4 Shots From 4 Films: Carrie, God Told Me To, The House With Laughing Windows, The Omen

Posted on October 3, 2019 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!

4 Shots From 4 1976 Horror Films

Carrie (1976, dir by Brian De Palma)

God Told Me To (1976, dir by Larry Cohen)

The House With Laughing Windows (1976, directed by Pupi Avati)

The Omen (1976, dir by Richard Donner)

Joker, Book Review, By Case Wright

Posted on October 3, 2019 by casewright

Happy Horrorthon! 2008 – Barack Obama was becoming a household name, I still had some hair, and Heath Ledger’s Joker brought the absolute evil of clowns to the silver screen. I understand that some of you might think that the comic Joker is not a horror comic, but guys it’s got a clown right there on the cover; they are ALL trying to kill you. IT COUNTS!

Brian Azzarello and Lee Bermejo sought to bring Ledger’s Joker into a comic form and dig a little deeper into the psychology of Joker and why someone would follow him. The story is narrated by Jonny Frost – a small time gangster- who wanted to be big. Jonny figures that he himself is not larger than life, but by being near bright evil, he too could shine like the moon does with the earth. He picks the Joker.

Christopher Nolan described the Joker as an absolute. He is an id of Corruption and destruction. In this story, the Joker has gotten out of Arkham….again. SIDE NOTE: what’s with Gotham?! They must have the single party liberal governing that we have in Seattle because you’d think they’d have a Three Strikes Rule or the Death Penalty by now. I mean, why let the Joker continue to keep breathing? I get how Batman has this weird code- he wears rubber, cape, lives in a cave, and is all kinds of weirdo, but why do the rest of Gotham’s citizens have it? Do they not vote? Do they have only one ballot choice? So, the Joker meets Jonny Frost the second that he leaves Arkham and Jonny works as a toady and hanger on for the majority of the book.

Jonny narrates the Joker’s return to power as he reaps through the underworld, but he burns most of his possessions down and kills all of his own henchmen and even shoots Jonny at the end. Really, the story depicted the Joker as a force of Anti-Creation. While it was a deeper dive into this Super Villain, it left me wanting because it was told through the lens of this mediocrity Jonny Frost. It says Joker right there on the cover so you’d think it would be all about the Clown Prince of Crime, but instead it was this tangential view of him. I would’ve been more captivated by a story just about the Joker without a go-between.

The story was strong and depicting LOTS AND LOTS of gore. In fact, the Joker kills more people than the Spanish Flu. He’s Lucifer and Death combined to cause havoc. In the end, we get the obvious conclusion that he’s just this disease of evil and that Batman is really just a treatment, but not a cure. It seems that Gotham’s real disease is a soft on crime public policy.

Horror Film Review: The Devil’s Hand (dir by William J. Hole, Jr.)

Posted on October 3, 2019 by Lisa Marie Bowman

Rick Turner (Robert Alda) has a problem.

Because he’s continually haunted by strange dreams, Rick hasn’t been getting much sleep. As he explains to his incredibly understanding girlfriend, Donna (Ariadna Welter), the dreams involve a vision of a beautiful woman named Bianca (Linda Christian), who appears to be standing in the clouds while wearing a sheer negligee and calling out to him.

Donna insists that it’s probably nothing but Rick says that, after his last dream, he felt himself being drawn to a doll shop in downtown Los Angeles. When Rick and Donna go down to the shop, they discover a doll of Bianca sitting in the window. The owner of the shop, Frank (Neil Hamilton), insists that Rick came in earlier and specifically requested that Frank design the doll so that he could send it as a gift to another woman. You would think that would upset Donna but she’s more interested in the fact that she’s found a doll that looks exactly like her.

Well, you can probably guess what happens. Eventually, the doll that looks like Donna ends up pinned to the wall of the shop and Donna ends up in the hospital with a mysterious illness. Rick manages to track down the real-life Bianca, who greets him in her apartment while wearing the same negligee from Rick’s dreams. Bianca explains to Rick that she’s been reaching out to him because she wants him to join a cult that worships “Gamba, the Great Devil Dog.”

It turns out that the cult meets in the back of Frank’s doll shop. Rick attends a meeting with Bianca and discovers that the cult is made up of exclusively of beautiful young women and bland, middle-aged men. He even gets to witness a near-human sacrifice involving a wheel that’s studded with knives. As Bianca explains it, Gamba sometimes turns the knives into rubber and then sometimes, he doesn’t. Gamba’s unpredictable like that.

Bianca explains that Rick can have everything he wants if he just gives his soul over to the Devil Dog. But what about Donna, who is still in the hospital?

The Devil’s Hand is a low-budget but occasionally effective horror film from 1962. (Apparently, it was originally filmed in 1959 but it wasn’t released until 3 years later. Linda Christian later said that she never actually got paid for appearing in this film, as the production company apparently ran out of money during filming.) Oddly enough, the film opens with extremely cheerful surf music, which leads you to suspect that you’re about to see some sort of weird beach comedy. Instead, The Devil’s Hand turns out to be a film about a cult operating in the shadows of Los Angeles.

The cult is probably the most interesting thing about the film. Though the film doesn’t specifically call attention to this fact, it’s hard not to notice that most of the male cult members appear to be either accountants or middle-management types, the type who wear cheap suits and too much cologne. It’s impossible not to be amused by the idea of a bunch of middle class nobodies gathering in the back of a doll shop so that they can worship the Great Devil Dog. Neil Hamilton and Linda Christian are both perfectly cast as the leaders of the cult. Hamilton is properly menacing while Christian seems to be having fun tempting Rick into the darkness.

Unfortunately, Rick’s not a very likable protagonist. Even though his girlfriend is in the hospital, Rick doesn’t have any problem with going to the horse track and playing the stock market with Bianca. In short, Rick comes across as being a bit of a jerk and you can’t help but feel that Donna might be better off without him.

Anyway, The Devil’s Hand is an entertaining occult film, one that’s definitely not meant to be taken too seriously. It’s only 71 minutes long so it really plays more like an extended episode of an old anthology show than anything else. (It just needs a narrator.) The story moves quickly and you’ll never forget those accountants in the back of the doll shop.

Horror on the Lens: The Cabinet of Dr. Caligari (dir by Robert Wiene)

Posted on October 3, 2019 by Lisa Marie Bowman

The Cabinet of Dr. Caligari is a film that I’ve shared four times previously on the Shattered Lens. The first time was in 2011 and then I shared it again in 2014, 2015, 2016, 2017, and 2018! Well, you know what? I’m sharing it again because it’s a classic, it’s Halloween, and everyone should see it! (And let’s face it — it’s entirely possible that some of the people reading this post right now didn’t even know this site existed in any of those previous years. Why should they be deprived of Caligari just because they only now arrived?)

Released in 1920, the German film The Cabinet of Dr. Caligari is one of those films that we’ve all heard about but far too few of us have actually seen. Like most silent films, it requires some patience and a willingess to adapt to the narrative convictions of an earlier time. However, for those of us who love horror cinema, The Cabinet of Dr. Caligari remains required viewing. Not only did it introduce the concept of the twist ending (M. Night Shyamalan owes his career to this film) but it also helped to introduce German expressionism to the cinematic world.

My initial reaction to The Cabinet of Dr. Caligari was that it simply wasn’t that scary. It was certainly interesting to watch and I was happy that I was finally experiencing this film that I had previously only read about. However, the film itself was obviously primitive and it was difficult for my mind (which takes CGI for granted) to adjust to watching a silent film. I didn’t regret watching the film but I’d be lying (much like a first-year film student) if I said that I truly appreciated it after my first viewing.

But you know what? Despite my dismissive initial reaction, the film stayed with me. Whereas most modern films fade from the memory about 30 minutes after the end credits,The Cabinet of Dr. Caligari has stuck with me and the night after I watched it, I even had a nightmare in which Dr. Caligari was trying to break into my apartment. Yes, Dr. Caligari looked a little bit silly staring through my bedroom window but it still caused me to wake up with my heart about to explode out of my chest.

In short, The Cabinet of Dr. Caligari passes the most important test that a horror film can pass. It sticks with you even after it’s over.

For the curious with an open mind to watch with, here is Robert Wiene’s The Cabinet of Dr. Caligari!

Enjoy!

Horror on TV: Degrassi: The Next Generation 4.14 “Secret, Part One” (dir by Eleanore Lindo)

Posted on October 2, 2019 by Lisa Marie Bowman

Tonight’s televised horror comes to use from the year 2004 and the nation of Canada! Love you, Canada!

In this episode of Degrassi: The Next Generation, the students at Toronto’s Degrassi Community School are still struggling to come to terms with a recent school shooting that left one student dead and another paralyzed. What better way to help the school deal with their trauma than a play? And what better play to select than an adaptation of …. Dracula?

J.T. (Ryan Cooley) and Libertry (Sarah Barrable-Tishauer) are directing their own script. Starring in the play is Emma Nelson (Miriam McDonald). Before the shooting, Emma was known for being rather strident about her political and environmental activism. After the shooting, Emma has been spiraling out of control. And, as we all know, spiraling out of control on Degrassi inevitably leads to a visit to the ravine where all-around trouble-maker Jay (Mike Lobel) has a van and a collection cheap bracelets.

Meanwhile, in another part of the school, Ashley (Melissa McIntyre) tries to get Craig (Jake Epstein) to join a support group that will help him deal with his recent bipolar diagnosis. Craig is upset to discover that Ellie (Stacey Farber) is in the same group. This episode was the start of the very long and very angsty Craig/Ellie relationship arc. When I first watched Degrassi, I always related to Ellie and I still do to a certain extent but, in retrospect, I think I was probably a lot more like Ashley when I was in high school.

This episode of Degrassi aired, in Canada, on November 30th, 2004. This episode was considered to be so controversial that it actually made national news when it later aired in the United States. (I can actually remember watching some outraged wannabe censor talking about how Degrassi was a corrupting influence.) Part Two of Secret, which we’ll get to tomorrow, was even more controversial.

As for how this fits in with October …. it’s Dracula! And really, when you think about it, Jay’s a bit of a real-life Dracula. That’ll especially become clear in the next episode.

Anyway, here is tonight’s episode. Remember — whatever it takes, you can make it through!

The TSL’s Horror Grindhouse: Single White Female 2: The Psycho (dir by Keith Samples)

Posted on October 2, 2019 by Lisa Marie Bowman

13 years after the release of the first Single White Female and a countless host of imitations, an official sequel was released straight-to-video in 2005. Subtitled “The Psycho,” (because apparently, Jennifer Jason Leigh was totally stable in the first film), Single White Female 2 tells the story of what happens when one roommate becomes obsessed with the other. It all leads to murder and sexual infidelity and sudden hairstyle changes.

Maybe you’re thinking that this sounds exactly like the first Single White Female. And, okay, there are some similarities. But just consider some of the differences!

1. In the first Single White Female, Jennifer Jason Leigh’s character grows obsessed with Bridget Fonda after moving into Fonda’s apartment. In Single White Female 2, Tess (played by Allison Lange) becomes obsessed with Holly (Kristen Miller) after Holly moves into Tess’s apartment. See, this time, the psycho has her name on the lease. HUGE DIFFERENCE!

2. In the first Single White Female, the plot is set in action after Bridget Fonda discovers that Steven Weber cheated on her. In the sequel, the plot is set in motion by Holly’s original roommate, Jan (Brooke Burns), seducing a client who Holly was also sleeping with. Again, that’s a huge difference and it also leads us to wonder if maybe Holly just sucks at choosing roommates.

3. In the first Single White Female, Jennifer Jason Leigh played an unstable bookstore employee. In the sequel, Tess is a nurse who has a history of killing people who she feels would be happier dead. In other words, Tess is a psycho with a mission.

4. In the first Single White Female, Jennifer Jason Leigh’s character hung out in a sleazy S&M club. In the sequel, Tess actually performs on stage.

5. The first Single White Female actually looked like a real movie whereas the sequel has the flat and rather bland look of a film shot for and on video.

6. In the first Single White Female, you could understand why an insecure person would want to steal Bridget Fonda’s identity. In the sequel, Holly’s identity doesn’t seem to be interesting enough to justify trying to steal.

7. In the first Single White Female, Jennifer Jason Leigh gave a performance that inspired both fear and sympathy. In the sequel, Tess is just your typical straight-to-video movie psycho. There’s no indication that she could have ever been anything other than a straight-to-video movie psycho.

8. The first Single White Female was a good film, almost despite itself. The sequel is rather dull.

So, I guess my point here is that, if you want to watch a movie about a roommate stealing someone’s identity and getting a new haircut, the first Single White Female is the one to go with. The sequel doesn’t really add anything worthwhile to the story, nor does it improve on it in any way. Give some credit to Brooke Burns, who plays Holly’s untrustworthy ex-roommate and who, at the very least, seems to understand the type of movie in which she’s appearing. Brooke Burns gets the worst lines but she at least seems to be having fun delivering them. Otherwise, it’s best just to forget about this sequel.

Video Game Review: Vampiric Tower (2000, Mike Behrens)

Posted on October 2, 2019 by Jedadiah Leland

Vampiric Tower is a simple but addictive puzzle game that I found on the Internet Archive.

In this game, you are a purple haired vampire in a ten-story, fifty-room tower. Your goal is to go through each room and collect all of the vials of blood. Only after all of the vials have been collected will the door to the next room open. At first it’s simple:

Things get more complicated with each room that you enter.

For instance, in the room above, there’s plenty of blood but there’s also objects in the way. Fortunately, you can turn into a bat and fly over the obstacles but there’s only so many times that you can transform and you always have to return to your “human” form if you want to collect the blood. You can push the obstacles out of the way but, if you’re not careful, you can very easily ended up locking yourself into a corner.

Each room has more obstacles than the last and you’ll have to be smart about how you use your transformation powers if you’re going to get all of the vials.

You’re also not alone in the tower.

Those jack o’lanterns may not look dangerous but get in their line of sight and they’ll kill you.

Vampric Tower is a simple puzzle-solving game but it’s also very addictive. No sooner have you managed to figure out how to escape one room than you find yourself in an even more elaborate and dangerous location. How quickly can you make it through the vampiric tower? Play the game to find out!

Halloween Havoc!: Peter Cushing in TWINS OF EVIL (Universal/Hammer 1971)

Posted on October 2, 2019 by gary loggins

cracked rear viewer

British babes Mary and Madeleine Collinson became the first set of twins to not only star as Playboy Twin Centerfolds (and we’ll get to that at the end of this post!!), but to star in a Hammer Horror film, 1971’s TWINS OF EVIL. Not only that, the lasses got to play opposite Hammer icon Peter Cushing as their puritanical, witch burning uncle. It’s the final chapter in Hammer’s Karnstein Trilogy (preceded by 1970’s THE VAMPIRE LOVERS and 1971’s LUST FOR A VAMPIRE), based on characters from Sheridan LeFanu’s 1872 novella , and it’s a sexy, blood-spattered scream!

As uncle Gustav Weil goes around the countryside burning young girls at the stake, his recently orphaned twin teenage nieces Maria and Frieda arrive from Venice. Prudish Uncle Gustav disapproves of the girls’ plunging decolletage (“What kind of plumage is this? The birds of paradise?”). While Maria is shy and demure, Frieda’s a…

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Horror Scenes That I Love: Bela Lugosi Introduces Himself In Dracula

Posted on October 2, 2019 by Lisa Marie Bowman

I swear, nothing annoys me more than when wannabe hipsters go out of their way to trash old movies.

You see that a lot on twitter. People who, for the most part, haven’t even studied film or cultural history will try to post something snarky about a film that was made decades before they were born. They either make fun of the acting or the dialogue or they attempt to call out the film for not being properly woke. It’s an easy way to get likes and retweets but it’s also about as intellectually lazy as you can get.

For instance, there’s a tendency to dismiss the 1931 version of Dracula and Bela Lugosi’s performance in the lead role. Personally, I do think that Dracula is a bit too stagey (it was, after all, based on a stage play that was based on Bram Stoker’s novel) and I wouldn’t put it up there with director Tod Browning’s best work. The Spanish-language version of Dracula, which was filmed at the same time, is technically a better film. But, that being said, I will accept no criticism of Lugosi’s performance. Lugosi is the perfect Dracula. If he seems overly theatrical …. well, Dracula’s a pretty theatrical character. It has to be remembered that Lugosi is playing a character who is supposed to be several hundred years old. If he acts like a man out-of-time, that’s because that is exactly what he is.

Ultimately, it comes down to this — a lot of actors have played Dracula. Some of them have been very good in the role. Some of them have been very bad. But, if not for Lugosi, none of them would have had the opportunity.

So, in honor of that legacy, today’s horror scene that I love comes from the original Dracula and features Bela Lugosi at his creepiest:

Book Review: Air Force One Is Haunted By Robert J. Serling

Posted on October 2, 2019 by Lisa Marie Bowman

OH MY GOD, AIR FORCE ONE IS HAUNTED!

A few weeks ago, I was going through my aunt’s collection of old paperback novels, searching for anything that I could possibly review during October. While I found a good deal of promising books, I have to admit that I almost squealed for joy when I came across Air Force One Is Haunted.

Now, don’t get me wrong. I had never heard of the book before and I knew absolutely nothing about the plot. But I saw that title and I knew I just had to read it. I mean, seriously — Air Force One Is Haunted! That’s like the greatest title ever! I looked at that title and I asked myself, “What’s haunting Air Force One? Angry druids? Zombies? Succubi? Woodrow Wilson?” Either way, it sounded like it had the potential to be terrifying!

Then I got home and I read the book and I discovered that …. well, let’s just say that my imagination got ahead of me.

Air Force Is Haunted was originally published in 1985 and the author was not only a world-renowned aviation expert but he was also the brother of Twilight Zone-creator Rod Serling. So, it’s perhaps not surprising that Air Force One Is Haunted feels like an extended episode of The Twilight Zone. It’s one of those things where a good but conflicted person has the chance to do something that seems like it might be good for him but it will also be bad for the world at large. Fortunately, a ghost shows up and gives him a lot of advice.

The conflicted person, in this case, is President Jeremy Haines. Haines is in his second term and it seems like the entire world is falling apart around him. America’s in the middle of a great depression. Russia and China are teaming up to possibly try to take over the world. President Haines could always launch a first strike, which would wipe out Russia as a world power but which would also kill a lot of innocent civilians. He can’t make up his mind what to do and, as a result, people across the world are starting to view him as being weak. The President has even started to see a psychiatrist but they’re soon too busy having tasteful, mass market paperback-style sex to actually do anything about the President’s issues.

If only there was a mediocre ex-president that Haines could talk to and get some advice from! However, it appears that even Jimmy Carter is refusing to take his calls.

That’s when FDR shows up.

That’s right. It turns out that FDR is haunting Air Force One and, whenever President Haines boards the plane, he ends up getting advice from him. FDR has a lot of stories to tell about governing during an economic depression. He also says “Bully,” a lot, even though that was Teddy’s phrase.

Anyway, I think the book would have been a bit more interesting if FDR had turned out of be some sort of malevolent demon who intentionally gave President Haines bad advice that eventually led to World War III. And, to be honest, I kept expecting that too happen. I kept expecting FDR’s eyes to suddenly burn like hellfire as he said, “Burn it! BURN IT TO THE GROUND!” But that never happened. Instead, this is one of those books where FDR is the greatest dead president ever and, in the end, middle-of-the-road liberalism keeps the world safe for democracy.

As you’re probably guessing, this is kind of a corny book but it is written with a lot of sincerity. One gets the feeling that Serling really did feel that, if only America’s leaders just looked to the ghost of FDR, every problem in the world would be solved. The book is also overwritten in the way that well-meaning, melodramatic novels of the past often were. One character is identified as having a “gnawing ulcer of doubt” deep in the “bowels of his conscience.” (Ewwwwwww!) That’s the type of book that this is. It’s definitely a product of its time but, if you’re a history nerd like me, that’s not necessarily a bad thing.

If anyone is haunting Air Force One, I personally hope that it’s Rutherford B. Hayes. He was the best!