Retro Television Reviews: Welcome Back, Kotter 1.13 “Arrivederci, Arnold” and 1.14 “The Longest Weekend”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Horshack gets promoted and Julie finally leaves Gabe!

Episode 1.13 “Arrivederci, Arnold”

(Directed by Bob LaHendro, originally aired on December 16th, 1975)

In their tiny apartment, Gabe tells Julie about his uncle, Malcolm Kotter.  Malcolm was a traveling salesman who left an umbrella in his hotel room.  When he went to retrieve the umbrella, he discovered the room was now occupied by a couple on their honeymoon.  Listening to their coital exchange from out in the hallway, Malcolm shouted, “Listen, when you get to the little umbrella, it’s mine!”  For once, Julie laughs at the joke.

At school, Mr. Woodman interrupts Gabe’s lesson on Thomas Edison to announce that Arnold Horshack has been doing so well in Gabe’s class that he is now eligible to attend regular classes.  Gabe is excited because not only does he now feel like a good teacher but he also sees Horshack as a symbol that proves that even the most difficult of students can be taught.  As for the other Sweathogs, they’re just confused.

Horshack, meanwhile, is miserable about going to a class without his friends and he’s even more upset when Gabe tells him that he should try to make new friends and fit in with the regular students.  Horshack is so upset that he goes to Kotter’s apartment building and turns down the heat so that Gabe will leave the apartment to complain.  With Gabe gone, Horshack slips in through the window and begs Julie (who seriously has the patience of a saint in this episode) to convince Gabe to “like me again.”

Awwwwwwwww!

Seriously, Horshack is a character about whom I usually have mixed feelings.  Of all the Sweathogs, he’s always come across as being the most cartoonish.  In fact, one could even say that Horshack’s a bit annoying.  But, in this episode, Ron Pallilo really broke my heart with how he played Horshack’s desperation to return to his old class.  He breaks Julie’s heart too and, after Horshack says that he’ll jump off the highest building in Brooklyn if he’s not returned to his old class (yikes!), Julie makes Gabe see the error of his ways.

How can the Sweathogs convince Mr. Woodman to put Horshack back in Kotter’s class?  They put on a play for him, in which they all talk about how important Horshack is to them.  Gabe plays the role of Horshack, just for the real thing to wander into the classroom and announce, “I don’t have a mustache.”

Woodman agrees to let Horshack be a Sweathog again.  For the most part, I think Mr. Woodman just wanted to escape Gabe’s classroom and return to the safety of his office.  I don’t blame him!

Back at the apartment, Gabe tells Julie about the parrot that his cousin bought for his aunt.  His aunt ate the parrot.

I felt bad for the parrot but otherwise, this was a sweet episode.  I’m glad Horshack returned to where he belonged.

Episode 1.14 “The Longest Weekend”

(Directed by Bob LaHendro, originally aired on January 6th, 1976)

At the apartment, Gabe tells Julie about his aunt Esther, who has always dreamed of getting a singing telegram.

Because she feels like her life has gotten boring, Julie goes to Vermont for a weekend ski vacation.  Gabe says that he’s not worried about her being away from him but then he has a conversation with Mr. Woodman in which Woodman tells Gabe about how his fiancée went to Vermont on a ski trip and never returned because she fell in love with a German ski instructor.  Woodman says that, as far as he knows, his ex is currently living in the Alps with her husband, who is now pretending to be Swiss.  So Mr. Woodman’s fiancée left him for a Nazi war criminal?  No wonder Mr. Woodman seems to have so little faith in humanity!

Feeling lonely, Gabe invites the Sweathogs over to his apartment so that they can play poker.  However, even the Sweathogs realize that this is a strange thing for a teacher to do with his students and they leave after playing just a few hands.  Just as Gabe is about to go up to Vermont himself, Julie comes home early.  Apparently, her friend Candy Lieberman was getting on her nerves by talking too much.

With Julie back from Vermont, Gabe tells her about his Uncle Sanford the lumberjack.

This was an odd episode.  This show works best when it focuses on the school and not Gabe’s homelife.  Other than giving the great John Sylvester White a chance to reveal a little more of just how damaged a person Mr. Woodman truly is, this episode was fairly forgettable.

Next week: The Sweathogs protest the new cafeteria menu!  It’s time for a sit-in!

Live Tweet Alert: Watch Blood Vessel with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2020’s Blood Vessel!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Retro Television Reviews: The Master 1.10 “The Java Tiger”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984.  The show can be found on Tubi!

This week, the action moves off the mainland!

Episode 1.10 “The Java Tiger”

(Dir by Bruce Kessler, originally aired on April 13th, 1984)

Max and McAllister go to Hawaii!

I have to admit that I was really excited about this episode, precisely because it did feature Max and McAllister heading to Hawaii.  I love Hawaii.  Some of my favorite memories come from the summer that me, my sisters and our mom spent in Hawaii.  It doesn’t matter how bad a show or a movie may sound, I’ll give it a chance if it features the promise of Hawaii.

Unfortunately, this episode of The Master never really takes advantage of the beauty of the islands.  In fact, other than for a few generic shots of Honolulu, it appears that this episode was filmed in California.  About the only thing that says Hawaii about this episode are the shirts worn by the bad guys and the lei hanging around Max’s neck when he and McAllister check into their hotel.

Max and McAllister are in Hawaii because McAllister has received a letter from an old friend of his, a private investigator/treasure hunter named Leo Fairchild (Dick O’Neill).  Just as with last week, one has to wonder how McAllister got the letter when he doesn’t have a fixed address and he’s supposedly been laying low in America to avoid getting track down by the ninjas who want him dead.  As well, how does McAllister have all of these old friends in the United States and how do they all know that he’s a ninja?  When the series started, the whole idea was that McAllister had been Japan since the end of World War II and that he had spent the majority of that time either being trained or training others.  And yet, as of last week’s episode, McAllister is now suddenly a minor celebrity.

When Max and McAllister arrive in Japan, they meet Leo’s daughter, Shelly (Cynthia Cypert).  Shelly tells Max and McAllister that her father was killed while searching for the location of a priceless statue, the fabled Java Tiger.  Leo, she explains, was the only person in Hawaii to have a map leading to the tiger’s location.  However, whoever killed Leo, stole half of the map.  Now, if she’s going to fulfill her father’s dream, she needs to get that half of the map back.  She’s pretty sure that Kruger (Kabir Bedi), a notorious and greedy practitioner of the martial arts, has the missing half.  So, once again, it’s time for McAllister to put on his black uniform and break into a compound with Max!  When things don’t go as well as Max and McAllister might have hoped, they’re saved by an old friend of McAllister’s….

As you may have guessed, Leo isn’t actually dead.  He faked his own death so that McAllister would agree to help him find the Java Tiger.  As Leo explains it, he needs McAllister to enter the cave where the Tiger is hidden because the cave is full of booby traps and McAllister, being a ninja, is the only man alive who can dodge falling rocks and darts.  And, of course, time is of the essence because the cave is on an island that is also home to a volcano that is about to erupt.

This is what the volcano looks like:

To be honest, there’s something oddly charming about how fake the volcano looks.  I was pretty annoyed that the episode didn’t have any pretty shot of Hawaii but, as soon as I saw that miniature, plaster volcano spewing smoke, I couldn’t help but smile.

McAllister, Max, Leo, and Shelly arrive at the island with Kruger’s men closely behind.  With the volcano erupting all around them, they find the cave and eventually McAllister grabs the Java Tiger.  But, when it appears that Kruger might be killed by a booby trap, McAllister drops the statue and saves the life of his enemy because McAllister is a man of honor.  As a result, no one gets the tiger but McAllister stays true to his ideals.

To be honest, this episode was so silly that it was almost charming.  Unfortunately, the usually reliable character actor Dick O’Neill gives an annoyingly mannered performance as Leo Fairchild, hamming it up and chewing every piece of scenery in sight.  Leo is one of those characters who never stops talking and it’s hard not to get annoyed both the character and the actor playing him.  In fact, so much time is devoted to Leo talking and talking that the episode almost feels like a pilot for a Leo Fairchild show.  Who knows?  Maybe it was.  All I know is that the episode needed more Hawaii and less Leo.

This was a underwhelming week for The Master.  There’s only three episodes left and Max and McAllister don’t seem to be any closer to finding Teri than when they started.  Get to work, guys!  You’re running out of time!

Live Tweet Alert: Join #FridayNightFlix for The Wraith!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter and I hope to continue to be until the site finally becomes unusable.  (It’s going to happen eventually so enjoy it while you can!)  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1986’s The Wraith!  This film stars Charlie Sheen, Sherilyn Fenn, Nick Cassavetes, Randy Quaid, and Clint Howard!  Remember …. “if you lose the race, you lose your car!”

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The Wraith is available on Prime and Tubi!  See you there!

Retro Television Reviews: City Guys 5.13 “Weight on Jamal” and 5.14 “Basket Case”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  Almost the entire show is currently streaming on YouTube!

This week, it’s a trip to the rec center with a stop off at the Manhattan Diner.  There’s only a few more episodes left and this show cannot end soon enough.

Episode 5.13 “Weight on Jamal”

(Dir by Frank Bonner, originally aired on October 27th, 2001)

Here’s the plot description, according to Wikipedia:

Jamal wants to get into USC, but his coach tells him that he isn’t in shape enough to be considered for the team. He starts working out and is offered steroids at the health club. Meanwhile Dawn, Cassidy, Chris and Al have to deal with a cruel pottery teacher. Ms. Hotz scares the students and they eventually fight back. She reveals that she is only mean because most people take her class due to her sexy looks.

Seriously, the pottery teacher is named Ms. Hotz?  Considering that L-Train apparently didn’t take the pottery class, I’m going to guess that he was busy convincing Jamal to give up the steroids.  Since when has Jamal wanted to go to USC?  Plus, didn’t he already get a baseball scholarship?

Eh, who cares?  I’m glad this episode isn’t on YouTube.

Episode 5.14 “Basket Case”

(Dir by Frank Bonner, originally aired on October 27th, 2001)

God, this episode is stupid.

Jamal’s father is out-of-town and he’s left Jamal with a big responsibility.  Jamal has to run the diner, hire some new waitresses, and impress a food critic.  Here’s my problem with this.  Why is the food critic wasting her time with a generic hamburger place that seems to be exclusively used by the students of Manny High?  With all the restaurants in New York, why review that one?  As well, how irresponsible and stupid is Jamal’s father to leave Jamal in charge of the diner when something this important is about to happen?  When has Jamal ever shown that he can handle that type of responsibility?

Anyway, to the surprise of no one, Jamal screws everything up, misidentifies a friend of Ms. Noble’s as the food critics, and can only watch in horror as the actual food critics leaves in a huff due to not even getting a glass of water while waiting for someone to take her order.  Desperate to get the food critic to give the diner a second chance, Chris calls the food critic and pretends to be Jamal’s father.  (It’s just as cringey as it sounds as Chris lowers his voice and laughs heartily at his own jokes.)  The food critics agrees to give them a second chance.  As soon as Chris hangs up, Ms. Noble wanders by and informs Chris, Jamal, and Cassidy that the food critic is in her tango class and that she loves to dance.

This leads to perhaps the stupidest moment ever in the history of this show and that’s saying something.

The food critic returns to the diner.  She has a bowl of soup as Jamal and Cassidy watch.  She tells them that the diner’s food is some of the best that she had ever had.  Now, at this point, Jamal and Cassidy should be happy because the food critic has just told them that she loves the food.  There’s no need to do anything else, right?  Instead of just taking the victory when they can, they decide bring out “the chef.”  The chef turns out to be Chris, wearing a fake mustache.  Chris says that he loves to tango and then spins the food critic right out of the diner.  WHY!?  SHE WAS ALREADY GIVING THE PLACE A GOOD REVIEW!  HOW STUPID ARE THESE PEOPLE!?  Anyway, Ms. Noble then enters the diner and says that actually, the food critic was not in her tango class but in her Bible study class.  WHAT!?

Anyway, the food critic still gives the diner a good review.  She recommends that anyone who likes to tango ask for the chef.  Except, of course, Chris isn’t actually the chef so anyone who asks is going to be massively disappointed.

GOD, THAT WAS STUPID!  And it was only the B-plot!

The A-plot dealt with a rec center, which we’ve never seen before despite the fact that everyone on the show acts as if it’s a huge part of their lives.  Dawn has a crush on the 50 year-old head of the center and when he says that the Rec Center may have to close down due to lack of money, Dawn decides to hold a fund raiser.  Her plans involves a basketball shoot out and apparently, it’s imperative that both L-Train and his new girlfriend, Kianna, compete.  (I’m not sure why.)  However, L-Train worries that competing against his girlfriend will lead to them breaking up.  Kianna reluctantly agrees not to take part in the shoot out but then, at the last minute, L-Train realizes he’s being a jerk and asks her to compete.  And, of course, she wins.

Why did L-Train have a change of heart?  I have no idea but the important thing is that the Rec Center stays open.

This was a dumb episode, all-around.  Graduation cannot come soon enough!

Scenes That I Love: Harrison Ford Briefs Martin Sheen In Apocalypse Now


Happy birthday, Harrison Ford!

Today’s scene that I love features Harrison Ford in one of his more unexpected roles.  In Francis Ford Coppola’s Apocalypse Now, he played one of the three men who ordered Martin Sheen to go upriver and assassinate Marlon Brando.  It’s a small role, especially when one considers that Ford had appeared as Han Solo just two years before.  Given the lengthy shooting of Apocalypse Now, there’s some debate as to whether Ford was actually cast in the role before he was selected for Star Wars.  Giving credence to that theory is that Ford played a similar role for director Francis Ford Coppola in The Conversation.  However, it’s hard not to notice that Ford plays Col. G. Lucas, which would suggest that his casting was a bit of an inside joke.  Speaking of inside jokes, G.D. Spradlin plays General R. Corman, no doubt named for the man who gave Coppola his start in the business.

(Interesting enough, both Spradlin and Corman played U.S. Senators in The Godfather Part II.)

In this scene, Ford shows off the nerdy intensity that was actually kind of his acting trademark before Star Wars changed his screen persona.  This scene, along with his work in The Conversation, serves as a reminder that Harrison Ford is a pretty good character actor along with being one of the last great movie stars.

Retro Television Reviews: The Love Boat 2.23 “A Funny Valentine/The Wallflower/Home is Not a Home”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

After the past few cruises, I think we’re overdue for a good episode of The Love Boat.  Let’s see if this week’s episode can deliver!

Episode 2.23 “A Funny Valentine/The Wallflower/Home is Not a Home”

(Dir by George Tyne, originally aired on March 3rd, 1979)

Julie has decided that this week’s voyage is going to have a carnival theme and, in order to get everyone in the mood, she’s hired a fortune teller!  Mary Louise (Samantha Eggar) claims that she can read palms but she’s even more interested in the art of phrenology, the study of heads.  When she sees that Captain Stubing is bald, she can’t wait to see what the top of his shiny head says about his romantic future.  Unfortunately, Stubing is in one of his depressed moods and says that fortune telling is for the young.  He explains that he’s old and he already knows that he’s destined to spend the rest of his life alone.

Awwwww!

Luckily, Mary Louise has other ideas!  The Captain is soon won over by Mary Louise’s free-spirited ways and her joi de vivre.  But the Captain also realizes that, unless he holds a carnival every cruise, there’s really not much place for a fortune teller on the ship.  The best that he can offer Mary Louise is a job in the gift shop.  Realizing that their lives are just too different, Mary Louise leaves the boat without saying goodbye the Captain …. but then she returns to tell the Captain that maybe she will take that gift shop job.

Awwwwww!

But then the Captain tells her that she would be miserable working in a gift shop.  (Hopefully, none of the other gift shop employees overheard him.)  The Captain and Mary Louise part ways.

Again, awwwwwww!

It was a simple story but I have to say that Samantha Eggar and Gavin MacLeod had a surprising amount of chemistry and both of them gave really heartfelt performances in this episode.  I found myself caring about them as a couple and hoping that things would work out.  Of course, I knew things couldn’t work out because then the show would have to find a new captain.

While all that is going on, shy Sylvia (Patty Freedman) has finally taken the advice of her neighbor, Gopher.  She has booked a cruise on the Love Boat!  However, Sylvia is painfully shy and doesn’t even realize that there’s a passenger named Monroe (Zane Lasky) who has a crush on her.  (Of course, Monroe is pretty shy himself.)  Gopher decides that Sylvia needs a confidence boost so he sends her a rose at dinner and tells her it’s from a secret admirer.  Unfortunately, Sylvia becomes so obsessed with finding her secret admirer that she continues to fail to notice Monroe trying to talk to her.  When Sylvia returns to her cabin, she discovers hundreds of roses.  When she tells Gopher about it, Gopher is confused because he didn’t send any roses to her cabin.  For some reason, Gopher assumes that Sylvia is now delusional and that she only thought she saw all of the flowers in her cabin.  Seeking to restore her sanity, Gopher confesses that he sent Sylvia the rose.  Sylvia assumes that Gopher means that he sent all of the roses so, when Monroe confesses to sending the flowers to her cabin, she assumes that Monroe is making fun of her and….

AGGGGGGGGGGGGGGGGGGGG!

Yes, this is another story where all of the problems could have been easily resolved by everyone not acting like an idiot.  But you know what?  As much as stories like this usually tend to drive me crazy, I actually enjoyed this one.  Patty Freedman and Zane Lasky both gave charming performances, even if their characters did things that didn’t always make sense.  I was happy when they finally got together.  This was a rare case where two passengers really did seem perfect for each other.

Finally, the third storyline featured Arthur Godfrey and Minnie Pearl as Ned and Molly, two seniors who were eloping.  Looking to stop the marriage was Ned’s son, Francis (Warren Berlinger), and Molly’s daughter, Rowena (Elinor Donahue).  Of course, Francis and Rowena fell in love and the episode ended with everyone planning to get married in a big double wedding.  This story was pretty predictable and Berlinger and Donahue went a little bit overboard playing their characters as being uptight prudes in their first few scenes.  But, still, at least everyone got a happy ending.

I liked this episode.  The crew was likable, the passengers were charming, and everyone found love.  Yay!

A Few Thoughts On The 2023 Emmy Nominations


The Emmy nominations were revealed today.  There’s so many of them that I couldn’t even begin to list them all here on the site but you can view them over at the Emmys’s main site.  While looking over the nominees, I had just a few thoughts.

First off, the Emmys themselves always feel a bit silly.  I think it’s because there’s so many different categories and so many contenders that, inevitably, one feels as if they’ve only seen a few of the actual nominees.  As well, the Emmys tend to fall into the habit of nominating the same programs over and over again, regardless of whether the show or performer actually had a good individual season.  Once a show is nominated two times in a row, it seems destined to be nominated for the rest of its run, even if its subsequent seasons aren’t that interesting.  (Cases in point: Only Murders In The Building and Ted Lasso.)  By that same token, if a show is snubbed during it’s first or second season, it’ll probably never be nominated for anything, regardless of how popular or critically acclaimed it may eventually become.  (Case in point: Yellowstone.)  In other words, don’t take the Emmys seriously.

In the comedy categories, I was really happy to see that both Jury Duty and James Marsden were nominated.  Ted Lasso was nominated because the Academy is addicted to voting for it and not because it had a particularly noteworthy third season.  I was glad to see that Barry was nominated but annoyed to see that neither Sarah Goldberg nor Stephen Root were remembered.  I was glad that Natasha Lyonne was nominated but Poker Face still deserved far more nominations than it received.

In the drama categories, it’s pretty much all Succession.  Succession ended this season and I’m glad that I’ll no longer have to pretend to care about it.  There’s something so liberating about the prospect of never having to read another cutesy interview with Brian Cox or another think piece on why Shiv is the greatest character ever.  I imagine Succession will sweep the Emmys, which is a bit unfortunate as this year will always be Better Call Saul‘s last chance to be honored.  Hopefully, Bob Odenkirk will finally win an Emmy for Better Call Saul.  I’m glad that Andor was nominated but I’m disappointed that Diego Luna was not.

In the limited anthology series category, it’s hard not to be a bit annoyed that the Academy went for Ryan Murphy’s overlong and rather pointless miniseries about Jeffrey Dahmer while completely snubbing National Geographic’s A Small Light.  At this point, I guess the Academy feels obligated to honor anything that Ryan Murphy forces on them.  I was also disappointed that The English failed to pick up any major nominations, not even for the great Emily Blunt.  The Emmy win that would make me happiest would be for Ray Liotta to win for Black Bird.  

In the movie category, Beavis and Butt-Head Do The Universe was not nominated but …. well, I kind of knew that it wouldn’t be.  It was hilarious but, unfortunately, it’s not the type of thing that wins awards.

Traitors should have been nominated for Best Reality Competition.

South Park‘s “Worldwide Privacy Tour” was not nominated for Best Animated Program.  That’s just ridiculous.  The Television Academy wimped out as far as that’s concerned.

Anyway, it’s the Emmys.  In the end, no one really cares that much.

Scenes That I Love: Dracula Meets Van Helsing


143 years ago, on this date in Kentucky, director Tod Browning was born.  Though Browning was a director who was comfortable working in any genre, he is today best remembered for the horror films that he directed for Universal studios.  Today’s scene that I love comes from Tod Browning’s 1931 adaptation of Dracula.

In this scene, Count Dracula (Bela Lugosi) is introduced to Prof. Van Helsing (Edward Van Sloan).  Van Helsing notes something interesting about Dracula’s reflection, namely that he doesn’t have one.  Needless to say, the Count is not amused.

4 Shots From 4 Films: Special Monte Hellman Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

94 years ago today, the great director Monte Hellman was born in New York City.  Though Hollywood never quite understood Hellman or his idiosyncratic vision, he and his films have inspired a countless number of independent filmmakers.  Hellman started his career with Roger Corman and was one of the first directors to recognize the talent of actors like Jack Nicholson and Warren Oates.  When Monte Hellman passed away in 2021, he was eulogized as one of the key figures of the Hollywood counterculture.  Today, we celebrate Hellman and his films with….

4 Shots From 4 Monte Hellman Films

The Shooting (1966, dir by Monte Hellman, DP: Gregory Sandor)

Two-Lane Blacktop (1971, dir by Monte Hellman, DP: Jack Deerson)

Cockfighter (1974, dir by Monte Hellman, DP: Nestor Almendros)

China 9, Liberty 38 (1978, dir by Monte Hellman, DP: Guiseppe Rotunno)