looks and his quick smile, is not exactly the most intimidating of villains.  And X is not exactly the most brilliant of bad guys.  For one thing, he drives a car with a big red X spray painted on one of the doors, which doesn’t seem to be the smartest thing to do when you have both the police and crazed vigilante hunting for you.

Fortunately, for X, John Eastland is easily distracted.  After he sets a few people on fire, he seems to lose interest in actually being a vigilante and instead, a large portion of the film is taken up with him getting a job collecting garbage with his friend, Be Gee (Frankie Fasion).  (Much like the previous film’s Michael Jefferson, Be Gree served with Eastland in Nam.)  Eastland also meets and falls in love with a dancer named Caroline (Deborah Geffner).  Unfortunately, a trip to Central Park leads to Caroline getting attacked by a bunch of X’s followers.  With Caroline in a wheelchair, Eastland has little choice but to pick up his flame thrower and transform his garbage truck into a tank of destruction….

Exterminator 2‘s production was a troubled one.  Director Mark Buntzman was one of the producers of the first Exterminator and apparently, Cannon disliked his first cut of Exterminator 2.  Director William Sachs (who was Cannon’s resident “film doctor”) was brought in to do extensive reshoots in Los Angeles.  Unfortunately, by the time Sachs was brought in, Robert Ginty had already moved on to another project and Sachs was forced to use his stunt double for any scenes involving Eastland.  (This is one reason why Eastland spends much of the film wearing a welder’s mask.)  Also because of Ginty’s absence, Sachs ended up adding a lot of scenes that focused on Van Peebles’s performance as X, with the end result being that the film often seems to be more about X and his gang than it is about Eastland and his hunt for revenge.  (Unfortunately, this also led to a lot of unresolved subplots, including one in which X orders one of his roller skating henchman to kidnap a woman off the street so she can be used to test a new batch of heroin.)  Many of the scenes featuring Ginty have a totally different feel to them from the scenes featuring Van Peebles and Ginty’s stunt double.

The end result is a film that really doesn’t have any sort of narrative momentum.  One is never really sure what either X or Eastland is hoping to accomplish.  Instead, they just kind of wander around until they have their final confrontation.  Along the way, there’s a few poorly edited fights but there’s also a lot of scenes that are just included to serve as filler.  As I already mentioned, Van Peebles is not a particularly menacing villain but Ginty also isn’t a particularly compelling hero.  Ginty’s goofy screen presence was nicely subverted by the grime and grit of the first Exterminator but, in the second film, he just comes across as being petulant and even a bit whiny.

The first Exterminator famously ended with the lines, “Washington will be pleased.”  I don’t think anyone would particularly be pleased with Exterminator 2.  As a final note, I will admit that I was so bored with this film that, when I watched it, I barely noticed when it ended and Tubi segued into showing a film called Executioner 2.  That pretty much sums up the entire Exterminator 2 experience.

The TSL Grindhouse: The Exterminator (dir by James Glickenhaus)


First released in 1980, The Exterminator begins during the Vietnam War.

Two soldiers, John Eastland (Robert Ginty) and Michael Jefferson (future Cannon Film mainstay Steve James) have been captured by the Viet Cong and can only watch as a third soldier is beheaded by his captors.  (The graphic beheading, in which the camera lingers on the head slowly sliding off the neck, is an early warning of what this film has in store for its audience.)  Jefferson manages to free himself from his bonds and kills most of the enemy soldiers.  After Jefferson frees him, Eastland fires a bullet into the still twitching body of the VC commander.

The film jumps forward to 1980.  Living in New York City, Jefferson and Eastland are still best friends and co-workers at a warehouse.  For a second time, Jefferson saves Eastland’s life when the latter is attacked by a gang calling themselves the Ghetto Ghouls.  When the Ghouls get their revenge by tracking down Jefferson and piecing his spine with a meat hook, Eastland gets his revenge by killing …. well, just about everyone that he meets.

Though The Exterminator was obviously inspired by Death Wish, a big difference between the two films is that Eastland doesn’t waste any time before starting his anti-crime crusade.  In the original Death Wish, Paul Kersey (played by Charles Bronson) starts out as a self-described “bleeding heart” liberal who was a conscientious objector during the Korean War.  Even after his wife and daughter are attacked (and his wife killed) by Jeff Goldblum, Kersey doesn’t immediately pick up a gun and start shooting muggers.  Indeed, it’s not until the film is nearly halfway over that Kersey begins his mission and, in one of the film’s more memorable moments, he reacts to his first act of violence by throwing up afterwards.  While one could hardly call Death Wish an especially nuanced film, it does at least try to suggest that Kersey’s transformation into a vigiliante was a gradual process.

The Exterminator, on the other hand, goes straight from Eastland informing Jefferson’s wife about the attack to Eastland threatening a tied-up Ghetto Ghoul with a flame thrower.  When did Eastland kidnap the Ghetto Ghoul?  Why does Eastland have a flame thrower?  Where exactly has Eastland tied up the Ghetto Ghoul?  None of this is explained and the film’s abruptness gives it an almost dream-like feel.  The film plays out like the fantasy of everyone who has ever been mugged or otherwise harassed.  Magically, Eastland suddenly has the skills and the resources to outsmart not just the criminals but also the police who have been assigned to stop him.  Even the CIA is assigned to take down Eastland because his anti-crime crusade is inspiring people to wonder why the President hasn’t been able to reduce crime.  The film plays out like the type of daydreams that Travis Bickle had when he wasn’t driving his taxi.

Eastland is ruthless in his kills but fortunately, everyone he kills is really, really bad.  The Ghetto Ghouls clubhouse is decorated with a poster of Che Guevara but Che’s revolutionary rhetoric isn’t worth much when the Exterminator’s after you.  A mob boss makes the mistake of not telling Eastland about the Doberman that’s guarding his mansion so into the meat grinder he goes.  New Jersey loses a state senator when Eastland discovers him torturing an underage male prostitute.  The film was shot on location in New York City and the camera lingers over every grimy corner of the city.  A scene where Eastland walks through Times Square takes on a cinéma-vérité feel as people jump out at him and try to entice him to take part in everything the city has to offer.  If Death Wish suggested that Paul Kersey’s actions were saving New York, The Exterminator suggests that we should just let John Eastland burn the whole place down.

With his youthful face, Robert Ginty looks more like a mild-mannered seminarian than a hardened veteran of both Vietnam and the mean streets of New York but, ultimately, that works to the film’s advantage.  If anything, it explains why everyone who meets him trends to underestimate what he’s capable of doing.  B-movie vet Christopher George overacts in his usual amusing way as he plays the detective who has been assigned to catch The Exterminator.  Samantha Eggar plays a doctor who starts dating George for no discernible reason.  The scenes featuring George and Eggar often seems as if they belong in a different film but they do provide some relief from the rather grim and gruesome scenes of The Exterminator killing almost everyone who he meets.

The Exterminator was controversial when it was originally released and it still retains the power to shock.  It’s easy to laugh at some of the film’s more melodramatic moments but there were still more than a few scenes that I watched with my hands over my eyes.  The film’s hard edge grabs your attention from the start and the idea of the CIA sending assassins to take out a neighborhood vigilante is so over the top and ridiculous that it’s kind of hard not to appreciate it.  That the film totally buys into its paranoid worldview (“Washington will be pleased.”) makes the whole thing far more compelling than it should be.

As ludicrous as it all is, The Exterminator is a film that defies you to look away.

Here’s The Trailer For Five Nights At Freddy’s


Who here is excited about Five Nights At Freddy’s!?

I will admit that I am, even though I’ve never played the game on which the film is based.  The trailer looks like fun and isn’t it time for Matthew Lillard to make a comeback?

Here’s the trailer:

Monday Live Tweet Alert: Join Us For Deep Rising and Lone Wolf McQuade!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1998’s Deep Rising!  We’ll be paying tribute to the great Treat Williams.

Following #MondayActionMovie, I will be guest-hosting the #MondayMuggers live tweet!  We will be watching 1983’s Lone Wolf McQuade, starring Chuck Norris and David Carradine!  The film is on Prime and Tubi!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Deep Rising on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Lone Wolf McQuade, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Enjoy!

4 Shots From 4 Films: Special Paul Thomas Anderson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the birthday of one of our greatest filmmakers, Paul Thomas Anderson!  This edition of 4 Shots From 4 Films is dedicated to him and his brilliant career!

4 Shots From 4 Paul Thomas Anderson Films

Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)

Phantom Thread (2017, dir by Paul Thomas Anderson)

Scenes That I Love: Freddie and Dodd’s Final Meeting From Paul Thomas Anderson’s The Master


Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).

Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends.  Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime.  Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan.  In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together.  Both of them realize that the time they had is over.  And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.

From Paul Thomas Anderson’s The Master:

Retro Television Reviews: A Tattered Web (dir by Paul Wendkos)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s A Tattered Web!  It  can be viewed on YouTube!

Sgt. Ed Stagg (Lloyd Bridges) is a good cop and an overprotective father.  Ever since his wife left him, Ed has been determined to make sure that his daughter, Tina (Sallie Shockley), has a good life.  So, as you can probably guess, Ed is not amused when he finds out that Tina’s husband, Steve (Frank Converse), has been cheating on her with Louise Campbell (Anne Helm).  Ed has never liked Steve and would love it if his daughter left him.  But, Ed still doesn’t want want Tina to have to go through the pain of knowing that her husband is seeing another woman.

Ed decides to drop by Louise’s apartment and talk to her himself.  Louise, however, is not willing to let some old stranger tell her how to live her life.  After all, she’s heard from Steve about what a terrible and judgmental father-in-law Ed is.  Ed gets frustrated and shoves Louise.  Louise stumbles back, hits her head, and …. uh-oh.  Louise is dead!  To be honest, it didn’t really look like she hit her head that hard.  In fact, I had to rewatch the scene to see if she actually hit her head at all.  But no matter.  Louise is dead and Ed’s responsible.

The next morning, when Ed and his partner, Joe (Murray Hamilton), are called in to investigate Louise’s homicide, Ed is approached by Louise’s neighbor (John Fiedler), who gives him a description of a  young man who he says he frequently saw going up to Louise’s apartment.  The description perfectly describes Steve.  The police sketch artist draws a picture that looks like just like Steve.  Joe thinks that Steve is responsible.  Not wanting his daughter to think that her husband’s a murderer, Ed decides to frame Willard Edson (Broderick Crawford), an alcoholic who frequently comes into the station and confesses to crimes so that he can have a place to sleep for the night.

Yes, it’s a tattered web indeed.  Ed is able to talk Edson into confessing to the crime but then Steve does his own detective work and realizes that Edson couldn’t be the murderer.  Ed tells Steve that he should just let the police arrest Edson because, otherwise, they’re going to come after Steve.  Steve, however, says that he would rather be arrested and be given a chance to prove his innocence than just stand by idly while an innocent man goes to jail.  Being a veteran cop, Ed wasn’t expecting everyone to be so damn honest!

A Tattered Web isn’t bad for a 70-minute made-for-TV movie.  The film’s main strength is the cast, with Lloyd Bridges, Murray Hamilton, and especially Broderick Crawford giving strong performances.  The scene where Ed talks Edson into confession is especially well-done, with Crawford giving a performance of growing desperation while Bridges himself appears to be on the verge of tears as Ed realizes what his life has become.  Like his sons Jeff and Beau, Lloyd Bridges is such a likable actor that it’s hard not to care about what happens to the characters that he’s playing, even when he’s playing a murderer.  A Tattered Web is an effective thriller that reminds viewers that guilt cannot be escaped.

Live Tweet Alert: Watch The World’s End with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2013’s The World’s End!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Here’s The Trailer For Drive-Away Dolls!


Here’s the trailer for Drive-Away Dolls, which is Ethan Coen’s first non-documentary feature film as a solo director.  Apparently, Ethan and his wife, Tricia Cooke, wrote the script for this film back in the early 2000s.  For a while, it was expected that Allison Anders would direct the film but, for whatever reason, it didn’t happen and the project was put on hold.  Coen and Cooke apparently returned to the script during the COVID lockdowns, using the time to update and refine the story.

Drive-Away Dolls will be released on September 22nd.