Monday Live Tweet Alert: Join Us For Cover-Up and Unforgettable!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

 

Tonight, for #MondayActionMovie, the film will be 1991’s Cover-Up!  Selected and hosted by Matthew Titus, this movie features not only Dolph Lundgren but also Lou Gossett, Jr!  So, you know it has to be good!

 

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1996’s Unforgettable, starring Ray Liotta!  

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto twitter, start Cover-Up at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, start Unforgettable, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Music Video of the Day: San Antone by Randy Rogers Band (2016, dir by ????)


I’ve often said that my musical tastes run the gamut from early EDM to slightly later EDM.  That’s another way of saying that I’m not really a huge country music fan.  But I am a big San Antonio fan and this music video pays tribute to that wonderful city.

Enjoy!

Lisa Marie’s Week In Review: 2/27/23 — 3/5/23


RIP, Tom Sizemore

Welcome to March!

Only one more week to go until the Oscars!  I’ll be glad when they’re over with.  Don’t get me wrong.  I love the Oscars and I love keeping up with all the Awards Season precursors.  But, once the Oscars are out of the way, 2022 will be officially in the history books and I’ll be able to concentrate on 2023!

Tom Sizemore died this week.  He was an undeniably talented actor.  Most of the talk on twitter centered around his work in 90s films like Heat, Natural Born Killers, and Saving Private Ryan but I’ll always remember him for his performance on Twin Peaks: The Return and the scene where he breaks down and confesses that he’s been ordered to kill Dougie.  Rest in peace.

Here’s what I watched, read, and listened to this week!

Films I Watched:

  1. 600 Miles (2015)
  2. The Day The Earth Moved (1975)
  3. Decoy (1995)
  4. Hard Times (1975)
  5. Hounded (2022)
  6. Queen Under Review: 1973 — 1980 (2007)
  7. A Ripper In Canada: Paranormal Happenings in the Great White North (2013)
  8. The Road To The Open (2014)
  9. Roll, Freddy, Roll (1974)
  10. The Shrimp on the Barbie (1990)
  11. Sweet, Sweet Rachel (1971)
  12. The Weekend Nun (1972)

Television Shows I Watched:

  1. Abbott Elementary
  2. American Idol
  3. The Bachelor
  4. The Brady Bunch Hour
  5. Ghosts
  6. The Love Boat
  7. My Lover, My Killer
  8. Night Court
  9. South Park
  10. Survivor

Books I Read:

  1. To By Mayor of New York (1993) by Chris McNickle

Music To Which I Listened:

  1. Ashlee Simpson
  2. Britney Spears
  3. Daft Punk
  4. Fiona Apple
  5. Girls Aloud
  6. Jamie Lynn Spears
  7. Jennifer Love Hewitt
  8. Jessica Simpson
  9. Jonas Brothers
  10. Lindsay Lohan
  11. Lisa Loeb
  12. Mandy Moore
  13. O-Town
  14. Spice Girls
  15. Verdena
  16. The Wallflowers

Awards Season:

  1. Eddie Awards
  2. The Independent Spirit Awards
  3. Cinema Audio Society Winners
  4. Costume Designers Guild
  5. Golden Reel Winners

Live Tweets:

  1. Decoy
  2. Hard Times
  3. Shrimp on the Barbie
  4. Hounded

News From Last Week:

  1. Tom Sizemore, Dead at 61
  2. Ricou Browning, Star of The Creature From the Black Lagoon, Dies at 93
  3. Saxophonist Wayne Shorter Dies at 89
  4. Former Child Actor Ted Donaldson Dies at 89
  5. CSI Actor Hill Harper Preparing To Run For The U.S. Senate in Michigan
  6. Creed III Rings Up $22 million On Its Opening Day
  7. Chris Rock Slams Will Smith in Live Comedy Special for Netflix: “It Still Hurts”
  8. Woody Harrelson Slams COVID Set Protocols as ‘Nonsense,’ Urges Hollywood to ‘Stop’ Forcing ‘Vaccination’: That’s ‘Not a Free Country’
  9. Actor Tim Robbins backs Woody Harrelson on ending COVID-19 protocols: ‘Time to end this charade’
  10. Bruce Willis’ Wife Tells Paparazzi to Stop Yelling at Him After Dementia Diagnosis: Let Him Get ‘From Point A to Point B Safely’

Links From Last Week:

  1. Tater’s Week in Review 3/4/23
  2. “Psycho” Meets Sondheim! The Terrific 70’s Hollywood Mystery “The Last Of Sheila” – From Stephen Sondheim And Anthony Perkins!

Links From The Site:

  1. Erin shared Johnny Come Lately, The Girl on the River, Diploma of Passion, Streets of Paris, Two Faces of Passion, A Party Every Night, and The Cheat!
  2. I reviewed Hang Time, Fantasy Island, The Love Boat, City Guys, The Brady Bunch Hour, California Dreams, and The Day The Earth Moved!
  3. I shared my week in television!
  4. I shared music videos from Mandy Moore, Jennifer Love Hewitt, O-Town, Ashlee Simpson, Jessica Simpson, Jonas Brothers, and Verdena!
  5. I paid tribute to Pier Paolo Pasolini, Adrian Lyne, Martin Ritt, and Zack Snyder!
  6. I shared scenes from Mad Max and Hard Ticket To Hawaii!

More From Us:

  1. At my music site, I shared songs from Lisa Loeb, Mandy Moore, Jamie Lynn Spears, Ashlee Simpson, Fiona Apple, Jessica Simpson, and Daft Punk!
  2. At her photography site, Erin shared Winter Creek, Snow On The Roof, Creek, Good Morning, Another Morning, On The Other Side of the Fence, and Frozen!

Want to see what I did last week?  Click here!

The American Cinema Editors Honor Top Gun: Maverick


The American Cinema Editors have announced their picks for the best of editing of 2022!  Here are the winners of the Eddie Awards!

BEST EDITED FEATURE FILM (Drama, Theatrical)
All Quiet on the Western Front – Sven Budelmann, BFS
Elvis – Matt Villa, ACE ASE & Jonathan Redmond
Tár – Monika Willi
Top Gun: Maverick – Eddie Hamilton, ACE
The Woman King – Terilyn A. Shropshire, ACE

BEST EDITED FEATURE FILM (Comedy, Theatrical)
The Banshees of Inisherin – Mikkel E.G. Nielsen, ACE
Everything Everywhere All at Once – Paul Rogers
Glass Onion: A Knives Out Mystery – Bob Ducsay, ACE
The Menu – Christopher Tellefsen, ACE
Triangle of Sadness – Ruben Östlund & Mikel Cee Karlsson

BEST EDITED ANIMATED FEATURE FILM (Theatrical or Non-Theatrical)
The Bad Guys – John Venzon, ACE
Guillermo del Toro’s Pinocchio – Ken Schretzmann, ACE & Holly Klein
Marcel the Shell with Shoes On – Dean Fleischer-Camp & Nick Paley
Puss in Boots: The Last Wish – James Ryan, ACE
Turning Red – Nicholas C. Smith, ACE

BEST EDITED DOCUMENTARY (Theatrical)
All the Beauty and the Bloodshed – Amy Foote, Joe Bini & Brian A. Kates, ACE
Fire of Love – Erin Casper & Jocelyne Chaput
Good Night Oppy – Helen Kearns, ACE & Rejh Cabrera
Moonage Daydream – Brett Morgen
Navalny – Langdon Page & Maya Hawke

BEST EDITED DOCUMENTARY (Non-Theatrical)
The Andy Warhol Diaries: “Collab: Andy & Basquiat” – Steve Ross
George Carlin’s American Dream – Joe Beshenkovsky, ACE
The Last Movie Stars: “Luck is an Art” – Barry Poltermann
Lucy and Desi – Robert A. Martinez
Pelosi in the House – Geof Bartz, ACE

BEST EDITED MULTI-CAMERA COMEDY SERIES
The Conners: “Of Missing Minds and Missing Fries” – Brian Schnuckel, ACE
How I Met Your Father: “Timing Is Everything” – Susan Federman, ACE
The Neighborhood: “Welcome to the Art of Negotiation” – Chris Poulos

BEST EDITED SINGLE CAMERA COMEDY SERIES
Atlanta: “Andrew Wyeth. Alfred’s World.” – Kyle Reiter, ACE & Isaac Hagy, ACE
Barry: “710N” – Franky Guttman
Barry: “Starting Now” – Ali Greer
The Bear: “System” – Joanna Naugle
Only Murders in the Building: “I Know Who Did It” – Shelly Westerman, ACE & Payton Koch

BEST EDITED DRAMA SERIES
Andor: “One Way Out” – Simon Smith
Euphoria: “Stand Still Like the Hummingbird” – Aaron I. Butler, ACE & Julio Perez IV, ACE
Euphoria: “The Theater and Its Double” – Laura Zempel, Julio Perez IV, ACE & Nikola Boyanov
Severance: “In Perpetuity” – Geoffrey Richman, ACE & Erica Freed Marker, ACE
Severance: “The We We Are” – Geoffrey Richman, ACE

BEST EDITED FEATURE FILM (NON-THEATRICAL)
Fire Island – Brian A. Kates, ACE
Hocus Pocus 2 – Julia Wong, ACE
A Jazzman’s Blues – Maysie Hoy, ACE
Prey – Angela M. Catanzaro, ACE & Claudia Castello
Weird: The Al Yankovic Story – Jamie Kennedy

BEST EDITED LIMITED SERIES
Gaslit: “Year of the Rat” – Joe Leonard, ACE
Obi-Wan Kenobi: “Part VI” – Kelley Dixon, ACE & Josh Earl, ACE
Station Eleven: “Unbroken Circle” – Anna Hauger, ACE, David Eisenberg, Yoni Reiss & Anthony McAfee
The White Lotus: “Abduction” – Heather Persons, ACE
The White Lotus: “Arrivederci” – John M. Valerio ACE

BEST EDITED NON-SCRIPTED SERIES
Deadliest Catch: “Sailor’s Delight” – Isaiah Camp, ACE, Joe Mikan, ACE & Alexander Rubinow, ACE
Formula 1: Drive to Survive: “Hard Racing” – Cassie Bennitt, Matt Rudge, Duncan Moir, Nic Zimmermann, Jack Foxton & Neil Clarkson
Vice: “Killing for Success & Marcos Returns” – Paula Salhany, Brandon Kieffer, Andrew Pattison. Catherine Lee & Victoria Lesiw

BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL
A Black Lady Sketch Show: “Save My Edges, I’m A Donor!” – Stephanie Filo, ACE, Bradinn French, Taylor Mason & S. Robyn Wilson
Last Week Tonight with John Oliver: “Police Interrogations” – Anthony Miale, ACE & Ryan Barger
My Next Guest Needs No Introduction with David Letterman: “Volodymyr Zelenskyy Special” – Cori Wapnowska & Jon Higgins

BEST EDITED ANIMATED SERIES
Big Mouth: “Dadda Dia!” – Felipe Salazar
Bob’s Burgers: “Some Like It Bot Part 1: Eighth Grade Runner” – Jeremy Reuben, ACE
Love, Death & Robots: “Bad Travelling” – Kirk Baxter, ACE

ANNE V. COATES AWARD FOR STUDENT EDITING
Adriana Guevara – New York University
Jazmin Jamias – American Film Institute
Tianze Sun – American Film Institute

Retro Television Reviews: The Day The Earth Moved (dir by Robert Michael Lewis)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s The Day The Earth Moved!  It  can be viewed on YouTube!

Sitting in the middle of the Nevada desert, there’s a town called Bates.

Bates was once a thriving community but the years and the hot Nevada winds have not been kind to it.  Now, it consists of only a  few buildings and a speed trap.  Judge Tom Backsler (William Windom) is the most powerful man in this tiny community and he’s determined to return Bates to its former glory.  His plan is to open up a Christmas park and to remake Bates as “Santa Claus’s home away from the North Pole.”  In order to raise the money for that project, he and the police run an aggressive speed trap.  When pilot and photographer Steve Barker (Jackie Cooper) is caught in the speed trap, it turns out that he doesn’t have enough money to pay his fine.  So, his car is impounded and he’s put to work, sweeping up the dust and helping to get the Christmas park ready to open.

With the help of friendly little townsgirl, Steve is finally able to escape from Bates and return to his job.  He works with his wife, Kate (Stella Stevens), and his best friend, Harley (Cleavon Little), as surveyors.  When someone wants to buy a stretch of the Nevada desert, Steve and Harley fly over the land and take pictures.  Looking over the latest batch of pictures, Steve deduces that not only is there going to be an earthquake but it’s going to destroy the town of Bates!  Can Steve return to the town that once held him prisoner and convince the townspeople to leave with him before disaster hits!?

In many ways, The Day The Earth Moved is a standard made-for-TV disaster flick.  Only Steve and Kate realize what’s about to happen and they struggle to get anyone else to believe them.  Indeed, it seems like the world is almost conspiring to keep them from warning everyone about the incoming earthquake.  The film’s story checks off all of the expected disaster movie plot points.  That said, the town of Bates itself — with its gigantic Santa Claus standing in the middle of the desert — is a nicely surreal location and the repeated shots of a deserted farm being gradually destroyed by minor tremors achieve a certain ominous grandeur.  Jackie Cooper and Stella Stevens are believable as a husband and wife who love each other despite the fact that they’re often very annoyed with each other.  To the film’s credit, William Windom’s character is not portrayed as being a cardboard villain but instead as someone who simply wants to give his neighbors some place decent to live.  The Day The Earth Moved is predictable but well-done.

Of course, the main reason anyone will have to watch this film will be for the earthquake.  Unfortunately, this is where viewers will run into a common problem that has afflicted many made-for-TV movies.  The low-budget earthquake is just not that impressive.  For all the scenes of people yelling, it’s always pretty obvious that the camera is doing most of the shaking.  But you know what?  It’s a made-for-TV movie from 1974.  Cut it some slack and just go with it.

The Cinema Audio Society Honors Top Gun: Maverick!


Everything Everywhere All At Once appears to be unstoppable as far as the Best Picture race is concerned but Top Gun: Maverick will still probably pick up a few technical Oscars, like Best Sound.

As evidence for this claim, consider that, last night, the Cinema Audio Society announced its picks for the best of 2022 and Maverick was remembered.  Here are the winners!

MOTION PICTURES: LIVE ACTION
“All Quiet on the Western Front”
“Avatar: The Way of Water”
“Elvis”
“The Batman”
“Top Gun: Maverick”

MOTION PICTURES: ANIMATED
“Guillermo del Toro’s Pinocchio”
“Lightyear”
“Minions: The Rise of Gru”
“Puss in Boots: The Last Wish”
“Turning Red”

MOTION PICTURES — DOCUMENTARY
“Good Night Oppy”
“Hallelujah: Leonard Cohen, A Journey, A Song”
“Louis Armstrong’s Black and Blues”
“Moonage Daydream”
“The Volcano: Rescue from Whakaari”

NON-THEATRICAL MOTION PICTURES OR LIMITED SERIES
“Dahmer – Monster: The Jeffrey Dahmer Story E8 Lionel”
“Guillermo Del Toro’s Cabinet of Curiosities E3 The Autopsy”
“Moon Knight E6 Gods and Monsters”
“Obi-Wan Kenobi E6 Part 1”
“Prey”

TELEVISION SERIES: ONE HOUR
“Better Call Saul S6:E13 Saul Gone”
“Ozark S4:E14 A Hard Way To Go”
“Severance S1:E9 The We We Are”
“Stranger Things S4:E7 Chapter Seven: The Massacre at Hawkins Lab”
“The White Lotus S2:E1 Ciao”

TELEVISION SERIES: HALF HOUR
“Barry S3:E8 Starting Now”
“Only Murders in the Building S2:E5 The Tell”
“She-Hulk: Attorney at Law S1:E9 Whose Show Is This?”
“The Bear S1:E7 Review”
“What We Do in the Shadows S4:E7 Pine Barrens”

TELEVISION NON-FICTION, VARIETY or MUSIC – SERIES or SPECIALS
“Carole King & James Taylor: Just Call Out My Name”
“Formula 1: Drive to Survive S4:E9 Gloves Are Off”
“George Carlin’s American Dream E1 Part 1”
“Lucy and Desi”
“Obi-Wan Kenobi: A Jedi’s Return”

STUDENT RECOGNITION AWARD FINALISTS
Chelsea Rae Adams
Colette Grob
María Clara Calle Jiménez
Sophia L. White
Timo Nelson

 

4 Shots From 4 Films: Special Pier Paolo Pasolini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

101 years ago, on this date, Pier Paolo Pasolini was born in Italy.  His controversial films and his mysterious death continue to inspire debate to this very day.  Both the man and his works were full of intriguing contradictions.  Pasolini was an atheist who made one of the best Biblical films ever made.  He was a communist who made films that celebrated individual freedom and who had little use for the upper class liberals who made up much of the European counterculture of the 1960s.  In the end, he was an artist unafraid to challenge all assumptions, whether they were found on the right or the left.  His final film, Salo, was the most controversial of his career.  It was also projected to be the first part of a trilogy, though those plans were ended by Pasolini’s murder.

It’s time for….

4 Shots From 4 Pier Paolo Pasolini Films

Accatone (1961, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

The Gospel According To St. Matthew (1964, dir by Pier Paolo Pasolini, DP: Tonino Delli Colli)

Teorema (1968, dir by Pier Paolo Pasolini, DP: Giuseppe Ruzzolini)

Medea (1969, dir by Pier Paolo Pasolini, DP: Ennio Guarnieri)

Music Video of the Day: Crush by Mandy Moore (2001, dir by Chris Applebaum)


Mandy Moore has a crush but her apartment building has structural issues!

Mandy Moore has got such a crush on her neighbor that she just has to sing about it!  In fact, the music gets so loud that the neighbor comes over to complain.  Is he not paying attention to the lyrics?  Later, Mandy discovers that her crush is apparently a very deep sleeper.  And even later, Mandy is visited by two chimpanzees.  Wait, what?

A few thoughts.

First off, I hate the wallpaper in Mandy’s apartment.

Secondly, chimpanzees freak me out because they’re always wearing diapers and I would not want to be on chimp clean-up duty.

Third, Mandy’s apartment building has some serious structural issues.  I mean, if you’re falling through the carpet and landing in a different reality, that could be an issue.  Also, as much as I dislike the wallpaper, the carpet in the hallways is even worse.

Fourth, this video proved that, long before This Is Us ever premiered, Mandy Moore was a good actress.  Personally, I prefer this video to This Is Us because it’s a bit cheerier and no one dies.  I only saw a handful of episodes of This Is Us but, in every episode I did see, someone died.  I’m pretty sure the whole point of the show was that Mandy Moore’s daughter intentionally set the fire that killed her father.  This video is a lot more fun than This Is Us.

Enjoy!

Lisa Marie’s Week In Television: 2/26/23 — 3/4/23


I was finally able to get caught up on some of my shows this week.  Here some thoughts on what I watched.

Abbott Elementary (Wednesday Night, ABC)

I’m kind of worried.  There’s so much about this show that works but I worry that it’s going to lose sight of all of those things by getting bogged down with this whole Charter school subplot.  This week was great when Jacob was freaking out over the mural and when Janine and Gregory were trying to work up the courage to tell Maurice about what happened at the convention.  (And I loved Maurice’s reaction to the news.)  But the Charter school stuff is such a drag!  It’s the same sort of thing that ultimately kept Parks and Rec from being as good as it could have been.

American Idol (Sunday Night, ABC)

I watched the two latest episodes of American Idol on Hulu on Monday.  It’s always a bit weird to me when I see the newest episodes of the show and I see how positive and friendly the judges are.  Obviously, times have changed and I guess you couldn’t really get away with Simon and Randy laughing at someone for having a bad voice nowadays.  Today, old school American Idol would probably be seen as bullying.  I’m not necessarily saying that the show should go back to its old style.  To be honest, I always hated it whenever someone who was obviously developmentally challenged was brought in to audition just so the show could try to score a few mean-spirited laughs off of them.  Still, the upbeat atmosphere of the current version of the show feels a bit forced at times.

The Bachelor (Monday Night, ABC)

I watched the last three or four episodes this week.  They all kind of blended together but I’m all caught up now.  Zach is not particularly interesting but I did enjoy seeing London.  If I don’t seem like I’m really into this season …. well, I’m not.  To be honest, I kind of feel like maybe this franchise needs to either take a longer break between seasons or change up the format a bit.  When the show’s bachelor or bachelorette is interesting, it’s fine if the season itself is a bit predictable.  But when you got someone like Zach, it becomes a lot harder to overlook just how artificial this entire show is.

The Brady Bunch Hour (YouTube)

I’m nearly done with The Brady Bunch Hour and, as much as I make fun of this show, I am going to miss it.  You can read this week’s review here!

City Guys (YouTube)

On Sunday, I watched and wrote up reviews for several hours worth of City Guys.  As such, I won’t have to watch the show again until June.  Yay!  Read this week’s review by clicking here!

Ghosts (Thursday Night, CBS)

I got caught up on the last four episodes of Ghosts this morning and I have to say, it remains a surprisingly fun show.  Depending on what happens with all that charter school nonsense, there’s a chance that Ghosts could replace Abbott Elementary as the best sitcom to currently air on network television.

The Love Boat (Paramount Plus)

Love, exciting and new!  You can read this week’s review here!

My Lover, My Killer (Netflix)

This is a British true crime series about women and men who were killed by their lovers.  I watched two episodes on Wednesday morning.  I fell asleep while watching the third episode, not because it was boring but just because it was three in the morning.  I’m pretty sure I had a bad dream or two as a result of watching this before dozing off.

Night Court (Tuesday Night, NBC)

This week, Abby’s mother dropped by the court and Abby, as usual, reacted in a totally unprofessional way.  There is a part of me that really wants to this show to improve, just because I do like Melissa Rauch and John Larroquette can get laughs out of even the weakest of lines.  But there’s just a blandness at the heart of Night Court.  Even writing up these very brief reviews, I sometimes struggle to really come up with anything to say about the show.  It’s neither great nor terrible.  It’s just kind of there.

The SAG Awards (Sunday Night, YouTube)

This year, the SAG Awards were broadcast on YouTube, which I think is probably a sign of things to come.  It might not happen for a few years but, eventually, the Oscars are going to be an exclusively streaming event as well.  I’ve always assumed that the inevitable move to a streaming platform would improve the Oscars but, to be honest, the SAG Awards on YouTube were just as bland as the SAG Awards on television so who knows?

I was a little bit surprised at how completely Everything Everywhere All At Once swept the awards.  I was expecting the film to win Best Ensemble but I was certainly not expecting Jamie Lee Curtis to beat Angela Bassett for the Supporting Actress award.  Other than that, the SAG Awards were most memorable for Fran Drescher announcing that SAG is apparently going to save the world.  Good for them!

(Actually, as I watched Fran Descher’s speech, I suddenly remembered that she lobbied to be appointed to the Senate after Hillary Clinton become Secretary of State.  U.S. Sen. Drescher?  Actually, that’s kind of a fun idea.)

South Park (Wednesday Night, Comedy Central)

I’m happy to say that I’m now caught up on the latest season of South Park.  “We want our privacy!”

Survivor (Wednesday Night, CBS)

Yay!  Survivor’s back!  I wrote about the premiere of the 44th season over at the Reality TV Chat Blog!

The Weather (Thursday Night, Every Channel in North Texas)

On Thursday, North Texas got hit by a huge thunderstorm and there were rumors of tornadoes in the area.  The local weather people were overjoyed to have an excuse to interrupt regularly scheduled programming.  For an hour or two, they went out of their way to try to terrify anyone watching.  “We think we may have spotted some tornadic activity!”  Fortunately, North Texas survived but you better believe these folks will be patting themselves on the back for at least the rest of the month.

The Spirit Awards Honor Everything


The Independent Spirit Awards were handed out earlier today and it was another good showing for Everything Everywhere All At Once.  Will the Oscars follow the lead of the Spirits?

We’ll find out in a week!

BEST FEATURE
Bones and All
Everything Everywhere All At Once
Our Father, the Devil
TÁR
Women Talking

BEST FIRST FEATURE
Aftersun
Emily the Criminal
The Inspection
Murina
Palm Trees and Power Lines

JOHN CASSAVETES AWARD
The African Desperate
A Love Song
The Cathedral
Holy Emy
Something in the Dirt

BEST DIRECTOR
Todd Field – TÁR
Kogonada – After Yang
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once
Sarah Polley – Women Talking
Halina Reijn – Bodies Bodies Bodies

BEST SCREENPLAY
Lena Dunham – Catherine Called Birdy
Todd Field – TÁR
Kogonada – After Yang
Daniel Kwan & Daniel Scheinert – Everything Everywhere All At Once
Sarah Polley – Women Talking

BEST FIRST SCREENPLAY
Joel Kim Booster – Fire Island
Jamie Dack, Audrey Findlay, Story by Jamie Dack – Palm Trees and Power Lines
K.D. Dávila – Emergency
Sarah DeLappe, Story by Kristen Roupenian – Bodies Bodies Bodies
John Patton Ford – Emily the Criminal

BEST LEAD PERFORMANCE
Cate Blanchett – TÁR
Dale Dickey – A Love Song
Mia Goth – Pearl
Regina Hall – Honk for Jesus. Save Your Soul.
Paul Mescal – Aftersun
Aubrey Plaza – Emily the Criminal
Jeremy Pope – The Inspection
Andrea Riseborough – To Leslie
Taylor Russell – Bones and All
Michelle Yeoh – Everything Everywhere All At Once

BEST SUPPORTING PERFORMANCE
Jamie Lee Curtis – Everything Everywhere All At Once
Brian Tyree Henry – Causeway
Nina Hoss – TÁR
Brian d’Arcy James – The Cathedral
Ke Huy Quan – Everything Everywhere All At Once
Trevante Rhodes – Bruiser
Theo Rossi – Emily the Criminal
Mark Rylance – Bones and All
Jonathan Tucker – Palm Trees and Power Lines
Gabrielle Union – The Inspection

BEST BREAKTHROUGH PERFORMANCE
Frankie Corio – Aftersun
Gracija Filipović – Murina
Stephanie Hsu – Everything Everywhere All At Once
Lily McInerny – Palm Trees and Power Lines
Daniel Zolghadri – Funny Pages

BEST CINEMATOGRAPHY
Florian Hoffmeister – TÁR
Hélène Louvart – Murina
Gregory Oke – Aftersun
Eliot Rockett – Pearl
Anisia Uzeyman – Neptune Frost

BEST EDITING
Ricky D’Ambrose – The Cathedral
Dean Fleischer Camp & Nick Paley – Marcel the Shell with Shoes On
Blair McClendon – Aftersun
Paul Rogers – Everything Everywhere All At Once
Monika Willi – TÁR

BEST DOCUMENTARY
All That Breathes
All the Beauty and the Bloodshed
A House Made of Splinters
Midwives
Riotsville, U.S.A.

BEST INTERNATIONAL FILM
Corsage
Joyland
Leonor Will Never Die
Return to Seoul
Saint Omer

PRODUCERS AWARD
Liz Cardenas
Tory Lenosky
David Grove Churchill Viste

SOMEONE TO WATCH AWARD
Adamma Ebo – Honk for Jesus. Save Your Soul.
Nikyatu Jusu – Nanny
Araceli Lemos – Holy Emy

TRUER THAN FICTION AWARD
Isabel Castro – Mija
Reid Davenport – I Didn’t See You There
Rebeca Huntt – Beba

BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES
Children of the Underground
Mind Over Murder
Pepsi, Where’s My Jet?
The Rehearsal
We Need to Talk About Cosby

BEST NEW SCRIPTED SERIES
The Bear
Pachinko
The Porter
Severance
Station Eleven

BEST LEAD PERFORMANCE IN A NEW SCRIPTED SERIES
Aml Ameen – The Porter
Mohammed Amer – Mo
Quinta Brunson – Abbott Elementary
Bridget Everett – Somebody Somewhere
KaMillion – Rap Sh!t
Melanie Lynskey – Yellowjackets
Himesh Patel – Station Eleven
Sue Ann Pien – As We See It
Adam Scott – Severance
Ben Whishaw – This is Going to Hurt

BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES
Danielle Deadwyler – Station Eleven
Ayo Edebiri – The Bear
Jeff Hiller – Somebody Somewhere
Gbemisola Ikumelo – A League of Their Own
Janelle James – Abbott Elementary
Ebon Moss-Bachrach – The Bear
Frankie Quiñones – This Fool
Sheryl Lee Ralph – Abbott Elementary
Molly Shannon – I Love That For You
Tramell Tillman – Severance

ROBERT ALTMAN AWARD
Women Talking
Director: Sarah Polley
Casting Directors: John Buchan, Jason Knight
Ensemble Cast: Shayla Brown, Jessie Buckley, Claire Foy, Kira Guloien, Kate Hallett, Judith Ivey, Rooney Mara, Sheila McCarthy, Frances McDormand, Michelle McLeod, Liv McNeil, Ben Whishaw, August Winter

BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES
Pachinko – Ensemble Cast: Soji Arai, Jin Ha, Inji Jeong, Minha Kim, Kaho Minami, Lee Minho, Steve Sanghyun Noh, Anna Sawai, Jimmi Simpson, Yuh-jung Youn