Film Review: The Pursuit of D.B. Cooper (dir by Roger Spottiswoode and Buzz Kulik)


The story of D.B. Cooper has always fascinated me.

D.B. Cooper is the name assigned to a man who, in 1971, hijacked an airplane, demanded $200,000, and then jumped off the plane after he got the money.  Reportedly, he was well-dressed and unfailingly polite during the entire hijacking.  When he jumped off the plane, he was about 10,000 feet over the Washington wilderness.  After he jumped, no further trace was found of him.  Over 50 years after the incident, the identity and the location of D.B. Cooper remains a mystery.

It’s been said that, even though Cooper had a parachute with him when he jumped, there’s no way that he could have survived the jump.  And yet, no body has ever been found.  (Of course, finding a body in the wilderness is not as easy as some people assume.)  Nine years after the the skyjacking, some of the money that Cooper received was found on the banks of the Columbia River, which was several miles away from the area that Cooper jumped over.  Did Cooper survive the jump and lose the money?  No one can say for sure.

Over the years, many people have come forward to say that they know the identity of D.B. Cooper.  Many distant fathers and secretive boyfriends and long lost friends have been accused of being D.B. Cooper.  Some of those suspects are more likely than others.  Even John List, the murderer who inspired the Stepfather films, was suspected at one point.

D.B. Cooper remains a fascinating character precisely because he’s never been captured and the mystery itself will probably never be solved.  Because he remains an enigma, it’s easy to project your own pet obsessions on him and his story.  Myself, I always imagine D.B. Cooper as being some sort of clever, fun-loving international rogue, even though there’s not really any evidence to back that up.  But, the fact of the matter is that I have a weakness for clever, fun-loving international rogues so, of course, that’s who I’m going to imagine D.B. to be.

I certainly would never imagine him to be like the character at the center of 1981’s The Pursuit of D.B. Cooper.

In this film, D.B. Cooper turns out to be Jim Meade (Treat Williams), a Vietnam vet and all around jackass who steals the money so that he can get back together with his estranged wife, Hannah (Kathryn Harrold).  Hannah does take him back because, seriously, who is going to say no to that much money?  Jim and Hannah spend the entire film running from one wilderness location to another.  They steal cars.  They steal trucks.  Meade steals an airplane at one point.  Hannah gets worried often and Jim tends to yell, “Woo hoo!” whenever he gets excited about anything.  At one point, Jim and Hannah are chased across some white water rapids.  When Hannah and Jim reach dry land, Jim gives the finger to the river.  I will say that, as someone who grew up in the South, Jim is a type of character who seems very familiar to me.  I’ve known a lot of Jim Meades and Treat Williams doesn’t do bad job playing Meade as being an impulsive, loud-mouthed good old boy.  The only problem is that, at no point, does Jim Meade come across like someone who could have pulled off what D.B. Cooper pulled off.

Jim is being pursued by two old army buddies.  The scruffier of the two is Remson (Paul Gleason), who somehow manages to keep popping up like a cartoon character at the most inopportune of times.  No matter what bad thing happens to Remson, he still shows up good-as-new a few minutes later.  Paul Gleason gives an energetic performance as Remson, a character who has little in common with the uptight authority figures that Gleason later played in The Breakfast Club and Die Hard.

The other person chasing Jim is Bill Gruen (Robert Duvall), who served with Meade in Vietnam but who is now working as an insurance investigator.  Gruen says that he knew Meade had to be D.B. Cooper because only Meade could survive jumping out of a plane over wilderness terrain.  Gruen wants some of the money for himself.  Despite his greed, it’s hard not to like Gruen because he’s played by Robert Duvall.  The best scene in the film is one where Duvall and Williams, exhausted from chasing each other, have a weary but friendly conversation.  It’s the one moment where Williams actually calms down and provides some hint that there’s actually something going on underneath Meade’s manic exterior.  Acting opposite Duvall brings out the best in him.

The Pursuit of D.B. Cooper had a notoriously troubled production and apparently, there was never a completed script during shooting.  Reportedly, bits of the film were directed by Robert Mulligan, John Frankenheimer, and Buzz Kulik before Roger Spottiswoode took over.  It’s a film that was obviously inspired by 70s chase films like Smokey and the Bandit but it also somehow managed to attract actors like Robert Duvall, who does his best to class up the joint.  The action quickly gets repetitive and the movie never seems to know if it wants to be a comedy or a drama.  On the plus side, Treat Williams and Kathryn Harrold make for a cute couple.

When this picture first came out, Universal Pictures offered a million dollar reward for any information that would lead to the capture and arrest of the real D.B. Cooper.  No one collected.

Horror Film Review: The Funhouse (dir by Tobe Hooper)


1980’s The Funhouse opens with an almost shot-for-shot recreation of the famous shower scene from Psycho, with Amy (Elizabeth Berridge) getting attacked in the shower by a masked, knife-wielding maniac.

The only difference is that there’s no shrieking violins, there’s no blood, and the knife is quickly revealed to be a fake.  It turns out that the “killer” is actually Amy’s younger brother, Joey (Shawn Carson).  Joey loves horror movies.  In fact, he’s pretty much the perfect stand-in for The Funhouse‘s intended audience.  Joey was just playing a rather mean-spirited prank but now, as a result, Amy snaps that she’s not going to take him to the carnival.

Of course, Amy isn’t supposed to be going to the carnival either.  Her parents have strictly forbidden it.  Everyone knows that traveling carnivals are dangerous and, at the last town the carnival visited, two teenagers disappeared!  There’s no proof that the carnival has anything to do with those disappearances, of course.  But still…

Amy does exactly what I would have done in her situation.  She tells her parents that she’s going over to a friend’s house and then she goes to the carnival anyway!  Accompanying her is her boyfriend Buzz (Cooper Huckabee), who is so cool that he has a name like Buzz.  Also along for the ride: Amy’s best friend, Liz (Largo Woodruff), and her boyfriend, Richie (Miles Chapin).  Richie’s kind of a loser but that’s to be expected.  Every group needs at least one idiot who can do something stupid that gets everyone else killed.  We all know how that works.

The carnival turns out to be just as sleazy as Amy’s parents thought it would be.  There’s a fake psychic (Sylvia Miles).  There’s a magician who dresses like Dracula.  There’s a barker (Kevin Conway), whose deep voice is constantly heard in the background.  And, of course, there’s a funhouse!  Still, everyone’s having a good time.  Either that or they’re all just stoned.

For his part, Joey sneaks out of the house and goes to the carnival himself.  He doesn’t have quite as much fun as Amy.  In fact, his experience is pretty scary.  Weird carnival people keep yelling at him.  He keeps getting lost.  Still, things could be worse.  By the time his parents arrive to pick Joey up, Amy and her friends are all trapped in the funhouse.  They’re being pursued by the barker and his deformed son (Wayne Doba).  Needless to say, it’s all pretty much Richie’s fault.

Richie.  What a dumbass.

With its teenage victims and its lengthy chase scenes, The Funhouse is often dismissed as just being another early 80s slasher film.  However, The Funhouse is actually a fairly clever, entertaining, and occasionally even witty horror film.  Much like director Tobe Hooper’s best-known film, The Texas Chainsaw Massacre, The Funhouse gets its scares by convincing audiences that they’re actually seeing more than they are.  Hooper emphasizes atmosphere and performances over gore.  While The Funhouse has its share of jump scares, it mostly succeeds by convincing us that anyone could die at any moment.  It’s an intense film, with excellent performances from both Elizabeth Berridge and Kevin Conway.

After kickstaring the slasher genre with The Texas Chainsaw Massacre, Hooper used The Funhouse to poke a little fun at it.  From the opening shower scene to the electrifying finale, Hooper plays with the genre-savvy expectations of the audiences.  Our four victims even do the smart thing for once — they try to all stay together.  Needless to say, that doesn’t work out too well.

The Funhouse is an entertaining thrill ride and, seen today, it’s more evidence that Tobe Hooper deserved better than he got from the film industry.

 

 

Horror on the Lens: The Curse (dir by David Keith)


Today’s horror on the lens is 1987’s The Curse!

This slice of rural horror is based on H.P. Lovecraft’s The Colour From Outer Space and, somewhat oddly, it was produced by Lucio Fulci.  The Curse, in this case, is a meteorite the lands near a farm and poisons all the crops.  Mayhem follows.

Seriously, country livin’ sucks.  That’s why I’m glad to live in the suburbs, away from all the aliens and the poisoned meteorites.

Trailer: Django Unchained


The last couple days have seen the release of a number of upcoming films that should be jockeying for all those fancy-pants end of season awards. One such film is the latest film from Quentin Tarantino. Django Unchained is his latest trip into the grindhouse world with this film being his take on the spaghetti westerns made popular by Italian maestros like Sergio Leone, Sergio Corbucci and Enzo G. Castellari.

It’s an ensemble cast that’s headlined by Jamie Foxx in the title role with Christoph Waltz, Samuel L. Jackson and Leonardo DiCaprio (playing against the grain as the main villain of the piece). To pay respect to the very genre that this film owes not just it’s title, but theme and tone, Tarantino has even cast the original Django in Franco Nero in the role of Amerigo Vassepi.

Django Unchained is set for a Christmas Day 2012 release date (hopefully the world didn’t end just four days earlier).