Happy May 4th!
Enjoy!
Happy May 4th!
Enjoy!
James Brown would have been 93 years old today.
Here he is, with the song of the day:
This video for For Whom The Bells Tolls was filmed at a show at the San Diego Sports Arena in 1992. Beavis was at this concert and Lars Ulrich pointed right at him and said, “There’s Beavis!”
Enjoy!

If you’ve never really sat down with All Along the Watchtower, you’re missing out on one of those songs that just grabs you from the first few seconds. It’s got this tense, almost mysterious vibe right away, like something big is about to go down. And yeah, quick heads-up—this is actually a cover of a Bob Dylan song, but Hendrix completely transforms it into something way more electric, intense, and, honestly, iconic.
What really separates Hendrix’s version is how much more dynamic it feels compared to Dylan’s original. Dylan keeps it more stripped-down and acoustically grounded, which gives it that raw, almost haunting quality. Hendrix, on the other hand, builds this layered, immersive soundscape that feels bigger and more urgent. Even their vocal styles reflect that difference—both are rooted in blues, but Dylan leans into a delivery that feels closer to Robert Johnson, kind of dry and narrative-driven, while Hendrix brings a smoother, more fluid presence that echoes someone like Muddy Waters.
And then you hit the guitar work, which is really the heart of the whole thing. Hendrix doesn’t just give you one standout solo—he drops two. The first kicks in around the 0:55 mark, and it’s sharp, punchy, and sets the tone with that signature bite. Then he comes back again around 1:45 with another lead that feels even more expressive and fluid, like he’s pushing things further emotionally. Both solos feel purposeful, not just thrown in to show off—they actually drive All Along the Watchtower forward.
By the time the song wraps up, it leaves you with that “wait, play that again” feeling. It’s short, tight, and insanely replayable. Even if you’re not usually into older rock, this is one of those tracks that cuts through all that—it just sounds cool. Definitely worth throwing on with headphones and really soaking it in.
All Along the Watchtower
“There must be some kind of way out of here”
Said the joker to the thief
“There’s too much confusion
I can’t get no relief
Businessmen they drink my wine
Plowmen dig my earth
None will level on the line
Nobody offered his word”
Hey!
(Guitar Solo 1 @0:55)
“No reason to get excited”
The thief, he kindly spoke
“There are many here among us
Who feel that life is but a joke
But, uh, but you and I, we’ve been through that
And this is not our fate
So let us stop talkin’ falsely now
The hour’s getting late
Hey!
(Guitar Solo 2 @1:45)
Hey!
All along the watchtower
Princes kept the view
While all the women came and went
Barefoot servants too
Well, uh, outside in the cold distance
A wildcat did growl
Two riders were approaching
And the wind began to howl
Hey!
All along the watchtower
All along the watchtower
Great Guitar Solos Series
Back in the day, Slayer gave Tipper Gore nightmares.
This song found a new audience when it was used to break up a hippie music festival on South Park.
Enjoy!
With today being May Day, it seems appropriate that today’s song of the day should be this blistering attack on Che Guevara, a racist and misogynistic sociopath who far too many people view as being a hero just because his face looks good on a t-shirt.
Today’s music video of the day is for a song that is perfect for May Day.
This video features people stealing from a grocery store in Venice, California. The barking was provided by Annie, who was Perry Farrell’s dog. The song was not originally envisioned as featuring Annie but, after Farrell brought her to studio with him, she insisted on getting involved. It’s now impossible to imagine the song without her.
Director Casey Niccoli was Farrell’s then-girlfriend and has often been described as his muse during the early days of Jane’s Addiction.
Enjoy!
Today is Jane Campion’s birthday and today’s song of the day comes from Michael Nayman’s beautiful score for her best film, 1993’s The Piano.
Cannonball was the biggest hit for one of the best bands of the 90s, The Breeders. And the song’s music video was one of the best that ever played on MTV. According to Kim Deal, this song was inspired by the Marquis De Sade. Thanks to this video, most of us will always associate this song with the Deal sisters having fun in rehearsal, Josephine Wiggins showing off her cool professionalism, and Jim MacPherson beating the Hell out of those drums.
This video was directed by Sonic Youth’s Kim Gordon and a young up-and-comer named Spike Jonze. This was Jonze’s first music video.
Enjoy!
Today’s song of the day comes from 1971’s Dirty Harry. Composer Lalo Schifrin’s moody score remains one of the best cop film scores of all time. It’s efficient, relentless, and deceptively low-key, just like “Dirty Harry” Callahan himself.