Juke Girl (1942, directed by Curtis Bernhardt)


Farm workers Steve (Ronald Reagan) and Danny (Richard Whorf) arrives in Florida, looking for work.  The whole town is controlled by the corrupt Henry Madden (Gene Lockhart) but the honest Steve would rather work for Nick (George Tobias), who treats his workers fairly.  While Steve romances Lola Mears (Ann Sheridan), who works at a “juke joint,” he also tries to organize the other workers into demanding better conditions.  When Madden frames Steve and Lola for a murder, the entire town turns against them.

This is not a bad Warner Bros. melodrama.  As with a lot of Warner Bros. films, the heroes are the poor workers who have found themselves exploited by wealthy men like Madden.  As played by Ronald Reagan, Steve is no radical firebrand.  He is just someone who wants the workers to get a fair shake and who wants to help decent bosses like Nick make a living despite the efforts of Madden to put them out of business.  As was so often the case with his movies, Reagan is an affable hero without ever actually being compelling.  Gene Lockhart is the dependably hateful villain and the cast is full of dependable character actors, including Faye Emerson, Alan Hale, Howard Da Silva, and Fuzzy Knight.

Ann Sheridan is really the main reason to Juke Girl and she’s as sexy and tough as ever.  There’s a reason why this movie was named for her character’s profession, even though its really only a minor part of the film.  Sheridan is the main attraction here and she gives a strong performance as a bad girl who is actually good underneath it all.  Her character worries that settling down with Steve will mean a lifetime of struggling to make ends meet but she sees that Steve is worth it by the end of the movie.  The town may not be worthy of either of them but Steve and Lola are meant to be together.

Retro Television Review: Miami Vice 4.3 “Death and the Lady”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the Vice Squad investigates the “other Hollywood” and some notable guest stars pop up.

Episode 4.3 “Death and the Lady”

(Dir by Colin Bucksey, originally aired on October 16th, 1987)

Painter-turned-filmmaker Milton Glantz (Paul Guilfoyle) is very proud to have received an Erotic Film Award for his latest movie, Death and the Lady.  However, when Glantz receives his award, a man named Tulane Knox (Michael David Morrison) shouts that the violent murder that ends the film was real and that Glantz is a killer.

Knox is taken into custody by Gina and Trudy.  Crockett doesn’t believe a word that Knox is saying.  He’s convinced that it’s all just a publicity stunt to get people interested in the film.  Crockett doesn’t have much use for all that art film mumbo jumbo.  He lives on a boat with a crocodile named Elvis, after all.  Actually, it’s been a while since we’ve seen Elvis.  I hope he’s okay.

Still, Crockett investigates.  He and Tubbs discover that the actress from the film — Lori Swann (Kelly Lynch) — is still alive and working in the movies.  However, he also discovers that Lori and Glantz made another film, called Twins.  That film featured Lori and a woman named Amy Ryder, who looked just like her.  A conversation with Amy’s sister (Penelope Ann Miller) reveals that Amy hasn’t been seen for a while.  Plus, Amy has terminal cancer….

Especially when compared to the previous two episodes, this episode felt more like classic Miami Vice, dark, moody, and fatalistic.  It doesn’t take long for both the audience and Crockett to realize that Glantz murdered Amy for his film.  (Amy’s dead eyes appear in Glantz’s film.)  But the problem is that there’s no way for Crockett to prove it.  The District Attorney (Miguel Ferrer, making an early appearance) refuses to bring charges without hard evidence.  When Glantz taunts Crockett with the fact that he committed the perfect murder, Crockett snaps.  He beats up Glantz but he doesn’t kill him.  Crockett hasn’t crossed that line but, watching this episode, you get the feeling that it’s only a matter of time.  But it doesn’t matter how many times Crockett throws a punch, Milton Glantz gets away with murder.

This was the Miami Vice of old, depressing, distressing, and very, very stylish.

(Plus, there’s a kitty in this episode!  He is discovered in a cocaine dealer’s home and he’s given to Gina as a present.  Even Castillo smiles when looks at the kitty.  Awwww!)

#MondayMuggers presents DARK ANGEL (1990) starring Dolph Lundgren!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday May 5th, we celebrate Cinco de Mayo with DARK ANGEL (1990) starring Dolph Lundgren, Brian Benben, Betsy Brantley, Matthias Hues, and Michael J. Pollard. 

I really enjoy Amazon Prime’s plot description for the film… “A renegade cop undercover on a drug sting discovers a murderous alien who feasts on the brains of heroin addicts.” Honestly, if that description doesn’t make you want to watch the film, there’s probably nothing I can say to bring you along. On a side note, I remember this movie going under the name I COME IN PEACE when I was in high school, which is kind of cool because the bad guy will say he comes in peace right before committing horrific murder. But now it’s called DARK ANGEL, so that’s that.

So join us tonight for #MondayMuggers and watch DARK ANGEL! It’s on Amazon Prime. The trailer is included below:

Scenes I Love: Simon and The Devil Go To The Future In Simon Of The Desert


From Luis Bunuel’s 1965 short film, Simon of the Desert, the faithful Simon (Claudio Brook) finds himself transported from 6th Century Syria to the 1960s by the Devil (Silvia Pinal).  The song playing at the club is called Radioactive Flesh.  Simon wants to go home.  The Devil wants to dance.

4 Shots From 4 Films: Special Cinco De Mayo Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Happy Cinco De Mayo to all of our readers!  It’s time for….

4 Shots From 4 Great Mexican Films

Simon of the Desert (1965, dir by Luis Bunuel, DP: Gabriel Figueroa)

Like Water For Chocolate (1992, dir by Alfonso Arau, DP: Emmanuel Lubezki)

Cronos (1993, dir by Guillermo del Toro, DP: Guillermo Navarra)

Pan’s Labyrinth (2006, dir by Guillermo del Toro, DP: Guillermo Navarro)

Monday Live Tweet Alert: Join Us for Truth or Dare? A Critical Madness!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be an encore presentation of Truth or Dare?  A Critical Madness, from director Tim Ritter!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Truth or Dare on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Song of the Day: Killer Queen (by Queen)


Time to continue our greatest guitar solos series with another from the glam rock legends that is Queen.

The latest “Song of the Day” is “Killer Queen” from their third album Sheer Heart Attack released in 1974. The song continues the band’s exceptional use of vocal harmonies which, by 1974, had become the band’s signature calling musical card.

Brian May’s guitar solo happens on the 1:32 minute mark of the song. It’s not a bombastic, shredding-inducing melodies, but instead a multitracked solo that makes great use of bell chords where the drums and bass joins in sequentially to finish the section.

“Killer Queen” has become one of the band’s most popular songs and continued to cement Queen as one of the preeminent rock bands of the 1970’s.

Killer Queen

She keeps Moët et Chandon
In her pretty cabinet
“Let them eat cake,” she says
Just like Marie Antoinette
A built-in remedy
For Khrushchev and Kennedy (Ooh, ooh)
At anytime an invitation
You can’t decline (Ooh, ooh)

Caviar and cigarettes
Well versed in etiquette
Extraordinarily nice

She’s a killer queen
Gunpowder, gelatin
Dynamite with a laser beam
Guaranteed to blow your mind
(Pa-pa-pa-pa) Anytime
Ooh
Recommended at the price
Insatiable an appetite
Wanna try?

To avoid complications
She never kept the same address
In conversation
She spoke just like a baroness
Met a man from China
Went down to Geisha Minah (Ooh, ooh)
(Killer, killer, she’s a killer queen)
Then again incidentally
If you’re that way inclined

Perfume came naturally from Paris (Naturally)
For cars, she couldn’t care less
Fastidious and precise

She’s a killer queen
Gunpowder, gelatin
Dynamite with a laser beam
Guaranteed to blow your mind
(Pa-pa-pa-pa)
Anytime
 
[guitar solo]

Drop of a hat she’s as willing as
Playful as a pussycat (Ooh)
Then momentarily out of action (Ooh)
Temporarily out of gas (Ta-taaa)
To absolutely drive you wild, wild
She’s out to get you

She’s a killer queen
Gunpowder, gelatin
Dynamite with a laser beam (Pa-pa-pa-ra)
Guaranteed to blow your mind
Anytime
Ooh
Recommended at the price
Insatiable an appetite
Wanna try?
You wanna try

Great Guitar Solos Series

Late Night Retro Television Review: Degrassi High 2.3 “Loyalties”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

In yourself, you must believe….

Episode 2.3 “Loyalties”

(Dir by John Bertram, originally aired on November 19th, 1990)

Oh look, more Caitlin drama.

Seriously, if I was a student at Degrassi High, I would warn any new enrollees about becoming friends with Caitlin.  Caitlin may be nice and she may be sincere in her desire to be friendly with the new students but, ultimately, everything with Caitlin is a drama and being her friend means being a part of the drama, whether you want to be or not.  Last season, Caitlin had to go to court after he got caught vandalizing the nuclear plant and she immediately expected all of her friends to skip school and go with her.  This episode, Caitlin spots her father having a romantic lunch with someone who is not Caitlin’s mother and, of course, Caitlin’s friends are expected to forget about the own problems so they can listen to her obsess about it.  And while Caitlin did not tell her mom, she did suggest that her dad take her mom to the restaurant where she previously spotted him.

Caitlin wasn’t the only person with drama this week.  Michelle is struggling to deal with having gotten dumped by BLT.  When she discovers that Alexa and Simon are still hanging out with BLT and his new girlfriend, Cindy, she’s not happy.  Alexa and Simon, meanwhile, are tired of Michelle being such a downer.  And while I had sympathy for Michelle, I also had sympathy for Alexa.  It’s not easy when your friends break up and you find yourself expected to pick a side.  Snake has a crush on Michelle and they go out on a date but Michelle starts crying ten minutes in.  Later, Michelle apologize to Snake and says she’s not ready to date.  Snake, being the perfect guy despite (or maybe because of) his nickname, is totally understanding and says he’ll wait until she’s ready.

Awwwwww!

Compared to last week’s episode, Loyalties was not quite as memorable.  No one discovered they were HIV+.  Still, it was a nicely done episode and I appreciated the effort to try to realistically deal with Michelle’s feelings.  I’m not looking forward to the inevitable episode in which Caitlin confronts her father but I know it’ll happen.  That’s Degrassi!