Retro Television Review: Fantasy Island 5.16 “The Challenge/A Genie Named Joe”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Fantasy Island reminds us why we love this show in the first place.

Episode 5.16 “The Challenge/A Genie Named Joe”

(Dir by Cliff Bole, originally aired on February 13th, 1982)

Now, this is a great episode!

Julie doesn’t appear in this episode, beyond the usual stock footage that appears at the start of every season 5 episode.  In fact, Julie isn’t even mentioned in this episode.  Instead, it’s Roarke and Tattoo all the way.  Roarke and Tattoo greet the visitors together.  Tattoo is the one who helps Roarke put the fantasies together.  Roarke and Tattoo say goodbye to everyone at the end.  In a way, this episode felt like a throwback to the first two seasons of Fantasy Island.

The fantasies feel like throwbacks to the first two seasons as well, with both of them featuring interesting guest stars and just enough twists to keep things interesting.  We’ve got one comedic fantasy and one dramatic fantasy but the comedic fantasy is not too silly and the dramatic fantasy is not too serious.  The episode manages to strike a pretty good balance between the two so, for once, neither fantasy feels rushed or short-changed.

The comedic fantasy features Kim Darby as Rebecca Walters, who wants to find a husband who is courteous and handsome.  Tattoo takes her out to the magical Fantasy Island lagoon, where she meets a genie named …. well, he has a really long genie name but fortunately, he’s happy to be called Joe (Larry Linville).  Joe can grant Rebecca three wishes.  As always happens with genies, Rebecca wastes her first two wishes.  For instance, when she says that it’s a little bit too warm for her, Joe grants her wish and temporarily turns Fantasy Island into a winter wonderland, complete with snow and Christmas music playing.  (Seriously, the sight of snow on Fantasy Island was surprisingly charming, as was Tattoo’s shocked reaction.)  In the end, of course, Rebecca comes to discover that she loves Joe.  Joe transforms from a genie-into-a-man and they leave the Island together.  It was a charming and cute fantasy.  Both Darby and Linville seemed to be having fun with their roles and they had a surprising amount of chemistry together.  This was a fun fantasy.

As for the dramatic fantasy, it allowed us to learn a little about the history of the Island.  Apparently, centuries ago, the Island belonged to a Spanish sea captain.  Ruthless tycoon Douglas Picard (Vic Morrow) came across the deed to the island after he moved into a villa that once belonged to the captain.  Picard claims that the Island is legally his.  Roarke points out that the deed is several centuries old and that it would take years for the legal system to sort out who owned what.  Picard challenges Roarke to three challenges to decide who will own the island, challenges that will test the mind, body, and spirit of the two men.  The person to win two of the matches also wins the Island.  Roarke agrees.

Here’s the thing that I find interesting about all of this.  First off, it’s implied that the Spanish sea captain was a part of the Spanish Armada.  Why would the Spanish Armada have been in the South Pacific?  Even more importantly, though, was the island still capable of granting fantasies when it was owned the Captain?  Are the fantasies created by the Island or by Mr. Roarke?  The case for the Island being magical can be found in this very episode, in which Tattoo takes Rebecca to a lagoon inhabited by a genie.  Throughout the series, there have been many such locations on the Island.  But Roarke himself is clearly more than just the charming owner of a resort.  Ricardo Montalban once said that he felt Roarke was a fallen angel who was doing penance on the Island.  That’s an interesting idea and would certainly explain why Roddy McDowall’s Devil always seemed to want to steal Roarke’s soul.  Of course, the Blumhouse film and the recently-canceled reboot both suggested that Fantasy Island has had many different caretakers but I’m not sure that I consider either one of those to be canonical.  I kind of like the idea Roarke having lived on the Island for centuries, like Richard on Lost.

Anyway, the three competitions are actually pretty interesting.  The first one is a chess match that is won by Roarke.  The second one features Roarke and Picard arm-wrestling over a killer spider.  Roarke is in on the verge of winning that one but allows Picard to have the victory rather than kill him.  The third competition is to do something selfless that improves someone else’s life.  (I’m not sure how the winner would be selected but we’ll just go with it.)  Picard gives money to a charity that he knows little about.  Roarke, however, wins because he made Picard’s sister, Eunice (Jane Powell), happy by choosing not to kill Picard.  Picard is so happy to finally see Eunice happy that he decides he doesn’t need to take ownership of Fantasy Island.  Everyone leaves the Island a better person than they were when they arrived.  Yay!

As I said before, this episode felt like a throwback to the earlier seasons of Fantasy Island.  This was a great trip to the Island!

Horror Film Review: The Beast With A Million Eyes (dir by David Kramarsky, Lou Place, Donald Myers, and Roger Corman)


The 1955 film, The Beast With A Million Eyes, has three credited directors and reportedly, Roger Corman also stepped in and took over the direction as well, even though he received no screen credit.  That’s a lot of directors for a relatively simple sci-fi/horror film.  Reportedly, the problem with the directors came from the fact that The Beast With A Million Eyes was a non-union production and, after one day of production, the unions threatened to picket the set and basically shut down production unless the entire cast and crew signed up for the guilds.  The unions eventually got their members and their money but all of the drama set production so far behind that Roger Corman stepped in, fired award-winning cinematographer Floyd Crosby, and proceeded to finish up the film himself.

As for the film itself, it takes place in the California countryside.  Allan Kelly (Paul Birch, who was one of the first guys to get killed in The War of the Worlds and later played the dying alien in Corman’s Not Of This Earth) has no use for modern society and he has moved his family to a ranch in the California desert.  His family is not particularly happy about this.  His wife, Carol (Lorna Thayer), hates being isolated from the world.  Their teenage daughter, Sandy (Dana Cole), is lonely and has a strained relationship with her mother.  The only thing that makes Sandy happy is her boyfriend (played by Dick Sargent, who would later take over the role of Darin on Bewitched) and her dog.  Perhaps the worst part of living out in the desert is that their handyman is a weirdo known as Him (Leonard Tarver).

Now, I should mention that, when I was growing up, my family moved around a lot.  I spent a while living on a few farms that were owned by my aunts, uncles, and grandparents.  Even after we finally settled down in Texas, I would still frequently visit their farms.  I enjoyed visiting the farms, even though I’m pretty much a city girl at heart.  I can say that The Beast With A Million Eyes definitely captured the isolated feel of country life.  Watching the film, I could feel the heart of the unforgiving sun.  I could feel the feeling of tall grass against my bare legs.  And, at times, I could even remember the sound of roosters in the distance and crickets and grasshoppers chanting in the night.

Fortunately, my family was never bothered by aliens while we were on the farm.  Unfortunately, the same cannot be said for the family at the center of The Beast With A Million Eyes.  An alien decides to test its invasion plan on the family.  First, the animals turn against the family, including the poor family dog.  (This is probably not a film to watch if you feel about dogs the way that I feel about cats.)  Then, the handyman suddenly turns against the family as well.  The alien is taking over the minds of the living beings around, starting with animals and then moving on to humans.  Can the family defeat the aliens?  And will nature ever be the same?

Hey, I liked The Beast With A Million Eyes!  Usually, when the film has a lot of directors, it results in a disjointed mess but The Beast With A Million Eyes actually had an interesting story and a lot of country atmosphere.  As opposed to the stereotypically perfect 50s family, the family at the center of The Beast With A Million Eyes is believably dysfunctional but, in the end, they have to come together to save the humanity.  I just hope the rest of the world would be willing to do the same.

Retro Television Reviews: Fantasy Island 3.9 “The Dancer/Nobody’s There”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

The past two weeks of Fantasy Island saw Mr. Roarke getting married (and losing his wife) and Tattoo getting his heart broken.  Will this week’s episode be just as dramatic?  Read on to find out!

Episode 3.9 “The Dancer/Nobody’s There”

(Dir by Gene Nelson, originally aired on November 17th, 1979)

For the third week in a row, this episode of Fantasy Island features Mr. Roarke and Tattoo heading straight to the docks so that they can meet their guests without making any time for any Roarke/Tattoo banter.  On the one hand, the scenes where Tattoo would tell Roarke about his latest scheme were always a bit awkward because of the obvious bad feelings between Ricardo Montalban and Herve Villechaize.  On the other hand, they did reveal that Tattoo had a life outside of just following around Mr. Roarke.  I will be a little bit sad if they’re gone forever.

As for this week’s fantasies, neither one adds up too much.

Big Jake Farley (Max Baer, Jr.) is a big, strapping cowboy who will tell anyone who will listen that he’s from “Big D.”  (“It’s a mite south of Heaven.”)  I’m from Big D too and I will admit that I’m a bit sensitive when it comes to the whole “All Texans are cowboys” stereotype so I pretty much spent this entire fantasy in cringe mode.  Big Jake wants to meet Valeska de Marco (Carol Lynley), the ballerina whose hard work and perfectionism inspired him when he was just a penniless cowpoke.  Now that Big Jake is a wealthy rancher and oilman, he wants to marry Valeska and take her back to the ranch.  Unfortunately, Valeska is already engaged to Stuffy Q. Borington III (Howard Morton).  When Valeska suffers a career ending injury, will Big Jake be able to convince her to come open an acting school in Big D and will Mr. Roarke help everyone’s fantasy come true?

You already know the answer.  Everyone gets a happy ending on Fantasy Island, except for that time Mr. Roarke got married.

Eh.  Considering that this fantasy combined several of my favorite things — ballet, Texas, tropical islands — it’s a bit of a shock just how boring it turned out to be.  The main problem was that there was zero chemistry between Baer and Lynley.  Both of them came across as if they would rather be anywhere but on Fantasy Island.

As for the other fantasy, it featured Toni Tennille as Betty Foster, a former fast food worker turned private investigator.  Her fantasy was to solve a big case.  With Roarke’s help, Betty was hired by Contessa Christina Kastronova (Stepfanie Kramer) to accompany the Contessa to the reading her cousin’s will.  The Contessa felt her cousin had been murdered and she feared she might be next.  Betty pretended to be the Contessa during both the reading of the will and the subsequent night spent in a scary, dark house with all of the Contessa’s relatives.  Anyway, Dick Sargent turned out to be the murderer and Betty realized that she’d rather marry one of the Contessa’s relatives than continue on as a private eye.

As far as this fantasy went, I liked the scary house and I found the scene where Roarke and Tattoo debated which one of them should stay behind with Betty to be amusing.  (Tattoo, of course, ended up having to stay.)  But the mystery didn’t add up too much.  To be honest, as soon as Dick Sargent showed up, I knew he was going to be the bad guy.  I mean, I’ve seen Clonus.

Especially when compared to the previous two episodes, this episode was fairly forgettable.  Everyone got their fantasy but no one made much of an impression.

Retro Television Reviews: The Love Boat 1.11 “Lonely at the Top/Silent Night/Divorce Me, Please”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time to spend the holidays on the big seas!

Episode 1.11 “Lonely at the Top/Silent Night/Divorce Me, Please”

(Dir by Alan Baron, originally aired on December 10th, 1977)

Yay!  It’s a Christmas cruise!

Every season, The Love Boat did a special Christmas episode.  Last year, MeTV presented a marathon on Love Boat Christmases and what I discovered is that every Christmas episode featured the crew working through the holidays and missing their families.  Nearly every Christmas episode also featured someone dressing up as Santa Claus and at least one veteran of the Golden Age of Hollywood.

The very first Christmas episode opens with the Julie, Isaac, Gopher, and Doc talking about how much they miss their families.  We find out that Gopher’s family lives on a farm.  Julie is from Oregon.  Doc is from Las Vegas.  (The show always tried to portray Doc as being some sort of Sinatra-style swinger, despite the fact that he was played by the very even-tempered Bernie Kopell.)  Their conversation is interrupted by Captain Stubing who explains that 1) he’s divorced and 2) he’s a middle-aged man who doesn’t get along with his stepmother.  Not only does he not have a family but the sea is his home and he has more to worry about than everyone’s holiday spirit.

Much as with Doc being a swinger, Captain Stubing being a stern taskmaster was a recurring theme during the first season of The Love Boat.  The crew was always talking about how Stubing had a reputation for demanding perfection for those working under him and being quick to fire anyone who failed to live up to his standards.  And yet, we never really see anything that would back up Stubing’s fearsome reputation.  Just as how Bernie Kopell was a bit too even-tempered to be believable as a legendary playboy, Gavin MacLeod was a bit too naturally pleasant to be believable as someone who would strike fear in the hearts of his crew.  While I have no idea what Gavin MacLeod was like offscreen, when he’s onscreen he comes across as being likable and friendly.  Whenever Captain Stubing is meant to be upset or disappointed with his crew, he comes across as being more petulant than fearsome.  That’s certainly the case in this episode.  Captain Stubing may say that he’s not into the holidays but you never believe him.

Of course, that works to this episode’s advantage.  Realizing that he’s failing to bond with his crew and that his lack of holiday spirit is rubbing everyone the wrong way, Stubing turns to Father Mike (Dick Sargent) for advice.  Father Mike is escorting a group of children to an orphanage in Mexico but he still takes time to give Stubing some counseling.  Let the crew know that you care about them, Father Mike says.  Stubing attempts to do so but his attempts at small talk are so awkward that the crew just becomes more frightened of him.  Finally, Stubing resorts to dressing up like Santa Claus.  The crew may be scared of him but Father Mike’s orphans love him.  Anyway, it all works out in the end and believe it or not, I actually did find myself getting invested in this very silly storyline.  Gavin MacLeod may not have been believable as a stern captain but he was likable enough that it’s hard not to feel bad about him having a bad holiday.

While this is going on, Dan Barton (John Gavin) and his wife, Lila (Donna Mills), attempt to enjoy the holiday cruise.  The only problem is that Dan has just been released from prison and he is struggling to adjust to being on the outside.  No soon has Dan boarded the ship then he spots his former law partner, Walter (Dean Santoro).  Walter committed the crime that Dan went to prison for and Dan becomes obsessed with getting revenge on him.  Lila, meanwhile, wonders if Dan will ever give up his anger.  There’s something a bit jarring about going from Captain Stubing dressing up like Santa Claus to Dan Barton plotting to murder someone.  John Gavin gave a good performance but the shift in tone between his story and the rest of the episode was almost too extreme.  It’d be like if they had made an episode of The Office where Pam suddenly found herself tempted to cheat on Jim with a member of the documentary crew.  Tonally, it just felt out of place.

Finally, everyone thinks that Paul (Shecky Greene) and Audrey Baynes (Florence Henderson) are the perfect couple but actually, they’re both sick of each other and they spend most of their time thinking about getting a divorce.  The gimmick here is that we hear their thoughts.  So, Paul will tell Audrey how much he loves her and then we’ll hear him think something like, “Yeah, I’d love to toss you overboard.”  It’s a one joke premise that gets old pretty quickly.  Also, needless to say, this is The Love Boat and not The Divorce Boat.  Things work out.

My reaction to this episode was a bit mixed but, to be honest, I like Christmas shows.  Even if they’re not perfect, I still like them.  And it was hard for me not to smile at the Christmas tree in the ship’s lounge or at all the decorations hanging on the ship’s walls.  The Captain’s story had a lot of Christmas spirit and I enjoyed that.  If you can’t spend the holidays at home, The Love Boat seems like a good substitute.

Retro Television Review: Fantasy Island (dir by Richard Lang)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1996.  The entire show is currently streaming on Tubi!

Ah, Fantasy Island!

There have been several versions of Fantasy Island.  In the late 90s, there was a version that featured Malcolm McDowell as the somewhat aloof owner of the island.  More recently, there was a movie that featured Michael Pena as the owner of the Island and which tried to turn the whole thing into a horror franchise.  It wasn’t very good.  And right now, there’s a show on Fox that features Roselyn Sanchez as the grand niece of the island’s original owner.  The Fox series is about to start its second season.  It’s a bit silly, which is why I kind of love it.

And then there’s the Fantasy Island that started it all, the Aaron Spelling-produced series that ran from 1977 to 1984 on ABC and which has lived on in reruns and on streaming platforms like Tubi.  Both the original series and all of its subsequent spin-offs took place on a mysterious tropical island where people would pay to live out their fantasies.  In the original series, the island was run by Mr. Roarke (Ricardo Montalban), who wore a white suit and encouraged everyone to smile whenever the guests arrived.  Serving as Mr. Roarke’s second-in-command was Tattoo (Herve Villechaize), who was 3’11, always wore a matching white suit, and announced the arrival of the plane by ringing a bell and shouting, “The plane, the plane!”  Of course, each week would bring in a different group of guest stars.  They would come to the island with a fantasy and, hopefully, they would learn that reality was the only fantasy that they needed.

All seven seasons of the original Fantasy Island are currently streaming on Tubi.  However, if you want to see the 1977 pilot film that started it all, you have to go to YouTube.

In many ways, the 90-minute pilot film feels like a typical episode of Fantasy Island.  It’s interesting to see that the show’s basic premise and format was already set in stone when the pilot was filmed.  (Pilots are notorious for often being dramatically different from the shows that they were created to sell.)  The pilot opens with the plane arriving (and yes, from the start, Tattoo rings the bell and shouts, “The plane!”) and three guests meeting Mr. Roarke.  Our three guest stars are Bill Bixby, Hugh O’Brian, and Eleanor Parker.  Bixby plays Arnold Greenwood, a former war correspondent who wants to be reunited with Francesca (Sandra Dee), the woman with whom he fell in love during World War II.  O’Brian is Paul, a famous big game hunter who wants to be hunted for once.  Eleanor Parker is Eunice Hollander Barnes, one of the world’s richest women.  She wants to fake her death so she can see who, from her life, would actually mourn her and who would just try to steal her fortune.

If the pilot’s format is the same as the series that followed, the general tone is somewhat different.  Mr. Roarke is an almost sinister figure, one who doesn’t really seem to think much of his guests and who is quick to point out that no one gets a fantasy until they’ve paid him the required $50,000.  (That’s $50,000 in 1970s money.  I have to admit that when Mr. Roarke first mentioned how much the fantasies cost, I was like, “Hey, I could afford this place!”)

Consider the story of the hunter.  Paul wants to be hunted because he’s suicidal.  His real fantasy is to die.  The night before Paul’s fantasy is to begin, Michelle (Victoria Principal) shows up at Paul’s room.  Michelle explains that Mr. Roarke has hired her to provide Paul with companionship during the night.  Unfortunately, Michelle ends up handcuffed to Paul and, as a result, she’s hunted along with him!  Now, you could argue that Mr. Roarke did this to teach Paul to think about someone other than himself.  But what if Paul hadn’t learned the lesson?  Then Michelle would be dead too!  What would Mr. Roarke do then?  Just have Tattoo dump the bodies in the lagoon?  “To hell with you, Roarke!” Paul yells and who can blame him?

And then there’s our war correspondent, Arnold.  Arnold’s fantasy seems simple enough but then it turns out that the reason he lost contact with Francesca is because he murdered her!  As a result of his fantasy, Arnold not only relives the first time he met Francesca but also how their relationship ended.  The entire experience leaves Arnold laughing like a madman as his sanity slips away.

As for Eunice’s story, it’s pretty stupid.  She dresses up like a maid so that she can listen to what people have to say about her once they think she’s dead.  It’s like an episode of Undercover Boss.  At least former Kennedy in-law Peter Lawford makes an appearance as Eunice’s husband.  Eunice ends up far less traumatized than either Paul or Arnold but she still had to fake her death to come to peace with her life.

The pilot is entertaining.  One can understand why it would lead to a series.  The island is lovely to look at.  Even with the somewhat sinister tone of two of the stories, it’s still impossible to watch the pilot without wondering what type of fantasy you would pursue if you went to the Island.  For me, that’s always been the main appeal of all of the various versions of Fantasy Island.  Still, it’s interesting that the fantasies themselves are less comforting than what I think many would expect on account of the show’s reputation.  For all the criticism that Blumhouse received for their reinterpretation of Fantasy Island, they were not the first to imagine Mr. Roarke as being somewhat less than benevolent.  Of course, when the actual series started, Mr. Roarke was a far friendlier host.

Next week, the series begins and hopefully, no further guests are traumatized to the point of catatonia.

Attaboy, Luther!: Don Knotts in THE GHOST AND MR. CHICKEN (Universal 1966)


gary loggins's avatarcracked rear viewer

When the conversation turns to great screen comedians, Don Knotts doesn’t get a lot of respect among the cognescenti. Talk to his loyal fandom, including celebrities like Jim Carrey and John Waters, and you’ll hear a different tune. They all agree – Knotts was a talented and funny comic actor, the quintessential Everyman buffeted about by the cruelties of fate who eventually triumphs against the odds. Following his Emmy-winning five-year run as Deputy Barney Fife on THE ANDY GRIFFITH SHOW , Knotts signed a movie contract with Universal, and his first feature for the studio was the perfect vehicle for his peculiar talents: a scare comedy titled THE GHOST AND MR. CHICKEN.

Knotts plays Luther Heggs, a meek typesetter for his local newspaper in the small town of Rachel, Kansas. He’s also somewhat of the town laughing-stock, bullied by the paper’s ace reporter Ollie, his rival for the affections…

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Dirty Boulevard: George C. Scott in HARDCORE (Columbia 1979)


gary loggins's avatarcracked rear viewer

Cracked Rear Viewer: “Back in the day….”

Dear Readers: (groaning) “There he goes again. Another history lesson!”

CRV: “B-but it’s important to put things in their proper historical context!”

DRs: (sigh) “We guess you’re right. Sorry.”

CRV: (beaming) “No problem! Now, like I was saying…”

Back in the day, every major urban city, and many smaller sized ones, had what was known as a “Red Light District”, where sex workers plied their trade. These streets were loaded with sex shops, peep shows, massage parlors, strip joints, and Triple-X movie palaces, with hookers and drug dealers hawking their wares. New York City had its Times Square/42nd Street area, Boston had The Combat Zone near Chinatown, and Montreal the infamous St. Catherine Street. For Los Angeles, the action was on Sunset Boulevard, and it’s into this seedy milieu that writer/director Paul Schrader plunges George C. Scott in 1979’s HARDCORE, which isn’t about…

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Embracing the Melodrama Part II #59: Hardcore (dir by Paul Schrader)


Hardcore_(1979_film)

“Turn it off…turn it off…turn it off…TURN IT OFF!” — Jake Van Dorn (George C. Scott) in Hardcore (1979)

Jake Van Dorn (George C. Scott) is a businessman who lives in Grand Rapids, Michigan.  He’s a deeply religious man, a sincere believer in predestination and the idea that only an elite few has been prelected to go to Heaven.  Jake is divorced (though he occasionally tells people that his wife died) and is the father of a teenage girl named Kristen (Ilah Davis).

One of the first things that we notice about Jake is that there appears to be something off about his smile.  There’s no warmth or genuine good feeling behind it.  Instead, whenever Jake smile, it’s obvious that it’s something he does because that what he’s supposed to do.  Indeed, everything Jake does is what he’s supposed to do and he expects his daughter to do the same.

When Kristen goes to a church camp in California, she soon disappears.  Jake and his brother-in-law, Wes (Dick Sargent), fly down to Los Angeles and hire a sleazy private investigator, Andy Mast (Peter Boyle), to look for her.  A few weeks later, Andy shows Jake a pornographic film.  The star?  Kristen.

Jake is convinced that Kristen has been kidnapped and is being held captive.  Wes tells Jake that he should just accept that this is God’s will.  Andy tells Jake that, even if he does find Kristen, Jake might not want her back.  Finally, Jake tells off Wes, fires Andy, and ends up in Los Angeles himself.  Pretending to be a film producer and recruiting a prostitute named Nikki (Season Hubley) to serve as a guide, Jake searches for his daughter.

The relationship between Jake and Nikki is really the heart of the film.  For Jake, Nikki becomes a temporary replacement for his own daughter.  For Nikki, Jake appears to be the only man in the world who doesn’t want to use her sexually.  But, as Jake gets closer and closer to finding his daughter, Nikki realizes that she’s getting closer and closer to being abandoned.

Hardcore is a pretty good film, one that was shot in location in some of the sleaziest parts of 70s Los Angeles.  Plotwise, the film is fairly predictable but George C. Scott, Season Hubley, and Peter Boyle all give excellent performances.  (The scenes were Scott pretends to be a porn producer are especially memorable, with Scott perfectly capturing Jake’s discomfort while also subtly suggesting that Jake is enjoying himself more than he wants to admit.)  And, even if you see it coming from miles away, the film’s ending will stick with you.