Scenes that I Love: The Roulette Scene From Run, Lola, Run


Today is the birthday of German filmmaker Tom Tykwer.  Tykwer directed one of my favorite films of all time, 1998’s Run, Lola, Run!  As such, it only seems appropriate that today’s scene that I love should come from that film.

In this scene, Lola shows us all how to win at roulette.  Do not try this in Vegas.

4 Shots from 4 Films: Special Ryan Coogler Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to director Ryan Coogler! Ryan Coogler has made a star out of Michael B. Jordan, redeemed the acting career of Sylvester Stallone, introduced the rest of the world to Wakanda, and changed the way that film viewers talk about race in cinema.  This year, his film Sinners has proven to be a phenomenon with audiences worldwide.  With all that in mind, it’s time for….

4 Shots from 4 Ryan Coogler Films

Fruitvale Station (2013, dir by Ryan Coogler, DP: Rachel Morrison)

Creed (2015, dir by Ryan Coogler, DP: Maryse Alberti)

Black Panther (2018, dir by Ryan Coogler, DP: Rachel Morrison)

Sinners (2025, dir by Ryan Coogler, DP: Autumn Durald Arkapaw)

4 Shots From 4 Films: “May 22nd Birthday” Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today’s “4 Shots From 4 Films” celebrate four people who were born on this day!! Enjoy!

Maggie Q in NAKED WEAPON (2002)

Laurence Olivier in REBECCA (1940)

Alison Eastwood in TIGHTROPE (1984)

Paul Winfield in HUSTLE (1975)

Ring of Steel (1994, directed by David Frost)


After Olympics-bound fencer Alex Freyer (Robert Chapin) accidentally kills his opponent, he is blacklisted from the sport.  His career seems like it’s over until he’s saved from a mugging by the mysterious Man In Black (Joe Don Baker).  The Man In Black says that he’s been watching Alex and he knows that Alex could be “the best.”  The Man In Black isn’t talking about the Olympics, though.  He’s talking about taking part in a series of underground sword fights, know as the Ring of Steel.  Alex is all for it, until he learns how high the stakes actually are.  The Man In Black is determined to keep Alex fighting so he abducts Alex’s girlfriend (Darlene Vogel).

This is one of the many “underground fighting films” that were made in the 90s.  The plot is nothing special but the use of swords instead of fists does add an unexpected spark to the fight scenes.  Robert Chapin, who also came up with the film’s story (and who wrote an original draft of the screenplay that was considerably darker than the film that was eventually made), was a stuntman and an accomplished swordfighter so the fights in Ring of Steel feel authentic and are exciting even if the story is predictable.  Joe Don Baker plays the villain, a character who actually is credited as being “The Man In Black,” and he does a good job tempting Alex to the dark side and then mocking his attempts to escape.  Though I prefer Baker as a hero, he always really threw himself into his villainous roles.

Ring of Steel used to show up on cable when I was a kid.  I always made a point to watch it.  It’s on YouTube now and it’s still an entertaining fight film.

Scenes That I Love: Laurence Olivier In Hamlet


119 years ago today, Laurence Olivier was born in Surrey.  The son of a clergyman, Olivier would go on to become one of the greatest stage actors of the 20th Century.  He would also have a distinguished film career, one that led to him frequently being described as being the world’s greatest living actor.

He is perhaps best-known for his Shakespearean performances.  He won multiple Oscars for directing and starring in 1948’s Hamlet.  Today’s scene that I love comes from that film and features Olivier at his best, as both an actor and a director.

Brad’s “Scene of the Day” – Jimmy Stewart gets his hand blown off in THE MAN FROM LARAMIE (1955)!


There are people in this world who only know Jimmy Stewart from his performances in movies like IT’S A WONDERFUL LIFE (1946) and REAR WINDOW (1958). Those are both great movies to be sure, but I contend that Stewart was also one of the great “cowboys,” with his string of excellent westerns with director Anthony Mann, as well as his work with other great directors like John Ford and Delmer Daves.

Stewart’s performance in THE MAN FROM LARAMIE is one of my personal favorites. In this scene, his hand is shot from point blank range by a crazy man who’s never had to pay the consequences for his actions. That changes when the man from Laramie comes to town. I couldn’t imagine a more powerful performance than Stewart’s work here. He’s incredible and truly one of the great actors of all time!

Felony (1994, directed by David A. Prior)


In New Orleans, a drug raid gone wrong leads to eleven cops being gunned down and then blown up.  The disastrous raid was being filmed for a Cops-like reality show  The show’s producer, Bill Knight (Jeffrey Combs) finds himself being pursued through New Orleans by a collection of rogue intelligence agents, cops, and gangsters, all of whom want the tape of the massacre.

It’s a simple direct-to-video premise and the film’s plot hits every chase film cliche, while keeping the action moving at a decent pace.  Bill Knight is not supposed to be a typical action hero.  He’s just a television producer who was in the wrong place at the wrong time.  Yet Knight proves himself to be as indestructible as any Arnold Schwarzenegger hero.  He gets shot, twice.  He falls from a great height.  He crashes through a window.  He repeatedly gets hit over the head.  And yet, his injuries never seem to really slow him down or even hurt that much.  He does hook up with a nurse (Ashley Laurence) but still, it’s hard to believe anyone could take that much punishment and keep running.  Jeffrey Combs, the brilliant star of films like Re-Animator, is miscast as Knight but he’s still always entertaining to watch.

In fact, the cast is the main thing that Felony has going for it.  David Prior was able to assemble a true group of B-movie all-stars.  Lance Henriksen and David Warner are the evil intelligence agents who are determined to kill Knight.  (Warner finally gets to handle a grenade launcher and we’re all the better for it.)  Leo Rossi and Charles Napier are the two New Orleans cops who are investigating the drug raid.  Joe Don Baker is the rogue intelligence agent who dresses like a cowboy and who is trying to clean up everyone else’s mess.  The cast keeps the action moving and there are enough eccentric personalities in this film that it’s always watchable.  I think this might be the only film to feature Joe Don Baker and Lance Henriksen performing opposite each other.  If nothing else, it deserves to be watched for that!

(The cover for Felony features Lance Henriksen and Leo Rossi but not Jeffrey Combs, even though Combs is the lead in the film and Rossi’s role is actually pretty small.  Henriksen also doesn’t have blonde hair in the movie.  There are plenty of double crosses in the movie but I can’t think of any that really qualify as the “ultimate double cross.”)

Even with its miscast lead and its cliche-heavy plot, Felony is what direct-to-video action movies should be all about, fact-paced action and a cast unlike any other,

 

I Watched Flashing Spikes (1962, Dir. by John Ford)


When infielder Bill Riley (Patrick Wayne) makes an error that costs his team the game, sports columnist Rex Short (Carleton Young) claims that he witnessed Bill being paid off by Slim Conway (James Stewart).  Slim is a former player who was banned from Major League Baseball after he was accused of taking a bribe from a gambler.

Most the movie is a flashback, showing how Bill first met Slim when Slim was playing for a barnstorming team of former major leaguers.  That was my favorite part of the movie.  Slim and a collection of old, worn-out men stumble out of their bus and even though they might move a little slower and they might need to stretch a little more before swinging a bat, they still show up a cocky team made up of young local players.  Even after the crowd nearly riots when they realize that Slim is one of the players, the old players keep their cool and their eye on the game.  After Bill spikes Slim while sliding into home plate, Bill apologizes.  Slim remembers the young man’s humility and, working with one of the few friends that he has left in the game, Slim helps Bill get his chance in the Majors.

Usually, when my sister yells at me to come watch something because “it’s got baseball!,” I’m prepared for it turn out to just be a movie with one scene of someone holding a bat.  I’m glad that she called me to come watch Flashing Spikes with her because it really is a good and loving celebration of my favorite game.  Even after Slim is treated so unfairly by the press, the League, and even some of the fans, he never stops loving the crack of the bats and the cheers of the crowd.  Flashing Spikes is unabashedly pro-baseball and Slim stands in for every player who was ever unfairly railroaded out of the game by scandal mongers like Rex Short.

4 Shots From 4 Films: Special Dinosaur Day Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Dinosaur Day and you know what that means!  It’s time for….

4 Shots From 4 Dinosaur Films

The Ghost of Slumber Mountain (1918, dir by Willis O’Brien, DP: Willis O’Brien)

One Million Years B.C. (1966, dir by Don Chaffey, DP: Wilkie Cooper)

Planet of the Dinosaurs (1978, dir by James Shea, DP: Henning Schellerup)

Carnosaur (1993, dir by Adam Simon, DP: Keith Holland)