Sinners Wins In Indiana


Yesterday, the Indiana Film Journalists Association announced its picks for the best of 2025.  The winners are listed in bold.

BEST FILM
28 Years Later
Black Bag
Bob Trevino Likes It
Bugonia
Frankenstein
Friendship
Hamnet
Jay Kelly
The Life of Chuck
Marty Supreme
No Other Choice
One Battle After Another (RUNNER-UP)
The Phoenician Scheme
The Plague
Sinners (WINNER)
Splitsville
Superman
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Weapons

Other Best Film Finalists / Top 10 Films: (listed alphabetically)
Bob Trevino Likes It
Hamnet
The Life of Chuck
Marty Supreme
No Other Choice
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST ANIMATED FILM
In Your Dreams
KPop Demon Hunters (WINNER)
The Legend of Hei 2 (RUNNER-UP)
Little Amélie Or The Character Of Rain
Ne Zha 2
Predator: Killer of Killers
Zootopia 2

BEST FOREIGN LANGUAGE FILM
Cloud
It Was Just an Accident
Left-Handed Girl
No Other Choice (WINNER)
Reflection In A Dead Diamond
Rental Family
The Secret Agent
Sentimental Value (RUNNER-UP)
Universal Language
The Voice of Hind Rajab

BEST DOCUMENTARY
Are We Good?
Deaf President Now!
Disposable Humanity
Grand Theft Hamlet
Hacking at Leaves
Orwell: 2+2=5 (RUNNER-UP)
Pavements
The Perfect Neighbor
The Tenderness Tour (WINNER)

BEST ORIGINAL SCREENPLAY
Noah Baumbach and Emily Mortimer – Jay Kelly
Mary Bronstein – If I Had Legs I’d Kick You
Ronald Bronstein and Josh Safdie – Marty Supreme (RUNNER-UP)
Ryan Coogler – Sinners (WINNER)
Michael Angelo Covino and Kyle Marvin – Splitsville
Zach Cregger – Weapons
David Koepp – Black Bag
Tracie Laymon – Bob Trevino Likes It
Jafar Panahi – It Was Just an Accident
Charlie Polinger – The Plague

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another (WINNER)
Clint Bentley and Greg Kwedar – Train Dreams
Guillermo del Toro – Frankenstein
Mike Flanagan – The Life of Chuck (RUNNER-UP)
Alex Garland – 28 Years Later
Dan Gregor, Doug Mand, and Akiva Schaffer – The Naked Gun
James Gunn – Superman
Rian Johnson – Wake Up Dead Man: A Knives Out Mystery
Park Chan-wook, Lee Kyoung-mi, Don McKellar and Lee Ja-hye – No Other Choice
Will Tracy – Bugonia

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another (WINNER)
Clint Bentley – Train Dreams
Ryan Coogler – Sinners (RUNNER-UP)
Michael Angelo Covino – Splitsville
Zach Cregger – Weapons
James Gunn – Superman
Park Chan-wook – No Other Choice
Charlie Polinger – The Plague
Josh Safdie – Marty Supreme
Steven Soderbergh – Black Bag

BEST LEAD PERFORMANCE
Everett Blunck – The Plague
Jessie Buckley – Hamnet (RUNNER-UP)
Rose Byrne – If I Had Legs I’d Kick You
Timothée Chalamet – Marty Supreme (WINNER)
David Corenswet – Superman
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Michael Fassbender – Black Bag
Barbie Ferreira – Bob Trevino Likes It
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Liam Neeson – The Naked Gun
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Jesse Plemons – Bugonia
Emma Stone – Bugonia

BEST SUPPORTING PERFORMANCE
Pamela Anderson – The Naked Gun
Miles Caton – Sinners
Benicio del Toro – One Battle After Another (WINNER)
Jacob Elordi – Frankenstein
Nicholas Hoult – Superman
Chase Infiniti – One Battle After Another
John Leguizamo – Bob Trevino Likes It
Amy Madigan – Weapons (RUNNER-UP)
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value
French Stewart – Bob Trevino Likes It
Teyana Taylor – One Battle After Another

BEST VOCAL / MOTION-CAPTURE PERFORMANCE
Oona Chaplin – Avatar: Fire And Ash
Ebon Moss-Bachrach – The Fantastic Four: First Steps (RUNNER-UP)
Will Patton – Train Dreams (WINNER)
Dimitrius Schuster-Koloamatangi – Predator: Badlands
Zhu Jing – The Legend of Hei 2

BEST ENSEMBLE ACTING
Black Bag
Bugonia
The Life of Chuck
Marty Supreme
One Battle After Another (RUNNER-UP)
The Plague
Sinners (WINNER)
Superman
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST EDITING
Ronald Bronstein and Josh Safdie – Marty Supreme
Barry Alexander Brown and Allyson C. Johnson – Highest 2 Lowest
Mike Flanagan – The Life of Chuck
Jon Harris – 28 Years Later
Andy Jurgensen – One Battle After Another (RUNNER-UP)
Kim Sang-bum – No Other Choice
Brian Scott Olds – The Naked Gun
Sara Shaw – Splitsville
Michael P. Shawver – Sinners (WINNER)
Steven Soderbergh – Black Bag

BEST CINEMATOGRAPHY
Autumn Durald Arkapaw – Sinners (WINNER)
Michael Bauman – One Battle After Another (RUNNER-UP)
Steven Breckon – The Plague
Darius Khondji – Marty Supreme
Dan Laustsen – Frankenstein
Anthony Dod Mantle – 28 Years Later
Larkin Seiple – Weapons
Steven Soderbergh – Black Bag
Fraser Taggart – Mission: Impossible – The Final Reckoning
Adolpho Veloso – Train Dreams

BEST MUSICAL SCORE
Jerskin Fendrix – Bugonia
Ludwig Göransson – Sinners (WINNER)
Jonny Greenwood – One Battle After Another (RUNNER-UP)
Ryan Holladay, Hays Holladay and Zach Cregger – Weapons
David Holmes – Black Bag
Johan Lenox – The Plague
Daniel Lopatin – Marty Supreme
John Murphy and David Fleming – Superman
Nine Inch Nails – Tron: Ares
Young Fathers – 28 Years Later

BEST STUNT / MOVEMENT CHOREOGRAPHY
Wade Eastwood (second unit director / stunt coordinator) – Mission: Impossible – The Final Reckoning (WINNER)
Timothy Eulich (stunt coordinator) – Eddington
Tyler Hall (stunt coordinator / stunt driver) and Dave McKeown (stunt coordinator) – Splitsville
Brian Machleit (stunt coordinator) – One Battle After Another (RUNNER-UP)
Mandy Moore (choreographer) – The Life of Chuck
Alain Moussi (stunt coordinator), Brahim Chab (fight coordinator), László Kósa (stunt coordinator, Hungary) and Balázs Lengyel (fight coordinator, Hungary) – Fight or Flight
Celia Rowlson-Hall (choreographer) – The Testament of Ann Lee
Jacob Tomuri (stunt coordinator) – Predator: Badlands

BEST SPECIAL EFFECTS
Dennis Berardi, Ayo Burgess and Ivan Busquets (VFX supervisors) and José Granell (miniatures / models supervisor) – Frankenstein (WINNER)
Jeff Capogreco (VFX supervisor), Dave Funston (VFX supervisor, OPSIS), Ross McCabe (VFX supervisor, Image Engine), Abishek Nair (VFX supervisor, Industrial Light and Magic / VFX supervisor, second unit), Vincent Papaix (VFX supervisor, Industrial Light and Magic) and Cameron Waldbauer (SFX supervisor) – Tron: Ares
Stephane Ceretti, Enrico Damm, Stéphane Nazé and Guy Williams (VFX supervisors) – Superman
Olivier Dumont and Sheldon Stopsack (VFX supervisors, Wētā), Kathy Siegel (VFX producer / co-producer) and Karl Rapley (animation supervisor, Wētā) – Predator: Badlands
Dan Glass, Chris McLaughlin and Stuart Penn (VFX supervisors) and Dominic Tuohy (SFX supervisor) – Mickey 17
Joe Letteri (senior VFX supervisor), Richard Baneham (VFX supervisor, Lightstorm / virtual second unit director), Eric Saindon (senior VFX supervisor, Wētā Digital) and Daniel Barrett (senior animation supervisor, Wētā Digital) – Avatar: Fire And Ash
Charlie Noble (VFX supervisor), David Zaretti (VFX supervisor, ILM), Russell Bowen (VFX supervisor, beloFX) and Brandon K. McLaughlin (SFX coordinator) – The Lost Bus
Michael Ralla, Espen Nordahl and Guido Wolter (VFX supervisors) and Donnie Dean (SFX coordinator) – Sinners (RUNNER-UP)
Scott Stokdyk (VFX supervisor, Marvel), Robert Allman (VFX supervisor, Framestore), Daniele Bigi (VFX supervisor, ILM), Theodore Bialek (VFX supervisor, SPI) and Alistair Williams (SFX supervisor) – The Fantastic Four: First Steps

BREAKOUT OF THE YEAR
Clint Bentley (director / co-writer) – Train Dreams
Everett Blunck (performer) – The Plague
Miles Caton (performer) – Sinners (RUNNER-UP)
Aidan Delbis (performer) – Bugonia
Chase Infiniti (performer) – One Battle After Another (WINNER)
Jacobi Jupe (performer) – Hamnet
Tracie Laymon (director / writer) – Bob Trevino Likes It
Charlie Polinger (director / writer) – The Plague
Eva Victor (director / writer / performer) – Sorry, Baby
Alfie Williams (performer) – 28 Years Later

ORIGINAL VISION
Good Boy (WINNER)
If I Had Legs I’d Kick You
One Battle After Another
The Plague
Reflection In A Dead Diamond
The Testament of Ann Lee (RUNNER-UP)
Train Dreams

The Edward Johnson-Ott Hoosier Award
Chase Infiniti – One Battle After Another 

San Diego Loves Sinners


The San Diego Film Critics Society has announced its picks for the best of 2025.  The winners are listed in bold.

Best Picture
HAMNET
IT WAS JUST AN ACCIDENT
MARTY SUPREME
ONE BATTLE AFTER ANOTHER (RUNNER-UP)
SINNERS (WINNER)

Best Director
Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER
Ryan Coogler, SINNERS (WINNER)
Yorgos Lanthimos, BUGONIA (RUNNER-UP)
Jafar Panahi, IT WAS JUST AN ACCIDENT
Chloe Zhao, HAMNET

Best Actor
Timothée Chalamet, MARTY SUPREME
Leonardo DiCaprio, ONE BATTLE AFTER ANOTHER
Joel Edgerton, TRAIN DREAMS (RUNNER-UP)
Michael B. Jordan, SINNERS (WINNER)
Wagner Moura, THE SECRET AGENT

Best Actress
Jessie Buckley, HAMNET (WINNER TIE)
Rose Byrne, IF I HAD LEGS I’D KICK YOU (WINNER TIE)
Renate Reinsve, SENTIMENTAL VALUE
Emma Stone, BUGONIA
Eva Victor, SORRY, BABY

Best Supporting Actor
Benicio del Toro, ONE BATTLE AFTER ANOTHER
Jacob Elordi, FRANKENSTEIN
Sean Penn, ONE BATTLE AFTER ANOTHER (RUNNER-UP)
Stellan Skarsgård, SENTIMENTAL VALUE (WINNER)
Jeffrey Wright, HIGHEST 2 LOWEST

Best Supporting Actress
Odessa A’zion, MARTY SUPREME
Nina Hoss, HEDDA (RUNNER-UP)
Amy Madigan, WEAPONS (WINNER)
Wunmi Mosaku, SINNERS
Teyana Taylor, ONE BATTLE AFTER ANOTHER

Best Comedic Performance
Will Arnett, IS THIS THING ON?
Molly Gordon, OH, HI! (RUNNER-UP)
Liam Neeson, THE NAKED GUN
Da’Vine Joy Randolph, ETERNITY (WINNER)
Tim Robinson, FRIENDSHIP

Best Youth Performance (For a performer under the age of 18)
Cary Christopher, WEAPONS (WINNER)
Shannon Mahina Gorman, RENTAL FAMILY
Jacobi Jupe, HAMNET (RUNNER-UP)
Alfie Williams, 28 YEARS LATER
Nina Ye, LEFT-HANDED GIRL

Best Original Screenplay
Ryan Coogler, SINNERS
Zack Cregger, WEAPONS
David Koepp, BLACK BAG (RUNNER-UP)
Jafar Panahi, IT WAS JUST AN ACCIDENT (WINNER)
Joachim Trier & Eskil Vogt, SENTIMENTAL VALUE

Best Adapted Screenplay
Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER (RUNNER-UP)
Clint Bentley & Greg Kwedar, TRAIN DREAMS
JT Mollner, THE LONG WALK
Maggie O’Farrell & Chloe Zhao, HAMNET
Will Tracy, BUGONIA (WINNER)

Best First Feature (Director)
Drew Hancock, COMPANION
Scarlett Johansson, ELEANOR THE GREAT
Ben Leonberg, GOOD BOY
Kristen Stewart, THE CHRONOLOGY OF WATER (RUNNER-UP)
Eva Victor, SORRY, BABY (WINNER)

Best Documentary
BECOMING LED ZEPPELIN
BILLY JOEL: AND SO IT GOES (RUNNER-UP)
JOHN CANDY: I LIKE ME
ORWELL: 2 + 2 = 5 (WINNER)
PREDATORS

Best Animated Film
ELIO
KPOP DEMON HUNTERS (WINNER)
LITTLE AMÉLIE OR THE CHARACTER OF RAIN (RUNNER-UP)
PREDATOR: KILLER OF KILLERS
ZOOTOPIA 2

Best Foreign Language Film
IT WAS JUST AN ACCIDENT (WINNER)
LEFT-HANDED GIRL
THE SECRET AGENT
SENTIMENTAL VALUE (RUNNER-UP)
SIRAT

Best Editing
Ronald Bronstein & Josh Safdie, MARTY SUPREME (WINNER)
Barry Alexander Brown & Allyson C. Johnson, HIGHEST 2 LOWEST
Affonso Goncalves & Chloe Zhao, HAMNET
Andy Jurgensen, ONE BATTLE AFTER ANOTHER (RUNNER-UP)
Stephen Mirione & Patrick J. Smith, F1: THE MOVIE

Best Cinematography
Autumn Durald Arkapaw, SINNERS
Michael Bauman, ONE BATTLE AFTER ANOTHER (RUNNER-UP)
Dan Laustsen, FRANKENSTEIN
Adolpho Veloso, TRAIN DREAMS (WINNER)
Lukasz Zal, HAMNET

Best Production Design
Hannah Bleachler & Monique Champagne, SINNERS (RUNNER-UP TIE)
Cara Brower & Stella Fox, HEDDA
Fiona Crombie & Alice Felton, HAMNET
Tamara Deverell & Shane Vieau, FRANKENSTEIN (WINNER)
Kasra Farahani & Jille Azis, THE FANTASTIC FOUR: FIRST STEPS (RUNNER-UP TIE)

Best Visual Effects
AVATAR: FIRE AND ASH (WINNER)
THE FANTASTIC FOUR: FIRST STEPS (RUNNER-UP TIE)
FRANKENSTEIN (RUNNER-UP TIE)
MISSION: IMPOSSIBLE – THE FINAL RECKONING
SUPERMAN

Best Costume Design
Alexandra Byrne, THE FANTASTIC FOUR: FIRST STEPS
Ruth E. Carter, SINNERS (RUNNER-UP TIE)
Kate Hawley, FRANKENSTEIN (RUNNER-UP TIE)
Paul Tazewell, WICKED: FOR GOOD (WINNER)
Malgosia Turzanska, HAMNET

Best Sound Design
AVATAR: FIRE AND ASH
F1: THE MOVIE (RUNNER-UP)
FRANKENSTEIN
SINNERS
WARFARE (WINNER)

Best Use of Music
HEDDA (RUNNER-UP)
KPOP DEMON HUNTERS
MARTY SUPREME
SINNERS (WINNER)
SIRAT

Best Stunt Choreography
BALLERINA: FROM THE WORLD OF JOHN WICK
MISSION: IMPOSSIBLE – THE FINAL RECKONING (WINNER)
ONE BATTLE AFTER ANOTHER
SINNERS (RUNNER-UP)
SUPERMAN

Best Ensemble
BLACK BAG (WINNER)
JAY KELLY
THE LONG WALK
SINNERS (RUNNER-UP)
WEAPONS

Breakthrough Performance
Chase Infiniti: ONE BATTLE AFTER ANOTHER

Special Award for Body of Work
Josh O’Connor: WAKE UP, DEAD MAN, THE MASTERMIND, THE HISTORY SOUND, REBUILDING

Here Are The 2025 Nominations Of The San Diego Film Critics Society


Here are the 2025 nominations of the San Diego Film Critics Society.

Best Picture
HAMNET
IT WAS JUST AN ACCIDENT
MARTY SUPREME
ONE BATTLE AFTER ANOTHER
SINNERS

Best Director
Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER
Ryan Coogler, SINNERS
Yorgos Lanthimos, BUGONIA
Jafar Panahi, IT WAS JUST AN ACCIDENT
Chloe Zhao, HAMNET

Best Actor
Timothée Chalamet, MARTY SUPREME
Leonardo DiCaprio, ONE BATTLE AFTER ANOTHER
Joel Edgerton, TRAIN DREAMS
Michael B. Jordan, SINNERS
Wagner Moura, THE SECRET AGENT

Best Actress
Jessie Buckley, HAMNET
Rose Byrne, IF I HAD LEGS I’D KICK YOU
Renate Reinsve, SENTIMENTAL VALUE
Emma Stone, BUGONIA
Eva Victor, SORRY, BABY

Best Supporting Actor
Benicio del Toro, ONE BATTLE AFTER ANOTHER
Jacob Elordi, FRANKENSTEIN
Sean Penn, ONE BATTLE AFTER ANOTHER
Stellan Skarsgård, SENTIMENTAL VALUE
Jeffrey Wright, HIGHEST 2 LOWEST

Best Supporting Actress
Odessa A’zion, MARTY SUPREME
Nina Hoss, HEDDA
Amy Madigan, WEAPONS
Wunmi Mosaku, SINNERS
Teyana Taylor, ONE BATTLE AFTER ANOTHER

Best Comedic Performance
Will Arnett, IS THIS THING ON?
Molly Gordon, OH, HI!
Liam Neeson, THE NAKED GUN
Da’Vine Joy Randolph, ETERNITY
Tim Robinson, FRIENDSHIP

Best Youth Performance (For a performer under the age of 18)
Cary Christopher, WEAPONS
Shannon Mahina Gorman, RENTAL FAMILY
Jacobi Jupe, HAMNET
Alfie Williams, 28 YEARS LATER
Nina Ye, LEFT-HANDED GIRL

Best Original Screenplay
Ryan Coogler, SINNERS
Zack Cregger, WEAPONS
David Koepp, BLACK BAG
Jafar Panahi, IT WAS JUST AN ACCIDENT
Joachim Trier & Eskil Vogt, SENTIMENTAL VALUE

Best Adapted Screenplay
Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER
Clint Bentley & Greg Kwedar, TRAIN DREAMS
JT Mollner, THE LONG WALK
Maggie O’Farrell & Chloe Zhao, HAMNET
Will Tracy, BUGONIA

Best First Feature (Director)
Drew Hancock, COMPANION
Scarlett Johansson, ELEANOR THE GREAT
Ben Leonberg, GOOD BOY
Kristen Stewart, THE CHRONOLOGY OF WATER
Eva Victor, SORRY, BABY

Best Documentary
BECOMING LED ZEPPELIN
BILLY JOEL: AND SO IT GOES
JOHN CANDY: I LIKE ME
ORWELL: 2 + 2 = 5
PREDATORS

Best Animated Film
ELIO
KPOP DEMON HUNTERS
LITTLE AMÉLIE OR THE CHARACTER OF RAIN
PREDATOR: KILLER OF KILLERS
ZOOTOPIA 2

Best Foreign Language Film
IT WAS JUST AN ACCIDENT
LEFT-HANDED GIRL
THE SECRET AGENT
SENTIMENTAL VALUE
SIRAT

Best Editing
Ronald Bronstein & Josh Safdie, MARTY SUPREME
Barry Alexander Brown & Allyson C. Johnson, HIGHEST 2 LOWEST
Affonso Goncalves & Chloe Zhao, HAMNET
Andy Jurgensen, ONE BATTLE AFTER ANOTHER
Stephen Mirione & Patrick J. Smith, F1: THE MOVIE

Best Cinematography
Autumn Durald Arkapaw, SINNERS
Michael Bauman, ONE BATTLE AFTER ANOTHER
Dan Laustsen, FRANKENSTEIN
Adolpho Veloso, TRAIN DREAMS
Lukasz Zal, HAMNET

Best Production Design
Hannah Bleachler & Monique Champagne, SINNERS
Cara Brower & Stella Fox, HEDDA
Fiona Crombie & Alice Felton, HAMNET
Tamara Deverell & Shane Vieau, FRANKENSTEIN
Kasra Farahani & Jille Azis, THE FANTASTIC FOUR: FIRST STEPS

Best Visual Effects
AVATAR: FIRE AND ASH
THE FANTASTIC FOUR: FIRST STEPS
FRANKENSTEIN
MISSION: IMPOSSIBLE – THE FINAL RECKONING
SUPERMAN

Best Costume Design
Alexandra Byrne, THE FANTASTIC FOUR: FIRST STEPS
Ruth E. Carter, SINNERS
Kate Hawley, FRANKENSTEIN
Paul Tazewell, WICKED: FOR GOOD
Malgosia Turzanska, HAMNET

Best Sound Design
AVATAR: FIRE AND ASH
F1: THE MOVIE
FRANKENSTEIN
SINNERS
WARFARE

Best Use of Music
HEDDA
KPOP DEMON HUNTERS
MARTY SUPREME
SINNERS
SIRAT

Best Stunt Choreography
BALLERINA: FROM THE WORLD OF JOHN WICK
MISSION: IMPOSSIBLE – THE FINAL RECKONING
ONE BATTLE AFTER ANOTHER
SINNERS
SUPERMAN

Best Ensemble
BLACK BAG
JAY KELLY
THE LONG WALK
SINNERS
WEAPONS

Here Are The 2025 Nominations Of The Indiana Film Journalists Association!


Here are the 2025 nominations of the Indiana Film Journalists Association.

There’s a lot of them.

BEST FILM
28 Years Later
Black Bag
Bob Trevino Likes It
Bugonia
Frankenstein
Friendship
Hamnet
Jay Kelly
The Life of Chuck
Marty Supreme
No Other Choice
One Battle After Another
The Phoenician Scheme
The Plague
Sinners
Splitsville
Superman
Train Dreams
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST ANIMATED FILM
In Your Dreams
KPop Demon Hunters
The Legend of Hei 2
Little Amélie Or The Character Of Rain
Ne Zha 2
Predator: Killer of Killers
Zootopia 2

BEST FOREIGN LANGUAGE FILM
Cloud
It Was Just an Accident
Left-Handed Girl
No Other Choice
Reflection In A Dead Diamond
Rental Family
The Secret Agent
Sentimental Value
Universal Language
The Voice of Hind Rajab

BEST DOCUMENTARY
Are We Good?
Deaf President Now!
Disposable Humanity
Grand Theft Hamlet
Hacking at Leaves
Orwell: 2+2=5
Pavements
The Perfect Neighbor
The Tenderness Tour

BEST ORIGINAL SCREENPLAY
Noah Baumbach and Emily Mortimer – Jay Kelly
Mary Bronstein – If I Had Legs I’d Kick You
Ronald Bronstein and Josh Safdie – Marty Supreme
Ryan Coogler – Sinners
Michael Angelo Covino and Kyle Marvin – Splitsville
Zach Cregger – Weapons
David Koepp – Black Bag
Tracie Laymon – Bob Trevino Likes It
Jafar Panahi – It Was Just an Accident
Charlie Polinger – The Plague

BEST ADAPTED SCREENPLAY
Paul Thomas Anderson – One Battle After Another
Clint Bentley and Greg Kwedar – Train Dreams
Guillermo del Toro – Frankenstein
Mike Flanagan – The Life of Chuck
Alex Garland – 28 Years Later
Dan Gregor, Doug Mand, and Akiva Schaffer – The Naked Gun
James Gunn – Superman
Rian Johnson – Wake Up Dead Man: A Knives Out Mystery
Park Chan-wook, Lee Kyoung-mi, Don McKellar and Lee Ja-hye – No Other Choice
Will Tracy – Bugonia

BEST DIRECTOR
Paul Thomas Anderson – One Battle After Another
Clint Bentley – Train Dreams
Ryan Coogler – Sinners
Michael Angelo Covino – Splitsville
Zach Cregger – Weapons
James Gunn – Superman
Park Chan-wook – No Other Choice
Charlie Polinger – The Plague
Josh Safdie – Marty Supreme
Steven Soderbergh – Black Bag

BEST LEAD PERFORMANCE
Everett Blunck – The Plague
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Timothée Chalamet – Marty Supreme
David Corenswet – Superman
Leonardo DiCaprio – One Battle After Another
Joel Edgerton – Train Dreams
Michael Fassbender – Black Bag
Barbie Ferreira – Bob Trevino Likes It
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Liam Neeson – The Naked Gun
Josh O’Connor – Wake Up Dead Man: A Knives Out Mystery
Jesse Plemons – Bugonia
Emma Stone – Bugonia

BEST SUPPORTING PERFORMANCE
Pamela Anderson – The Naked Gun
Miles Caton – Sinners
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Nicholas Hoult – Superman
Chase Infiniti – One Battle After Another
John Leguizamo – Bob Trevino Likes It
Amy Madigan – Weapons
Paul Mescal – Hamnet
Sean Penn – One Battle After Another
Adam Sandler – Jay Kelly
Stellan Skarsgård – Sentimental Value
French Stewart – Bob Trevino Likes It
Teyana Taylor – One Battle After Another

BEST VOCAL / MOTION-CAPTURE PERFORMANCE
Oona Chaplin – Avatar: Fire And Ash
Ebon Moss-Bachrach – The Fantastic Four: First Steps
Will Patton – Train Dreams
Dimitrius Schuster-Koloamatangi – Predator: Badlands
Zhu Jing – The Legend of Hei 2

BEST ENSEMBLE ACTING
Black Bag
Bugonia
The Life of Chuck
Marty Supreme
One Battle After Another
The Plague
Sinners
Superman
Wake Up Dead Man: A Knives Out Mystery
Weapons

BEST EDITING
Ronald Bronstein and Josh Safdie – Marty Supreme
Barry Alexander Brown and Allyson C. Johnson – Highest 2 Lowest
Mike Flanagan – The Life of Chuck
Jon Harris – 28 Years Later
Andy Jurgensen – One Battle After Another
Kim Sang-bum – No Other Choice
Brian Scott Olds – The Naked Gun
Sara Shaw – Splitsville
Michael P. Shawver – Sinners
Steven Soderbergh – Black Bag

BEST CINEMATOGRAPHY
Autumn Durald Arkapaw – Sinners
Michael Bauman – One Battle After Another
Steven Breckon – The Plague
Darius Khondji – Marty Supreme
Dan Laustsen – Frankenstein
Anthony Dod Mantle – 28 Years Later
Larkin Seiple – Weapons
Steven Soderbergh – Black Bag
Fraser Taggart – Mission: Impossible – The Final Reckoning
Adolpho Veloso – Train Dreams

BEST MUSICAL SCORE
Jerskin Fendrix – Bugonia
Ludwig Göransson – Sinners
Jonny Greenwood – One Battle After Another
Ryan Holladay, Hays Holladay and Zach Cregger – Weapons
David Holmes – Black Bag
Johan Lenox – The Plague
Daniel Lopatin – Marty Supreme
John Murphy and David Fleming – Superman
Nine Inch Nails – Tron: Ares
Young Fathers – 28 Years Later

BEST STUNT / MOVEMENT CHOREOGRAPHY
Wade Eastwood (second unit director / stunt coordinator) – Mission: Impossible – The Final Reckoning
Timothy Eulich (stunt coordinator) – Eddington
Tyler Hall (stunt coordinator / stunt driver) and Dave McKeown (stunt coordinator) – Splitsville
Brian Machleit (stunt coordinator) – One Battle After Another
Mandy Moore (choreographer) – The Life of Chuck
Alain Moussi (stunt coordinator), Brahim Chab (fight coordinator), László Kósa (stunt coordinator, Hungary) and Balázs Lengyel (fight coordinator, Hungary) – Fight or Flight
Celia Rowlson-Hall (choreographer) – The Testament of Ann Lee
Jacob Tomuri (stunt coordinator) – Predator: Badlands

BEST SPECIAL EFFECTS
Dennis Berardi, Ayo Burgess and Ivan Busquets (VFX supervisors) and José Granell (miniatures / models supervisor) – Frankenstein
Jeff Capogreco (VFX supervisor), Dave Funston (VFX supervisor, OPSIS), Ross McCabe (VFX supervisor, Image Engine), Abishek Nair (VFX supervisor, Industrial Light and Magic / VFX supervisor, second unit), Vincent Papaix (VFX supervisor, Industrial Light and Magic) and Cameron Waldbauer (SFX supervisor) – Tron: Ares
Stephane Ceretti, Enrico Damm, Stéphane Nazé and Guy Williams (VFX supervisors) – Superman
Olivier Dumont and Sheldon Stopsack (VFX supervisors, Wētā), Kathy Siegel (VFX producer / co-producer) and Karl Rapley (animation supervisor, Wētā) – Predator: Badlands
Dan Glass, Chris McLaughlin and Stuart Penn (VFX supervisors) and Dominic Tuohy (SFX supervisor) – Mickey 17
Joe Letteri (senior VFX supervisor), Richard Baneham (VFX supervisor, Lightstorm / virtual second unit director), Eric Saindon (senior VFX supervisor, Wētā Digital) and Daniel Barrett (senior animation supervisor, Wētā Digital) – Avatar: Fire And Ash
Charlie Noble (VFX supervisor), David Zaretti (VFX supervisor, ILM), Russell Bowen (VFX supervisor, beloFX) and Brandon K. McLaughlin (SFX coordinator) – The Lost Bus
Michael Ralla, Espen Nordahl and Guido Wolter (VFX supervisors) and Donnie Dean (SFX coordinator) – Sinners
Scott Stokdyk (VFX supervisor, Marvel), Robert Allman (VFX supervisor, Framestore), Daniele Bigi (VFX supervisor, ILM), Theodore Bialek (VFX supervisor, SPI) and Alistair Williams (SFX supervisor) – The Fantastic Four: First Steps

BREAKOUT OF THE YEAR
Clint Bentley (director / co-writer) – Train Dreams
Everett Blunck (performer) – The Plague
Miles Caton (performer) – Sinners
Aidan Delbis (performer) – Bugonia
Chase Infiniti (performer) – One Battle After Another
Jacobi Jupe (performer) – Hamnet
Tracie Laymon (director / writer) – Bob Trevino Likes It
Charlie Polinger (director / writer) – The Plague
Eva Victor (director / writer / performer) – Sorry, Baby
Alfie Williams (performer) – 28 Years Later

ORIGINAL VISION
Good Boy
If I Had Legs I’d Kick You
One Battle After Another
The Plague
Reflection In A Dead Diamond
The Testament of Ann Lee
Train Dreams

Horror Review: 28 Years Later (dir. by Danny Boyle)


Danny Boyle waited nearly two decades to return to the world he helped redefine with his groundbreaking 2002 film 28 Days Later, which reshaped the zombie subgenre by replacing the traditional, slow-moving undead with fast, feral infected that embody contagion, panic, and societal collapse. While purists continue to debate whether the creatures are technically zombies or infected, Boyle’s vision fundamentally changed how audiences engage with themes of epidemic, survival, and the breakdown of order on screen. The 2007 follow-up, 28 Weeks Later, directed by Juan Carlos Fresnadillo, expanded the Rage virus mythology and landscape but lacked the original’s haunting intimacy and innovation, leaving the franchise in a state of uncertainty until Boyle and writer Alex Garland reunited for 28 Years Later, a film that feels less like a conventional sequel and more like an elegy for a deeply changed world.

The film opens with a short, brutal prologue: young Jimmy Crystal’s family is consumed by the Rage virus while watching Teletubbies, and the boy flees to find safety only to discover his minister father welcoming the infected as a sign of apocalyptic judgment. This early scene deftly establishes the film’s unease, blending visceral horror with spiritual inquiry and foreshadowing a narrative caught between faith, grief, and chaos. Boyle reasserts his command of visceral set pieces while signaling that this film is more concerned with memory and ritual than with relentless terror.

Decades later, the British Isles have been sealed off; NATO forces enforce a quarantine and blockade, isolating the mainland as a toxic exclusion zone. On the tidal island of Lindisfarne, a small community clings to a fragile existence, protected by a causeway that floods at high tide—a detail that metaphorically underscores themes of isolation and dangerous connection. It is here that the emotional core emerges in Jamie and his son Spike, played by Aaron Taylor-Johnson and the remarkable newcomer Alfie Williams. Their spare, heartfelt relationship grounds what otherwise wanders into meditative and often surreal territory.

Alfie Williams emerges as one of the year’s most impressive new talents. His portrayal of Spike avoids the usual survivor archetype; instead, he presents a boy deeply shaped by inherited trauma and cautious curiosity. Boyle’s camera lingers on Williams’ face, capturing silent shifts of fear, wonder, and resilience, making his quiet moments as powerful as the film’s larger set pieces. Williams shines particularly in a sequence where Spike and his mother, portrayed with subtle grace by Jodie Comer, navigate a moss-covered village reclaimed by nature; Williams embodies awe and terror with a single glance. His encounters with the evolved infected—some sedentary and tree-like, others organized into predator packs—are charged with terrifying authenticity and emotional depth. Early reviews label Williams a breakout star, praising his ability to hold the screen alongside veteran actors.

Visually, Boyle and cinematographer Anthony Dod Mantle experiment with a striking mix of techniques, blending the use of iPhone 15 Pro Max cameras and drones with traditional film methods to create a language that oscillates between intimate human moments and sweeping, documentary-style landscapes. The Britain depicted is no longer a lifeless wasteland but an ecologically regrown terrain—lush, eerie, and indifferent. This verdant backdrop reflects the Rage virus’s own evolution. The infected have adapted in ways both terrifying and fascinating: some feed off the earth and fungus, becoming near-plantlike and sedentary, while others form packs ruled by alpha mutants, suggesting emergent social structures even after humanity’s collapse. This biological and ecological evolution amplifies the film’s central theme: survival transcending humanity.

Anchoring the film’s philosophical inquiry is Ralph Fiennes’s performance as Dr. Ian Kelson, a former general practitioner who has exiled himself to live among the infected. Fiennes crafts Kelson with haunting solemnity and layered ambiguity—part caregiver, part fanatic, part recluse—who has created the eponymous “Bone Temple,” a shrine assembled from bones and memories to honor the dead and the changed world they inhabit. The role requires quiet intensity, and Fiennes delivers; his interactions with Spike are charged with both menace and melancholy. Kelson’s reverence for the infected and his willingness to coexist with them challenge traditional survivalist narratives, injecting the film with a solemn meditation on loss, acceptance, and the possibility of new forms of life.

28 Years Later opts for a deliberately slower, more contemplative pace than its predecessors. Boyle and Garland invest their energy in exploring grief, adaptation, and collective memory. The infected become symbolic forces of transformation rather than mere antagonists, while survivors seek meaning through ritual and remembrance as a bulwark against despair. This approach has divided fans: some lament the absence of the unrelenting terror and pace that characterized the earlier films, while others welcome the franchise’s intellectual maturity and thematic depth.

Certain scenes—such as the stranded NATO patrol subplot and glimpses of emerging cult-like human factions—hint at a larger, more complex world but never overshadow the film’s intimate father‑son narrative. Jodie Comer complements Williams with a nuanced portrayal of Spike’s mother, and Taylor‑Johnson brings grounded emotional weight to Jamie, embodying a parent wrestling with how to protect the next generation in a broken world and dealing with his own inner demons.

The interplay between Williams and Fiennes forms the film’s core dynamic, uniting youthful vulnerability with somber reflection. Kelson’s philosophical acceptance of the apocalypse contrasts with Spike’s struggle for identity and belonging, producing compelling, often unsettling exchanges that elevate the narrative’s moral complexity.

Toward the film’s conclusion, a jarring tonal shift occurs with the sudden arrival of a grown-up Jimmy Crystal, whose unsettling presence and cult leadership drastically change the mood. The moment is so discordant that viewers are left questioning whether it is literal or a fevered hallucination—an ambiguity that effectively sets the stage for the sequel.

The upcoming follow-up, 28 Years Later: The Bone Temple, is set for release in January 2026 and will be directed by Nia DaCosta, with Alex Garland returning as screenwriter. This sequel is expected to explore the role of Kelson’s Bone Temple more deeply and develop the cult gathering led by Jack O’Connell’s Jimmy Crystal, expanding on the fractured post-apocalyptic world and the characters introduced in the current film.

Ultimately, 28 Years Later is a film about evolution—of species, storytelling, and filmmaking itself. It balances raw dread with haunting visuals and somber themes, anchored by Alfie Williams’s quietly compelling Spike and Ralph Fiennes’s enigmatic Dr. Ian Kelson. Boyle has not merely revived the franchise; he has transformed it into an unsettling, elegiac meditation on rage, loss, and the fragile hope that survives beyond apocalypse.