Arthur H. Singer | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!

This week, Decoy comes to an end.

Episode 1.39 “The Lost Ones”

(Dir by Arthur H. Singer, originally aired on July 7th, 1958)

The final episode of Decoy finds Casey dropping in on Elsa Kramer (Phyllis Newman), a recently-released juvenile offender who Casey previously arrested. Casey just wants to check on her and to welcome her back to society. But, when Casey steps — unannounced, which may be okay in New York but seems rather rude to my Texas sensibilities — into the family’s small kitchen, she discovers Elsa’s abusive father is dead and Elsa is holding the gun. Elsa makes a run for it. Elsa’s mother (Adelaide Klein) and brother (Morton Lighter) say that Elsa shot her father in self-defense.

Casey doesn’t think Elsa pulled the trigger and is determined to find Elsa and learn the truth before Elsa is arrested again. Not surprisingly, Casey’s right. It was her brother who killed their father. Elsa took the blame because her brother was going to medical school whereas Elsa really didn’t have much of a future to lose.

In some ways, this episode is an appropriate send-off for Casey and Decoy. It has some location footage of New York, which was always the show’s main appeal outside of Beverly Garland’s lead performance. It features Casey trying to prove that a seemingly guilty person is actually innocent. That’s certainly preferable to what we saw last week.

At the same time, this episode had some of the same flaws that were present in quite a few of Decoy’s final episodes. The dialogue was a bit overbaked. Even worse, the acting from the supporting cast was not particularly impressive. Morton Lighter was so twitchy as Elsa’s brother that there wasn’t much doubt as to who the guilty party was. This episode also featured Casey meeting with the least intimidating street gang in New York history. The whole thing lacked the authenticity that distinguished Decoy at its best. I’m not really sure if the show’s producers knew that this would be the final episode of the series. If they did, they allowed to show to end on a bit of anticlimactic note.

So, that’s it for Decoy. For the most part, it was a good show. The last few episodes were perhaps a bit too melodramatic for their own good. One got the feeling that the show’s writers were under orders to “liven” things up. But the early episodes made great use of the New York setting and, throughout the series, Beverly Garland gave a great performance as the tough but compassionate Casey Jones.

What will I be watching next? I’ll let you know next week!

This week, it’s the next-to-last episode Decoy!

Episode 1.38 “First Arrest”

(Dir by Arthur H. Singer, originally aired on June 30th, 1958)

Casey meets with a new, rookie policewoman (Ellen Madison) at Coney Island. The rookie just made her first arrest and is now in tears because she’s worried that she’s ruined someone’s life. Casey tells the story of her first assignment and what it was like to make her first arrest.

Flashback time!

The NYPD believes that a fencing operation is being run out of a Coney Island carnival sideshow. Young and eager, Casey gets a job as an exotic dancer at the carnival. (Calm down, boys. She wears one of the least-revealing costumes of all time.) Shy and insecure Willie Graff (Joshua Shelley) develops a crush on Casey. Casey, suspecting that Willie is the fence, plays along but she starts to feel guilty as she realizes that Willie isn’t some sort of dangerous criminal. He’s just a down-on-his-luck guy who is cutting a few corners. He even introduces Casey to his mother (Ruth McDevitt).

When Willie gives Casey a diamond necklace, she assumes that it must be stolen but it turns out that it’s his mother’s necklace and that Mrs. Graff wants Casey to have it. Casey is actually relieved because it seems like Willie isn’t the fence that she’s looking for. However, then Willie gives her a mink coat and admits that he bought it from someone who had stolen it. Though saddened, Casey forces herself to arrest Willie.

In the present, Casey assures the rookie that she will soon get used to arresting people and she won’t care about them anymore. Yikes!

As you may have guessed, I didn’t really care much for this episode. That idea of Casey being someone who doesn’t care about the people who she arrests pretty much goes totally against everything we’ve seen over the past 37 episodes. The thing that always set Casey apart was that she does care. She has to do her job but she also understands that sometimes, people just make mistakes. Unless it’s case in which she was threatened, Casey usually doesn’t take any joy in slapping the handcuffs on someone.

As much as I hate to say it, Beverly Garland is not particularly convincing in the flashback scenes. Young Casey is written as being continually breathless and unsure of herself. There’s nothing about Beverly Garland’s screen presence that suggests insecurity.

This was a disappointing episode. Next week, we’ll be finishing up Decoy and I hope it goes out on a better note than this.