Technically, this isn’t a Halloween or a horror video, unless you live in California and you really hate the rain. But the foggy imagery and the deserted streets and the nighttime cinematography are definitely appropriate for the season.
Enjoy!
Technically, this isn’t a Halloween or a horror video, unless you live in California and you really hate the rain. But the foggy imagery and the deserted streets and the nighttime cinematography are definitely appropriate for the season.
Enjoy!
“The beat, the beat, the beat, the beat!”
Enjoy!
This has a psycho ballet vibe to it that I dug. It’s like “Come alive …. AND KILL!”
Enjoy!
Today is the 100th birthday of the pioneering indie director, Edward D. Wood, Jr!
Today’s song of the day is the theme from Tim Burton’s 1994 biopic of the director. In my opinion, this remains Burton’s first film. Burton also directed the musical video below while the great Toni Basil choreographed. And, best of all, the dancer is named Lisa Marie!
Happy birthday, Ed, wherever you may be.
Listening to this song, I thought it sounded exactly like the type of music that I like and that I wish more bands were performing. Then I read the comments on YouTube, full of people praising the band and video for embracing a retro aesthetic and I realized that, today, retro means anything that I thought was cool in the years before I hit 20
Never before have I felt so old. I know it happens to everyone eventually but I still had no idea that it would be the YouTube commentariat who would plunge me to straight into a midlife crisis.
Enjoy!
Since today would have been the 84th birthday of John Lennon, I want to take a minute to recommend a book called Revolution In The Head.
First published in 1994 and subsequently revised two more times, Revolution In The Head is both a chronological history of the songs that the Beatles recorded and a cultural history of the 60s. By examining the recording of each song, Ian MacDonald not only describes how each song reflects (or doesn’t reflect) what was happening in the group at the time but also how the Beatles’s changing sound reflected what was happening in the world at the time. Author Ian MacDonald was clearly a Beatles fan but, more importantly, he was not an apologist and, in the book, he’s just as quick to criticize as he is to praise. While he praises the majority of the band’s recordings, there’s more than a few that he totally dismisses. It’s a well-researched and passionately argued book, one that makes interesting reading for both fans of the group and history nerds like myself.
As for the Beatles themselves, they come across as fully developed people. MacDonald neither idealizes nor demonizes the group and instead focuses on the idea of them as working musicians who usually collaborated well together as a group but sometimes feared and resented that they were losing their individual identities. Neither Lennon nor Paul McCartney are presented as being saints and MacDonald doesn’t shy away from showing how frayed their relationship had become by the time the group split up. (They’re portrayed as developing a classic love/hate relationship with each other.) But both are also presented as being talented artists who were capable of creating beautiful music that would survive the test of time. For all the conflict and for all the times that Lennon complained about McCartney’s commercial sensibilities and for all the times that McCartney complained that Lennon was not committed to keeping the Beatles going, they were still capable of creating songs like Eleanor Rigby and A Day In The Life.
A lot of Beatles fans will probably disagree with MacDonald’s opinions. He’s surprisingly dismissive of a lot of George Harrison’s songs, including the wonderful While My Guitar Gently Weeps. But that’s okay! There’s nothing wrong with having differing opinions. It’s actually a good thing.
This song is off of Ghost Cop’s 2nd album, Trouble, which was released on October 4th. For those who may not have heard of them before (and they’re new to me as well), Ghost Cop is based in New York and is comprised of Sean Dack and Lucy Swope. I like Ghost Cop’s sound and I look forward to discovering more of their music.
Dack and Swope are not only Ghost Cop but they also directed this video.
Enjoy!
Because I’m getting old and I still don’t want to admit that the music I grew up with is now considered to be “classic” rock, this South Bay band is new to me but I like their sound and I like this video, which feels like a throwback to the days before music got boring and corporate.
I found an interview in which the lead singer (and director of the video) Meriel O’Connel had this to say about Poison:
The song is about society being subjected to constant overwhelming stimulus on our phones, devices, etc that creates this culture of comparison, disposability, and lack of fulfillment in our daily lives. There’s another component where these companies and corporations who push apps, social media, etc aren’t making these things just for fun, it’s all for profit. To keep us searching for more rather than being satisfied by ourselves and our immediate surroundings, and ultimately them knowing & tracking everything about us algorithmically.
It’s this lack of escapism that makes it more difficult for us to turn inwards & go into our own internal lives and spaces, and makes us place value on what we’re putting out externally rather than consider how we can be internally fulfilled, fill up our own cups.
That’s not bad!
Enjoy!
In The Shade Of The Shadows is the first single off of Rosalie Cunningham’s upcoming album, To Shoot Another Day. (The album is due to be released on November 1st.)
According to the video’s description on YouTube, this video is a 100% DIY creation, made with a phone and a good deal of creativity by Cunningham and Rosco Wilson. To quote Cunningham (again, from the video’s description on YouTube): It’s amazing what you can do with a phone, a torch, some free child labour, a tree surgeon and some SASS.
Enjoy!
In this song, Kerry King reveals that he reigns right where you would expect the lead guitarist for Slayer to reign. This song is off of King’s album, From Hell I Rise. Death Angel’s Mark Osegueda provides the vocals.
The music video keeps things simple and straight-forward, emphasizing performance over glitz. Director Jim Louvau previously directed the video for Jerry Cantrell’s Atone.
Enjoy!