Category Archives: Music

AMV of the Day: Something Fishy (Bumblebee Tuna AMV)

Posted on by pantsukudasai56

I’ll readily admit, I’m not a huge fan of AMVs.  Don’t get me wrong, when they’re good, they’re really fun and entertaining to watch.  The thing is, 99% of AMVs suck.  Seriously, most of them are just a mashup of some fan’s favorite scenes from an anime put to a song they like that really don’t fit together.  But, the ones that are good, tend to be really good.  You can tell when someone takes the time and the effort to put together something that they can be proud of.

This AMV is one of those good ones.  There hasn’t been anyone yet that I’ve shown this to that hasn’t gotten hopelessly hooked on it.  It’s the perfect blend of a high energy song, clips that make sense with the words of the song, and really good editing.  It was made by JaddziaDax, but I’m not certain where it premiered at.  All I do know is that it is impossible to watch this and not wind up singing along on the subsequent playthroughs.  And there will be subsequent playthroughs.  The first time I watched it, I immediately had to play it again, and again, and before I knew it I was on my fifth consecutive viewing.  Now that’s a sign of a good AMV!  So, feel free to watch this, but just be forewarned, you might not be able to look at a can of Bumblebee Tuna without thinking of this AMV again.

Song of the Day: The Poet and The Muse (by Old Gods of Asgard)

Posted on by Arleigh

The latest entry to the “Song of the Day” is from the American rock band Old Gods of Asgard. Their song I have chosen is their song “The Poet and The Muse”.

This particular song by the band was created years after the group’s very talented, but self-destructive guitarist Loki Darkens. The song was written by the band’s leader, Odin Anderson with his brother Tor Anderson and drummer “Fat” Bob Balder. It appears in the their 5th full-length album, The Black Rider Cometh, which was released in 1976. It would become one of their more popular songs and was even an inspiration decades later in a video game released for the Xbox 360 by Scandinavian game developer, Remedy Entertainment.

“The Poet and The Muse” plays like a Norse saga spoken to the accompaniment of the group’s music. It tells the tale of the poet named Tom and his beloved who he has dubbed his Muse. The song’s lyrics starts off simple enough about a couple deeply in love but as the song progresses it begins to take on a darker tone. This very dark presence in the lyrics gives the song an almost spooky story told by the campfire vibe which probably why the song became such a hit for the band despite their typical rock sound not appearing in the track until the very end of the song.

Whether the tale of Tom and his Muse is true or not really shouldn’t matter for the song is very good and to beginners to the music scene very easy to learn.

The Poet and The Muse

There’s an old tale wrought with the mystery of Tom
The poet and his muse
And the magic lake which gave a life
To the words the poet used

Now the muse she was his happiness
And he rhymed about her grace
And told her stories of treasures deep
Beneath the blackened waves

‘Till in the stillness of one dawn
Still in its mystic crown
The muse she went down to the lake
And in the waves she drowned

And now to see your love set free
You will need the witch’s cabin key
Find the lady of the light gone mad with the night
That’s how you reshape destiny

The poet came down to the lake
To call out to his dear
‘When there was no answer
‘He was overcome with fear

He searched in vain for his treasure lost
And too soon the night would fall
And only his own echo
Would wail back at his call

And when he swore to bring back his love
By the stories he’d create
Nightmares shifted in their sleep
In the darkness of the lake

And now to see your love set free
You will need the witch’s cabin key
Find the lady of the light still ravin in the night
That’s how you reshape destiny

In the dead of night she came to him
With darkness in her eyes
Wearing a mourning gown
Sweet words as her disguise

He took her in without a word
For he saw his grave mistake
And vowed them both to silence
Deep beneath the lake

Now if its real or just a dream
One mystery remains
For it is said on moonless nights
They may still haunt this place

And now to see your love set free
You will need the witch’s cabin key
Find the lady of the light gone mad with the night
That’s how you reshape destiny

And now to see your love set free
You will need the witch’s cabin key
Find the lady of the light still ravin in the night
That’s how you reshape destiny

Song of the Day: Wanted Dead or Alive (by Bon Jovi)

Posted on by Arleigh

The newest entry in the “Song of the Day” feature takes us back in the glory days of the late 80’s when hard rock made a major come back. It’s only appropriate that I pick one of my favorite hard rock songs of the era: Bon Jovi’s “Wanted Dead or Alive”.

It was to be the third single released off of their monster third full-length album, Slippery When Wet. It would turn out to become their official anthem as millions of fans from several generations since it’s initial release. The Old West-themed song was a collaboration between frontman Jon Bon Jovi and band lead guitarist Richie Sambora. It took the two listening to Bob Seger’s own “on the road” song “Turn the Page” to bring inspiration to the two musicians. What they came up with was their own version of “Turn the Page” and it would become an instant hit and classic.

“Wanted Dead or Alive” would have one of the more recognizable openings with Sambora playing the initials chords on a Spanish guitar before the rest of the band comes in and Jon Bon Jovi starts singing about the hard life of a rock band as it travels from gig to gig. The lyrics to this song shows the less-than-glamorous side of a band no matter how successful they may be. The two musicians liken themselves to the Old West cowboys and gunslingers who, just like a rock band, lived like outlaws and on the edge of what’s morally decent as they passed from dusty towns to dusty towns plying their skills.

Even after 23 years since this song came out I’m still not tired of it and could always get me to sing along to it to the top of my lungs.

Wanted Dead or Alive

It’s all the same
Only the names will change
Everyday
It seems we’re wastin’ away

Another place
Where the faces are so cold
I drive all night
Just to get back home

I’m a cowboy
On a steel horse I ride
I’m wanted
Dead or alive
Wanted
Dead or alive

Sometimes I sleep
Sometimes it’s not for days
The people I meet
Always go their separate ways

Sometimes you tell the day
By the bottle that you drink
And times when you’re alone
All you do is think

I’m a cowboy
On a steel horse I ride
I’m wanted
(Wanted)
Dead or alive
Wanted
(Wanted)
Dead or alive

Ohh alright
Ohh

Oh I’m a cowboy
On a steel horse I ride
I’m wanted
(Wanted)
Dead or alive

When I walk these streets
A loaded six string on my back
I play for keeps
‘Cause I might not make it back

I’ve been everywhere
(Ohh, yea)
Still I’m standin’ tall
I’ve seen a million faces
And I’ve rocked them all

‘Cause I’m a cowboy
On a steel horse I ride
I’m wanted
(Wanted)
Dead or alive

I’m a cowboy
I got the night on my side
And I’m wanted
(Wanted)
Dead or alive
And I’m right
(And I’m right)
Dead or alive
I still drive
(I still drive)
Dead or alive

Dead or alive
Dead or alive
Mm dead or alive
Dead or alive

A Quickie With Lisa Marie: Big City Nights (dir. by Spike Jonze)

Posted on by Lisa Marie Bowman

After I saw Tron: Legacy, I couldn’t get the Daft Punk soundtrack out of my head and, of course, any time I think about Daft Punk, I end up thinking about the plight of lonely dog named Charles, trying to make it on his own in the big city.

I’m referring, of course, to Spike Jonze’s brilliant short film, Big City Nights.  Often mistakenly considered to merely be a music video, it is instead a satire of the conventions of pop culture that also works as an affectionate homage to every fish (or dog) out of water story ever told.  Daft Punk’s Da Funk just happens to be playing in the background.

I think I was either 11 or 12 when I first saw it, at which time I think I just thought it was kind of funny and kind of weird and not much else.  Fortunately, I was able to rediscover it when I bought a wonderful little DVD called The Works of Director Spike Jonze.

Anyway, like most works of brilliance, the art speaks for itself…

(Sorry, clicking on the embedded video here will cause another link — leading to the actual video on Youtube — to come up.  Which sucks!  But the link is safe and the video is worth watching.)

Song of the Day: Whiskey in the Jar (by Thin Lizzy)

Posted on by Arleigh

For our latest song of the day we go old school rock. We go to a popular little tune from the rock band who call the Land of Eire their home. I am talking about Thin Lizzy’s “Whiskey in the Jar”.

This song is a traditional Irish ballad which some have dated its origin as the 17th-century. Though the song has been sung and covered by many bands through the last hundred years many today are more familiar of the cover done by Thin Lizzy and it’s legend bass guitarist/lead vocalist Phil Lynott. They released their cover of “Whiskey in the Jar” in 1972. The song became a major hit for the band and has remained one of the most beloved rock songs of the past 30 or so years.

The interesting thing about this song is the fact that Thin Lizzy were quite angry that the song was released as a single since they thought the song didn’t really show the band’s true image and sound. They have seen accepted it one of their many songs which would be a strong legacy for the band long after it’s long gone.

Whiskey in the Jar

As I was goin’ over the Cork and Kerry mountains
I saw captain Farrell and his money he was countin’
I first produced my pistol and then produced my rapier
I said stand o’er and deliver or the devil he may take ya

Musha ring dum a do dum a da
Whack for my daddy-o
Whack for my daddy-o
There’s whiskey in the jar-o

I took all of his money and it was a pretty penny
I took all of his money and I brought it home to Molly
She swore that she’d love me, never would she leave me
But the devil take that woman for you know she tricked me easy

Musha ring dum a do dum a da
Whack for my daddy-o
Whack for my daddy-o
There’s whiskey in the jar-o

Being drunk and weary I went to Molly’s chamber
Takin’ my money with me and I never knew the danger
For about six or maybe seven in walked captain Farrell
I jumped up, fired off my pistols and I shot him with both barrels

Musha ring dum a do dum a da
Whack for my daddy-o
Whack for my daddy-o
There’s whiskey in the jar-o

Now some men like the fishin’ and some men like the fowlin’
And some men like to hear a cannon ball a roarin’
Me, I like sleepin’ specially in my Molly’s chamber
But here I am in prison, here I am with a ball and chain, yeah

Musha ring dum a do dum a da
Whack for my daddy-o
Whack for my daddy-o
There’s whiskey in the jar-o

And I got drunk on whiskey-o
And I love, I love, I love, I love, I love, I love my Molly-o….

41 Songs But No End Credits

Posted on by Lisa Marie Bowman

The Academy has released a list of the 41 songs that they have determined are “eligible” for an Oscar nomination next year.  Considering how this year has gone, I shouldn’t be surprised that the songs that I really liked (like “Kick Ass” from Kick Ass and “End Credits” from Harry Brown) have not been deemed eligible.

Anyway, via Awards Daily, here’s the complete list of the eligible songs:

“Alice” from “Alice in Wonderland”
“Forever One Love” from “Black Tulip”
“Freedom Song” from “Black Tulip”
“Bound to You” from “Burlesque”
“Welcome to Burlesque” from “Burlesque”
“You Haven’t Seen the Last of Me” from “Burlesque”
“There’s a Place for Us” from “The Chronicles of Narnia: The Voyage of the Dawn Treader”
“Coming Home” from “Country Strong”
“Me and Tennessee” from “Country Strong”
“Despicable Me” from “Despicable Me”
“Prettiest Girls” from “Despicable Me”
“Dear Laughing Doubters” from “Dinner for Schmucks”
“Better Days” from “Eat Pray Love”
“If You Run” from “Going the Distance”
“Darkness before the Dawn” from “Holy Rollers”
“Sticks & Stones” from “How to Train Your Dragon”
“Le Gris” from “Idiots and Angels”
“Chanson Illusionist” from “The Illusionist”
“Never Say Never” from “The Karate Kid”
“To the Sky” from “Legend of the Guardians: The Owls of Ga’Hoole”
“What If” from “Letters to Juliet”
“Life during Wartime” from “Life during Wartime”
“Made in Dagenham” from “Made in Dagenham”
“Little One” from “Mother and Child”
“Be the One” from “The Next Three Days”
“If I Rise” from “127 Hours”
“When You See Forever” from “The Perfect Game”
“I Remain” from “Prince of Persia: The Sands of Time”
“Dream Big” from “Pure Country 2: The Gift”
“How I Love You” from “Ramona and Beezus”
“Darling I Do” from “Shrek Forever After”
“Noka Oi” from “Six Days in Paradise”
“This Is a Low” from “Tamara Drewe”
“I See the Light” from “Tangled”
“Rise” from “3 Billion and Counting”
“We Belong Together” from “Toy Story 3″
“Eclipse: All Yours” from “The Twilight Saga: Eclipse”
“Nothing” from “Tyler Perry’s Why Did I Get Married Too”
“A Better Life” from “Unbeaten”
“Shine” from “Waiting for ‘Superman’”
“The Reasons Why” from “Wretches & Jabberers”

I saw Burlesque with my friend Evelyn earlier tonight (hi, Evelyn!) and even though the movie was pretty silly, we ended up singing our own version of “Bound to You” for three hours afterward. 

I also thought that “Better Days” from Eat Pray Love and “Dear Laughing Doubters” from Dinner For Schmucks were both perfect examples of good songs written for rather disappointing movies.

Still, I’m sad to see that “Pimps Don’t Cry” won’t be getting a chance to bring The Other Guys some Oscar glory.

Song of the Day: Transcending Love (by Michiru Yamane, Takashi Yoshida, Masahiko Kimura, Keiko Fukami)

Posted on by Arleigh

I am what you would call an avid gamer. I’ve been playing video games since I was a wee lad and marveled at the Atari 2600. I moved from that system through the many systems after it to my current one which is my Xbox 360.

I’m an equal opportunity gamer in that I will play any type of game at least once no matter the genre. In the end, the one  genre which I will always gravitate towards and I consider my first gaming love are role-playing games. I especially have a special place in my heart for Japanese role-playing games. It’s music from one of those Japanese role-playing games where I have chosen the latest “song of the day”.

The latest song chosen is from the Konami-published role-playing game series called Suikoden. This particular song comes from the third game in the main series, Suikoden III, and is the opening theme for the game. The song’s title is “Transcending Love” and is one of my favorite piece of game music ever produced. The song even gets a well-animated anime opening sequence which shows characters and events from the  game but doesn’t show too much about who they are and what the plot of the game is all about.

The song is part of a soundtrack which includes several Japanese game music composer that figuring out who was responsible for this particular song would be difficult to do. I’ve decided to just credit all of them for what I consider one of the best game opening themes and music ever composed.

70,000 Tons of… wait what?

Posted on by necromoonyeti

Hell died and went to Miami.

I know how to smell a scam, and this thing reeks. But I couldn’t write it off so easily, because I found it through a band’s official tour schedule. So I started looking around at a bunch of different band sites, a bunch of reputable music magazines, everything I could think of, and sure enough, it appears to be legit. If it is a scam, it’s about the most well played one I’ve ever encountered. I honestly think this is real.

So you probably figure, ok, cruises are for yuppies and old people, it’s probably going to be a lot of cheesy hair metal, washed up gimmicks, and no name bands. It certainly isn’t going to be the most impressive names in metal, all playing at least two sets a piece, chilling on the deck getting hammered with the fans between performances, right? …Right?…

Blind Guardian, Týr, Finntroll, Ensiferum, Korpiklaani, Amon Amarth, and Iced Earth top the lineup. I’m not fucking kidding. This cruise includes Nevermore, Marduk, Sonata Arctica, Moonspell, Rage, Epica, Dark Tranquility, Testament, Obituary, Exodus, Fear Factory, Gamma Ray, Unleashed, and a Bathory cover band consisting of members of Mayhem, Einherjer, Dimmu Borgir, Thyrfing, and Primordial.

On a cruise ship.

I think I just crapped my pants.

According to the creator of all this, “I live in Vancouver, BC, very close to the cruise ship terminal. So one day about three years ago I was sitting with my friends on my balcony having a few beers. Obviously we had one too many, because I remember asking those guys, hey, wouldn’t that be cool to charter one of these and put a heavy metal festival on? That was when 70000TONS OF METAL was born.”

A Quickie With Lisa Marie: The Host of Seraphim (performed by Dead Can Dance)

Posted on by Lisa Marie Bowman

Hi, out there!

Okay, for those of you who haven’t been following along, on Monday, Arleigh posted an entry about Frank Darabont firing the Walking Dead’s writing staff and how this might indicate that Darabont is planning on being the show’s sole writer.

So, of course, me being the little contrarian that I am, I had to stick my big Italian nose into it all and comment about how much I hate The Shawshank Redemption and about how Stephen King is an insecure whore.  And this, of course, led to all of the boys fighting over whether or not The Mist had a good ending.

(I’m joking a little here — it’s actually been a pretty interesting discussion.)

Anyway, I’ve already taken my side in the argument, which is that The Mist had a terrible ending but that terrible ending was scored with a really good and haunting song.

And here that song is : The Host of Seraphim by Dead Can Dance.

…And Christmas For All!

Posted on by necromoonyeti

You probably haven’t heard of Michael Armstrong, but you might have heard of his musical project, Rockabye Baby. Armstrong (not to be confused with the Christian pop singer of the same name) has made his claim to fame by taking music by the likes of Radiohead, Tool, and Nirvana, and, through copius glockenspiel, converting their best hits into lullabies. But don’t roll your eyes at another Richard Cheese just yet. The Rockabye Baby albums are actually pleasant to listen to in their own right.

I suppose Christmas music was the logical next step.

It’s hard to give credit where credit is due concerning these; I’ve seen a number of different names associated with the Rockabye Baby series, but Armstrong’s definitely pops up the most. Individual credits for each album are difficult to come by. I’m pretty sure he is the composer of this holiday absurdity, but don’t quote me on it.

Happy holidays?