Trailer: Chappie (2nd Official)


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Chappie will be the third film from Neill Blomkamp and with the release of it’s second trailer there already seems to be a sort of negative buzz surrounding the film. The first trailer made Chappie look like a modern remake of the 80’s “robot come to life” film Short Circuit. For many this is not a good comparison.

This second trailer pulls back on the cutesy Chappie robot stuff and takes a much more ominous and serious tone. The film seems like it’s all about the danger of artificial intelligence and how Chappie may be the key behind what can make A.I. work or fail.

Yet, despite taking a much more action direct approach the negative buzz is still there. Maybe people are not as quick to embrace Chappie after the underwhelming (some say heavy-handed) result of Blomkamp’s follow-up to District 9 with Elysium. It’s an understandable reaction considering how high Blomkamp reached and succeeded with his very first feature film.

Chappie (and Neil Blomkamp) has between now and March 6, 2015 to convince people that it will not be another Icarus-like release.

Trailer: Ant-Man


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First they said that Guardians of the Galaxy will be the first misstep in the rolling juggernaut train that is the Marvel Cinematic Universe. How could a film adaptation of a comic book that even hardcore readers barely know ever hit it big with the general public. Yet, it more than shot down detractors and nyasayers to become the biggest hit of 2014 and help usher in a major change in how people will now look at the MCU.

So, Guardians of the Galaxy wasn’t the first mistake. Then it has to be 2015’s Ant-Man starring Paul Rudd and a film already known for being the one where Edgar Wright was forced to leave as director. Yes, this will be Marvel Studios first misstep and it will show that Kevin Feige’s producer-driven plan will never trump the creative-driven director tradition.

So, during the season premiere of Agent Carter, we finally have the first official trailer for Ant-Man. Time will tell if this does become Marvel’s first bump in their road to world domination or will it surprise everyone the way Guardians of the Galaxy did this part summer of 2014.

Ant-Man is set for a July 17, 2015 release date.

Song of the Day: Taking A Stand (Henry Jackman)


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I’m a bit biased in that I do believe that at this very moment whatever film Marvel Studios releases I will probably like it. I’m very close to having drunk the MCU Kool-Aid. Which is a good thing that trashfilguru is here to keep me from drinking that delicious, overly sweetened drink by the liters.

I know that the MCU is not what one would call high-brow art, but I will admit that it’s a very entertaining piece of world-building that we really haven’t seen done in film history. Well, at least not in the scale that Kevin Feige and the creative minds over at Marvel Studios have been attempting (and succeeding) these past 7-8 years.

One film that I highly enjoyed and consider one of my favorites of 2014 (if not one of the best) was the sequel to Captain America: The First Avenger. This sequel was a game-changer in regards to the very cinematic universe that Marvel had been building since the first Iron Man. Captain America: The Winter Soldier looked to up-end the very foundation of this universe by making one of it’s bricks become something to not be trusted.

Lisa Marie did a great job in conveying my thoughts about what made Captain America: The Winter Soldier such a good film (I would say great, but again I have that glass of Kool-Aid). One aspect of the film that has been given little to know attention to has been Henry Jackman’s work as film composer for the sequel. In fact, the film’s score has been much-maligned just because the filmmakers made the decision to veer away from the Alan Silvestri musical cues and motifs that had become recognizable as Captain America.

Alan Silvestri did the film score for the first film, but Jackman was tasked with recoding the very musical DNA for the sequel. What we get is a film score that’s very minimalist and supplements well the very paranoia and conspiracy tone the film’s narrative took. This was quite the opposite of Silvestri’s score for the first film mirrored that film’s nostalgic and heroic themes.

The track “Taking A Stand” which scores the David Mack illustrated and Jim Steranko-influenced end credits sequence is a perfect example of why Jackman’s score for Captain America: The Winter Soldier should be put on more “best of 2014” lists.

REC 4: Apocalypse (Official Trailer)


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Found footage horror films have always been hit or miss with me. When done well they’re quite effective horror films that really pulls an audience in. When done as a way to exploit the current craze for it then one just gets nauseous both intellectually and physically (I think Lisa Marie would agree).

The [REC] found footage horror franchise by Jaume Balagueró has been leading the way of late, but a decision to switch from found footage to traditional filming halfway into the third film in the series was a disappointment to fans. With the fourth film now set for a U.S. release such fans may find themselves yearning for the franchises found footage roots as the fourth and final installment will dump the found footage technique altogether and just go for straight out traditional style.

REC 4: Apocalypse also sees the return of the franchises heroine from the first two films, Manuela Velasco, as the trailer shows her being on a ship out to sea for testing. Anyone who has watched the first two films in the franchise knows that she may or may not be a carrier of the demonic plague accidentally cooked up by Vatican researchers who wanted to find the biological source for demonic possession.

REC: Apocalypse is set for an early January 2015 release at selected theaters in the US.

Scenes I Love: The Shining (HAPPY NEW YEAR)


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HAPPY NEW YEAR!

What better way to end 2014 than through one of my favorite scenes from Kubrick’s film adaptation of The Shining.

For those who have watched the film they understand the impact of this scene. For those still needing to see this classic piece of horror filmmaking then what better way to open up the new year than making a resolution to finally sit down and watch The Shining.

Scenes I Love: Penny Dreadful


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2014 has been a very good year in the realm of great television. We have the perennial stand-outs like Breaking Bad, Mad Men, Game of Thrones, Justified and The Americans. Some shows that have been brought down a peg or two in seasons past made a resurgence in quality and consistency with The Walking Dead and Sons of Anarchy.

Yet, it is with the new kid on the block that I pick my latest “Scenes I Love” and probably the most memorable scene on TV all year. The scene I speak of is the “seance” scene of the second episode of Showtime’s gothic horror series Penny Dreadful. This scene wasn’t even the big reveal in the episode but it ultimately set the tone for what’s to come for the rest of the series’ inaugural season.

The scene focuses on Eva Green’s character, Vanessa Ives, as she attends and participates in a seance held by Madame Kali in the home of renowned Egyptologist Ferdinand Lyle. It’s a powerful performance from Eva Green who has become an actor with a penchant for pulling off bravura performances in the small and big screen.

Green’s Ives has several more performances such as these during the rest of the season, but they all didn’t come with that first shock and awe this scene gave the episode and the series. It’s actually a shame that Green’s work on Penny Dreadful hasn’t garnered as much, if any, year end accolades. Her work as Vanessa Ives was that good.

Song of the Day: Orphans of Doom/The Awakening (by Basil Poledouris)


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We’re closing out another year and it’s always time to reflect back on the events the we all experienced.

Here in Through the Shattered Lens we saw a new writer join the ranks with the arrival and addition of Alexandre Rothier. We also saw more and more of our writers grow in confidence with their writing. This didn’t just translate into more writing from them, but better as well. There’s Dazzling Erin with her constant surprise of finding new artists to share. Then leonth3duke who finally made the jump to truly appreciating horror. Leonard Wilson continued to find his voice with each new review he wrote.

I can’t forget necromoonyeti who continues to be my source of all things music and with each new band written I pick up something new to experience. Semtex Skittle showed the world his appreciation not just for the franchise of Final Fantasy but Sailor Moon as well and to that otaku are grateful. Speaking of otaku there’s the site’s own big bear of one with pantsukudasai56 who always brings in his choice recommendations in anime.

Then there’s Dork Geekus giving us his thoughts on things comic book. We also have trashfilmguru gracious enough to take time to share his unique take on horror, comic books both high and low-brow who also keeps the rest of us from drinking the Marvel Kool-Aid wholesale which makes for a better site.

Finally there’s my co-founder and partner-in-crime Lisa Marie Bowman who upped her game as she literally propped up the site at times with her voluminous, insightful and unique brand of writing. I will be forever grateful for her continued support and for becoming one of my closest friends.

I’ve chosen the latest “Song of the Day” as an analogue to what I saw myself and this site go through this year of 2014. I had just lost my father at the tail end of 2013 (it is a loss still felt even today) and then had fallen deathly ill around the holidays. Through it all I was thankful and proud of the work my fellow writers were able to do in my absence through my grief and sickness.

Basil Poledouris remains an artist I’ve admired from the moment I heard his music transform John Milius’ screen adaptation of Robert E. Howard’s Cimmerian barbarian from just your standard violent sword-and-sorcery matinee piece to something close to a perfect blend of epic fantasy and primal storytelling. Poledouris would go on to make other memorable film scores, but it’s his work in Conan the Barbarian that always remains his most iconic piece of work.

With the final denouement that follows the climax of the film we have a somber piece titled “Orphans of Doom/The Awakening” closing off the film. I chose this piece to symbolize the year Through the Shattered Lens went through. The piece begins on a somber note with the use of a choir adding a layer of the ethereal, but as the piece continues to it’s conclusion it gradually segues into something triumphant with hope for the future.

This song perfectly encapsulates Through the Shattered Lens circa 2014 and it’s my hope that brighter future awaits me and mine as the new year dawns.

Happy Holidays and 5th Year Here at Through the Shattered Lens


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We celebrate the 5th year anniversary of the site and as part of our yearly holiday ritual over here at Through the Shattered Lens, I present to all of you readers, visitors and passer-byes the greatest holiday film ever created since forever.

It is a film full of joy and happiness. Of giving and sharing with loved ones that which matters most. This is a film that best describes what Through the Shattered Lens stands for and works towards.

It even has a scene straight out of a Disney classic.

So, from all of us at Through the Shattered Lens….

MERRY CHRISTMAS TO ALL, AND TO ALL A GOOD NIGHT!

Scenes I Love: An Officer and a Gentleman


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The latest “Scenes I Love” comes courtesy of An Officer and a Gentleman.

This ending sequence to the film has become an iconic scene when one talks about some of the best romantic scenes in film. The film itself was your modern take on the age-old two people from the wrong-sides of the track falling for each other.

The ending scene made the film memorable in the end. It helped that the song written and composed for the film, “Up Where We Belong,” and sung as a duet by Joe Cocker and Jennifer Warnes became as big of a hit as the film itself.

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You know that a scene has become a cultural mainstay when The Simpsons did a parody of it which ended up being just as memorable as the original.

Up Where We Belong

Who knows what tomorrow brings
in a world few hearts survive
All I know is the way I feel
when it’s real I keep it alive the road is long
There are mountains in our way
but we climb the stairway every day

Love lifts us up where we belong
where the eagles cry on a mountain high
love lifts us up where we belong
far from the world below up where the clear winds blow

Some hang on to used to be
live their lives looking behind
All we have is here and now
all our lives out there to find
The road is long and there are moutains in our way
but we climb the stairway every day

Love lifts us up where we belong
where the eagles cry on a mountain high
love lifts us up where we belong
far from the world we know
where the clear wind blows

Time goes by no time cry
life’s you and I alive

Love lifts us up where we belong
where the eagles cry on a mountain high
love lifts us up where we belong
far from the world we know
where the clear winds blow

Love lifts us up where we belong
far from the world we know
where the clear winds blow

Love lifts us up where we belong
where the eagles cry on a mountain high

Song of the Day: You Are So Beautiful (R.I.P. Joe Cocker)


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A rock legend passed away today. Joe Cocker had one of those very unique voices which most everyone recognized. A blues and soul rock singer who performed with some of the rock legends of the 60’s and 70’s, he would become a mainstream hit with songs such as “Up Where We Belong” and his covers of Beatles songs.

It was in 1975, covering a ballad written and composed by Billy Preston, Bruce Fisher and Dennis Wilson that he truly burst into the mainstream scene. The song was “You Are So Beautiful” and while the album it was a part of never truly took off the single itself reached No. 5 on the Billboards chart of that year.

Cocker’s version was much slower in tempo than the original song and this worked well in concert with his gritty, bluesy voice where each word and lyric felt full of emotion that blues and soul singers have become well-known for.

Joe Cocker might have faded away from the mainstream consciousness after the 80’s but rock and blues aficionados always remembered and admired him right down to his last days.

Time for the Rock ‘n Roll Hall of Fame to heed the words of Billy Joel and induct the man in it’s hallowed halls. He’s more than earned it.

You Are So Beautiful

You are so beautiful to me
You are so beautiful to me
Can’t you see
Your everything I hoped for
Your everything I need
You are so beautiful to me

Such joy and happiness you bring
Such joy and happiness you bring
Like a dream
A guiding light that shines in the night
Heavens gift to me
You are so beautiful to me