E3 Trailer: The Last of Us (Gameplay Demo)


I’ll fully admit that the PS3 I bought hasn’t seen much action since I purchased it. I still use it to watch Blu-Ray films, but it’s gaming side I rarely touch. Most of the games that I would play on the console I already own and play on my Xbox 360. Once in awhile a game that’s exclusive for the PS3 comes out or gets announced that makes me rethink my non-gaming of the console. At Sony’s pre-E3 press conference on Monday I saw one game whose gameplay demo has convinced me that I need to get this game and dust off the Ps3 controllers.

The game is Naughty Dog’s latest title called The Last of Us and it’s a post-apocalyptic title that’s set in a world that has succumbed to some sort of viral infection which causes those infected to turn homicidal and searching out those still uninfected. Unlike other post-apocalyptic games this one sets the game in a world still reeling from the end of the world as we know it and with survivors doing just everything possible to survive the cities and infrastructures we take for granted has slowly been reclaimed by nature.

The game follows two characters in Joel (the one the player controls) and a 14-year old girl named Ellie (controlled by the game’s AI) who have a sort of father-daughter relationship despite not being related with they being survivors their only common link. The game touts a robust AI that allows the enemies in the game to adjust how they come at the player depending on the player’s mode of fighting. The game also does make use of the post-apocalyptic setting by making scavenging for supplies and ammo a high-priority.

The game is still in development, but if the gameplay demo shown at Sony’s presser is any indication then this game is a must-buy for me and probably for many others.

The Last of Us has a tentative release date of Late 2012/Early 2013.

E3 Trailer: Resident Evil 6 (Official)


Another game which seem to have gotten a huge positive reaction from the pre-E3 pressers on Monday was Capcom’s latest entry in its very popular and lucrative survival-horror series, Resident Evil (Biohazard in Japan). This is a series that goes back over a decade and through several console lifetimes and still remains as popular now as when it first began.

The game looks to bring back several well-known faces from the previous games in the series like Leon S. Kennedy, Chris Redfield, Ada Wong and Sherry Birkin. One thing the latest game brings back that’s been missing in the last two games was the main antagonist that started it all and that’s the Umbrella Corporation. The game also looks to expand the locales where the game takes place in. In previous titles in the series the location tend to be very localized with some international jet-setting here and there, but from the looks of the trailer it seems that Resident Evil 6 will be going global.

I haven’t played a Resident Evil game in years, but it looks like this cold streak may just end with Resident Evil 6.

Resident Evil 6 is set for an October 2, 2012 release date.

E3 Trailer: South Park: The Stick of Truth


Another title which caught my attention during Microsoft’s pre-E3 press conference is the latest game for South Park which also happens to have both Matt Stone and Trey Parker (creators of the show) working hand-in-hand with the developers of the game, Obsidian Entertainment, to get the look and feel of the show translated to the game.

The game is South Park: The Stick of Truth and it’s a role-playing game which makes use of the four boys dressed up as fantasy role-play characters from the episode “The Return of the Fellowship of the Ring to the Two Towers”. This time around instead of controlling one of the four boys the player will actually be the hero hat Cartman, Kyle, Stan and Kenny turn “to undo what has been did” as Cartman mentions in the trailer.

Just from the trailer alone it looks like Obsidian has been doing it’s best to replicate the look, feel and sound of the tv series. It helps that both Matt Stone and Trey Parker are doing the voices to the game’s characters and also writing the game’s story. From snippets heard in the trailer it looks like the game will have crab people, hippies, vampire kids and underpants gnomes as enemies just to name a few. We even get glimpses of gun-toting Jesus and Mr. Slave.

What I’ll be interested in finding out is whether the game will be rated T for teens or get rated M for Mature. I hope it’s the latter because if there’s anything about South Park it’s that it definitely pushes the boundaries of mature audience entertainment.

South Park: The Stick of Truth is set for a March 5, 2013 release date.

E3 Trailer: Halo 4 “The Commissioning” (Live-Action) & Gameplay “Light Gun and Scattershot”


It’s E3 week in Los Angeles (in a couple week it’ll be Anime Expo so as Lisa Marie would say, “Yay!”) and that means a load of announcements for new games and other gaming-related stuff. If there’s on game I’m really interested in checking out it’s the latest in the Halo series. Bungie has moved on but Master Chief and all remained with Microsoft Game Studios. Taking over Bungie’s development duties is an in-house studio created by Microsoft to continue the Halo franchise after Bungie Studios’ departure.

343 Studios has big developmental shoes to fill since many fans of the franchise equate the series with Bungie Studios and no one else. Microsoft and 343 have done a good job of preparing fans of the franchise for the change in studios which has been several years in the making. Their first title is suppose to add new life to the Halo series while making some necessary changes to keep up with the “Jonses” so to speak.

Halo 4 takes place four years since the end of Halo 3 and, from what the two trailers unleashed on the masses during Microsoft’s pre-E3 press conference, we see the familiar Covenant enemies but also a brand-new race that seem to have Forerunner technology. From the gameplay video shown below the first-person HUD series fans were so familar with has been tweaked to make it look like the player is actually looking out of the Spartan helm. I’d say this is 343 Studios trying to replicate the look and feel of Tony Stark looking through his helmet, but this time in a first-person point of view instead of the outside view we see in the films.

One thing that’s always a wonder to watch is what kind of live-action trailer Microsoft has come up with to help announce the game. Like their previous live-action trailers which behaved like short films, the one for Halo 4 just ups the epicness from the previous ones. Sci-fi fans may even recognize the actor playing the captain of the UNSC Infinity as Mark Rolston who played the doomed Pvt. Drake in James Cameron’s Aliens.

Halo 4 is set for a November 6, 2012 release date.

 

Review: Game of Thrones S2E10 “Valar Morghulis”


“We are the watchers on the Wall.” — Qhorin Halfhand

[spoilers within]

With last week’s explosive ninth episode, “Blackwater”, it was going to take much to make tonight’s season finale to really stand out. Just like the first season’s finale we get an episode that deals with the aftermath of the previous episode and also goes a long way into setting up events for the upcoming third season.

“Valar Morghulis” is the title of tonight’s episode and it’s spoken by Jaqen H’ghar to Arya as the two part ways. It’s a saying in Essos from ancient High Valyrian (a Roman Epire-like civilization which perished centuries before the series’ timeline) that translated means “All men must die”. Jaqen sees potential in Arya in becoming like him, a Faceless Man, assassins who follow the teaching of the so-called Many-Faced Gods. While Arya seems intrigued by the offer her need to re-connect with her family takes precedence over everything else. As the two part ways Jaqen imparts to Arya a coin that should she ever need passage to Braavos to start her journey into becoming a Faceless Man. In another instance that this series still has magic in it’s DNA we finally see why Jaqen is a Faceless Man as he walks away from Arya and her group wearing a new face.

Tonight’s episode lays the foundation that next season magic and sorcery may become more common place than the first two season of the series. We see Daenerys finally make her way into the House of the Undying to retrieve her dragonlings from the warlocks of Qarth. It’s a sequence that’s akin to spirit journey for the Targaryen Queen-to-be and Mother of Dragons as she walks the darkened halls and corridors of the House of Undying until an egress suddenly takes her North of the Wall to find a Dothraki tent where she discovers the two most precious things she has lost since coming to Essos. In what I could only see as a surprise that was kept by showrunners Benioff and Weiss from the press and bloggers (a feat nowadays) Daenerys sees her husband Khal Drogo and who could only be their son both alive and waiting for her.

Her reaction to this event was both poignant and tragic in that she finally has a chance to be with those she loves most but must give up the quest to retake Westeros with her dragons. Her decision to leave the tent and leave behind those she loves comes as her character finally realizing that sentimentality and the needs of her heart must take a back seat and wait. Daenerys comes out the other side a more confident ruler and one whose magic really is stronger than those warlocks who scheme to keep her and her dragons captive for themselves. It really sets up the Daenerys character on a much stronger footing for next season just like last season’s finale did. For all the moping around Daenerys did for most of season 2 the pay off in the end goes a long way into forgiving the show’s writers in their inability to write her character’s motivations consistently. Most likely the naive young girl being used by others for their own agendas and ends would be seen less and less next season while the Mother of Dragons reasserts her authority.

The same can’t be said for one of the five kings vying for control of Westeros. For those who have read the third novel the scenes with King Robb Stark were full of sentimentality but lacking in the cold-hearted logic that rulers must use in order to play the game of thrones successfully. Even his mother, Catelyn Stark, sees danger in Robb’s actions with the Volanti healer Talisa Maegyr. Catelyn knows well enough that Robb could destroy everything he has won and worked for since war begun because he has thought with his heart and not with his head. In what could almost be seen as more doom coming for the House of Stark, Robb cements his relationship with Talisa in secret even though we’ve come to learn through two season of this show that nothing ever remains secret for long.

Back in King’s Landing we see the balance of power shift once more as Tywin Lannister’s opportune arrival to take victory from the jaws of defeat at the end of last week’s episode sees him back as Hand of the King to Joffrey. Tyrion has lost all the advantages he had worked and gamed for all season as even Bronn has been removed as Commander of the Goldcloaks. We’ve not seen Tyrion laid so low as we have in this episode and the horrible scarring of his face looks to go deeper as he finally realizes that as much as he would enjoy running away with Shae and leave the politicla intrigues and backstabbing of the kingdom it’s something that he would miss terribly because it’s the one thing he’s best at. With Tywin now in charge of the kingdom and Petyr Baelish having earned himself the king’s good graces for manufacturing the alliance between the two most powerful houses in the kingdom with the Lannisters (Baratheon by name only) and the Tyrell’s of Highgarden. It’s going to be interesting to see how Tyrion readjusts to the new power dynamics in King’s Landing for season 3. If there’s one thing we’ve come to learn about Tyrion over two season’s worth of episodes it’s that he’s a survivor first and foremost.

Lastly, we come to Jon Snow and his dilemma North of the Wall. A captive of the wildlings and seen as someone very important for the still unseen Mance Rayder the so-called King-beyond-the-Wall, Jon must do the only logical thing (something Qhorin halfhand agrees as the only thing that could save Jon and maybe give him time to warn the Wall) and earn the trust of Ygritte, Rattleshirt and the rest of the wildlings even if it means killing one of his own to do so. In what would be one of several sweeping scenes that show the epic nature of this series lest we forget Ygritte shows Jon over the lip of a glacier the army of wildlings Mance Rayder has gathered.

Yet, it’s not that army that gives tonight’s episode that cliffhanger send-off that last season’s finale did with Daenerys coming out of the funeral pyre with her three dragonlings perched on her unharmed body. No, tonight’s episode gets a cliffhanger that is more ominous and reinforces the House Stark motto of “Winter Is Coming”. We see poor Samwell Tarly (having been abandoned by the two other Night’s Watch Brothers once they heard the three horn blasts in the distance) scared out of his wits as he realizes that the three horn blasts that hasn’t been heard for thousands of years could only mean one thing: the White Walkers are on the march towards the Wall. In a final acknowledgement that as realistically the show has tried to portray the series in terms of warfare and political intrigue there’s no getting away from the fact that magic is still alive in this world born out of George R.R. Martin’s fevered mind as a massive army of undead slouches south towards the Wall and the kingdoms beyond it.

This scene just ups the ante on what we could only imagine what would be season three of the show. Across the Narrow Sea we have Daenerys Stormborn gradually detaching sentimentality from how she operates and this could only mean more bad news for the warring kingdoms of Westeros. The power struggles against King Joffrey looks to be going the mad king’s way as Lannisters and Tyrells ally together to retake the rest of the rebelling kingdoms. Now we have two armies, one living and preparing to go south towards the Wall (most likely to get away from the gathering White Walker horde) and the other undead and also heading towards the only bastion (one that is ridiculously undermanned) protecting the southern kingdoms from a gathering darkness.

If there was a complaint about this season’s storytelling it was that so much of the novel this season was based on was condensed to make it fit in a ten-episode season. Despite lulls in character development with Jon Snow and Daenerys we get major pay-offs for these two with tonight’s season finale. It’s good news that showrunner Benioff and Weiss has decided to split book three, A Storm of Swords, into two with the first half comprising season three with the latter half set aside for season four. Even with missteps along the way tonight’s season finale goes a long way into proving that HBO’s Game of Thrones is currently the best genre show on tv and one of the best tv shows airing now.

Now we have ten months of waiting to see how Westeros and Essos will deal with the events that ended season two. One thing for sure is that we’ll see more people die before all questions get answered if ever.

Song of the Day: Faster (by Within Temptation)


To help usher in the weekend I picked a new “Song of the Day” and this one comes from one metal band I’ve come to really enjoy listening to. The song I picked this time around is “Faster” by the Dutch symphonic/gothic metal band Within Temptation.

First off, this is the second time I’ve picked one of their songs for “Song of the Day.” A previous pick was “A Demon’s Fate” which also came from the same album as today’s pick and also one that was used on one of my favorite AMV in “Devil’s Game.” Just like that previous “Song of the Day” this latest pick of “Faster” was also used in a recent AMV that I had posted a couple months ago called “Fairytale of Lies”Both songs make great use of the fast guitar tempo reminiscent of thrash meta that also makes use of some elements found in symphony orchestras to give the song that epic sound commonly found in power metal, but with a much more hard rock tempo.

“Faster” just takes off and soars from Sharon del Adel’s mezzo-soprano vocals that’s become the staple sound for most symphonic gothic metal bands. Sharon just belts out the lyrics like they’re coming out of the depths of Hell or coming down from the heights of Heaven. She’s not just a pretty face and with both “Faster” and “A Demon’s Fate” she’s proven to be one of the best female metal vocalists out there.

Faster

I can’t see, ’cause it’s burning deep inside
Like gasoline, a fire running wild
No more fear ’cause I’m getting closer now
So unreal, but I like it anyhow

I go faster and faster and faster and faster and faster and faster and faster

I can’t live in a fairy tale of lies
And I can’t hide from the feeling ’cause it’s right
And I go faster and faster and faster and faster for life
I can’t live in a fairy tale of lies

I can feel that you mesmerize my heart
I feel so free, I’m alive, I’m breaking out
I won’t give in ’cause I’m proud of all my scars
And I can see I’ve been wasting too much time

I go faster and faster and faster and faster and faster and faster and faster

And I can’t life in a fairy tale of lies
And I can’t hide from the feeling ’cause it’s right
And I go faster and faster and faster and faster for life
I can’t live in a fairy tale of lies

And I can’t live in a fairy tale of lies
And I can’t hide from the feeling ’cause it’s right
And I go faster and faster and faster and faster for life
And I can’t live in a fairy tale of lies

A fairy tale of lies

Trailer: The Bourne Legacy


When Paul Greengrass completed The Bourne Ultimatum it looked like a perfect ending to the Bourne Series. Despite an ending that could be seen as a way to leave the door open to continue the series most people were content with the series ending as trilogy. That sort of thinking never enters the mind of studio executives who saw the success of this particular trilogy as still bankable even if it meant the filmmaker (Greengrass) and the series’ lead star (Matt Damon) weren’t going to participate.

What we ended up getting was a new lead in Jeremy Renner as another Treadstone-like agent, but one who didn’t have all the glitches that Jason Bourne had. Let’s just say that Renner’s character Aaron Cross would be Jason Bourne 2.0. I wasn’t convinced that a Bourne film minus Greengrass and Damon would work, but after seeing this latest official trailer from Universal Pictures I’m quite excited about this latest film.

With the success of The Avengers and Mission Impossible: Ghost Protocol where Renner had substantial roles in it looks like this latest film in the series could get a nice uptick in the amount of interest it gets from the public. The sort of action Renner’s character goes through in this film one could easily call this Hawkeye: The Early Years. All his character would need would be a nice hi-tech bow.

The Bourne Legacy is set for an August 17, 2012 release date.

AMV of the Day: Sexy and I Know It (NSFW)


To say that 2010’s Highschool of the Dead was the hit anime series for that season would be an understatement. It’s a series that about a bunch of Japanese highschool students trying to survive the sudden onset of the zombie apocalypse. You’d think that would be enough to pull in the audience, but no the Japanese anime studios needed to really hook the audience and they did so by turning it into an ecchi-fest that’s just a couple steps lower from turning into hentai.

What better way to mark the latest “AMV of the Day” that makes perfect use of LMFAO’s “Sexy and I Know It” song than using an anime that’s got an overabundance of sexy in your face. There’s nothing else to say other than just sit back and enjoy the finished work of Mystic Shaek.

Anime: Highschool of the Dead

Song: “Sexy and I Know It” by LMFAO

Creator: Mystic Shaek

Past AMVs of the Day

Trailer: Les Misérables (Teaser)


The moment I saw the news feed that one of my most anticipated films of 2012 finally has an official teaser trailer out I knew that my expectations would only grow with each viewing.

Tom Hooper doesn’t go for small in following up his Academy Award-winning directing work in The King’s Speech by adapting the hugely popular and beloved stage musical Les Misérables which in itself was adapted from the classic Victor Hugo novel of the same name. The cast stars Hugh Jackman and Russell Crowe in the roles of Jean Valjean and Inspector Javert. Anne Hathaway comes away with the role of the tragic Fantine with Amanda Seyfried taking on the role of Fantine’s grown-up daughter Cosette. In what could be a star-making turn, Samantha Barks gets the coveted role of Eponine which was the same role she played as part of the musical’s 25th Anniversary Concert.

Details about this film musical has been scarce, but it’s already been reported that every actor in the cast does their own singing and done so live in front of the camera. This stylistic choice may keep some of the songs from reaching epic levels, but should do well in better conveying the emotional impact for some of the more personal character songs in the musical. In fact, the song that Anne Hathaway sings in the trailer, “I Dreamed A Dream”, is one of those character songs that seem to sound much better with it being less is more style.

Les Misérables is set for a December 14, 2012 release date.

Trailer: Maniac (Red Band)


Last November I posted news about plans to remake William Lustig’s classic grindhouse slasher flick, Maniac, and how the most unexpected choice of Elijah Wood for the role of the serial killer Frank.

The film had it’s premiere at this year’s Cannes Film Festival and the response to the film by filmmaker Frank Khalfoun seem to be positive. Horror remakes have always been hit-or-miss. If such positive reactions are to be believed then 2012’s Maniac may just be the horror hit of the year.

The film hasn’t been picked up by a North American distributor so any sort of release date for the US is still up in the air. Until then enjoy the first trailer of the film and a good red band trailer to boot.