Elektra | Through the Shattered Lens

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

If, around 2 in the morning on Saturday, you were having trouble getting to sleep, you could have turned over to Cinemax and watched the 2005 film, Elektra.

Elektra (Jennifer Garner) used to be dead but now she’s alive again. She was killed during the 2003 film, Daredevil, but, two years later, she was resurrected by a blind martial artist named Stick (Terence Stamp). Stick taught her how to not only fight but also how see into the future, which I guess is helpful if you have to decide whether or not to throw one of those little knife things at someone. (As you can tell, I’m definitely the expert when it comes to martial arts and ninja assassins.)

Elektra uses her training to become the world’s most deadly assassin, which is probably not what Stick had intended but what’s he gong to do, right? However, when Elektra is ordered to kill a totally hot guy and his 13 year-old daughter, she starts to have doubts about whether or not being a murderer-for-hire is really for her. And can you blame her? Not only do you not get to make many friends but I imagine that you’re also constantly having to buy new arrows for your crossbow and that has to get expensive at some point.

So, Elektra decides not to kill the hot guy or his daughter but it tuns out that an evil group of ninjas called The Hand are determined to kill the guy anyway and apparently his daughter is perhaps destined to maintain the balance between the forces of good and evil. (Don’t ask me, I didn’t write the script.) Elektra has to take it upon herself to defeat the Hand and hopefully ensure that the hot guy’s daughter gets to enjoy her adolescence without having to worry about balancing killing people with school work.

Elektra was released with a lot of fanfare back in 2005. It didn’t do particularly well at the box office, which apparently led to Marvel getting into their head that no one would pay money to see a comic book film with a female hero. (This belief was disproven 12 years later, with Wonder Woman.) Today, in the wake of the MCU and whatever DC calls their cinematic universe, Elektra feels almost like a relic. It’s a film that lacks of the self-awareness of the later comic book films but it also never matches them in their scope or their ability to make us feel as if we’ve entered into a separate, fully functioning universe. Elektra is from the age when comic book movie didn’t want to admit that they were comic book movies.

It’s a silly film but, at the same time, it can be kind of fun if you’re in a particularly undemanding mood. Watching it last night, I was shocked to be reminded of the fact that there was a time when Jennifer Garner actually kicked serious ass. The fight scenes are fun to watch, mostly because it’s a woman who gets to beat everyone up. The dialogue is fun to listen to because it’s all so terribly written. (All of the bad guys refer to the title character as being, “the female, Elektra!,” as if it was felt that there was some sort of danger of the audience forgetting who the star of the film was.) It’s an enjoyably dumb movie, which makes it perfect for insomnia-fueled viewing.

Previous Insomnia Files:

Metallica.

Love them or hate them there’s really no middle-ground when it comes to one of the Big Four of thrash metal. You either love the band even through their dabbling into hard rock and the Bob Rock-era or you hate them for the perceived selling out and the Bob Rock-era. You ask any Metallica fan and they would pretty much agree that their third album, Master of Puppets, was the band at it’s peak. There would be some debate on whether the Black Album was where the band began to alienate some of it’s earliest fans, but that’s not what we’re here for.

We are here for the latest “Song of the Day” and it’s from their second full-length album, Ride the Lightning. The song is the band’s very first power ballad and follows the album’s theme and exploration of death. Where the album’s title took on the concept of death by electric chair the song chosen this time around is about the band’s exploration of the concept of suicide.

Yes, this was the song that the band had gotten into hot water for it’s suicidal lyrics which purportedly led to teens offing themselves after listening to it constantly. What critics of the song failed to realize was just how much teens at the time the song came out saw the song as therapeutic. They related to the song and used it as an outlet for their own alienation and depression.

Just like it’s subject matter it begins with a melancholy melody that gives a glimpse into the singer’s mindset. It’s not the typical fast playing many have associated with thrash, but that arrives soon enough as the song finishes off it’s vocals with a fade out that leads into Kirk Hammett’s 2-minute guitar solo that ultimately fades out as well…

The song that critics of metal gets wrong then and continues to even now is the classic “Fade to Black”.

Fade to Black

Life it seems, will fade away
Drifting further every day
Getting lost within myself
Nothing matters no one else
I have lost the will to live
Simply nothing more to give
There is nothing more for me
Need the end to set me free

Things not what they used to be
Missing one inside of me
Deathly lost, this Can’t be real
Cannot stand this hell I feel
Emptiness is filling me
To the point of agony
Growing darkness taking dawn
I was me, but now he’s gone

No one but me can save myself, but it’s too late
Now, I can’t think, think why I should even try
Yesterday seems as though it never existed
Death Greets me warm, now I will just say goodbye

Bye…

(guitar solo)

Great Guitar Solos Series