For today’s music video of the day, we have a music video directed by Gia Coppola! Gia is the granddaughter of Francis Ford and the niece of Sofia and Roman. She also directed one of my favorite films of the past ten years, Palo Alto.
Enjoy!
For today’s music video of the day, we have a music video directed by Gia Coppola! Gia is the granddaughter of Francis Ford and the niece of Sofia and Roman. She also directed one of my favorite films of the past ten years, Palo Alto.
Enjoy!
This week did not leave much time for television watching. I had a doctor’s appointment on Wednesday. I drove my father to and from a doctor’s appointment on Friday. And I had a lot of movies to watch!
Here’s some notes on the five (yes, only five) television programs that I watched this week!
Abbott Elementary (Wednesday Night, ABC)
“FIGHT!”
What a wonderful episode, this was. Sometimes, kid just don’t get along and there’s nothing you can do about it.
Hell’s Kitchen (Thursday Night, FOX)
It’s time for the blind taste test! The blind taste test is an annual Hell’s Kitchen tradition but it’s hard for me to think of another season where the chefs failed quite as dramatically as they did during this season. It was a bit odd because, for the most part, the chefs have been pretty strong this season. Last night proved that anyone can have an off-day.
Brett was sent out of Hell’s Kitchen as the end of this week. To be honest, I don’t think anyone was surprised, as it was obvious that Brett will be a great head chef once he gets more experience but he wasn’t quite ready just yet. Still, it was kind of sad to see Brett go. He was always entertaining and he definitely always seemed like he was doing his best to improve with each dinner service. Brett also seems like the type who will be back whenever the show does another all-star season.
Law & Order (Thursday Night, NBC)
For the second week in a row, Samantha Maroun actually got to do something more than just gaze lovingly Price. This week, she led the prosecution of a rich teenager who was arrested for beating an ex-con to death. The teenager’s defense was that he had been driven temporarily mad by super-strong marijuana. (Yes, I can hear everyone rolling their eyes. Look, I’m just reviewing. I didn’t write the episode.) Maroun was determined to get a murder conviction until Price told her that she was taking the case personally and that she needed to set aside her personal feelings and her own guilt about the death of her sister.
To which I have to say, really? Like, who is Price to tell anyone not to take a case personally? Price takes every case personally. Price put a pharmaceutical CEO in prison because Price has never gotten over the death of his junkie brother. Price may have been correct about Maroun but it still feels a bit hypocritical on his part. That said, I think the writers may have figured out that having two prosecutors who take everything personally doesn’t always work dramatically. Ever since the show returned from its holiday break, Price has suddenly been a lot more pragmatic.
There’s a lot of people online who, after last night’s episode, are convinced that Price and Maroun are in love with each other. They’re probably right. McCoy’s not in any position to forbid it, either. (It’s kind of funny how McCoy has gone from being a self-destructive, alcoholic womanizer to being the voice of wisdom.)
Night Flight (Night Flight Plus)
This week, we finished up watching Night Flight’s 1982 New Year’s Eve special. Most of it was made up of footage of Grace Jones performing and being interviewed. It was weird but entertaining. Apparently, 1983 got off to a very trippy start.
Project Greenlight (YouTube)
On Wednesday night, I watched three episodes of the third season of Project Greenlight. This is the season that aired on Bravo and which detailed John Gulager’s efforts to direct Feast. No one had any faith in Gulager but he did a pretty good job with Feast and he’s the only one of the Project Greenlight winners to go on to have a notable career. The episodes that I watched deal with the casting of the film and it was once again infuriating to watch as the film’s casting director went out of her way to undercut Gulager and cast her best friend in the film. The third season of Project Greenlight is the one that really makes the viewer hate Hollywood.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996. The entire show is currently streaming on YouTube!
This week the Dreams go to Colorado and Public Access Television. To quote Matt Garrison, “Let’s do it!”
Episode 3.8 “The Princess and the Yeti”
(Dir by Patrick Maloney, originally aired on October 29th, 1994)
The Dreams have left California for Colorado! It’s on temporary, however. They’ve been hired to play at the ski resort that’s owned by Lorena’s father, Mr. Costas (Abraham Alvarez). Lorena is looking forward to skiing and showing off her new outfit. Her father wants her to work the front desk. “I’m allergic to work,” Lorena says, which leads to everyone saying that Lorena is spoiled.
Which is not true at all! Listen, Lorena is on vacation. You don’t work when you’re on vacation. At no point does Lorena’s father say that he’ll pay for Lorena to work the front desk. Instead, he just says, “I need you to work the front desk tonight.” Nah, old man. It doesn’t work like that. I, myself, have been called spoiled enough time to know that everyone is being way too hard on Lorena. Lorena has every right to expect a chance to ski while on a SKI VACATION!
Anyway, Mr. Costas wants to expand his resort but there’s an old man (Sandy Ward) who lives in a cabin and he refuses to move off his property. If the stubborn old man wasn’t bad enough, there’s also a Yeti running around the forest. But what if that Yeti is just a man dressed in a costume? Who would have the motive? Mr. Costas? No, he would be costing himself money by doing that. How about the Old Man? Other than the Dreams, he’s the only other person in this episode.
After Tony gets scared by the Yeti, he runs into the forest. The rest of the Dreams follow him and come across the Old Man’s cabin and his yeti costume. When Mr. Costas finds out, he wants to press charges but the Dreams are like, “He’s just an nice old man!” Yeah, and you’re a bunch of high school kids from California. Your opinion really isn’t that important.
The Dreams get mad at Lorena for not telling her father that the Old Man deserves to stay in his cabin. (Again, I’m not sure how it’s any of their business.) Miffed, Lorena goes skiing alone and injures her knee. The Old Man saves her life and Lorena offers to help pay off whatever money the Old Man is costing her father by working the front desk and not taking an allowance for a year. Mr. Costas agrees and everything works out …. except, of course, Lorena lives in California so how is she going work the front desk of a Colorado resort?
Also, I don’t care how nice the Old Man is. He still dressed up like a Yeti and did a lot of property damage to Mr. Costas’s business. Drag his his ass to jail!
This episode mostly serves to remind us that the California Dreams belong in California and on the beach. It just doesn’t seem right whenever they appear in a different location. It’s like one of those weird episodes of Saved By The Bell: The New Class where the gang all ended up working at a ranch. As much of a misfire as this episode was, I did laugh at the scene where Jake had to wear Lorena’s pink snow jacket while searching for Tony. A few years ago, in the middle of a torrential rain storm, Jeff informed me that he would rather get soaked and risk pneumonia than borrow my hot pink umbrella. What do men have against the color pink?
Anyway, let’s move on!
Episode 3.9 “Winkle/Wicks World”
(Dir by Patrick Maloney, originally aired on November 12th, 1994)
Tony and Sly get a show on public access TV! What was the deal with people in Peter Engel-produced shows always ending up on Public Access Television? Anyway, The Goo-Ga-Moo Guys becomes a big hit, despite being just a lame Wayne’s World rip-off. (To the show’s credit, Jake refers to show as being a “Wayne’s World rip-off.”) Unfortunately, this means that Tony no longer has time to play drums and Sly no longer has time to manage the band. Lorena takes over as manager and teaches the band how to be classy so that they can play an upper class gig that is, for some reason, being held at Sharky’s.
Anyway, fame goes to Tony and Sly’s heads. In the end, though, they decide that friendship is more important than fame. *Yawn* This is a plot that was used and reused by so many Peter Engel-produced shows that, at times, it seems as if the entire Englverse was an autopilot.
Hopefully, next week’s episodes will encourage us to seek good vibrations and feel mellow.
The Hawaii Film Critics Society has announced their picks for the best of 2022! You can check out the nominees by clicking here and you can see the winners belows!
BEST PICTURE
Everything Everywhere All At Once
BEST DIRECTOR
The Daniels, Everything Everywhere All At Once
BEST ACTOR
Brendan Fraser, The Whale
BEST ACTRESS
Mia Goth, Pearl
BEST SUPPORTING ACTOR
Ke Huy Quan, Everything Everywhere All At Once
BEST SUPPORTING ACTRESS
Kerry Condon, The Banshees of Inisherin
BEST ORIGINAL SCREENPLAY
Everything Everywhere All At Once
BEST ADAPTED SCREENPLAY
Women Talking
BEST ART DIRECTION
Babylon
BEST COSTUME DESIGN
Black Panther: Wakanda Forever
BEST CINEMATOGRAPHY
Top Gun: Maverick
BEST EDITING
Everything Everywhere All At Once
BEST ANIMATED FILM
Guillermo del Toro’s Pinocchio
BEST DOCUMENTARY
Sr.
BEST MAKE-UP
The Batman
BEST SOUND
Top Gun: Maverick
BEST ORIGINAL SCORE
Babylon
BEST SONG
“Hold My Hand” (Top Gun: Maverick)
BEST VISUAL EFFECTS
Avatar: The Way of Water
BEST STUNT WORK
Top Gun: Maverick
BEST NEW FILMMAKER
Lee Jung-jae, Hunt
BEST FIRST FILM
Aftersun
BEST OVERLOOKED FILM
The Unbearable Weight of Immeasurable Talent
BEST VOCAL/MOTION CAPTURE PERFORMANCE
Sigourney Weaver, Avatar: The Way of Water
BEST HORROR FILM
Pearl
BEST COMIC BOOK MOVIE
The Batman
BEST SCI-FI FILM
Everything Everywhere All At Once
BEST FOREIGN LANGUAGE FILM
RRR (India)
BEST HAWAIIAN FILM
The Wind and the Reckoning (dir. David L. Cunningham) (Hawaii)
WORST FILM OF 2022
The 355
Yesterday, the Georgia Film Critics Association announced their picks for the best of 2022! And here they are!
Best Picture
“After Yang”
“The Banshees of Inisherin”
“Decision to Leave”
“Everything Everywhere All at Once” (WINNER)
“The Fabelmans”
“Glass Onion: A Knives Out Mystery”
“Nope”
“RRR”
“Tár”
“Top Gun: Maverick” (RUNNER UP)
Best Director
“Decision to Leave” – Park Chan-wook
“Everything Everywhere All at Once” – Daniels (Dan Kwan, Daniel Scheinert) (WINNER)
“The Fabelmans” – Steven Spielberg (RUNNER UP)
“Nope” – Jordan Peele
“Tár” – Todd Field
Best Actor
Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”) (WINNER)
Brendan Fraser (“The Whale”) (RUNNER UP)
Park Hae-il (“Decision to Leave”)
Paul Mescal (“Aftersun”)
Best Actress
Cate Blanchett (“Tár”) (RUNNER UP)
Danielle Deadwyler (“Till”)
Tang Wei (“Decision to Leave”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”) (WINNER)
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”) (RUNNER UP)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”) (WINNER)
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”)
Kerry Condon (“The Banshees of Inisherin”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Stephanie Hsu (“Everything Everywhere All at Once”) (WINNER)
Janelle Monáe (“Glass Onion: A Knives Out Mystery”) (RUNNER UP)
Keke Palmer (“Nope”)
Best Original Screenplay
“The Banshees of Inisherin” – Martin McDonagh (RUNNER UP)
“Everything Everywhere All at Once” – Daniels (Dan Kwan, Daniel Scheinert) (WINNER)
“The Fabelmans” – Steven Spielberg, Tony Kushner
“Nope” – Jordan Peele
“Tár” – Todd Field
Best Adapted Screenplay
“After Yang” – Kogonada
“Glass Onion: A Knives Out Mystery” – Rian Johnson (WINNER)
“Guillermo del Toro’s Pinocchio” – Guillermo del Toro, Matthew Robbins, Gris Grimly, Patrick McHale (RUNNER UP)
“She Said” – Rebecca Lenkiewicz
“Women Talking” – Sarah Polley, Miriam Toews
Best Cinematography
“Bardo: False Chronicle of a Handful of Truths” – Darius Khondji
“The Batman” – Greig Fraser (RUNNER UP)
“The Fabelmans” – Janusz Kaminski
“Nope” – Hoyte Van Hoytema
“Top Gun: Maverick” – Claudio Miranda (WINNER)
Best Production Design
“Avatar: The Way of Water” – Dylan Cole, Ben Procter, Vanessa Cole
“Babylon” – Florencia Martin, Anthony Carlino (WINNER)
“Black Panther: Wakanda Forever” – Hannah Beachler, Lisa K. Sessions
“Elvis” – Catherine Martin, Karen Murphy, Beverley Dunn
“Everything Everywhere All at Once” – Jason Kisvarday, Kelsi Ephraim (RUNNER UP)
Best Original Score
“Babylon” – Justin Hurwitz (RUNNER UP)
“The Batman” – Michael Giacchino (WINNER)
“Black Panther: Wakanda Forever” – Ludwig Göransson
“The Fabelmans” – John Williams
“Guillermo del Toro’s Pinocchio” – Alexandre Desplat
“Nope” – Michael Abels
Best Original Song
“Carolina” – Taylor Swift (“Where the Crawdads Sing”)
“Ciao Papa” – Alexandre Desplat, Roeban Katz, Guillermo del Toro (“Guillermo del Toro’s Pinocchio”)
“Hold My Hand” – Lady Gaga, BloodPop, Benjamin Rice (“Top Gun: Maverick”) (WINNER)
“Lift Me Up” – Tems, Rihanna, Ludwig Göransson, Ryan Coogler (“Black Panther: Wakanda Forever”)
“Naatu Naatu” – M.M. Keeravani, Kaala Bhairava, Rahul Sipligunj (“RRR”) (RUNNER UP)
Best Ensemble
“The Banshees of Inisherin”
“Everything Everywhere All at Once” (RUNNER UP)
“The Fabelmans”
“Glass Onion: A Knives Out Mystery” (WINNER)
“Women Talking”
Best International Film
“All Quiet on the Western Front”
“Argentina 1985”
“Close”
“Decision to Leave” (RUNNER UP)
“RRR” (WINNER)
Best Animated Film
“Apollo 10 ½: A Space Age Childhood”
“Guillermo del Toro’s Pinocchio” (WINNER)
“Marcel the Shell with Shoes On” (RUNNER UP)
“Puss in Boots: The Last Wish”
“Turning Red”
Best Documentary Film
“All That Breathes”
“All the Beauty and the Bloodshed”
“Descendant” (RUNNER UP)
“Fire of Love” (WINNER)
“Good Night Oppy”
“Navalny”
Breakthrough Award
Danielle Deadwyler (WINNER TIE)
Stephanie Hsu (WINNER TIE)
Tenoch Huerta
Gabriel Labelle (RUNNER UP)
Amber Midthunder
Oglethorpe Award for Excellence in Georgia Cinema
“Bad Dream” (short; Camilo Diaz Caro, Colby Hollman)
“Black Panther: Wakanda Forever” (Ryan Coogler, Joe Robert Cole)
“Devotion” (J.D. Dillard, Jake Crane, Jonathan Stewart)
“Emergency” (Carey Williams, K.D. Dávila)
“Glitter Ain’t Gold” (short; Christian Nolan Jones)
“Honk for Jesus. Save Your Soul.” (Adamma Ebo)
“I Want You Back” (Jason Orley, Isaac Aptaker, Elizabeth Berger)
“The Menu” (Mark Mylod, Seth Reiss, Will Tracy) (RUNNER UP)
“Refuge” (Erin Levin Bernhardt, Din Blankenship)
“Till” (Chinonye Chukwu, Michael Reilly, Keith Beauchamp) (WINNER)
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, ArtAttackNYC will be hosting The Black Phone!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime. I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
With this video, Miley Cyrus lets the world know that she doesn’t need Liam Hemsworth to have fun. Or, at least, that seems to be the most popular interpretation online. Myself, whenever I see a Miley Cyrus video, I remember how, whenever The Soup did a segment on her, the producer would yell, “It’s Miley!”
That was good fun.
Enjoy!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing One World, which ran on NBC from 1998 to 2001. The entire show is currently streaming on Tubi!
On January 6th, 2001, One World aired not only the finale of their third season but also the final episode of the series. All stories and shows must come to an end and we have reached the end of One World. For one last time, here’s the One World theme song.
Does anyone else find it weird that the show never bothered to update their opening credits, despite the fact that Brandon Baker hit a major growth spurt and cut his hair after the first season? Seriously, it just seems incredibly lazy.
Episode 3.13 “Hitting on a Guy”
(Directed by Mary Lou Belli, originally aired on January 6th, 2001)
Dave and Karen have been named the Foster Parents of the Year! Marci decides to throw a big party for them at …. can you guess where? …. Miami’s “hottest under 21 club,” The Warehouse! Unfortunately, the kitchen crew refuses to work for the party because they haven’t been paid for the week. (Why would Marci, who is just the assistant manager, have to deal with payroll? Where’s The Warehouse’s owner?) Fortunately, the entire family decides that they’ll do the cooking themselves. But …. IT’S THEIR PARTY!? Who cooks at their own party!? What type of party is this?
Meanwhile, Jane is dating a nice guy named Ralph but he reminds her of her former foster brother, who was also named Ralph and who was abusive. Because she’s thinking about the Bad Ralph, she beats up the Good Ralph. Jane comes to terms with her anger and apologizes to the Good Ralph. Good Ralph says thanks and then runs off.
Having lost Good Ralph, Jane still shows up at the Warehouse party and gives a speech about how thankful she is for the Blakes. Dave rewards her by giving her a piece of Cake and that’s how the series ends.
And I have to admit that I was a little bit moved by all of the Blake kids giving their testimonials, though I honestly doubt I’ll remember anything about any of them a week from now. I was also surprised that the show did not end with Karen giving birth. I imagine that any other TNBC show would have. In the end, One World ended with a lot of unanswered questions. Will Ben ever find success as a musician? Will St. Neal ever get into college? Will Sui ever make the Olympic team? How long until Maci gets fired from her job at the Warehouse? Will Cray ever come to terms with having a black grandfather? (Seriously, that whole episode was weird.) Will Jane ever find a stylist who understands how to make her hair look good? Sadly, these questions will never be answered.
One World is a show that attempted to bring some edge to the TNBC brand. Occasionally, it came close to succeeding. Usually, it was a bit too much like California Dreams with juvenile delinquents instead of a rock band. One of the huge problems with the show was that the Blakes themselves had very little chemistry. Watching the actors perform opposite each other, it was hard to believe they even knew each other’s names, let alone lived together. Alisa Reyes and Michelle Krusiec (who played Marci and Sui) were the strongest performers on the show but they were rarely given enough to do.
Staring next week, I’ll be reviewing something new in this time slot. Until then, we’re all living in one world!
RIP, Lisa Marie Presley. The daughter Elvis and the mother of Riley Keough passed away yesterday at the age of 54.
In this video, she sings about the vultures in the tabloid press that she had to deal with for most of her life. Dirty Laundry was originally written by Don Henley. Lisa Marie covered it on her album, Now What?
Lyrics:
I make my living off the Evening News
Just give me somethin’, somethin’ I can use
People love it when you lose, they love dirty laundry
Well, I could’ve been an actor but I wound up here
I just have to look good, I don’t have to be clear
Come and whisper in my ear, give us dirty laundry
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em all around
We got the bubble headed bleach blonde who comes on at five
She can tell you ’bout the plane crash with a gleam in her eye
It’s interesting when people die, give us dirty laundry
Can we film the operation? Is the head dead yet?
You know the boys in the newsroom got a running bet
Get the widow on the set! We need dirty laundry
You don’t really need to find out what’s goin’ on
You don’t really want to know just how far it’s gone
Just leave well enough alone, eat your dirty laundry
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re stiff, kick ’em all around
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re stiff, kick ’em all around
Dirty little secrets, dirty little lies
We got our dirty little fingers in everybody’s pie
We love to cut you down to size, we love dirty laundry
We can do “The Innuendo,” we can dance and sing
When it’s said and done we haven’t told you a thing
We all know that crap is king, give us dirty laundry
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
Kick ’em when they’re up, kick ’em when they’re down
The Producers Guild announced their nominations for the best of 2022 today! The Producers Guild is usually seen as being one of the more reliable Oscar precursors out there. While getting a PGA nomination doesn’t necessarily guarantee that a film will be nominated, being snubbed by the PGA can often knock a film out of contention.
This year, there are two surprises in the nominees, One is The Whale, which has been getting a lot of attention for Brendan Fraser’s performance but which hasn’t really be spoken of as a probable Best Picture nominee. The other, at least for me, is Black Panther: Wakanda Forever. Despite good reviews and a probable Oscar nomination for Angela Bassett, Wakanda Forever is another film that many had written off as a potential Best Picture nominee.
Women Talking received neither a DGA or a PGA nomination so it could be in trouble. Babylon was also snubbed by both the PGA and the DGA but it was nominated by SAG and it’s a film about actors. So right now, I’m feeling a lot better about Babylon’s chances than the chances of Women Talking.
For the record, if the Best Picture lineup mirrored the PGA nominees, that would mean that 4 sequels would be nominated for Best Picture in one year. That would definitely be a record, as well as a reflection of where Hollywood is at as an industry right now.
(Previous sequels that have been nominated for Best Picture include The Bells of St. Mary’s, The Godfather Part II, The Godfather Part III, The Silence of the Lambs, The Lord of the Rings: The Two Towers, The Lord of the Rings: Return of the King, Toy Story 3, and Mad Max: Fury Road. One could say that Black Panther should also be listed here, considering that it can be argued that every film in the MCU is technically a sequel to Iron Man and T’Challa and Wakanda were both first introduced in Captain America: Civil War. With both Top Gun: Maverick and Avatar: The Way of the Water looking pretty solid for nominations, 2022 will probably be the first year that multiple sequels with be nominated.)
Anyway, here are the nominations of the Producers Guild!
The Award for Outstanding Producer of a Feature Theatrical Motion Picture
Avatar: The Way of Water
The Banshees of Inisherin
Black Panther: Wakanda Forever
Elvis
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Tár
Top Gun: Maverick
The Whale
The Award for Outstanding Producer of Animated Theatrical Motion Pictures
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Minions: The Rise of Gru
Puss in Boots: The Last Wish
Turning Red