Billy Idol Should Be Dead (2025, directed by Jonas Akerlund)


Billy Idol Should Be Dead is the title of a new documentary about Billy Idol and, watching the movie, it’s hard not to agree.

Billy Idol Should Be Dead covers Billy Idol’s storied career, from being a member of the Bromley Contingent to his time as lead singer of Generation X to his solo career and his current status as an unlikely elder statesman of rock and roll.  The film features interviews with Miley Cyrus and Billie Joe Armstrong and, despite the age differences, you only have to listen to them and then listen to the 70-something Billy Idol to see the difference between a true rocker and a pretender.  Even in his 70s and speaking in a gravelly voice, Billy Idol still has the charisma and the confidence that made him a star.  He still has the genuine punk rock attitude that bands like Green Day have made a lot of money imitating but which they have never matched.

The documentary is as open about Billy Idol’s history of drug abuse as Idol himself has been.  Idol became a heroin addict at an early age and doesn’t really start to think about cleaning himself up until his father comes over to America and scolds him.  Throughout the film, we hear about overdoses and lost weekends and all the times that Billy Idol came close to dying.  We also hear about the motorcycle accident that nearly lost him his leg and which ultimately inspired his most controversial album, Cyberpunk.  Why did Billy Idol survive while so many of his contemporaries did not?  Why was Billy Idol able to survive heroin while so many of the original punk rockers succumbed to it?  Who knows?  Luck of the draw, perhaps.

The theme of family runs through Billy Idol Should Be Dead.  Though Billy’s father is no longer around to offer up his perspective, Billy’s mother is and she’s the epitome of the perfect English mum, amused by her son’s antics even when she doesn’t quite understand them.  Billy Idol’s relationship with his father is one of the running themes of the film.  It was a difficult relationship but one built on familial love.  The relationship is reflected by Idol’s relationship with his own children, all of whom seem to be remarkably stable for someone who grew up with a rock star for a father.

The film alternates between archival footage of the young and cocky Billy Idol and black-and-white scenes of the contemporary Billy Idol.  The older Idol still has his swagger but he also has a hard-fought wisdom that younger Idol lacked.  The younger Idol thought he was indestructible while the older Idol is happy to be alive and be a grandfather.  The older Idol also reveals himself to be far more thoughtful than I think anyone gave the young Idol credit for being.  This documentary shows not only how Billy Idol survived a lifestyle that should have killed him but also how and why he’s earned his place as one of rock’s elder statesmen.

Billy Idol probably should be dead but this documentary will make you happy that he’s not.

Here Are The Shortlists For The 98th Academy Awards


The Academy released their shortlists earlier today.  A lot of people online are saying that the presence of Wicked: For Good on the lists means that its Best Picture hopes are still alive.  It could just as likely be that the Academy likes honoring big productions with technical nominations.

Here are the shortlists.  Consult them before making any bets.

ANIMATED SHORT FILM 

“Autokar”
“Butterfly”
“Cardboard”
“Éiru”
“Forevergreen”
“The Girl Who Cried Pearls”
“Hurikán”
“I Died in Irpin”
“The Night Boots”
“Playing God”
“The Quinta’s Ghost”
“Retirement Plan”
“The Shyness of Trees”
“Snow Bear”
“The Three Sisters”

CASTING 

“Frankenstein”
“Hamnet”
“Marty Supreme”
“One Battle after Another”
“The Secret Agent”
“Sentimental Value”
“Sinners”
“Sirât”
“Weapons”
“Wicked: For Good”

CINEMATOGRAPHY 

“Ballad of a Small Player”
“Bugonia”
“Die My Love”
“F1”
“Frankenstein”
“Hamnet”
“Marty Supreme”
“Nouvelle Vague”
“One Battle after Another”
“Sentimental Value”
“Sinners”
“Sirât”
“Song Sung Blue”
“Sound of Falling”
“Train Dreams”
“Wicked: For Good”

DOCUMENTARY FEATURE FILM 

“The Alabama Solution”
“Apocalypse in the Tropics”
“Coexistence, My Ass!”
“Come See Me in the Good Light”
“Cover-Up”
“Cutting through Rocks”
“Folktales”
“Holding Liat”
“Mr. Nobody against Putin”
“Mistress Dispeller”
“My Undesirable Friends: Part 1 – Last Air in Moscow”
“The Perfect Neighbor”
“Seeds”
“2000 Meters to Andriivka”
“Yanuni”

DOCUMENTARY SHORT FILM 

“All the Empty Rooms”
“All the Walls Came Down”
“Armed Only with a Camera: The Life and Death of Brent Renaud”
“Bad Hostage”
“Cashing Out”
“Chasing Time”
“Children No More: ‘Were and Are Gone’”
“Classroom 4”
“The Devil Is Busy”
“Heartbeat”
“Last Days on Lake Trinity”
“On Healing Land, Birds Perch”
“Perfectly a Strangeness”
“Rovina’s Choice”
“We Were the Scenery”

INTERNATIONAL FEATURE FILM 

Argentina, “Belén”
Brazil, “The Secret Agent”
France, “It Was Just an Accident”
Germany, “Sound of Falling”
India, “Homebound”
Iraq, “The President’s Cake”
Japan, “Kokuho”
Jordan, “All That’s Left of You”
Norway, “Sentimental Value”
Palestine, “Palestine 36”
South Korea, “No Other Choice”
Spain, “Sirât”
Switzerland, “Late Shift”
Taiwan, “Left-Handed Girl”
Tunisia, “The Voice of Hind Rajab”

LIVE ACTION SHORT FILM 

“Ado”
“Amarela”
“Beyond Silence”
“The Boy with White Skin”
“Butcher’s Stain”
“Butterfly on a Wheel”
“Dad’s Not Home”
“Extremist”
“A Friend of Dorothy”
“Jane Austen’s Period Drama”
“Pantyhose”
“The Pearl Comb”
“Rock, Paper, Scissors”
“The Singers”
“Two People Exchanging Saliva”

MAKEUP AND HAIRSTYLING 

“The Alto Knights”
“Frankenstein”
“Kokuho”
“Marty Supreme”
“Nuremberg”
“One Battle after Another”
“Sinners”
“The Smashing Machine”
“The Ugly Stepsister”
“Wicked: For Good”

MUSIC (ORIGINAL SCORE)

“Avatar: Fire and Ash”
“Bugonia”
“Captain America: Brave New World”
“Diane Warren: Relentless”
“F1”
“Frankenstein”
“Hamnet”
“Hedda”
“A House of Dynamite”
“Jay Kelly”
“Marty Supreme”
“Nuremberg”
“One Battle after Another”
“Sinners”
“Sirât”
“Train Dreams”
“Tron: Ares”
“Truth and Treason”
“Wake Up Dead Man: A Knives Out Mystery”
“Wicked: For Good”

MUSIC (ORIGINAL SONG) :

“As Alive As You Need Me To Be” from “Tron: Ares”
“Dear Me” from “Diane Warren: Relentless”
“Dream As One” from “Avatar: Fire and Ash”
“Drive” from “F1”
“Dying To Live” from “Billy Idol Should Be Dead”
“The Girl In The Bubble” from “Wicked: For Good”
“Golden” from “KPop Demon Hunters”
“Highest 2 Lowest” from “Highest 2 Lowest”
“I Lied To You” from “Sinners”
“Last Time (I Seen The Sun)” from “Sinners”
“No Place Like Home” from “Wicked: For Good”
“Our Love” from “The Ballad of Wallis Island”
“Salt Then Sour Then Sweet” from “Come See Me in the Good Light”
“Sweet Dreams Of Joy” from “Viva Verdi!”
“Train Dreams” from “Train Dreams”

SOUND 

“Avatar: Fire and Ash”
“F1”
“Frankenstein”
“Mission: Impossible – The Final Reckoning”
“One Battle after Another”
“Sinners”
“Sirât”
“Springsteen: Deliver Me from Nowhere”
“Superman”
“Wicked: For Good”

VISUAL EFFECTS 

“Avatar: Fire and Ash”
“The Electric State”
“F1”
“Frankenstein”
“Jurassic World Rebirth”
“The Lost Bus”
“Sinners”
“Superman”
“Tron: Ares”
“Wicked: For Good”